François Truffaut
…for the latter's Cahiers du Cinéma, where Truffaut became a proponent of the auteur theory, which posits that a film's director is its true author. The 400 Blows (1959), starring Jean-Pierre Léaud as Truffaut's alter ego Antoine Doinel, was a defining film of the New Wave. Truffaut's films Stolen Kisses (1968…