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Portrait by Vicente López Portaña, 1826
Portrait by Vicente López Portaña, 1826
Yard with Lunatics, c. 1794
Yard with Lunatics, c. 1794
Birth house of Francisco Goya, Fuendetodos, Zaragoza
Birth house of Francisco Goya, Fuendetodos, Zaragoza
Portrait of Josefa Bayeu (1747–1812)
Portrait of Josefa Bayeu (1747–1812)
Capricho No. 1, Francisco Goya y Lucientes, Pintor (Painter). As a prelude to his Caprichos, Goya included a portrait showing the author of this series of satires on the Spanish society of his time. He is represented in a satirical attitude and as an important personage.
Capricho No. 1, Francisco Goya y Lucientes, Pintor (Painter). As a prelude to his Caprichos, Goya included a portrait showing the author of this serie
Capricho No. 25, Si quebró el cántaro. (He broke the jug.)" (Detail). In this print, Goya criticized violence in the education of children. The enligh
Capricho No. 25, Si quebró el cántaro. (He broke the jug.)" (Detail). In this print, Goya criticized violence in the education of children. The enlightened believed that education could correct human defects and errors.
Capricho No. 13, Están calientes. (They are hot.) (Detail). In this engraving, whose preparatory drawing belongs to Album B, we can see the novelties
Capricho No. 13, Están calientes. (They are hot.) (Detail). In this engraving, whose preparatory drawing belongs to Album B, we can see the novelties Goya introduced in the album and used profusely throughout the Caprichos: chiaroscuro, expressionist and nonrealistic use of light to enhance relevant themes, ambiguous captions, and multiple visual messages.
His relationship with the Duchess of Alba inspired his satires on the inconstancy of women in love and their impiety towards lovers. Drawing from Albu
His relationship with the Duchess of Alba inspired his satires on the inconstancy of women in love and their impiety towards lovers. Drawing from Album A of the Duchess combing her hair. Chinese ink wash.