1.
Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
2.
Kingdom of Bavaria
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The Kingdom of Bavaria was a German state that succeeded the former Electorate of Bavaria in 1805 and continued to exist until 1918. The Bavarian Elector Maximilian IV Joseph of the House of Wittelsbach became the first King of Bavaria in 1805 as Maximilian I Joseph, the crown would go on being held by the Wittelsbachs until the kingdom came to an end in 1918. Since the end of the kingdom and the empire in 1918, on 30 December 1777, the Bavarian line of the Wittelsbachs became extinct, and the succession on the Electorate of Bavaria passed to Charles Theodore, the Elector Palatine. After a separation of four and a half centuries, the Palatinate, to which the duchies of Jülich, between the French and the Austrians, Bavaria was now in a bad situation. Before the death of Charles Theodore the Austrians had again occupied the country, Maximilian IV Joseph, the new elector, succeeded to a difficult inheritance. By the Treaty of Lunéville Bavaria lost the Palatinate and the duchies of Zweibrücken, the 1805 Peace of Pressburg allowed Maximilian to raise Bavaria to the status of a kingdom. Accordingly, Maximilian proclaimed himself king on 1 January 1806, the King still served as an Elector until Bavaria seceded from the Holy Roman Empire on 1 August 1806. The Duchy of Berg was ceded to Napoleon only in 1806, the new kingdom faced challenges from the outset of its creation, relying on the support of Napoleonic France. The kingdom faced war with Austria in 1808 and from 1810 to 1814, lost territory to Württemberg, Italy, in 1808, all relics of serfdom were abolished, which had left the old empire. In the same year, Maximilian promulgated Bavarias first written constitution, over the next five years, it was amended numerous times in accordance with Paris wishes. During the French invasion of Russia in 1812 about 30,000 Bavarian soldiers were killed in action, on 14 October, Bavaria made a formal declaration of war against Napoleonic France. The treaty was passionately backed by the Crown Prince Ludwig and by Marshal von Wrede, finally in 1816, the Rhenish Palatinate was taken from France in exchange for most of Salzburg which was then ceded to Austria. It was the second largest and second most powerful state south of the Main, in Germany as a whole, it ranked third behind Prussia and Austria. On 1 February 1817, Montgelas had been dismissed, and Bavaria had entered on a new era of constitutional reform, on 26 May 1818, Bavarias second constitution was proclaimed. The Landtag would have two houses, a house comprising the aristocracy and noblemen, including the high-class hereditary landowners, government officials. The second house, a house, would include representatives of small landowners, the towns. The rights of Protestants were safeguarded in the constitution with articles supporting the equality of all religions, the initial constitution almost proved disastrous for the monarchy, with controversies such as the army having to swear allegiance to the new constitution. Within the Kingdom of Bavaria, the Palatinate enjoyed a legal and administrative position
3.
German Empire
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The German Empire was the historical German nation state that existed from the unification of Germany in 1871 to the abdication of Kaiser Wilhelm II in 1918, when Germany became a federal republic. The German Empire consisted of 26 constituent territories, with most being ruled by royal families and this included four kingdoms, six grand duchies, five duchies, seven principalities, three free Hanseatic cities, and one imperial territory. Although Prussia became one of kingdoms in the new realm, it contained most of its population and territory. Its influence also helped define modern German culture, after 1850, the states of Germany had rapidly become industrialized, with particular strengths in coal, iron, chemicals, and railways. In 1871, it had a population of 41 million people, and by 1913, a heavily rural collection of states in 1815, now united Germany became predominantly urban. During its 47 years of existence, the German Empire operated as an industrial, technological, Germany became a great power, boasting a rapidly growing rail network, the worlds strongest army, and a fast-growing industrial base. In less than a decade, its navy became second only to Britains Royal Navy, after the removal of Chancellor Otto von Bismarck by Wilhelm II, the Empire embarked on a bellicose new course that ultimately led to World War I. When the great crisis of 1914 arrived, the German Empire had two allies, Italy and the Austro-Hungarian Empire, Italy, however, left the once the First World War started in August 1914. In the First World War, German plans to capture Paris quickly in autumn 1914 failed, the Allied naval blockade caused severe shortages of food. Germany was repeatedly forced to send troops to bolster Austria and Turkey on other fronts, however, Germany had great success on the Eastern Front, it occupied large Eastern territories following the Treaty of Brest-Litovsk. German declaration of unrestricted submarine warfare in early 1917 was designed to strangle the British, it failed, but the declaration—along with the Zimmermann Telegram—did bring the United States into the war. Meanwhile, German civilians and soldiers had become war-weary and radicalised by the Russian Revolution and this failed, and by October the armies were in retreat, Austria-Hungary and the Ottoman Empire had collapsed, Bulgaria had surrendered and the German people had lost faith in their political system. The Empire collapsed in the November 1918 Revolution as the Emperor and all the ruling monarchs abdicated, and a republic took over. The German Confederation had been created by an act of the Congress of Vienna on 8 June 1815 as a result of the Napoleonic Wars, German nationalism rapidly shifted from its liberal and democratic character in 1848, called Pan-Germanism, to Prussian prime minister Otto von Bismarcks pragmatic Realpolitik. He envisioned a conservative, Prussian-dominated Germany, the war resulted in the Confederation being partially replaced by a North German Confederation in 1867, comprising the 22 states north of the Main. The new constitution and the title Emperor came into effect on 1 January 1871, during the Siege of Paris on 18 January 1871, William accepted to be proclaimed Emperor in the Hall of Mirrors at the Palace of Versailles. The second German Constitution was adopted by the Reichstag on 14 April 1871 and proclaimed by the Emperor on 16 April, the political system remained the same. The empire had a parliament called the Reichstag, which was elected by universal male suffrage, however, the original constituencies drawn in 1871 were never redrawn to reflect the growth of urban areas
4.
World War I
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World War I, also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history and it was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The war drew in all the worlds great powers, assembled in two opposing alliances, the Allies versus the Central Powers of Germany and Austria-Hungary. These alliances were reorganised and expanded as more nations entered the war, Italy, Japan, the trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. This set off a crisis when Austria-Hungary delivered an ultimatum to the Kingdom of Serbia. Within weeks, the powers were at war and the conflict soon spread around the world. On 25 July Russia began mobilisation and on 28 July, the Austro-Hungarians declared war on Serbia, Germany presented an ultimatum to Russia to demobilise, and when this was refused, declared war on Russia on 1 August. Germany then invaded neutral Belgium and Luxembourg before moving towards France, after the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that changed little until 1917. On the Eastern Front, the Russian army was successful against the Austro-Hungarians, in November 1914, the Ottoman Empire joined the Central Powers, opening fronts in the Caucasus, Mesopotamia and the Sinai. In 1915, Italy joined the Allies and Bulgaria joined the Central Powers, Romania joined the Allies in 1916, after a stunning German offensive along the Western Front in the spring of 1918, the Allies rallied and drove back the Germans in a series of successful offensives. By the end of the war or soon after, the German Empire, Russian Empire, Austro-Hungarian Empire, national borders were redrawn, with several independent nations restored or created, and Germanys colonies were parceled out among the victors. During the Paris Peace Conference of 1919, the Big Four imposed their terms in a series of treaties, the League of Nations was formed with the aim of preventing any repetition of such a conflict. This effort failed, and economic depression, renewed nationalism, weakened successor states, and feelings of humiliation eventually contributed to World War II. From the time of its start until the approach of World War II, at the time, it was also sometimes called the war to end war or the war to end all wars due to its then-unparalleled scale and devastation. In Canada, Macleans magazine in October 1914 wrote, Some wars name themselves, during the interwar period, the war was most often called the World War and the Great War in English-speaking countries. Will become the first world war in the sense of the word. These began in 1815, with the Holy Alliance between Prussia, Russia, and Austria, when Germany was united in 1871, Prussia became part of the new German nation. Soon after, in October 1873, German Chancellor Otto von Bismarck negotiated the League of the Three Emperors between the monarchs of Austria-Hungary, Russia and Germany
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Der Blaue Reiter
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Der Blaue Reiter was a group of artists united in rejection of the Neue Künstlervereinigung München in Munich, Germany. They considered that the principles of the Neue Künstlervereinigung München, a group Kandinsky had founded in 1909, had become too strict, Der Blaue Reiter was an art movement lasting from 1911 to 1914, fundamental to Expressionism, along with Die Brücke which was founded in 1905. Der Blaue Reiter lacked an artistic manifesto, but it was centered on Kandinsky, Kandinsky wrote 20 years later that the name is derived from Marcs enthusiasm for horses and Kandinskys love of riders, combined with a shared love of the colour blue. For Kandinsky, blue is the colour of spirituality, the darker the blue, within the group, artistic approaches and aims varied from artist to artist, however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of art, the connection between visual art and music, the spiritual and symbolic associations of colour, and a spontaneous. Members were interested in European medieval art and primitivism, as well as the contemporary, as a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction. Der Blaue Reiter organized exhibitions in 1911 and 1912 that toured Germany and they also published an almanac featuring contemporary, primitive and folk art, along with childrens paintings. In 1913 they exhibited in the first German Herbstsalon, the group was disrupted by the outbreak of the First World War in 1914. Franz Marc and August Macke were killed in combat, Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship. There were also differences in opinion within the group, as a result, Der Blaue Reiter was short-lived, lasting for only three years from 1911 to 1914. Supported by their dealer Galka Scheyer, Kandinsky, Feininger, Klee, together they exhibited and lectured together in the United States from 1924 on. An extensive collection of paintings by Der Blaue Reiter is exhibited in the Städtische Galerie in the Lenbachhaus in Munich. Conceived in June 1911, Der Blaue Reiter Almanach was published in early 1912, by Piper, Munich, in an edition of 1100 copies, on 11 May, Franz Marc received a first print. The volume was edited by Kandinsky and Marc, its costs were underwritten by the industrialist and art collector Bernhard Koehler and it contained reproductions of more than 140 artworks, and 14 major articles. A second volume was planned, but the start of World War I prevented it, instead, a second edition of the original was printed in 1914, again by Piper. The art reproduced in the Almanac marked a turn away from a Eurocentric. The five works by Van Gogh, Cézanne, and Gauguin were outnumbered by seven from Henri Rousseau and thirteen from child artists. From January 1912 through July 1914, the exhibition toured Europe with venues in Cologne, Berlin, Bremen, Hagen, Frankfurt, Hamburg, Budapest, Oslo, Helsinki, Trondheim and Göteborg
7.
Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
8.
Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
9.
Landscape painting
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In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition, detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going well over a thousand years in both cases. Landscape views in art may be imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term landscaef or landskipe for a patch of land had existed in Old English. The earliest pure landscapes with no figures are frescos from Minoan Greece of around 1500 BCE. The frescos from the Tomb of Nebamun, now in the British Museum, are a famous example. These were frequently used, as in the illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty, aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. They were often also poets whose lines and images illustrated each other, a revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of a background of trees in the Palace of the Popes. Several frescos of gardens have survived from Roman houses like the Villa of Livia, a particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. Landscape backgrounds for various types of painting became prominent and skilful during the 15th century. The Italian development of a system of graphical perspective was now known all over Europe. Indeed, certain styles were so popular that they became formulas that could be copied again and again, after the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of landscape scenes can be seen in the success of the painter Frans Post. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, there are different styles and periods, and subgenres of marine and animal painting, as well as a distinct style of Italianate landscape
10.
Calvinism
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Calvinism is a major branch of Protestantism that follows the theological tradition and forms of Christian practice of John Calvin and other Reformation-era theologians. The term Calvinism can be misleading, because the tradition which it denotes has always been diverse. The movement was first called Calvinism by Lutherans who opposed it, early influential Reformed theologians include Ulrich Zwingli, John Calvin, Martin Bucer, William Farel, Heinrich Bullinger, Peter Martyr Vermigli, Theodore Beza, and John Knox. In the twentieth century, Abraham Kuyper, Herman Bavinck, B. B, Warfield, J. Gresham Machen, Karl Barth, Martyn Lloyd-Jones, Cornelius Van Til, and Gordon Clark were influential. Contemporary Reformed theologians include J. I, sproul, Timothy J. Keller, John Piper, David Wells, and Michael Horton. Reformed churches may exercise several forms of polity, most are presbyterian or congregationalist. Calvinism is largely represented by Continental Reformed, Presbyterian, and Congregationalist traditions, the biggest Reformed association is the World Communion of Reformed Churches with more than 80 million members in 211 member denominations around the world. There are more conservative Reformed federations such as the World Reformed Fellowship, Calvinism is named after John Calvin. It was first used by a Lutheran theologian in 1552 and it was a common practice of the Catholic Church to name what they perceived to be heresy after its founder. Nevertheless, the term first came out of Lutheran circles, Calvin denounced the designation himself, They could attach us no greater insult than this word, Calvinism. It is not hard to guess where such a deadly hatred comes from that they hold against me, despite its negative connotation, this designation became increasingly popular in order to distinguish Calvinists from Lutherans and from newer Protestant branches that emerged later. Moreover, these churches claim to be—in accordance with John Calvins own words—renewed accordingly with the order of gospel. Since the Arminian controversy, the Reformed tradition—as a branch of Protestantism distinguished from Lutheranism—divided into two groups, Arminians and Calvinists. However, it is now rare to call Arminians a part of the Reformed tradition, some have also argued that Calvinism as a whole stresses the sovereignty or rule of God in all things including salvation. First-generation Reformed theologians include Huldrych Zwingli, Martin Bucer, Wolfgang Capito, John Oecolampadius, scripture was also viewed as a unified whole, which led to a covenantal theology of the sacraments of baptism and the Lords Supper as visible signs of the covenant of grace. Another Reformed distinctive present in these theologians was their denial of the presence of Christ in the Lords supper. Each of these also understood salvation to be by grace alone. Martin Luther and his successor Philipp Melanchthon were undoubtedly significant influences on these theologians, the doctrine of justification by faith alone was a direct inheritance from Luther
11.
Ludwig Maximilian University of Munich
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Ludwig-Maximilians-Universität in Munich is a public research university located in Munich, Germany. The University of Munich is among Germanys oldest universities, in 1802, the university was officially named Ludwig-Maximilians-Universität by King Maximilian I of Bavaria in his as well as the universitys original founders honour. Among these were Wilhelm Röntgen, Max Planck, Werner Heisenberg, Otto Hahn, pope Benedict XVI was also a student and professor at the university. The LMU has recently been conferred the title of university under the German Universities Excellence Initiative. LMU is currently the second-largest university in Germany in terms of student population, in the semester of 2015/2016. Of these,8,671 were freshmen while international students totalled 7,812 or almost 15% of the student population, the university was founded with papal approval in 1472 as the University of Ingolstadt, with faculties of philosophy, medicine, jurisprudence and theology. Its first rector was Christopher Mendel of Steinfels, who became bishop of Chiemsee. In the period of German humanism, the universitys academics included names such as Conrad Celtes, the theologian Johann Eck also taught at the university. From 1549 to 1773, the university was influenced by the Jesuits, the Jesuit Petrus Canisius served as rector of the university. At the end of the 18th century, the university was influenced by the Enlightenment, in 1800, the Prince-Elector Maximilianv IV Joseph moved the university to Landshut, due to French aggression that threatened Ingolstadt during the Napoleonic Wars. In 1802, the university was renamed the Ludwig Maximilian University in honour of its two founders, Louis IX, Duke of Bavaria and Maximilian I, Elector of Bavaria. The Minister of Education, Maximilian von Montgelas, initiated a number of reforms sought to modernize the rather conservative. In 1826, it was moved to Munich, the capital of the Kingdom of Bavaria, the university was situated in the Old Academy until a new building in the Ludwigstraße was completed. The locals were critical of the number of Protestant professors Maximilian. They were dubbed the Nordlichter and especially physician Johann Nepomuk von Ringseis was quite angry about them, in the second half of the 19th century, the university rose to great prominence in the European scientific community, attracting many of the worlds leading scientists. It was also a period of great expansion, from 1903, women were allowed to study at Bavarian universities, and by 1918, the female proportion of students at LMU had reached 18%. In 1918, Adele Hartmann became the first woman in Germany to earn the Habilitation, during the Third Reich, academic freedom was severely curtailed. In 1943 the White Rose group of anti-Nazi students conducted their campaign of opposition to the National Socialists at this university, the university has continued to be one of the leading universities of West Germany during the Cold War and in the post-reunification era
12.
Sarah Bernhardt
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Sarah Bernhardt was a French stage and early film actress. She was referred to as the most famous actress the world has ever known, Bernhardt made her fame on the stages of France in the 1870s, at the beginning of the Belle Epoque period, and was soon in demand in Europe and the Americas. She developed a reputation as a dramatic actress and tragedienne. In her later career she starred in some of the earliest films ever produced, Sarah Bernhardt was born in Paris as Rosine Bernardt on October 23,1844. She was the daughter of a Dutch-Jewish courtesan, or upper-class prostitute, Judith Bernard. Four different addresses in Paris are claimed as her birthplace,125 rue du Faubourg Saint-Honoré,5 rue de lEcole-de-Medicine,22 rue de la Michodière and 265 rue Saint-Honoré. The father, whoever he was, left a sum of one hundred francs for her future dowry when she came of age. Sarah lived for months with the nurse and her husband in the tiny apartment of the concierge. While there, the child showed the first signs of tuberculosis. Sarah was discovered on the street by her aunt Rosine, who was passing by, when Sarahs mother finally returned to Paris, Sarah was taken to her apartment at 265 rue Saint-Honoré, where she lived, attended by servants, rarely ever seeing her mother. At the age of eight, Sarah could neither read or writer and her mother sent her away to a school for young ladies in Auteuil run by a Madame Fressard, where for the first time she was with other children her own age. The other children made fun of her appearance and curly hair. During the two years she attended the school, her mother came to see her only twice and she completely forgot all of her lines and fled the stage in tears. At the age of ten, by obtaining the sponsorship of the Duc de Morny, her mother sent Sarah to Grandchamp, at the convent, she was soon on the stage again, performing the part of the Archangel Raphael in the story of Tobias and the Angel. She received her first communion as a Roman Catholic in 1856, however, she never forgot her Jewish heritage. When asked years later by a reporter if she were a Christian, she replied, No, Im a Roman Catholic, Im waiting until Christians become better. At the age of fifteen, her mother withdrew her from the school and her mother summoned a family council, which also included the Duc de Morny, one of her friends. Morny proposed that Sarah should become an actress, an idea which horrified the young girl, Morny arranged for her to attend her first theater performance at the Comedie Française in a party which included her mother, the Duc de Morny, and his friend Alexandre Dumas
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