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Title page of Vol. I, first edition, 1818
Title page of Vol. I, first edition, 1818
Draft of Frankenstein ("It was on a dreary night of November that I beheld my man completed ...")
Draft of Frankenstein ("It was on a dreary night of November that I beheld my man completed ...")
Mary Shelley's House of Frankenstein, a museum dedicated to the life of Shelley and her novel, at 37 Gay Street, Bath, the city where she wrote the bo
Mary Shelley's House of Frankenstein, a museum dedicated to the life of Shelley and her novel, at 37 Gay Street, Bath, the city where she wrote the book.
An English editorial cartoonist conceives the Irish Fenian movement as akin to Frankenstein's creature, in the wake of the Phoenix Park murders in an
An English editorial cartoonist conceives the Irish Fenian movement as akin to Frankenstein's creature, in the wake of the Phoenix Park murders in an 1882 issue of Punch.
Richard Rothwell's portrait of Shelley was shown at the Royal Academy in 1840, accompanied by lines from Percy Shelley's poem The Revolt of Islam calling her a "child of love and light".
Richard Rothwell's portrait of Shelley was shown at the Royal Academy in 1840, accompanied by lines from Percy Shelley's poem The Revolt of Islam call
Page from William Godwin's journal recording "Birth of Mary, 20 minutes after 11 at night" (left column, fourth row)
Page from William Godwin's journal recording "Birth of Mary, 20 minutes after 11 at night" (left column, fourth row)
The Polygon (at left) in Somers Town, London, between Camden Town and St Pancras, where Mary Godwin was born and spent her earliest years
The Polygon (at left) in Somers Town, London, between Camden Town and St Pancras, where Mary Godwin was born and spent her earliest years
Percy Bysshe Shelley was inspired by the radicalism of Godwin's Political Justice (1793). When the poet Robert Southey met Shelley, he felt as if he w
Percy Bysshe Shelley was inspired by the radicalism of Godwin's Political Justice (1793). When the poet Robert Southey met Shelley, he felt as if he were seeing himself from the 1790s. (Portrait by Amelia Curran, 1819.)