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The Gebel el-Arak knife (back and front), on display at the Musée du Louvre.
Gebel el-Arak Knife ivory handle (back), in the Departement of Pre-Dynastic Egyptian antiquities, Louvre Museum.
Gebel el-Arak Knife ivory handle (back), in the Departement of Pre-Dynastic Egyptian antiquities, Louvre Museum.
Mesopotamian king as Master of Animals on the Gebel el-Arak Knife at the top of the handle, dated circa 3300-3200 BC, Abydos, Egypt. This work of art
Mesopotamian king as Master of Animals on the Gebel el-Arak Knife at the top of the handle, dated circa 3300-3200 BC, Abydos, Egypt. This work of art both shows the influence of Mesopotamia on Egypt at an early date, in an example of ancient Egypt-Mesopotamia relations, and the state of Mesopotamian royal iconography during the Uruk period.
Similar portrait of a probable Uruk King-Priest with a brimmed round hat and large beard, excavated in Uruk and dated to 3300 BC. Louvre Museum.
Similar portrait of a probable Uruk King-Priest with a brimmed round hat and large beard, excavated in Uruk and dated to 3300 BC. Louvre Museum.
Artifacts of Egypt from the Prehistoric period, from 4400 to 3100 BC. First row from top left: a Badarian ivory figurine, a Naqada jar, a Bat figurine
Aterian point from Zaccar, Djelfa region, Algeria.
Aterian point from Zaccar, Djelfa region, Algeria.
Merimde culture clay head, circa 5,000 BC. This is one of the earliest known representations of a human head in Egypt.
Merimde culture clay head, circa 5,000 BC. This is one of the earliest known representations of a human head in Egypt.
The prisoners on the Battlefield Palette may be the people of the Buto-Maadi culture subjected by the Egyptian rulers of Naqada III.
The prisoners on the Battlefield Palette may be the people of the Buto-Maadi culture subjected by the Egyptian rulers of Naqada III.