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Pete Seeger entertaining Eleanor Roosevelt (center), at a racially integrated Valentine's Day party, 1944
Pete Seeger entertaining Eleanor Roosevelt (center), at a racially integrated Valentine's Day party, 1944
Bob Dylan was the most influential of all the urban folk-protest songwriters.
Bob Dylan was the most influential of all the urban folk-protest songwriters.
Bob Dylan in 1963.
Bob Dylan in 1963.
Folk rock musicians Simon & Garfunkel performing in Dublin
Folk rock musicians Simon & Garfunkel performing in Dublin
The Byrds in 1965 From left: David Crosby, Gene Clark, Michael Clarke, Chris Hillman, and Jim McGuinn
The Byrds in 1965 From left: David Crosby, Gene Clark, Michael Clarke, Chris Hillman, and Jim McGuinn
A Rickenbacker 360 12-string guitar similar to the one used by Jim McGuinn in 1964 and 1965. By 1966, McGuinn had transitioned to playing the three pi
A Rickenbacker 360 12-string guitar similar to the one used by Jim McGuinn in 1964 and 1965. By 1966, McGuinn had transitioned to playing the three pickup 370/12 model.
Producer Terry Melcher (left) in the recording studio with Gene Clark (center) and David Crosby (right). Melcher brought in session musicians to play
Producer Terry Melcher (left) in the recording studio with Gene Clark (center) and David Crosby (right). Melcher brought in session musicians to play on the "Mr. Tambourine Man" single because he felt that the Byrds hadn't yet gelled musically.
Bob Dylan joins the Byrds onstage at Ciro's, March 26, 1965
Bob Dylan joins the Byrds onstage at Ciro's, March 26, 1965