1.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
2.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
3.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
4.
Tuscany
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Tuscany is a region in central Italy with an area of about 23,000 square kilometres and a population of about 3.8 million inhabitants. Tuscany is known for its landscapes, traditions, history, artistic legacy, Tuscany produces wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is considered a nation within a nation. Tuscany is traditionally a popular destination in Italy, and the main tourist destinations by number of tourist arrivals are Florence, Pisa, Montecatini Terme, Castiglione della Pescaia and Grosseto. The village of Castiglione della Pescaia is also the most visited destination in the region. Additionally, Siena, Lucca, the Chianti region, Versilia and Val dOrcia are also internationally renowned, Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year. In 2012, the city of Florence was the worlds 89th most visited city, roughly triangular in shape, Tuscany borders the regions of Liguria to the northwest, Emilia-Romagna to the north and east, Umbria to the east and Lazio to the southeast. The comune of Badia Tedalda, in the Tuscan Province of Arezzo, has an exclave named Ca Raffaello within Emilia-Romagna, Tuscany has a western coastline on the Tyrrhenian Sea, containing the Tuscan Archipelago, of which the largest island is Elba. Tuscany has an area of approximately 22,993 square kilometres, surrounded and crossed by major mountain chains, and with few plains, the region has a relief that is dominated by hilly country used for agriculture. Hills make up nearly two-thirds of the total area, covering 15,292 square kilometres, and mountains. Plains occupy 8. 4% of the total area—1,930 square kilometres —mostly around the valley of the River Arno, many of Tuscanys largest cities lie on the banks of the Arno, including the capital Florence, Empoli and Pisa. The pre-Etruscan history of the area in the late Bronze and Iron Ages parallels that of the early Greeks, following this, the Villanovan culture saw Tuscany, and the rest of Etruria, taken over by chiefdoms. City-states developed in the late Villanovan before Orientalization occurred and the Etruscan civilization rose, the Etruscans created the first major civilization in this region, large enough to establish a transport infrastructure, to implement agriculture and mining and to produce vibrant art. The Etruscans lived in Etruria well into prehistory, throughout their existence, they lost territory to Magna Graecia, Carthage and Celts. Despite being seen as distinct in its manners and customs by contemporary Greeks, the cultures of Greece, one reason for its eventual demise was this increasing absorption by surrounding cultures, including the adoption of the Etruscan upper class by the Romans. Soon after absorbing Etruria, Rome established the cities of Lucca, Pisa, Siena, and Florence, endowed the area with new technologies and development, and ensured peace. These developments included extensions of existing roads, introduction of aqueducts and sewers, however, many of these structures have been destroyed by erosion due to weather. The Roman civilization in the West collapsed in the 5th century AD, in the years following 572, the Longobards arrived and designated Lucca the capital of their Duchy of Tuscia
5.
Christian denomination
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A Christian denomination is a distinct religious body within Christianity, identified by traits such as a name, organisation, leadership and doctrine. Individual bodies, however, may use alternative terms to describe themselves, groups of denominations—often sharing broadly similar beliefs, practices, and historical ties—are sometimes known as branches of Christianity or denominational families. Individual Christian groups vary widely in the degree to which they recognize one another, several groups claim to be the direct and sole authentic successor of the church founded by Jesus Christ in the 1st century AD. Others, however, believe in denominationalism, where some or all Christian groups are legitimate churches of the same regardless of their distinguishing labels, beliefs. Because of this concept, some Christian bodies reject the term denomination to describe themselves, however, the Catholic Church does not view itself as a denomination, but as the original pre-denominational church. This view is rejected by other Christian denominations, Protestant denominations account for approximately 37 percent of Christians worldwide. Together, Catholicism and Protestantism comprise Western Christianity, Western Christian denominations prevail in Western, Northern, Central and Southern Europe, Sub-Saharan Africa, the Americas and Oceania. The Eastern Orthodox Church, with an estimated 225–300 million adherents, is the second-largest Christian organization in the world, unlike the Catholic Church, the Eastern Orthodox Church is itself a communion of fully independent autocephalous churches that mutually recognize each other to the exclusion of others. The Eastern Orthodox Church, together with Oriental Orthodoxy and the Assyrian Church of the East, Eastern Christian denominations are represented mostly in Eastern Europe, North Asia, the Middle East and Northeast Africa. Christians have various doctrines about the Church and about how the church corresponds to Christian denominations. Both Catholics and Eastern Orthodox hold that their own organizations faithfully represent the One Holy catholic and Apostolic Church to the exclusion of the other, sixteenth-century Protestants separated from the Catholic Church because of theologies and practices that they considered to be in violation of their own interpretation. But some non-denominational Christians do not follow any particular branch, though regarded as Protestants. Each group uses different terminology to discuss their beliefs and this section will discuss the definitions of several terms used throughout the article, before discussing the beliefs themselves in detail in following sections. A denomination within Christianity can be defined as an autonomous branch of the Christian Church, major synonyms include religious group, sect, Church. Some traditional and evangelical Protestants draw a distinction between membership in the church and fellowship within the local church. Becoming a believer in Christ makes one a member of the universal church, a related concept is denominationalism, the belief that some or all Christian groups are legitimate churches of the same religion regardless of their distinguishing labels, beliefs, and practices. Protestant leaders differ greatly from the views of the leaders of the Roman Catholic Church and the Eastern Orthodox Church, each church makes mutually exclusive claims for itself to be the direct continuation of the Church founded by Jesus Christ, from whom other denominations later broke away. These churches, and a few others, reject denominationalism, Christianity can be taxonomically divided into five main groups, the Church of the East, Oriental Orthodoxy, Eastern Orthodoxy, Roman Catholicism, and Protestantism
6.
Roman Catholic
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The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
7.
Latin Church
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The Latin Church, commonly called Roman Catholic Church, sometimes Western Church, is the largest autonomous particular church sui iuris within the Catholic Church, applying Latin liturgical rites. There are 24 such sui iuris particular churches within the Catholic Church, all the other particular churches sui iuris, of which there are 23, originated farther east and are, therefore, collectively known as the Eastern Catholic Churches. Because of the migrations, members of all of these particular churches sui iuris are no longer confined to their areas of origin. A person is a member of or belongs to a particular church, a person also inherits or is of, a particular patrimony or rite. Since the rite has liturgical, theological, spiritual and disciplinary elements, Particular churches that inherit and perpetuate a particular patrimony are identified by metonymy with that patrimony. Accordingly, rite has been defined as a division of the Christian church using a distinctive liturgy, is considered equal to the Latin rite within the Church. It thus used the rite as a technical designation of what may now be called a particular church. Church or rite is used as a single heading in the United States Library of Congress classification of works. The last known use was Pope Pius XII in Humani generis who taught that the Mystical Body of Christ and the Roman Catholic Church are one. Most ecclesiologists - experts in the theology of the Church itself - instead use Roman Catholic to refer exclusively to the Latin Church. The reasons for this are that each of the 24 Catholic Churches sui iuris have a modifier - Maronite, Ukrainian, Roman, etc. - and that Latin and Roman are virtually interchangeable. Further, as Adrian Fortescue noted in his article in the 1910 Catholic Encyclopedia, today, the most common Latin liturgical rites are the Roman Rite, the Ambrosian Rite, the Mozarabic Rite, and variations of the Roman Rite. The 23 Eastern Catholic Churches share five families of liturgical rites, the Latin liturgical rites, like the Armenian, are used only in a single sui iuris particular church. In the Eastern Churches these sacraments are usually administered immediately after baptism, celibacy, as a consequence of the duty to observe perfect continence, is obligatory for priests in the Latin Church. Rare exceptions are permitted for men who, after ministering as clergy in other churches and this contrasts with the discipline in most Eastern Catholic Churches. In the Latin Church, a man may not be admitted even to the diaconate unless he is legitimately destined to remain a deacon. Marriage after ordination is not possible, and attempting it can result in canonical penalties, Latin Mass Church of Rome Particular church General Roman Calendar Eastern Catholic Churches Catholic Encyclopedia, Latin Church
8.
Cathedral
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A cathedral is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. The counterpart term for such a church in German is Dom from Latin domus ecclesiae or domus episcopalis, also Italian Duomo, Dutch Domkerk, when the church at which an archbishop or metropolitan presides is specifically intended, the term kathedrikos naos is used. In addition, both the Catholic Church and Orthodox churches have formed new dioceses within formerly Protestant lands for converts, consequently, it is not uncommon to find Christians in a single city being served by three or more cathedrals of differing denominations. In the Catholic tradition, the term cathedral correctly applies only to a church houses the seat of the bishop of a diocese. The abbey church of a territorial abbacy serves the same function, the Catholic Church also uses the following terms. A pro-cathedral is a parish or other church used temporarily as a cathedral, usually while the cathedral of a diocese is under construction, renovation and this designation applies only as long as the temporary use continues. A co-cathedral is a cathedral in a diocese that has two sees. A proto-cathedral is the cathedral of a transferred see. The cathedral church of a bishop is called the metropolitan cathedral. The term cathedral actually carries no implication as to the size or ornateness of the building, nevertheless, most cathedrals are particularly impressive edifices. The building is now under renovation and restoration for solemn dedication under the title Christ Cathedral in 2018, in the ancient world the chair, on a raised dais, was the distinctive mark of a teacher or rhetor and thus symbolises the bishops role as teacher. A raised throne within a hall was also definitive for a Late Antique presiding magistrate. The history of cathedrals starts in the year 313, when the emperor Constantine the Great personally adopted Christianity, in the third century, the phrase ascending the platform, ad pulpitum venire, becomes the standard term for Christian ordination. During the siege of Dura Europos in 256, a complete Christian house church, or domus ecclesiae was entombed in a bank, surviving when excavated. Otherwise the large room had no decoration or distinctive features at all, in 269, soon after Dura fell to the Persian army, a body of clerics assembled a charge sheet against the bishop of Antioch, Paul of Samosata, in the form of an open letter. Characteristically a Roman magistrate presided from a throne in a large, richly decorated and aisled rectangular hall called a basilica. The earliest of these new basilican cathedrals of which remains are still visible is below the Cathedral of Aquileia on the northern tip of the Adriatic sea. The three halls create a courtyard, in which was originally located a separate baptistery
9.
Minor basilica
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Minor basilica is a title given to some Roman Catholic church buildings. According to canon law, no church building can be honoured with the title of basilica unless by apostolic grant or from immemorial custom, presently, the authorising decree is granted by the Pope through the Congregation for Divine Worship and the Discipline of the Sacraments. In relation to churches, writers on architecture use the term basilica to describe a church built in a particular style, in the 18th century, the term took on a canonical sense, unrelated to this architectural style. Basilicas in this sense are divided into major and minor basilicas. Today only four, all in Rome, are classified as major basilicas. These external signs, except that of the cappa magna, are still seen in basilicas. It should be large and with an ample sanctuary. It should be renowned for history, relics or sacred images, many basilicas are notable churches, and often receive significant pilgrimages. In December 2009 the Basilica of Our Lady of Guadalupe in Mexico set a record with 6.1 million pilgrims in two days for the feast of Our Lady of Guadalupe. As of June 30,2013, there were four major basilicas and 1,748 minor basilicas in the world, of these 1,748 minor basilicas, three have the title of papal minor basilica and four the title of pontifical minor basilica. The three papal minor basilicas are Saint Lawrence outside the Walls, Rome, and the Basilica of San Francesco dAssisi, All four pontifical minor basilicas now have individual pontifical delegates. For the Bari basilica, which is a dependency of the Secretariat of State, for the basilicas of Loreto and Pompei, which are within their own territorial prelatures, the pontifical delegate is the local territorial prelate. Only for the Paduan basilica is the pontifical delegate distinct from the local bishop, the remaining 1,741 minor basilicas are all classified merely as such. Another such Italian church, recognized as a basilica. This name, qualifying it as both pontifical and royal, is confirmed by other sources. Others are the Pontifical Basilica of Saints Cosmas and Damian in Bitonto, one patriarchal basilica, namely the Patriarchal Cathedral Basilica of St Mark in Venice, called patriarchal because it is the cathedral of the Patriarch of Venice, is a minor basilica. The minor basilicas form the vast majority, including cathedrals, many technically parish churches, some shrines. Some oratories and semi-private places of worship, have raised to the status of a minor basilica
10.
Consecration
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Consecration is the solemn dedication to a special purpose or service, usually religious. The word consecration literally means association with the sacred, persons, places, or things can be consecrated, and the term is used in various ways by different groups. A synonym for to consecrate is to sanctify, a distinct antonym is to desecrate, consecration is used in the Catholic Church as the setting apart for the service of God of both persons and objects. The ordination of a new bishop is called a consecration. While the term episcopal ordination is now common, consecration was the preferred term from the Middle Ages through the period including the Second Vatican Council. The Vatican II document Constitution on the Sacred Liturgy n.76 states, Both the ceremonies, the address given by the bishop at the beginning of each ordination or consecration may be in the mother tongue. When a bishop is consecrated, the laying of hands may be done by all the bishops present, the life of those who enter religious institutes and similar institutes is also described as Consecrated life. The rite of consecration of virgins can be traced back at least to the fourth century, by the time of the Second Vatican Council, the bestowal of the consecration was limited to cloistered nuns only. The Council directed that this should be revised, two similar versions were prepared, one for women living in monastic orders, another for consecrated virgins living in the world. An English translation of the rite for those living in the world is available on the web site of the United States Association of Consecrated Virgins, Chrism, an anointing oil, is olive oil consecrated by a bishop. Objects such as patens and chalices, used for the Sacrament of the Eucharist, also used to be consecrated by a bishop, using chrism. Before a new priest is ordained, the day there is a vigil. A more solemn rite exists for what used to be called the consecration of an altar, the rite is now called the dedication. Since it would be contradictory to dedicate to the service of God a mortgage-burdened building, to consecrate the bread and wine, the priest speaks the Words of Institution. It can also be used to describe the change of the bread and wine into the Body, the Chrism used at Chrismation and the Antimension placed on the Holy Table are also said to be consecrated. A person may be consecrated for a role within a religious hierarchy. In particular, the ordination of a bishop is called a consecration. In churches that follow the doctrine of succession, the bishops who consecrate a new bishop are known as the consecrators
11.
Architect
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An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
12.
Arnolfo di Cambio
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Arnolfo di Cambio was an Italian architect and sculptor. Arnolfo was born in Colle Val dElsa, Tuscany and he was Nicola Pisano’s chief assistant on the marble Siena Cathedral Pulpit for the Duomo in Siena Cathedral, but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King Charles I of Anjou, portraying him in the famous statue housed in the Campidoglio. In this period he worked on the presepio of Santa Maria Maggiore, on Santa Maria in Aracoeli, on the monument of Pope Boniface VIII. In 1294–1295 he worked in Florence, mainly as an architect, the surviving statues are now in the Museum of the Cathedral. While the design of the Church of Santa Croce has been attributed to Arnolfo, Vasari also attributed to him the urban plan of the new city of San Giovanni Valdarno. The monumental character of Arnolfos work has left its mark on the appearance of Florence and his funerary monuments became the model for Gothic funerary art. Giorgio Vasari included a biography of Arnolfo in his Lives of the Most Excellent Painters, Sculptors, old basilica of Santa Maria del Fiore, Florence Cathedral St. Peter Enthroned inside St. Peters Basilica, is often attributed to Arnolfo. Lo stil novo del Gotico italiano, Arnolfo di Cambio in the History of Art
13.
Filippo Brunelleschi
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Filippo Brunelleschi was an Italian designer and a key figure in architecture, recognised to be the first modern engineer, planner and sole construction supervisor. He was one of the fathers of the Renaissance. He is generally known for developing a technique for linear perspective in art. Heavily depending on mirrors and geometry, to reinforce Christian spiritual reality and it also had the most profound – and quite unanticipated – influence on the rise of modern science. His accomplishments also include other works, sculpture, mathematics, engineering. His principal surviving works are to be found in Florence, Italy, unfortunately, his two original linear perspective panels have been lost. Brunelleschi was born in Florence, Italy, little is known about his early life, the only sources being Antonio Manetti and Giorgio Vasari. According to these sources, Filippos father was Brunellesco di Lippo, a notary, Filippo was the middle of their three children. The young Filippo was given a literary and mathematical education intended to enable him to follow in the footsteps of his father, a civil servant. Being artistically inclined, however, Filippo enrolled in the Arte della Seta, the silk merchants Guild, which also included goldsmiths, metalworkers and he became a master goldsmith in 1398. It was thus not a coincidence that his first important building commission, in 1401, Brunelleschi entered a competition to design a new set of bronze doors for the Florence Baptistery. Seven competitors each produced a bronze panel, depicting the Sacrifice of Isaac. Brunelleschis entry, which, with that of Lorenzo Ghiberti, is one of two to have survived, made reference to the Greco-Roman Boy with Thorn. Brunelleschis panel consists of several pieces bolted to the back plate, Brunelleschi is considered a seminal figure of the Renaissance. Around 1400, there emerged a cultural interest in humanitas, or humanism, however, this interest was restricted to a few scholars, writers, and philosophers before it began to influence the visual arts. It was in period that Brunelleschi and his friend Donatello visited Rome to study its ancient ruins. Donatello, like Brunelleschi, was trained as a goldsmith, though he worked in the studio of contemporarily well-known painter Ghiberti. Although the glories of Ancient Rome were a matter of popular discourse at the time, it seems no one had studied the physical fabric of its ruins in any detail until Brunelleschi
14.
Church (building)
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A church building, often simply called a church, is a building used for Christian religious activities, particularly worship services. The term in its sense is most often used by Christians to refer to their religious buildings. In traditional Christian architecture, the church is arranged in the shape of a Christian cross. When viewed from plan view the longest part of a cross is represented by the aisle, towers or domes are often added with the intention of directing the eye of the viewer towards the heavens and inspiring church visitors. The earliest identified Christian church was a church founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, a cathedral is a church, usually Roman Catholic, Anglican, Oriental Orthodox or Eastern Orthodox, housing the seat of a bishop. In standard Greek usage, the word ecclesia was retained to signify both a specific edifice of Christian worship, and the overall community of the faithful. This usage was retained in Latin and the languages derived from Latin, as well as in the Celtic languages. In the Germanic and some Slavic languages, the word kyriak-ós/-ē/-ón was adopted instead, in Old English the sequence of derivation started as cirice, then churche, and eventually church in its current pronunciation. German Kirche, Scottish kirk, Russian церковь, etc. are all similarly derived, according to the New Testament, the earliest Christians did not build church buildings. Instead, they gathered in homes or in Jewish worship places like the Second Temple or synagogues, the earliest archeologically identified Christian church is a house church, the Dura-Europos church, founded between 233 and 256. During the 11th through 14th centuries, a wave of building of cathedrals, in addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a place for guilds or a hall for banquets. Mystery plays were performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain, a common architecture for churches is the shape of a cross. These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, another common feature is the spire, a tall tower on the west end of the church or over the crossing. The Latin word basilica was used to describe a Roman public building
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Sacred architecture
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Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity, conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public. Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, while the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms, religious buildings increasingly became centres of worship, prayer, the Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry, iconography, and the use of sophisticated semiotics such as signs, symbols, Sacred and/or religious architecture is sometimes called sacred space. Architect Norman L. Koonce has suggested that the goal of sacred architecture is to make transparent the boundary between matter and mind, flesh and the spirit, meanwhile, Richard Kieckhefer suggests that entering into a religious building is a metaphor for entering into spiritual relationship. Sacred architecture spans a number of ancient architectural styles including Neolithic architecture, ancient Egyptian architecture, ancient religious buildings, particularly temples, were often viewed as the dwelling place, the temenos, of the gods and were used as the site of various kinds of sacrifice. Ancient tombs and burial structures are examples of architectural structures reflecting religious beliefs of their various societies. The Temple of Karnak at Thebes, Egypt was constructed across a period of 1300 years, ancient Egyptian religious architecture has fascinated archaeologists and captured the public imagination for millennia. Around 600 BCE the wooden columns of the Temple of Hera at Olympia were replaced by stone columns, with the spread of this process to other sanctuary structures a few stone buildings have survived through the ages. Greek architecture preceded Hellenistic and Roman periods, since temples are the only buildings which survive in numbers, most of our concept of classical architecture is based on religious structures. The Parthenon which served as a building as well as a place for veneration of deity, is widely regarded as the greatest example of classical architecture. Indian architecture is related to the history and religions of the time periods as well as to the geography, the diversity of Indian culture is represented in its architecture. Indian architecture comprises a blend of ancient and varied native traditions, with building types, forms and technologies from West, Central Asia, buddhist architecture developed in South Asia beginning in the third century BCE. Two types of structures are associated with early Buddhism, viharas and stupas, an existing example is at Nalanda. The initial function of the stupa was the veneration and safe-guarding of the relics of the Buddha, the earliest existing example of a stupa is in Sanchi. In accordance with changes in practice, stupas were gradually incorporated into chaitya-grihas. These reached their highpoint in the first century BCE, exemplified by the cave complexes of Ajanta, the pagoda is an evolution of the Indian stupa that is marked by a tiered tower with multiple eaves common in China, Japan, Korea, Nepal and other parts of Asia
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Italian Gothic architecture
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Gothic architecture appeared in Italy in the 12th century. Aesthetically, in Italy the vertical development was rarely important, Gothic architecture was imported into Italy, just as it was in many other European countries. The Benedictine Cistercian order was, through their new edifices, the carrier of this new architectural style. It spread from Burgundy, their area, over the rest of Western Europe. The stained glass windows are reduced in size and colorless, in the exterior bell towers and belfries are absent. Always present, however, are oval rectangular groin vaults and clustered piers, composed by an ensemble of smaller columns, the capitals have very simple decorations, usually not figurative. The stone-dressing is very accurate as well, the result is a quasi-modern cleanness, lacking embellishments. Both strove for a certain cleanness, when not poverty, in their edifices, as previously stressed, the first Italian Gothic edifices were Cistercian abbeys. They spread throughout Italian territory, often adapting construction techniques to local traditions, there were in fact brickwork edifices in the Pianura Padana, while stone prevailed in central Italy and Tuscany. In the latter was sometimes present the by-chrome wall decoration from the local Romanesque tradition, the most important edifices include the Chiaravalle Abbey in northern Italy and the Casamari Abbey in central Italy. This century saw the construction of numerous Gothic buildings for the Mendicant Orders, around the late 13th century several important Gothic or Gothic-like edifices were begun, which were to be completed in the following century. In the 15th century no new major Gothic edifices were built in Italy, while the construction of large basilicas and cathedrals begun continued
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Renaissance architecture
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Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
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Gothic Revival architecture
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Gothic Revival is an architectural movement that began in the late 1740s in England. Gothic Revival draws features from the original Gothic style, including decorative patterns, finials, scalloping, lancet windows, hood mouldings, the Gothic Revival movement emerged in 19th-century England. Its roots were intertwined with deeply philosophical movements associated with a re-awakening of High Church or Anglo-Catholic belief concerned by the growth of religious nonconformism, ultimately, the Anglo-Catholicism tradition of religious belief and style became widespread for its intrinsic appeal in the third quarter of the 19th century. The Gothic Revival was paralleled and supported by medievalism, which had its roots in antiquarian concerns with survivals, as industrialisation progressed, a reaction against machine production and the appearance of factories also grew. Proponents of the such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation, poems such as Idylls of the King by Alfred Tennyson, 1st Baron Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature, the Gothic Revival also had a grounding in literary fashions, guarino Guarini, a 17th-century Theatine monk active primarily in Turin, recognized the Gothic order as one of the primary systems of architecture and made use of it in his practice. Some of the earliest evidence of a revival in Gothic architecture is from Scotland, inveraray Castle, constructed from 1746, with design input from William Adam, displays the incorporation of turrets. These were largely conventional Palladian style houses that incorporated some features of the Scots baronial style. The eccentric landscape designer Batty Langley even attempted to improve Gothic forms by giving them classical proportions, a younger generation, taking Gothic architecture more seriously, provided the readership for J. Brittens series of Cathedral Antiquities, which began appearing in 1814. In 1817, Thomas Rickman wrote an Attempt. to name and define the sequence of Gothic styles in English ecclesiastical architecture, the categories he used were Norman, Early English, Decorated, and Perpendicular. It went through numerous editions and was still being republished by 1881. The largest and most famous Gothic cathedrals in the U. S. A. are St. Patricks Cathedral in New York City and Washington National Cathedral on Mount St. Alban in northwest Washington, D. C. One of the biggest churches in Gothic Revival style in Canada is Basilica of Our Lady Immaculate in Ontario, Gothic Revival architecture was to remain one of the most popular and long-lived of the Gothic Revival styles of architecture. The revived Gothic style was not limited to architecture, classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace ant lattice work were applied to a range of Gothic Revival objects. Sir Walter Scotts Abbotsford exemplifies in its furnishings the Regency Gothic style, parties in medieval historical dress and entertainment were popular among the wealthy in the 1800s but has spread in the late 20th century to the well-educated middle class as well. By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper, the illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery
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Groundbreaking
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Such ceremonies are often attended by dignitaries such as politicians and businessmen. The actual shovel or spade used during the actual groundbreaking is often a special ceremonial shovel meant to be saved for subsequent display, commemorative information may be subsequently engraved on the shovel. In some places, clergy may also provide blessings, particularly if the building is being constructed by a church or religious-affiliated organization. The term groundbreaking, when used as an adjective, may mean being or making something that has never been done, seen, or made before, builders rites Topping out Cornerstone Publicity stunt Ribbon cutting ceremony Media related to Ground-breaking ceremonies at Wikimedia Commons
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Nave
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The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
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Building material
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Building material is any material which is used for construction purposes. Many naturally occurring substances, such as clay, rocks, sand, apart from naturally occurring materials, many man-made products are in use, some more and some less synthetic. They provide the make-up of habitats and structures including homes and these trends tend to increase the initial and long term economic, ecological, energy, and social costs of building materials. The initial economic cost of building materials is the purchase price and this is often what governs decision making about what materials to use. Sometimes people take into consideration the energy savings or durability of the materials, for example, an asphalt shingle roof costs less than a metal roof to install, but the metal roof will last longer so the lifetime cost is less per year. Some materials may require more care than others, maintaining costs specific to some materials may also influence the final decision. Risks when considering lifetime cost of a material is if the building is damaged such as by fire or wind, the cost of materials should be taken into consideration to bear the risk to buy combustive materials to enlarge the lifetime. It is said that, if it must be done, it must be done well, pollution costs can be macro and micro. An example of the aspect of pollution is the off-gassing of the building materials in the building or indoor air pollution. Red List building materials are found to be harmful. Also the carbon footprint, the set of greenhouse gas emissions produced in the life of the material. A life-cycle analysis also includes the reuse, recycling, or disposal of construction waste, two concepts in building which account for the ecological economics of building materials are green building and sustainable development. Initial energy costs include the amount of energy consumed to produce, deliver, the long term energy cost is the economic, ecological, and social costs of continuing to produce and deliver energy to the building for its use, maintenance, and eventual removal. The initial embodied energy of a structure is the energy consumed to extract, manufacture, deliver, install, social costs are injury and health of the people producing and transporting the materials and potential health problems of the building occupants if there are problems with the building biology. Aspects of fair trade and labor rights are social costs of building material manufacturing. These were variously named wikiups, lean-tos, and so forth, an extension on the brush building idea is the wattle and daub process in which clay soils or dung, usually cow, are used to fill in and cover a woven brush structure. This gives the more thermal mass and strength. Wattle and daub is one of the oldest building techniques, many older timber frame buildings incorporate wattle and daub as non load bearing walls between the timber frames
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Marble
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Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Geologists use the marble to refer to metamorphosed limestone, however. Marble is commonly used for sculpture and as a building material and this stem is also the basis for the English word marmoreal, meaning marble-like. In Hungarian it is called márvány, Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most commonly limestone or dolomite rock. Metamorphism causes variable recrystallization of the carbonate mineral grains. The resulting marble rock is composed of an interlocking mosaic of carbonate crystals. Primary sedimentary textures and structures of the carbonate rock have typically been modified or destroyed. Pure white marble is the result of metamorphism of a very pure limestone or dolomite protolith, green coloration is often due to serpentine resulting from originally magnesium-rich limestone or dolostone with silica impurities. These various impurities have been mobilized and recrystallized by the intense pressure, examples of historically notable marble varieties and locations, White marble has been prized for its use in sculptures since classical times. This preference has to do with its softness, which made it easier to carve, relative isotropy and homogeneity, construction marble is a stone which is composed of calcite, dolomite or serpentine which is capable of taking a polish. More generally in construction, specifically the dimension stone trade, the marble is used for any crystalline calcitic rock useful as building stone. For example, Tennessee marble is really a dense granular fossiliferous gray to pink to maroon Ordovician limestone that geologists call the Holston Formation. Ashgabat, the city of Turkmenistan, was recorded in the 2013 Guinness Book of Records as having the worlds highest concentration of white marble buildings. According to the United States Geological Survey, U. S. domestic marble production in 2006 was 46,400 tons valued at about $18.1 million, compared to 72,300 tons valued at $18.9 million in 2005. Crushed marble production in 2006 was 11.8 million tons valued at $116 million, of which 6.5 million tons was finely ground calcium carbonate and the rest was construction aggregate. For comparison,2005 crushed marble production was 7.76 million tons valued at $58.7 million, of which 4.8 million tons was finely ground calcium carbonate, U. S. dimension marble demand is about 1.3 million tons. The DSAN World Demand for Marble Index has shown a growth of 12% annually for the 2000–2006 period, the largest dimension marble application is tile. In 1998, marble production was dominated by 4 countries that accounted for almost half of production of marble
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Brick
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A brick is building material used to make walls, pavements and other elements in masonry construction. Traditionally, the term referred to a unit composed of clay. A brick can be composed of clay-bearing soil, sand, and lime, Bricks are produced in numerous classes, types, materials, and sizes which vary with region and time period, and are produced in bulk quantities. Two basic categories of bricks are fired and non-fired bricks, block is a similar term referring to a rectangular building unit composed of similar materials, but is usually larger than a brick. Lightweight bricks are made from expanded clay aggregate, fired bricks are one of the longest-lasting and strongest building materials, sometimes referred to as artificial stone, and have been used since circa 5000 BC. Air-dried bricks, also known as mudbricks, have an older than fired bricks. Bricks are laid in courses and numerous patterns known as bonds, collectively known as brickwork, the earliest bricks were dried brick, meaning that they were formed from clay-bearing earth or mud and dried until they were strong enough for use. The oldest discovered bricks, originally made from shaped mud and dating before 7500 BC, were found at Tell Aswad, in the upper Tigris region, ceramic, or fired brick was used as early as 3000 BC in early Indus Valley cities. In pre-modern China, bricks were being used from the 2nd millennium BCE at a site near Xian, the carpenters manual Yingzao Fashi, published in 1103 at the time of the Song dynasty described the brick making process and glazing techniques then in use. He also had to know when to quench the kiln with water so as to produce the surface glaze, Early civilisations around the Mediterranean adopted the use of fired bricks, including the Ancient Greeks and Romans. The Roman legions operated mobile kilns, and built large brick structures throughout the Roman Empire, during the Early Middle Ages the use of bricks in construction became popular in Northern Europe, after being introduced there from Northern-Western Italy. An independent style of architecture, known as brick Gothic flourished in places that lacked indigenous sources of rocks. Examples of this style can be found in modern-day Denmark, Germany, Poland. A clear distinction between the two styles developed at the transition to Baroque architecture. In Lübeck, for example, Brick Renaissance is clearly recognisable in buildings equipped with terracotta reliefs by the artist Statius von Düren, production of bricks increased massively with the onset of the Industrial Revolution and the rise in factory building in England. For reasons of speed and economy, bricks were increasingly preferred as building material to stone and it was at this time in London, that bright red brick was chosen for construction to make the buildings more visible in the heavy fog and to help prevent traffic accidents. The transition from the method of production known as hand-moulding to a mechanised form of mass-production slowly took place during the first half of the nineteenth century. His mechanical apparatus soon achieved widespread attention after it was adopted for use by the South Eastern Railway Company for brick-making at their factory near Folkestone, the Bradley & Craven Ltd ‘Stiff-Plastic Brickmaking Machine’ was patented in 1853, apparently predating Clayton
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Diocese
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The word diocese is derived from the Greek term διοίκησις meaning administration. When now used in a sense, it refers to a territorial unit of administration. This structure of governance is known as episcopal polity. The word diocesan means relating or pertaining to a diocese and it can also be used as a noun meaning the bishop who has the principal supervision of a diocese. An archdiocese is more significant than a diocese, an archdiocese is presided over by an archbishop whose see may have or have had importance due to size or historical significance. The archbishop may have authority over any other suffragan bishops. In the Latter Day Saint movement, the bishopric is used to describe the bishop himself. Especially in the Middle Ages, some bishops held political as well as religious authority within their dioceses, in the later organization of the Roman Empire, the increasingly subdivided provinces were administratively associated in a larger unit, the diocese. With the adoption of Christianity as the Empires official religion in the 4th century, a formal church hierarchy was set up, parallel to the civil administration, whose areas of responsibility often coincided. With the collapse of the Western Empire in the 5th century, a similar, though less pronounced, development occurred in the East, where the Roman administrative apparatus was largely retained by the Byzantine Empire. In modern times, many dioceses, though later subdivided, have preserved the boundaries of a long-vanished Roman administrative division, modern usage of diocese tends to refer to the sphere of a bishops jurisdiction. As of January 2015, in the Catholic Church there are 2,851 regular dioceses,1 papal see,641 archdioceses and 2,209 dioceses in the world, in the Eastern rites in communion with the Pope, the equivalent unit is called an eparchy. Eastern Orthodoxy calls dioceses metropoleis in the Greek tradition or eparchies in the Slavic tradition, after the Reformation, the Church of England retained the existing diocesan structure which remains throughout the Anglican Communion. The one change is that the areas administered under the Archbishop of Canterbury and Archbishop of York are properly referred to as provinces and this usage is relatively common in the Anglican Communion. Certain Lutheran denominations such as the Church of Sweden do have individual dioceses similar to Roman Catholics and these dioceses and archdioceses are under the government of a bishop. Other Lutheran bodies and synods that have dioceses and bishops include the Church of Denmark, the Evangelical Lutheran Church of Finland, the Evangelical Church in Germany, rather, it is divided into a middle judicatory. The Lutheran Church-International, based in Springfield, Illinois, presently uses a traditional diocesan structure and its current president is Archbishop Robert W. Hotes. The Church of God in Christ has dioceses throughout the United States, in the COGIC, each state is divided up into at least three dioceses that are all led by a bishop, but some states as many as seven dioceses
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Roman Catholic Archdiocese of Florence
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The Archdiocese of Florence is a metropolitan see of the Catholic Church in Italy. Traditionally founded in the 1st century, it was elevated to the dignity of an archdiocese on May 10,1419 and its mother church is the Basilica di Santa Maria del Fiore, which has as its pastor the Archbishop of Florence. Since September 2008 Giuseppe Betori is the new Archbishop, the former Archbishop, alamanno Adimari Francesco Zabarella Amerigo Corsini Giovanni Vitelleschi Ludovico Trevisan, called Scarampo Bartolomeo Zabarella Antoninus of Florence, O. P. Orlando Bonarli Giovanni Neroni Diotisalvi Pietro Riario, O. F. M, alfonso Mistrangelo Elia Dalla Costa Ermenegildo Florit Giovanni Benelli Silvano Piovanelli Ennio Antonelli Giuseppe Betori GCatholic. org Catholic Hierarchy Davies, Gerald Stanley. Renascence, The Sculptured Tombs of the Fifteenth Century in Rome, with Chapters on the Previous Centuries from 1100
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Archbishop
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In Christianity, an archbishop is a bishop of higher rank or office. In some cases, like the Lutheran Church of Sweden, it is the denomination leader title, an archbishop may be granted the title, or ordained as chief pastor of a metropolitan see or another episcopal see to which the title of archbishop is attached. Episcopal sees are generally arranged in groups in which the bishop who is the ordinary of one of them has certain powers and he is known as the metropolitan archbishop of that see. As well as the more numerous metropolitan sees, there are 77 Roman Catholic sees that have archiepiscopal rank. In some cases, such a see is the one in a country, such as Luxembourg or Monaco. In others, the title of archdiocese is for reasons attributed to a see that was once of greater importance. Some of these archdioceses are suffragans of a metropolitan archdiocese, an example is the Archdiocese of Avignon, which is a suffragan of the Archdiocese of Marseille, Another such example is the Archdiocese of Trnava, Slovakia. Others are immediately subject to the Holy See and not to any metropolitan archdiocese and these are usually aggregated to an ecclesiastical province. An example is the Archdiocese of Hobart in Australia, associated with the Metropolitan ecclesiastical province of Melbourne, the ordinary of such an archdiocese is an archbishop, however, especially in the Anglican Communion, not all archbishops dioceses are called archdioceses. Since then, the title of Coadjutor Archbishop of the see is considered sufficient, the rank of archbishop is conferred on some bishops who are not ordinaries of an archdiocese. They hold the rank not because of the see that they head, the bishop transferred is then known as the Archbishop-Bishop of his new see. An example is Gianfranco Gardin, appointed Archbishop-Bishop of Treviso on 21 December 2009, the title borne by the successor of such an archbishop-bishop is merely that of Bishop of the see, unless he also is granted the personal title of Archbishop. The distinction between metropolitan sees and non-metropolitan archiepiscopal sees exists for titular sees as well as for residential ones, the Annuario Pontificio marks titular sees of the former class with the abbreviation Metr. and the others with Arciv. Many of the sees to which nuncios and heads of departments of the Roman Curia who are not cardinals are assigned are not of archiepiscopal rank. In that case the person who is appointed to such a position is given the title of archbishop. They are usually referred to as Archbishop of the see, not as its Archbishop-Bishop, until 1970, such archbishops were transferred to a titular see. There can be several Archbishops Emeriti of the see, the 2008 Annuario Pontificio listed three living Archbishops Emeriti of Taipei. There is no Archbishop Emeritus of a see, an archbishop who holds a titular see keeps it until death or until transferred to another see
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Giuseppe Betori
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Giuseppe Betori is an Italian Cardinal of the Catholic Church. He is the archbishop of Florence and the former Secretary General of the Italian Episcopal Conference and he received a licentiate in theology at the Pontifical Gregorian University and a doctorate in Sacred Scripture at the Pontifical Biblical Institute. He was Professor of anthropology biblical exegesis, Dean of the Theological Institute of Assisi and he also served as undersecretary of Italian Episcopal Conference. He was nominated by Pope John Paul II as Secretary General of the Italian Episcopal Conference and was simultaneously appointed Titular Bishop of Falerone and he received episcopal consecration on 6 May 2001. He was confirmed as Secretary General of the Italian Episcopal Conference, for a further five-year term, on 6 April 2006. Betori was appointed to replace Ennio Antonelli, who had appointed as president of the Pontifical Council for the Family. He received the pallium from Pope Benedict on 29 June 2009, on 5 November 2011 Archbishop Betori survived an apparent assassination attempt. An unidentified man confronted the archbishop outside his office, shot and wounded the prelates secretary, fr Paolo Brogi, the archbishops secretary, was reportedly in satisfactory condition after surgery to repair an abdominal wound. Archbishop Betori and witnesses stated that the gunman said something as he gestured toward the prelate with his firearm, on 10 December 2011 he was appointed a member of the Pontifical Council for Culture for a five-year renewable term. On 6 January 2012 it was announced that Betori would become a cardinal on 18 February and he was created Cardinal-Priest of San Marcello and will having voting rights in a possible conclave until his 80th birthday. In addition to his duties at Culture, Cardinal Betori was appointed a member of the Congregation for Catholic Education, on 17 May 2014, Pope Francis nominated him a member of the Pontifical Council of the Laity. He was one of the electors who participated in the 2013 papal conclave that elected Pope Francis. In a 2007 speech, he identified as the new enemies of Christianity, abortion, euthanasia, the negation of sexual duality and of a family based on marriage. Betori has favoured a ban on the ordination of homosexuals, saying the word discrimination can be used there is a right. Profile of Giuseppe Betori on Catholic Hierarchy
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World Heritage Site
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A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by the United Nations Educational, Scientific and Cultural Organization. Sites are selected on the basis of having cultural, historical, scientific or some form of significance. UNESCO regards these sites as being important to the interests of humanity. The programme catalogues, names, and conserves sites of outstanding cultural or natural importance to the common culture, under certain conditions, listed sites can obtain funds from the World Heritage Fund. The program was founded with the Convention Concerning the Protection of the Worlds Cultural and Natural Heritage, since then,192 state parties have ratified the convention, making it one of the most adhered to international instruments. As of July 2016,1052 sites are listed,814 cultural,203 natural, in 1959, the governments of Egypt and Sudan requested UNESCO to assist their countries to protect and rescue the endangered monuments and sites. In 1960, the Director-General of UNESCO launched an appeal to the Member States for an International Campaign to Save the Monuments of Nubia, the campaign, which ended in 1980, was considered a success. The project cost $80 million, about $40 million of which was collected from 50 countries, the projects success led to other safeguarding campaigns, saving Venice and its lagoon in Italy, the ruins of Mohenjo-daro in Pakistan, and the Borobodur Temple Compounds in Indonesia. UNESCO then initiated, with the International Council on Monuments and Sites, the United States initiated the idea of cultural conservation with nature conservation. The International Union for Conservation of Nature developed similar proposals in 1968, the Convention came into force on 17 December 1975. As of June 2016, it has been ratified by 192 states, including 188 UN member states plus the Cook Islands, the Holy See, Niue, a country must first list its significant cultural and natural sites, the result is called the Tentative List. A country may not nominate sites that have not been first included on the Tentative List, next, it can place sites selected from that list into a Nomination File. The Nomination File is evaluated by the International Council on Monuments and Sites and these bodies then make their recommendations to the World Heritage Committee. There are ten selection criteria – a site must meet at least one of them to be included on the list, up to 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so there is now only one set of ten criteria. Nominated sites must be of outstanding value and meet at least one of the ten criteria. Thus, the Geneva Convention treaty promulgates, Article 53, PROTECTION OF CULTURAL OBJECTS AND OF PLACES OF WORSHIP. There are 1,052 World Heritage Sites located in 165 States Party, of these,814 are cultural,203 are natural and 35 are mixed properties
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Historic Centre of Florence
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The historic centre of Florence is part of quartiere 1 of the Italian city of Florence. This quarter was named a World Heritage Site by UNESCO in 1982, built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Closed inside the avenues traced on the old walls, the historic centre of Florence collects the citys most important cultural heritage sites. Delimited by the 14th century wall circuit, built thanks to the economic and commercial power reached at the time, knew its maximum splendor in the following two centuries. From here to the north there are the Palazzo Medici Riccardi by Michelozzo, crossing the Ponte Vecchio we arrive at the Oltrarno district with the Pitti Palace and the Boboli Gardens. Still in Oltrarno, there are the Basilica of the Holy Spirit by Filippo Brunelleschi, in the area west of the Duomo is situated the imposing palace Palazzo Strozzi and the Basilica of Santa Maria Novella, with the facade designed by Leon Battista Alberti. Criterium 1, the complex of Florence is in itself a unique artistic realization, a chef-doeuvre absolute. It was in the Florentin milieu that two universal geniuses of the arts- Leonardo da Vinci and Michelangelo- were formed and asserted. Criterium 3, the centre of Florence attests in an exceptional manner. From its past, Florence had preserved entire streets, fortified palaces, logge, fountains, a bridge of the 14th century lined with shops. Various trades, organized into prosperous arte have left several monuments such as the Or San Michele, criterium 5, Florence is materially associated with events of a universal importance. It was in the milieu of the Neo-platonic Academia that the concept of the Renaissance was forged, Florence is the birthplace of modern humanism inspired by Landino, Marsilio Ficino, Pico della Mirandola, etc. Squares of the centre of Florence City of Florence
30.
Blessed Virgin Mary (Roman Catholic)
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In the Catholic Church, veneration of Mary, mother of Jesus encompasses various Marian devotions which includes prayer, pious acts, visual arts, poetry, and music devoted to the Blessed Virgin Mary. Popes have encouraged it, while taking steps to reform some manifestations of it. The Holy See has insisted on the importance of distinguishing true from false devotion, there are significantly more titles, feasts, and venerative Marian practices among Roman Catholics than in other Christian traditions. The term hyperdulia indicates the special veneration due to Mary, greater than the ordinary dulia for other saints, the term Mariolatry is a Protestant pejorative label for perceived excessive Catholic devotion to Mary. Belief in the incarnation of God the Son through Mary is the basis for calling her the Mother of God, at the Second Vatican Council and in Pope John Paul IIs encyclical Redemptoris Mater, she is spoken of also as Mother of the Church. The Holy See approves only a few as worthy of belief. In Roman Catholic teachings, the veneration of Mary is a consequence of Christology, Jesus and Mary are son and mother, redeemer. This sentiment was expressed by Pope John Paul II in his encyclical Redemptoris Mater, At the centre of this mystery, in the midst of this wonderment of faith, stands Mary. As the loving Mother of the Redeemer, she was the first to experience it, in the Roman Catholic tradition Mariology is seen as Christology developed to its full potential. Mary is seen as contributing to an understanding of the life of Jesus. In this view, a Christology without Mary is not based on the revelation of the Bible. Traces of this parallel interpretation go back to the days of Christianity. The development of this continued into the 20th century. The divine salvation plan, being not only material, includes a permanent spiritual unity with Christ, Christians love for Mary intuited, frequently in anticipation, certain aspects of the mystery of the Blessed Virgin, calling the attention of theologians and pastors to them. Venerative and devotional practices have often preceded formal theological declarations by the Magisterium, the veneration of the Blessed Virgin takes place in various ways. Marian prayers and hymns usually begin with praise of her, followed by petitions, the number of Marian titles continued to grow as of the 3rd century, and many titles existed by the 5th century, growing especially during the Middle Ages. Veneration for Mary is based on the reference in the Gospel of Luke to Mary as the handmaid of the Lord who is greeted and praised by both Elizabeth and the angel Gabriel. One of the components of the Catholic veneration of Mary is the focus on her participation in the processes of salvation and redemption and this has been explored by such writers as Edward Schillebeeckx and Adrienne von Speyr
31.
Duomo
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Duomo is a term for an Italian cathedral church. The formal Italian word for a church that is now a cathedral is cattedrale, some, like the Duomo of Monza, have never been cathedrals, although old and important. Many people refer to particular churches simply as Il Duomo or the duomo, similar words exist in other languages, Dom, dom, dóm, domkirke, dómkirkja, domo domkyrka, domkirke, doms, toomkirik, and tuomiokirkko. In German the term Dom became the synecdoche, used — pars pro toto — for most existing or former collegiate churches, therefore, the uniform translation of these terms into English as cathedrals may not always be appropriate and should be used on a contextual basis. According to the Oxford English Dictionary, and to Lo Zingarelli, the Garzanti online dictionary also gives the etymology as deriving from house, but house of the bishop instead of the house of God. Italian cathedrals are often decorated and contain notable artworks, in many cases the buildings themselves are true artworks. Perhaps the best known Duomo is Milan Cathedral, but other well-known cathedrals include San Giovanni in Laterano in Rome and those of Alba, Ancona, Mantua, Parma and Florences Santa Maria del Fiore. Other notable examples are in Cefalù, Cremona, Enna, LAquila, Modena, Monreale, Naples, Genoa, Orvieto, Padua, Piazza Armerina, Pisa, Prato, San Gimignano, Siena, Spoleto, Turin and Viterbo
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Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
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Basilica
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The Latin word basilica has three distinct applications in modern English. The word was used to describe an ancient Roman public building where courts were held, as well as serving other official. To a large extent these were the halls of ancient Roman life. The basilica was centrally located in every Roman town, usually adjacent to the main forum, later, the term came to refer specifically to a large and important Roman Catholic church that has been given special ceremonial rights by the Pope. Roman Catholic basilicas are Catholic pilgrimage sites, receiving tens of millions of visitors per year. In December 2009 the Basilica of Our Lady of Guadalupe in Mexico City set a new record with 6.1 million pilgrims during Friday and Saturday for the anniversary of Our Lady of Guadalupe. The Roman basilica was a public building where business or legal matters could be transacted. The first basilicas had no function at all. The central aisle tended to be wide and was higher than the flanking aisles, the oldest known basilica, the Basilica Porcia, was built in Rome in 184 BC by Cato the Elder during the time he was Censor. Other early examples include the basilica at Pompeii, probably the most splendid Roman basilica is the one begun for traditional purposes during the reign of the pagan emperor Maxentius and finished by Constantine I after 313 AD. In the 3rd century AD, the elite appeared less frequently in the forums. They now tended to dominate their cities from opulent palaces and country villas, rather than retreats from public life, however, these residences were the forum made private. Seated in the tribune of his basilica, the man would meet his dependent clientes early every morning. A private basilica excavated at Bulla Regia, in the House of the Hunt and its reception or audience hall is a long rectangular nave-like space, flanked by dependent rooms that mostly also open into one another, ending in a semi-circular apse, with matching transept spaces. Clustered columns emphasised the crossing of the two axes, the remains of a large subterranean Neopythagorean basilica dating from the 1st century AD were found near the Porta Maggiore in Rome in 1915. The ground-plan of Christian basilicas in the 4th century was similar to that of this Neopythagorean basilica, the usable model at hand, when Constantine wanted to memorialise his imperial piety, was the familiar conventional architecture of the basilicas. In, and often also in front of, the apse was a platform, where the altar was placed. Constantine built a basilica of this type in his complex at Trier, later very easily adopted for use as a church
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Polychrome
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Polychrome is the practice of decorating architectural elements, sculpture, etc. in a variety of colors. The term is used to refer to certain styles of architecture, some very early polychrome pottery has been excavated on Minoan Crete such as at the Bronze Age site of Phaistos. In ancient Greece sculptures were painted in strong colors, the paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural color of the stone. But it could cover sculptures in their totality, the painting of Greek sculpture should not merely be seen as an enhancement of their sculpted form but has the characteristics of a distinct style of art. On high-quality bronzes like the Riace bronzes, an early example of polychrome decoration was found in the Parthenon atop the Acropolis of Athens. By the time European antiquarianism took off in the 18th century, however, however, some classicists such as Jacques Ignace Hittorff noticed traces of paint on classical architecture and this slowly came to be accepted. An example of classical Greek architectural polychrome may be seen in the full size replica of the Parthenon exhibited in Nashville, Tennessee, throughout medieval Europe religious sculptures in wood and other media were often brightly painted or colored, as were the interiors of church buildings. The exteriors of churches were painted as well, but little has survived, exposure to the elements and changing tastes and religious approval over time acted against their preservation. With the arrival of European porcelain in the 18th century, brightly colored pottery figurines with a range of colors became very popular. Polychrome brickwork is a style of brickwork which emerged in the 1860s. It was often used to replicate the effect of quoining and to decorate around windows, early examples featured banding, with later examples exhibiting complex diagonal, criss-cross, and step patterns, in some cases even writing using bricks. In the 1970s and 1980s, especially, architects working with bold colors included Robert Venturi, Michael Graves, Polychrome building facades later rose in popularity as a way of highlighting certain trim features in Victorian and Queen Anne architecture in the United States. The rise of the paint industry following the civil war also helped to fuel the use of multiple colors. These earned the endearment Painted Ladies, a term that in modern times is considered kitsch when it is applied to describe all Victorian houses that have painted with period colors. John Joseph Earley developed a process of concrete slab construction and ornamentation that was admired across America. In the Washington, D. C. metropolitan area, his products graced a variety of buildings — all formed by the staff of the Earley Studio in Rosslyn, earleys Polychrome Historic District houses in Silver Spring, Maryland were built in the mid-1930s. The concrete panels were pre-cast with colorful stones and shipped to the lot for on-site assembly, less well-known, but just as impressive, is the Dr. Fealy Polychrome House that Earley built atop a hill in Southeast Washington, D. C. overlooking the city. His uniquely designed polychrome houses were outstanding among prefabricated houses in the country, appreciated for their Art Deco ornament, the term polychromatic means having several colors
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Piazza del Duomo, Florence
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Piazza del Duomo is located in the heart of the historic center of Florence. The west zone of this square is called San Giovanni square, santa Maria del Fiore Cathedral, Is the largest building in medieval Europe, and is the fourth church of Europe by size, its length is 153 m and its height is 116 m. Baptistery of St. John, The octagonal Baptistery stands across from the Duomo cathedral and it is one of the oldest buildings in the city, built between 1059 and 1128. The architecture is in Florentine Romanesque style, museo dellOpera del Duomo, in front of the Florence Cathedral, it commit to the conservation of the Dome and other art works. It store great masterpiece of Michelangelo, Donatello, Lorenzo Ghiberti, Luca della Robbia, Arnolfo di Cambio and many others
36.
Florence Baptistery
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The Florence Baptistery, also known as the Baptistery of Saint John, is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto, the Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures, the south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. The east doors were dubbed by Michelangelo the Gates of Paradise, the Italian poet Dante and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistry. It was long believed that the Baptistry was originally a Roman temple dedicated to Mars, the chronicler Giovanni Villani reported this medieval Florentine legend in his fourteenth-century Nuova Cronica on the history of Florence. It is, however, certain that a first octagonal baptistry was erected here in the fourth or early fifth century. It was replaced or altered by another early Christian baptistry in the sixth century and its construction is attributed to Theodolinda, queen of the Lombards to seal the conversion of her husband, King Authari. The octagon had been a common shape for baptisteries for many centuries since early Christian times, the number eight is a symbol of regeneration in Christianity, signifying the six days of creation, the Day of Rest, and a day of re-creation through the Sacrament of Baptism. The earlier baptistry was the second basilica after San Lorenzo, outside the northern city wall. It was first recorded as such on 4 March 897, when the Count Palatine, the granite pilasters were probably taken from the Roman forum sited at the location of the present Piazza della Repubblica. At that time, the baptistry was surrounded by a cemetery with Roman sarcophagi, the present much larger Baptistry was built in Romanesque style around 1059, evidence of the growing economic and political importance of Florence. It was reconsecrated on 6 November 1059 by Pope Nicholas II, according to legend, the marbles were brought from Fiesole, conquered by Florence in 1078. Other marble came from ancient structures, the construction was finished in 1128. An octagonal lantern was added to the roof around 1150. On the corners, under the roof, are monstrous lion heads with a head under their claws. Between the fourteenth and sixteenth centuries, three double doors were added, with bronze and marble statues above them. This gives an indication that the Baptistry, at time, was at least equal to the neighbouring cathedral in importance. The Baptistry has eight sides with a rectangular addition on the west side
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Giotto's Campanile
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Giotto’s Campanile is a free-standing campanile that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. The slender structure is square in plan with 14.45 metre sides and it is 84.7 metres tall and has polygonal buttresses at each corner. The tower is divided into five stages, at that time he was 67 years old. Giotto concentrated his energy on the design and construction of a campanile for the cathedral and he had become an eminent architect, thanks to the growing autonomy of the architect-designer in relation to the craftsmen since the first half of the 13th century. The first stone was laid on 19 July 1334 and his design was in harmony with the polychromy of the cathedral, as applied by Arnolfo di Cambio, giving the tower a view as if it were “painted”. In his design he also applied chiaroscuro and some form of perspective instead of a strict linear drawing of the campanile, and instead of a filigree skeleton of a gothic building, he applied a surface of coloured marble in geometric patterns. When he died in 1337, he had finished the lower floor with its marble external revetment, geometric patterns of white marble from Carrara, green marble from Prato. This lower floor is decorated on three sides with bas-reliefs in hexagonal panels, seven on each side. When the entrance door was enlarged in 1348, two panels were moved to the empty northern side and only later, five more panels were commissioned from Luca della Robbia in 1437. The number “seven” has a meaning in Biblical sense, it symbolizes human perfectibility. It is difficult to attribute artistic paternity to these panels, some may be by Giotto himself, through this work, Giotto has become, together with Brunelleschi and Alberti, one of the founding fathers of Italian Renaissance architecture. Giotto was succeeded as Master of the Works in 1343 by Andrea Pisano and he continued the construction of the bell tower, scrupulously following Giotto’s design. He added, above the level of Giotto, a second fascia. He built two levels, with four niches on each side and each level, but the second row of niches are empty. Construction came to a halt in 1348, year of the disastrous Black Death, Pisano was replaced in his turn by Francesco Talenti who built the top three levels, with the large windows, completing the bell tower in 1359. He did not build the spire designed by Giotto, thus lowering the height of 122 metres to 84.7 metres. The top, with its breathtaking panorama of Florence and the surrounding hills, all the present works of art in the campanile are copies. The originals were removed between 1965 and 1967 and are now on display in the Museo dellOpera del Duomo, behind the cathedral and this series continues on the south side and the east side of the campanile
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Saint Reparata
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Saint Reparata was a third-century Christian virgin and martyr, possibly mythical, of Caesarea in Palestine. Sources vary as to her age – from 11 to 20 years old – though the Sainte-Réparate cathedral in Nice gives it as 15 and she was arrested for her faith and tortured during the persecution of Decius. Her persecutors tried to burn her alive, but she was saved by a shower of rain and she was then made to drink boiling pitch. When she again refused to apostatize, she was beheaded and her legend states that as she fell dead, her spirit emerged from her body in the form a dove. Later elaborations of her legend state that her body was laid in a boat, a similar tale is associated with the legends of Saint Restituta, Saint Devota, patroness of Monaco and Corsica, and Saint Torpes. Evidence of her cult does not exist before the ninth century and she is not mentioned by Eusebius of Caesarea, who recorded the martyrdoms that took place in the Holy Land during the 3rd century. Numerous painters created depictions of her, including Fra Bartolomeo, Arnolfo di Cambio, Andrea Pisano, Domenico Passignano and she is the patron saint of Nice and a co-patron saint of Florence. The former cathedral of Santa Reparata in Florence was dedicated to her, Sainte-Réparate Cathedral, in Nice, is also dedicated to her. Florence holds a celebration in honor of Reparata each year on October 8 in commemoration of its deliverance from the Ostrogoths in 406, Reparata Santa Reparata di Cesarea di Palestina
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San Lorenzo, Florence
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It is one of several churches that claim to be the oldest in Florence, when it was consecrated in 393 it stood outside the city walls. For three hundred years it was the cathedral before the official seat of the bishop was transferred to Santa Reparata. San Lorenzo was also the church of the Medici family. In 1419, Giovanni di Bicci de Medici offered to finance a new church to replace the 11th-century Romanesque rebuilding, though considered a milestone in the development of Renaissance architecture, S. Lorenzo has a complicated building history. Even though it was at least partially built under the direction of Filippo Brunelleschi, the project was begun around 1419, but lack of funding slowed the construction and forced changes to the original design. By the early 1440s, only the sacristy had been worked on as it was being paid for by the Medici, in 1442, the Medici stepped in to take over financial responsibility of the church as well. Brunelleschi died in 1446, however, and the job was handed either to Antonio Manetti or to Michelozzo, scholars are not certain. Though the building was “completed” in 1459 in time for a visit to Florence by Pius II, by the time the building was done, many aspects of its layout, not to mention detailing, no longer corresponded to the original plan. Despite its history, the building is seen as one of the examples of the new style. Its more notable include, the attempt to create a proportional relationship between nave and aisle. The articulation of the structure in pietra serena, the use of an integrated system of column, arches, entablatures. There are significant problems in the design, most, however, already Giorgio Vasari thought that the columns along the nave should have been elevated on plinths. That the pilasters along the wall of the side aisles rest on a floor that is three steps higher than the nave, is considered an error. San Lorenzo is often compared with Santo Spirito, also in Florence, Santo Spirito, which Brunelleschi began somewhat later, is considered to have been constructed more or less in conformity with his ideas, even though Brunelleschi died before most of it was built. The Medici Pope Leo X gave Michelangelo the commission to design a façade in white Carrara marble in 1518, Michelangelo did, however, design and build the internal facade, seen from the nave looking back toward the entrances. It comprises three doors between two pilasters with garlands of oak and laurel and a balcony on two Corinthian columns, in recent years, the association of “Friends of the Elettrice Palatina” and the Comune of Florence re-visited the question of completing the outer facade according to Michelangelos designs. To assist with the debate, a computerized reconstruction was projected onto the plain brick facade in February 2007. As yet, no decision has made on the project
40.
Ambrose
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Aurelius Ambrosius, better known in English as Saint Ambrose, was a bishop of Milan who became one of the most influential ecclesiastical figures of the 4th century. He was the Roman governor of Liguria and Emilia, headquartered in Milan, Ambrose was a staunch opponent of Arianism, and has been accused of fostering persecutions of Arians, Jews, and pagans. Ambrose was one of the four original Doctors of the Church and he is notable for his influence on Augustine of Hippo. Ambrose was born into a Roman Christian family about 340 and was raised in Gallia Belgica and his mother was a woman of intellect and piety. Ambroses siblings, Satyrus and Marcellina, are venerated as saints. There is a legend that as an infant, a swarm of bees settled on his face while he lay in his cradle and his father considered this a sign of his future eloquence and honeyed tongue. For this reason, bees and beehives often appear in the saints symbology, after the early death of his father, Ambrose followed his fathers career. He was educated in Rome, studying literature, law, Ambrose was the Governor of Aemilia-Liguria in northern Italy until 374, when he became the Bishop of Milan. He was a popular political figure, and since he was the Governor in the effective capital in the Roman West. In the late 4th century there was a conflict in the diocese of Milan between the Nicene Church and Arians. In 374 the bishop of Milan, Auxentius, an Arian, died, Ambrose went to the church where the election was to take place, to prevent an uproar, which was probable in this crisis. His address was interrupted by a call Ambrose, bishop, which was taken up by the whole assembly. Ambrose was known to be Nicene Christian in belief, but also acceptable to Arians due to the charity shown in matters in this regard. At first he refused the office, for which he was in no way prepared. Upon his appointment, Ambrose fled to a colleagues home seeking to hide, upon receiving a letter from the Emperor Gratian praising the appropriateness of Rome appointing individuals evidently worthy of holy positions, Ambroses host gave him up. Within a week, he was baptized, ordained and duly consecrated bishop of Milan and this raised his popularity even further, giving him considerable political leverage over even the emperor. Ambrose also wrote a treatise by the name of The Goodness of Death, according to legend, Ambrose immediately and forcefully stopped Arianism in Milan. He studied theology with Simplician, a presbyter of Rome, in the confrontation with Arians, Ambrose sought to theologically refute their propositions, which were contrary to the Nicene creed and thus to the officially defined orthodoxy
41.
Nuova Cronica
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The Nuova Cronica or New Chronicles is a 14th-century history of Florence created in a year-by-year linear format and written by the Florentine banker and official Giovanni Villani. In his Cronica, Villani described in detail the many building projects of the city, statistical information on population, ordinances, commerce and trade, education, and religious facilities. He also described several disasters such as famines, floods, fires, and the pandemic of the Black Death in 1348, Villanis work on the Cronica was continued by his brother and nephew after his death. It has been described as the first introduction of statistics as an element in history. The oldest manuscript is Vatican Library BAV Chigiano L VIII296, Giovanni Villanis Cronica is divided into twelve books, the first six deal with the largely legendary history of Florence, starting at conventionally Biblical times to 1264. The second phase, in six books, covers the history from 1264 until his own time, However, his description of such events as the Battle of Crécy in 1346 was fairly accurate according to historian Kelly De Vries. In his Cronica, Villani writes that the Guelph defeat by the Ghibellines at Montaperti in 1260 was a setback to the historical progress of the Republic of Florence. According to Villani, the Florentine Guelphs last stand was in defending the Carroccio, Villani describes the rebuilding of Florence after the 1293 rebellion of one Giano della Bella, he notes that by 1296 conditions were once again in a tranquil state. A new foundation was laid in September of that year, adding new marble, Villani mentions the cardinal legate sent by the Pope in Rome who laid the first stone of the foundation, a significant event since it was the first papal legate to visit Florence. On July 18,1334, work began on the new campanile of the cathedral, the first stone placed by the bishop of Florence in front of an audience of clergy, priors, and other magistrates. Villani notes that the commune chose our fellow-citizen Giotto as the designer of the tower, a man who was the most sovereign master of painting in his time. According to Villani, in 1299, the commune and people of Florence laid the foundation for the Palazzo Vecchio, according to Villani, the Uberti family was not even allowed to return to Florence. In planning for the large expanse of the plaza, the commune of Florence purchased the homes of such as the Foraboschi family. In fact, the tower of the Palazzo was built upon a previously existing tower of the Foraboschi family known as La Vacca or The Cow. Villani boasts of Florences pristine architecture in its monasteries and churches, as well as its ornate houses and his opinion is clear even in the title of the chapter he devotes to this topic, More on the greatness and status and magnificence of the city of Florence. Villani also describes the trend in the early 14th century of affluent Florentine citizens building large country homes far outside the walls of Florence. While holding the signoria of Florence, Robert of Naples had the part of the Bargello in Florence constructed. Villani reports that Florence did not turn away beggars, but cared for anyone who approached the city and was in need of immediate subsistence
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Giovanni Villani
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Giovanni Villani was an Italian banker, official, diplomat and chronicler from Florence who wrote the Nuova Cronica on the history of Florence. He was a statesman of Florence but later gained an unsavory reputation. His interest in and elaboration of details, statistical information. His Cronica is viewed as the first introduction of statistics as an element in history. Villani was inspired to write his Cronica after attending the celebration in Rome in 1300. He outlined the events in his Cronica year for year, following a linear narrative format. He provided intricate details on important historical events of the city of Florence and the wider region of Tuscany, such as construction projects, floods, fires, famines. While continuing work on the Cronica and detailing the loss of life during the Black Death in 1348. His work on the Cronica was continued by his brother and nephew, Villanis work has received both praise and criticism from modern historians. The criticism is aimed at his emphasis on supernatural guidance of events, his organizational style. Giovanni Villani was born into the Florentine merchant middle class and he was the son of Villano di Stoldi di Bellincione, who came from an old and well-respected arti maggiori family of merchants. Villani was a member of the Arte di Calimala guild in Florence since 1300, during that year he visited Rome during the jubilee celebration. Traveling abroad as a factor for the company, Villani was paid a salary in addition to his shareholding profits. Villani and his brother Matteo transferred most of their activities to the Buonaccorsi firm by 1322. Giovanni Villani was a co-director of Buonaccorsi in 1324, the Buonaccorsi handled banking and commodity trade activities, spreading their influence throughout Italy, France, Flanders, England and several places in the Mediterranean. Villani returned to Florence in 1307 where he married and settled down for a life of city politics and he became one of the priors of Florence in 1316 and 1317. At the same time, he participated in the crafty diplomatic tactics that resulted in peace with Pisa, as head of the mint beginning in 1316, he collected its earlier records and created a register of all the coins struck in Florence. In 1321, he was chosen prior, and in 1324 was deputed to inspect the rebuilding of the city walls
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Pisa Cathedral
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Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy. It is an example of Romanesque architecture, in particular the style known as Pisan Romanesque. It is the seat of the Archbishop of Pisa, construction on the cathedral began in 1063 by the architect Buscheto, and expenses were paid using the spoils received fighting against the Muslims in Sicily in 1063. It includes various elements, classical, Lombard-Emilian, Byzantine. Marks Basilica began its reconstruction in Venice, evidence of a rivalry between the two maritime republics to see which could create the most beautiful and luxurious place of worship. The church was erected outside Pisas high middle age-era walls, to show that Pisa that was so powerful, it had no fear of being attacked. The chosen area had already used in the Lombard era as a necropolis and at the beginning of the 11th century a church had been erected here, but never finished. Buschetos grand new church, was initially called Santa Maria Maggiore until it was officially named Santa Maria Assunta, in 1092 the cathedral was declared a primatial church, archbishop Dagobert having been given the title of Primate by Pope Urban II. The cathedral was consecrated in 1118 by Pope Gelasius II, who belonged to the Caetani family which was both in Pisa and in Rome. The exact date of the work is unclear, according to some the work was done right after the death of Buscheto about the year 1100, though others say it was done closer to 1140. In any case, work was finished in 1180, as documented by the date written on the bronze knockers made by Bonanno Pisano found on the main door, the structures present appearance is the result of numerous restoration campaigns that were carried out in different eras. In the early 18th century began the redecoration of the walls of the cathedral with large paintings. These works were made by the artists of the era. The presence of two raised matronea in the nave, with their solid, monolithic columns of granite, is a sign of Byzantine influence. Buscheto welcomed Islamic and Armenian influence, in the early 19th century the original sculpture, which can now be seen in the cathedral museum, was removed from the roof and replaced with a copy. The high arches show Islamic and southern Italian influence, the blind arches with lozenge shapes recall similar structures in Armenia. The facade of grey and white marble, decorated with colored marble inserts, was built by Master Rainaldo, above the three doorways are four levels of loggia divided by cornices with marble intarsia, behind which open single, double, and triple windows. The heavy bronze doors of the facade were made by different Florentine artists in the 17th century
Smarthistory – Brunelleschi's Dome[12]
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