Fireplace
A fireplace is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room, modern fireplaces have variable heat efficiency, depending on the sophistication of the design. Historically they were used for heating a dwelling and heating water for laundry, a fire is contained in a firebox or firepit, a chimney or other flue allows exhaust to escape. On the exterior there is often a brick crown, in which the projecting courses of brick act as a drip course to keep rainwater from running down the exterior walls. Some chimneys have a spark arrestor incorporated into the crown or cap, organizations like the Environmental Protection Agency and the Washington Department of Ecology warn that, according to various studies, fireplaces can pose a significant health risk. The EPA writes Smoke may smell good, but its not good for you, manufactured fireplaces are made with sheet metal fire boxes. Electric fireplaces can be built-in replacements for wood or gas or retrofit with log inserts or electric fireboxes and prefabricated fireplaces can be fueled by wood, natural gas and propane fuel sources.
Ventless Fireplaces are fueled by either gel, liquid propane, bottled gas or natural gas, in the United States, some states and local counties have laws restricting these types of fireplaces. They must be sized to the area to be heated. There are air quality issues due to the amount of moisture they release into the room air. Direct vent fireplaces are fueled by either liquid propane or natural gas and they are completely sealed from the area that is heated, and vent all exhaust gasses to the exterior of the structure. Chimney and flue types, Masonry with or without tile-lined flue, fundamental design flaws bankrupted the US manufacturers and made the design obsolete. These chimneys often show vertical cracks on the exterior, metal-lined flue, Double or triple walled metal pipe running up inside a new or existing wood-framed or masonry chase. Newly constructed flues may feature a cover, a cap. All fireplaces require trained gas service members to carry out installations, a wide range of accessories are used with fireplaces, which range between countries and historical periods.
For the interior, common in recent Western cultures include grates, log boxes, pellet baskets, a grate is a frame, usually of iron bars, to retain fuel for a fire. Heavy metal firebacks are sometimes used to capture and re-radiate heat, to protect the back of the fireplace, fenders are low metal frames set in front of the fireplace to contain embers and ash. For fireplace tending, tools include pokers, tongs, brushes, ancient fire pits were sometimes built in the ground, within caves, or in the center of a hut or dwelling
Inigo Jones
Inigo Jones was the first significant English architect in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England, Jones was the first person who introduced the classical architecture of Rome and he made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Beyond the fact that he was born in Smithfield, the son of Inigo Jones, a Welsh cloth worker, at some point before 1603 a rich patron sent him to Italy to study drawing after being impressed by the quality of his sketches. From Italy he travelled to Denmark where he worked for King Christian on the design of the palaces of Rosenborg and Frederiksborg, Jones first became famous as a designer of costumes and stage settings, especially after he brought masques to the stage. Under Queen Annes patronage he is credited with introducing movable scenery and this development suggests a second visit to Italy, circa 1606, influenced by the ambassador Henry Wotton.
Jones learned to speak Italian fluently and there is evidence that he owned an Italian copy of Andrea Palladios I quattro libri dellarchitettura with marginalia that refer to Wotton and his architectural work was particularly influenced by Palladio. To a lesser extent, he held to the architectural principles of the ancient Roman writer Vitruvius. Joness first recorded architectural design is for a monument to Lady Cotton, circa 1608 and he devised a masque for the Prince and was possibly involved in some alterations to St Jamess Palace. On this trip, Jones was exposed to the architecture of Rome, Florence, Vicenza and his surviving sketchbook shows his preoccupation with such artists as Parmigianino and Schiavone. He is known to have met Vincenzo Scamozzi at this time and he was probably the first Englishman to study these Roman remains first hand and this was key to the new architecture Jones introduced in England. In September 1615, Jones was appointed Surveyor-General of the Kings Works, both James I and Charles I spent lavishly on their buildings, contrasting hugely with the economical court of Elizabeth I.
As the Kings Surveyor, Jones built some of his key buildings in London, in 1616, work began on the Queens House, for James Is wife, Anne. With the foundations laid and the first storey built, work stopped suddenly when Anne died in 1619, work resumed in 1629, but this time for Charles Is Queen, Henrietta Maria. It was finished in 1635 as the first strictly classical building in England, employing ideas found in the architecture of Palladio and this is Joness earliest surviving work. The Banqueting House was one of several projects where Jones worked with his personal assistant, the Queens Chapel, St. Jamess Palace, was built between 1623 and 1627, for Charles Is Roman Catholic wife, Henrietta Maria. Parts of the design originate in the Pantheon of ancient Rome and these buildings show the realisation of a mature architect with a confident grasp of classical principles and an intellectual understanding of how to implement them. The other project in which Jones was involved is the design of Covent Garden square and he was commissioned by the Earl of Bedford to build a residential square, which he did along the lines of the Italian piazza of Livorno.
It is the first regularly planned square in London, the Earl felt obliged to provide a church and he warned Jones that he wanted to economise
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may decorate steles, upright slabs, usually of stone, techniques such as casting and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies.
The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple.
Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
Portrait
A portrait is a painting, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness and even the mood of the person, for this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, many subjects, such as Akhenaten and some other Egyptian pharaohs, can be recognised by their distinctive features. The 28 surviving rather small statues of Gudea, ruler of Lagash in Sumeria between c.2144 -2124 BC, show a consistent appearance with some individuality. Some of the earliest surviving painted portraits of people who were not rulers are the Greco-Roman funeral portraits that survived in the dry climate of Egypts Fayum district. These are almost the only paintings from the world that have survived, apart from frescos, though many sculptures. Although the appearance of the figures differs considerably, they are considerably idealized, the art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones.
During the 4th century, the portrait began to retreat in favor of a symbol of what that person looked like. In the Europe of the Early Middle Ages representations of individuals are mostly generalized, true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in tomb monuments, donor portraits, miniatures in illuminated manuscripts and panel paintings. Moche culture of Peru was one of the few ancient civilizations which produced portraits and these works accurately represent anatomical features in great detail. The individuals portrayed would have been recognizable without the need for other symbols or a reference to their names. The individuals portrayed were members of the elite, warriors. They were represented during several stages of their lives, the faces of gods were depicted. To date, no portraits of women have been found, there is particular emphasis on the representation of the details of headdresses, body adornment and face painting. One of the portraits in the Western world is Leonardo da Vincis painting titled Mona Lisa.
What has been claimed as the worlds oldest known portrait was found in 2006 in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old. Profile view, full view, and three-quarter view, are three common designations for portraits, each referring to a particular orientation of the head of the individual depicted. Such terms would tend to have greater applicability to two-dimensional artwork such as photography, in the case of three-dimensional artwork, the viewer can usually alter their orientation to the artwork by moving around it
Giovanni Battista Piranesi
Giovanni Battista Piranesi was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric prisons. Piranesi was born in Mogliano Veneto, near Treviso, part of the Republic of Venice, from 1740 he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, Giuseppe Vasi found Piranesis talent was beyond engraving. According to Legrand, Vasi told Piranesi that you are too much of a painter, my friend, from 1743 to 1747 he sojourned mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and he returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774 he created a series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient edifices, in 1761 he became a member of the Accademia di San Luca and opened a printing facility of his own.
In 1762 the Campo Marzio dellantica Roma collection of engravings was printed, the following year he was commissioned by Pope Clement XIII to restore the choir of San Giovanni in Laterano, but the work did not materialize. He combined certain ancient architectural elements and escutcheons, with a venetian whimsicality for the facade of the church and this was the only time he expressed himself in actual marble and stone. In 1767 he was made a knight of the Golden Spur, in 1776 he created his best known work as a restorer of ancient sculpture, the Piranesi Vase, and in 1777–78 he published Avanzi degli Edifici di Pesto. He died in Rome in 1778 after an illness, and was buried in the Church he had helped restore. His tomb was designed by Giuseppi Angelini, the idea of Enlightenment by theorists and artists traveled all over the Europe including Paris and London. The developing center of the Grand Tour was Rome, Rome became a new meeting place and intellectual capital of Europe for the leaders of a new movement in the arts.
The city was attracting artists and architects all over the Europe beside the Grand Tourists, dealers. While many came though official institutions such as the French Academy, others came to see the new discoveries at Heraculaneum, Piranesi was not only aware of the engineering of the ancient buildings but the poetic aspects of the ruins from his experience in Venice. One distinctive feature of Piranesis work is based on the interpretation of Classical antiquity by adding his imagination to increase the originality, through the works of Marco Ricci and particularly Giovanini Paolo Pannini, Piranesi became familiar with the architectonic values as well as the ruin fantasy. The remains of Rome kindled Piranesis enthusiasm, some of his work was completed by his children and several pupils. Piranesis son and coadjutor, Francesco and preserved his plates, twenty-nine folio volumes containing about 2000 prints appeared in Paris
United States
Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power.
The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations.
In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
Renaissance
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and spread to the rest of Europe. This new thinking became manifest in art, politics, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Milan, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century.
The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, several theories have been put forward to explain its origins. During the Renaissance and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money.
Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
Archivolt
An archivolt is an ornamental molding or band following the curve on the underside of an arch. It is composed of bands of ornamental moldings surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening, the word is sometimes used to refer to the under-side or inner curve of the arch itself. The word originates in the Italian equivalents of the English words arch, university of Pittsburgh, Glossary of Medieval Art and Architecture
Victoria and Albert Museum
The Victoria and Albert Museum, London, is the worlds largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert and these include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a public body sponsored by the Department for Culture, Media. Like other national British museums, entrance to the museum has been free since 2001, the V&A covers 12.5 acres and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America and North Africa. The museum owns the worlds largest collection of sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, Japan, the East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world.
Overall, it is one of the largest museums in the world, New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815, at this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection, by February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House, this was extended including the first refreshment rooms opened in 1857, the official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting, in these early years the practical use of the collection was very much emphasised as opposed to that of High Art at the National Gallery and scholarship at the British Museum.
George Wallis, the first Keeper of Fine Art Collection, passionately promoted the idea of art education through the museum collections. From the 1860s to the 1880s the scientific collections had been moved from the museum site to various improvised galleries to the west of Exhibition Road. In 1893 the Science Museum had effectively come into existence when a director was appointed. The laying of the stone of the Aston Webb building on 17 May 1899 was the last official public appearance by Queen Victoria. It was during this ceremony that the change of name from the South Kensington Museum to the Victoria, the exhibition which the museum organised to celebrate the centennial of the 1899 renaming, A Grand Design, first toured in North America from 1997, returning to London in 1999
Charles V, Holy Roman Emperor
Charles V was ruler of both the Spanish Empire from 1516 and the Holy Roman Empire from 1519, as well as of the Habsburg Netherlands from 1506. He voluntarily stepped down from these and other positions by a series of abdications between 1554 and 1556, through inheritance, he brought together under his rule extensive territories in western and southern Europe, and the Spanish colonies in the Americas and Asia. As a result, his domains spanned nearly four square kilometers and were the first to be described as the empire on which the sun never sets. Charles was the heir of three of Europes leading dynasties, the Houses of Valois-Burgundy and Trastámara and he inherited the Burgundian Netherlands and the Franche-Comté as heir of the House of Valois-Burgundy. From his own dynasty, the Habsburgs, he inherited Austria and he was elected to succeed his Habsburg grandfather, Maximilian I, as Holy Roman Emperor, a title held by the Habsburgs since 1440. Charles was the first king to rule Castile and Aragon simultaneously in his own right, the personal union, under Charles, of the Holy Roman Empire with the Spanish Empire resulted in the closest Europe would come to a universal monarchy since the death of Louis the Pious.
France recovered and the wars continued for the remainder of Charless reign, enormously expensive, they led to the development of the first modern professional army in Europe, the Tercios. The struggle with the Ottoman Empire was fought in Hungary and the Mediterranean, after seizing most of eastern and central Hungary in 1526, the Ottomans’ advance was halted at their failed Siege of Vienna in 1529. A lengthy war of attrition, conducted on his behalf by his younger brother Ferdinand, in the Mediterranean, although there were some successes, Charles was unable to prevent the Ottomans’ increasing naval dominance and the piratical activity of the Barbary Corsairs. Charles opposed the Reformation and in Germany he was in conflict with the Protestant Princes of the Schmalkaldic League who were motivated by religious and political opposition to him. Once the rebellions were quelled the essential Castilian and Burgundian territories remained mostly loyal to Charles throughout his rule, Charles’s Spanish dominions were the chief source of his power and wealth, and they became increasingly important as his reign progressed.
In the Americas, Charles sanctioned the conquest by Castillian conquistadors of the Aztec, Castillian control was extended across much of South and Central America. The resulting vast expansion of territory and the flows of South American silver to Castile had profound long term effects on Spain. Charles was only 56 when he abdicated, but after 34 years of rule he was physically exhausted and sought the peace of a monastery. Upon Charles’s abdications, the Holy Roman Empire was inherited by his younger brother Ferdinand, the Spanish Empire, including the possessions in the Netherlands and Italy, was inherited by Charles’s son Philip II. The two empires would remain allies until the 18th century, Charles was born in 1500 as the eldest son of Philip the Handsome and Joanna of Castile in the Flemish city of Ghent, which was part of the Habsburg Netherlands. The culture and courtly life of the Burgundian Low Countries were an important influence in his early life and he was tutored by William de Croÿ, and by Adrian of Utrecht.
He gained a decent command of German, though he never spoke it as well as French, a witticism sometimes attributed to Charles is, I speak Spanish to God, Italian to women, French to men and German to my horse
Empire style
From France it spread into much of Europe and the United States. The style originated in and takes its name from the rule of Napoleon I in the First French Empire, when it was intended to idealize Napoleons leadership and the French state. The style corresponds in that intent to the Biedermeier style in the German-speaking lands, Federal style in the United States, the previous style in France was called Louis XVI style. Conventionels saw themselves as antique heroes, children were named after Brutus and Lycurgus. The festivals of the Revolution were staged by David as antique rituals, even the chairs in which the committee of Salut Publique sat were made on antique models devised by David. In fact Neo-classicism became fashionable. The Empire style turned to the opulence of Imperial Rome. The abstemious severity of Doric was replaced by Corinthian richness and splendour, two French architects, Charles Percier and Pierre Fontaine, were together the creators of the French Empire style. The two had studied in Rome and in the 1790s became leading furniture designers in Paris, where they received commissions from Napoleon.
Architecture of the Empire style was based on elements of the Roman Empire and its archaeological treasures. The preceding Louis XVI and Directoire styles employed straighter, simpler designs compared to the Rococo style of the eighteenth century, Empire designs strongly influenced the contemporary American Federal style, and both were forms of propaganda through architecture. It was a style of the people, not ostentatious but sober, the style was considered to have liberated and enlightened architecture just as Napoleon liberated the peoples of Europe with his Napoleonic Code. The Empire period was popularized by the designs of Percier and Fontaine. The designs drew for inspiration on symbols and ornaments borrowed from the glorious ancient Greek, buildings typically had simple timber frames and box-like constructions, veneered in expensive mahogany imported from the colonies. Biedermeier furniture used ebony details, originally due to financial constraints, ormolu details displayed a high level of craftsmanship.
General Bernadotte, to become King Karl Johan of Sweden and Norway, introduced the Napoleonic style to Sweden, the Karl Johan style remained popular in Scandinavia even as the Empire style disappeared from other parts of Europe. France paid some of its debts to Sweden in ormolu bronzes instead of money, leading to a vogue for crystal chandeliers with bronze from France, after Napoleon lost power, the Empire style continued to be in favour for many decades, with minor adaptations. There was a revival of the style in the last half of the century in France, again at the beginning of the twentieth century. Stalinist architecture is referred to as Stalins Empire style
HVAC
Heating and air conditioning is the technology of indoor and vehicular environmental comfort. Its goal is to provide comfort and acceptable indoor air quality. HVAC system design is a subdiscipline of mechanical engineering, based on the principles of thermodynamics, fluid mechanics, Refrigeration is sometimes added to the fields abbreviation as HVAC&R or HVACR, or ventilating is dropped as in HACR. Ventilation removes unpleasant smells and excessive moisture, introduces outside air, keeps interior building air circulating, ventilation includes both the exchange of air to the outside as well as circulation of air within the building. It is one of the most important factors for maintaining acceptable indoor air quality in buildings, methods for ventilating a building may be divided into mechanical/forced and natural types. HVAC systems can be used in domestic and commercial environments. HVAC systems can provide ventilation, reduce air infiltration, and maintain pressure relationships between spaces, the means of air delivery and removal from spaces is known as room air distribution.
In modern buildings the design and control systems of functions are integrated into one or more HVAC systems. For very small buildings, contractors normally estimate the capacity, for larger buildings, building service designers, mechanical engineers, or building services engineers analyze and specify the HVAC systems. Specialty mechanical contractors fabricate and commission the systems, Building permits and code-compliance inspections of the installations are normally required for all sizes of building. HVAC is based on inventions and discoveries made by Nikolay Lvov, Michael Faraday, Willis Carrier, Edwin Ruud, Reuben Trane, James Joule, William Rankine, Sadi Carnot, heaters are appliances whose purpose is to generate heat for the building. This can be done via central heating, such a system contains a boiler, furnace, or heat pump to heat water, steam, or air in a central location such as a furnace room in a home, or a mechanical room in a large building. The heat can be transferred by convection, conduction, or radiation, heaters exist for various types of fuel, including solid fuels and gases.
Another type of source is electricity, normally heating ribbons composed of high resistance wire. This principle is used for baseboard heaters and portable heaters. Electrical heaters are used as backup or supplemental heat for heat pump systems. The heat pump gained popularity in the 1950s in Japan and the United States, heat pumps can extract heat from various sources, such as environmental air, exhaust air from a building, or from the ground. In the case of heated water or steam, piping is used to transport the heat to the rooms, most modern hot water boiler heating systems have a circulator, which is a pump, to move hot water through the distribution system
This article incorporates text from a publication now in the public domain: Spiers, Richard Phené (1911). . In Chisholm, Hugh (ed.). Encyclopædia Britannica. 6 (11th ed.). Cambridge University Press. pp. 165–166.
This article incorporates text from a publication now in the 