François Mansart was a French architect credited with introducing classicism into Baroque architecture of France. The Encyclopædia Britannica cites him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance".
François Mansart, detail of a double portrait of Mansart and Claude Perrault, by Philippe de Champaigne
The Château de Balleroy, Mansart's earliest surviving work
The Church of the Visitation in the Rue Saint-Antoine, now the Temple du Marais
Château de Maisons, a defining work in French architecture
French Baroque architecture
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.
Palace of Versailles
Château de Maisons-Laffitte by François Mansart, (1630–51)
Palais du Luxembourg by Salomon de Brosse (1615–1620)
Vaux-le-Vicomte near Paris, by Louis Le Vau and André Le Nôtre, (1656-1661)