Georges Pierre Seurat was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
Seurat in 1888
Georges Seurat, 1889–90, Le Chahut, oil on canvas, 170 x 141 cm, Kröller-Müller Museum, Otterlo
Bathers at Asnières, 1884, oil on canvas, 201 × 301 cm, National Gallery, London
Jeune femme se poudrant (Young Woman Powdering Herself), 1888–1890, oil on canvas, 95.5 x 79.5 cm, Courtauld Institute of Art
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles
Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York
Poster of the 1889 Exhibition of Paintings by the Impressionist and Synthetist Group, at Café des Arts, known as The Volpini Exhibition, 1889
Henri de Toulouse-Lautrec, Portrait of Émile Bernard, 1886, Tate Gallery London