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The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
Bacon in the early 1950s
Bacon in the early 1950s
Crucifixion (1933)
Crucifixion (1933)
Three Studies for a Portrait of Henrietta Moraes, 1963
Three Studies for a Portrait of Henrietta Moraes, 1963
Velázquez's Portrait of Innocent X, 1650. Although Bacon avoided seeing the original, it remained the painting that most affected him, and one to whic
Velázquez's Portrait of Innocent X, 1650. Although Bacon avoided seeing the original, it remained the painting that most affected him, and one to which he referred over and over.
Fragment of a Crucifixion
Still from Sergei Eisenstein's 1925 silent film Battleship Potemkin. Bacon called the image a catalyst for his work and incorporated the shape of the
Still from Sergei Eisenstein's 1925 silent film Battleship Potemkin. Bacon called the image a catalyst for his work and incorporated the shape of the mouth when painting the chimaera.
Matthias Grünewald, Isenheim Altarpiece (centre panel), c. 1512–16. Unterlinden Museum, Colmar, Alsace
Matthias Grünewald, Isenheim Altarpiece (centre panel), c. 1512–16. Unterlinden Museum, Colmar, Alsace
Peter Paul Rubens, Descent from the Cross (centre panel), 1612–1614
Peter Paul Rubens, Descent from the Cross (centre panel), 1612–1614