1.
Lesbos
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Lesbos, sometimes referred to as Mytilini after its capital, is a Greek island located in the northeastern Aegean Sea. It has an area of 1,632.819 square kilometres with 320 kilometres of coastline and it is separated from Turkey by the narrow Mytilini Strait and in late Palaeolithic/Mesolithic times was joined to the Anatolian mainland before the end of the last glacial period. Lesbos is a regional unit of the North Aegean region. The others are Chios, Ikaria, Lemnos, and Samos, the total number of islands governed by the North Aegean are nine, Lesbos, Chios, Psara, Oinousses, Ikaria, Fournoi Korseon, Lemnos, Agios Efstratios and Samos. The capital of the North Aegean Region is Mytilene, the population of Lesbos is approximately 86,000, a third of whom live in its capital, Mytilene, in the southeastern part of the island. The remaining population is distributed in small towns and villages, the largest are Plomari, Kalloni, the Gera Villages, Agiassos, Eresos, and Molyvos. In fact the archaeological and linguistic record may indicate a late Iron Age arrival of Greek settlers although references in Late Bronze Age Hittite archives indicate a likely Greek presence then, the name Mytilene itself seems to be of Hittite origin. According to Homers Iliad, however, Lesbos was part of the kingdom of Priam in what is now Turkey, much work remains to be done to determine just what was happening and when. In the Middle Ages, it was under Byzantine and then Genoese rule, Lesbos was conquered by the Ottoman Empire in 1462. The Ottomans then ruled the island until the First Balkan War in 1912, according to Classical Greek mythology, Lesbos was the patron god of the island. Macar was reputedly the first king whose many daughters bequeathed their names to some of the present larger towns, in Classical myth his sister, Canace, was killed to have him made king. The place names with female origins are likely to be much earlier settlements named after local goddesses, homer refers to the island as Macaros edos, the seat of Macar. The abundant grey pottery ware found on the island and the worship of Cybele, the island was governed by an oligarchy in archaic times, followed by quasi-democracy in classical times. For a short period it was a member of the Athenian confederacy, its apostasy from which is recounted by Thucydides in the Mytilenian Debate, in Hellenistic times, the island belonged to various Successor kingdoms until 79 BC when it passed into Roman hands. During the Middle Ages it belonged to the Byzantine Empire, in 802, the Byzantine Empress Irene was exiled to Lesbos after her deposition, and died there. The island served as a base for the fleet of the rebel Thomas the Slav in the early 820s. In the 10th century, it was part of the theme of the Aegean Sea, in the 1090s, the island was briefly occupied by the Turkish emir Tzachas, but he was unable to capture Methymna, which resisted throughout. In the 12th century, the became a frequent target for plundering raids by the Republic of Venice
2.
Ottoman Empire
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After 1354, the Ottomans crossed into Europe, and with the conquest of the Balkans the Ottoman Beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the 1453 conquest of Constantinople by Mehmed the Conqueror, at the beginning of the 17th century the empire contained 32 provinces and numerous vassal states. Some of these were later absorbed into the Ottoman Empire, while others were granted various types of autonomy during the course of centuries. With Constantinople as its capital and control of lands around the Mediterranean basin, while the empire was once thought to have entered a period of decline following the death of Suleiman the Magnificent, this view is no longer supported by the majority of academic historians. The empire continued to maintain a flexible and strong economy, society, however, during a long period of peace from 1740 to 1768, the Ottoman military system fell behind that of their European rivals, the Habsburg and Russian Empires. While the Empire was able to hold its own during the conflict, it was struggling with internal dissent. Starting before World War I, but growing increasingly common and violent during it, major atrocities were committed by the Ottoman government against the Armenians, Assyrians and Pontic Greeks. The word Ottoman is an anglicisation of the name of Osman I. Osmans name in turn was the Turkish form of the Arabic name ʿUthmān, in Ottoman Turkish, the empire was referred to as Devlet-i ʿAlīye-yi ʿOsmānīye, or alternatively ʿOsmānlı Devleti. In Modern Turkish, it is known as Osmanlı İmparatorluğu or Osmanlı Devleti, the Turkish word for Ottoman originally referred to the tribal followers of Osman in the fourteenth century, and subsequently came to be used to refer to the empires military-administrative elite. In contrast, the term Turk was used to refer to the Anatolian peasant and tribal population, the term Rūmī was also used to refer to Turkish-speakers by the other Muslim peoples of the empire and beyond. In Western Europe, the two names Ottoman Empire and Turkey were often used interchangeably, with Turkey being increasingly favored both in formal and informal situations and this dichotomy was officially ended in 1920–23, when the newly established Ankara-based Turkish government chose Turkey as the sole official name. Most scholarly historians avoid the terms Turkey, Turks, and Turkish when referring to the Ottomans, as the power of the Seljuk Sultanate of Rum declined in the 13th century, Anatolia was divided into a patchwork of independent Turkish principalities known as the Anatolian Beyliks. One of these beyliks, in the region of Bithynia on the frontier of the Byzantine Empire, was led by the Turkish tribal leader Osman, osmans early followers consisted both of Turkish tribal groups and Byzantine renegades, many but not all converts to Islam. Osman extended the control of his principality by conquering Byzantine towns along the Sakarya River and it is not well understood how the early Ottomans came to dominate their neighbours, due to the scarcity of the sources which survive from this period. One school of thought which was popular during the twentieth century argued that the Ottomans achieved success by rallying religious warriors to fight for them in the name of Islam, in the century after the death of Osman I, Ottoman rule began to extend over Anatolia and the Balkans. Osmans son, Orhan, captured the northwestern Anatolian city of Bursa in 1326 and this conquest meant the loss of Byzantine control over northwestern Anatolia. The important city of Thessaloniki was captured from the Venetians in 1387, the Ottoman victory at Kosovo in 1389 effectively marked the end of Serbian power in the region, paving the way for Ottoman expansion into Europe
3.
Greece
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Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
4.
Greeks
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The Greeks or Hellenes are an ethnic group native to Greece, Cyprus, southern Albania, Turkey, Sicily, Egypt and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora, with Greek communities established around the world, many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century and the Eastern Mediterranean areas of ancient Greek colonization. The cultural centers of the Greeks have included Athens, Thessalonica, Alexandria, Smyrna, most ethnic Greeks live nowadays within the borders of the modern Greek state and Cyprus. The Greek genocide and population exchange between Greece and Turkey nearly ended the three millennia-old Greek presence in Asia Minor, other longstanding Greek populations can be found from southern Italy to the Caucasus and southern Russia and Ukraine and in the Greek diaspora communities in a number of other countries. Today, most Greeks are officially registered as members of the Greek Orthodox Church, the Greeks speak the Greek language, which forms its own unique branch within the Indo-European family of languages, the Hellenic. They are part of a group of ethnicities, described by Anthony D. Smith as an archetypal diaspora people. Both migrations occur at incisive periods, the Mycenaean at the transition to the Late Bronze Age, the Mycenaeans quickly penetrated the Aegean Sea and, by the 15th century BC, had reached Rhodes, Crete, Cyprus and the shores of Asia Minor. Around 1200 BC, the Dorians, another Greek-speaking people, followed from Epirus, the Dorian invasion was followed by a poorly attested period of migrations, appropriately called the Greek Dark Ages, but by 800 BC the landscape of Archaic and Classical Greece was discernible. The Greeks of classical antiquity idealized their Mycenaean ancestors and the Mycenaean period as an era of heroes, closeness of the gods. The Homeric Epics were especially and generally accepted as part of the Greek past, as part of the Mycenaean heritage that survived, the names of the gods and goddesses of Mycenaean Greece became major figures of the Olympian Pantheon of later antiquity. The ethnogenesis of the Greek nation is linked to the development of Pan-Hellenism in the 8th century BC, the works of Homer and Hesiod were written in the 8th century BC, becoming the basis of the national religion, ethos, history and mythology. The Oracle of Apollo at Delphi was established in this period, the classical period of Greek civilization covers a time spanning from the early 5th century BC to the death of Alexander the Great, in 323 BC. It is so named because it set the standards by which Greek civilization would be judged in later eras, the Peloponnesian War, the large scale civil war between the two most powerful Greek city-states Athens and Sparta and their allies, left both greatly weakened. Many Greeks settled in Hellenistic cities like Alexandria, Antioch and Seleucia, two thousand years later, there are still communities in Pakistan and Afghanistan, like the Kalash, who claim to be descended from Greek settlers. The Hellenistic civilization was the period of Greek civilization, the beginnings of which are usually placed at Alexanders death. This Hellenistic age, so called because it saw the partial Hellenization of many non-Greek cultures and this age saw the Greeks move towards larger cities and a reduction in the importance of the city-state. These larger cities were parts of the still larger Kingdoms of the Diadochi, Greeks, however, remained aware of their past, chiefly through the study of the works of Homer and the classical authors. An important factor in maintaining Greek identity was contact with barbarian peoples and this led to a strong desire among Greeks to organize the transmission of the Hellenic paideia to the next generation
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
7.
Realism (arts)
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Realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in part a matter of technique and training. In the visual arts, illusionistic realism is the depiction of lifeforms, perspective. Realist works of art may emphasize the mundane, ugly or sordid, such as works of realism, regionalism. There have been various movements in the arts, such as the opera style of verismo, literary realism, theatrical realism. The realism art movement in painting began in France in the 1850s, the realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century. Realism is the precise, detailed and accurate representation in art of the appearance of scenes. Realism in this sense is also called naturalism, mimesis or illusionism, realistic art was created in many periods, and it is in large part a matter of technique and training, and the avoidance of stylization. It becomes especially marked in European painting in the Early Netherlandish painting of Jan van Eyck, however such realism is often used to depict, for example, angels with wings, which were not things the artists had ever seen in real life. It is the choice and treatment of matter that defines Realism as a movement in painting. The development of increasingly accurate representation of the appearances of things has a long history in art. It includes elements such as the depiction of the anatomy of humans and animals, of perspective and effects of distance. Ancient Greek art is recognised as having made great progress in the representation of anatomy. Pliny the Elders famous story of birds pecking at grapes painted by Zeuxis in the 5th century BC may well be a legend, roman portraiture, when not under too much Greek influence, shows a greater commitment to a truthful depiction of its subjects. The art of Late Antiquity famously rejected illusionism for expressive force, scientific methods of representing perspective were developed in Italy and gradually spread across Europe, and accuracy in anatomy rediscovered under the influence of classical art. As in classical times, idealism remained the norm, intriguingly, having led the development of illusionic painting, still life was to be equally significant in its abandonment in Cubism. The depiction of ordinary, everyday subjects in art also has a history, though it was often squeezed into the edges of compositions. However these objects are at least largely there because they carry layers of complex significance, pieter Bruegel the Elder pioneered large panoramic scenes of peasant life
8.
Greek art
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Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods. Greek art is mainly five forms, architecture, sculpture, painting, artistic production in Greece began in the prehistoric pre-Greek Cycladic and the Minoan civilizations, both of which were influenced by local traditions and the art of ancient Egypt. There are three divisions of the stages of later ancient Greek art that correspond roughly with historical periods of the same names. These are the Archaic, the Classical and the Hellenistic, the Archaic period is usually dated from 1000 BC. Of course, different forms of art developed at different speeds in different parts of the Greek world, there was no sharp transition from one artistic period to another. The art of ancient Greece has exercised an influence on the culture of many countries from ancient times until the present. In the West, the art of the Roman Empire was largely derived from Greek models, following the Renaissance in Europe, the humanist aesthetic and the high technical standards of Greek art inspired generations of European artists. Pottery was either red with black designs or black with red designs, Byzantine art is the term created for the Eastern Roman Empire from about the 5th century until the fall of Constantinople in 1452. It can also be used for the art of people of the former Byzantine Empire under the rule of Ottoman Empire after 1453, in some respects the Byzantine artistic tradition has continued in Russia and other Eastern Orthodox countries to the present day. Byzantine art grew from the art of ancient Greece and, at least before 1453, never lost sight of its classical heritage, the most profound of these was that the humanist ethic of ancient Greek art was replaced by the Christian ethic. If the purpose of art was the glorification of man. One of the most important forms of Byzantine art was, and still is, like the Cretan school it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first signiand the National Gallery of Art in Washington, D. C. The Heptanese School of painting succeeded the Cretan School as the school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school it combined Byzantine traditions with an increasing Western European artistic influence, the school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. Modern Greek art, after the establishment of the Greek Kingdom, after centuries of Ottoman rule, few opportunities for an education in the arts existed in the newly independent Greece, so studying abroad was imperative for artists. Munich, as an important international center for the arts at that time, was the place where the majority of the Greek artists of the 19th century chose to study, later on, they would return to Greece and pass on their knowledge. Both academic and personal bonds developed between early Greek painters and Munich artistry giving birth to the Greek Munich School, nikolaos Gysis was an important teacher and artist at the Munich Academy and he soon became a leading figure among Greek artists. Many of these Munich School artists chose subjects such as everyday Greek life, local customs, several important painters emerged at this time
9.
National Gallery (Athens)
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The National Art Gallery–Alexandros Soutzos Museum is an art museum in Athens devoted to Greek and European art from the 14th century to the 20th century. It is directed by Marina Lambraki-Plaka and it was established in 1878 as a small collection of 117 works exhibited at the Athens University. In 1896, Alexandros Soutzos, a jurist and art lover, bequeathed his collection, the museum opened in 1900 and the first curator was the famous Greek painter Georgios Jakobides from Munich. After World War II the works began for a new building, after relocating the sculptures in the new National Glyptotheque, there is a discussion to renovate the main building and to build a new wing. The gallery exhibitions are mainly focused on post-Byzantine Greek Art, the gallery owns and exhibits also an extensive collection of European artists. Particularly valuable, is the collection of paintings from the Renaissance, approximately four million people have visited the National Gallery in the last fourteen years. Its exhibition activity is supported by sponsorships that cover up to half of its budget. The National Gallery has opened the last years branches in Nafplion, Sparta, the gallery is situated on Vassilissis Sofias Avenue, opposite the Hilton Athens. It can be reached with the Athens Metro at the Evangelismos station, the National Glyptotheque is situated at the Alsos Stratou in Goudi, near Kanellopoulou Avenue and can be reached with the Athens Metro at the Katehaki station. National Glyptotheque Art in modern Greece Greek Art List of museums in Greece Foros Timis Ston Greco Cretan School National Gallery of Athens Official website
10.
Smyrna
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Smyrna was an Ancient Greek city located at a central and strategic point on the Aegean coast of Anatolia. This place is today as İzmir, Turkey. Due to its advantageous port conditions, its ease of defence and its good inland connections, two sites of the ancient city are today within the boundaries of İzmir. The first site, probably founded by indigenous peoples, rose to prominence during the Archaic Period as one of the principal ancient Greek settlements in western Anatolia, the second, whose foundation is associated with Alexander the Great, reached metropolitan proportions during the period of the Roman Empire. Most of the remains of the ancient city date from the Roman era. In practical terms, a distinction is made between these. Old Smyrna was the settlement founded around the 11th century BC, first as an Aeolian settlement. Smyrna proper was the new city which residents moved to as of the 4th century BC and this Anatolian settlement commanded the gulf. Today, the site, named Bayraklı Höyüğü, is approximately 700 metres inland. New Smyrna developed simultaneously on the slopes of the Mount Pagos and alongside the coastal strait, the core of the late Hellenistic and early Roman Smyrna is preserved in the large area of İzmir Agora Open Air Museum at this site. Research is being pursued at the sites of both the old and the new cities and this has been conducted since 1997 for Old Smyrna and since 2002 for the Classical Period city, in collaboration between the İzmir Archaeology Museum and the Metropolitan Municipality of İzmir. For further information on etymology of the name, see İzmir#Names. Several explanations have been offered for its name, a Greek myth derived the name from an eponymous Amazon named Σμύρνα, which was also the name of a quarter of Ephesus. This is the basis of Myrina, a city of Aeolis, in inscriptions and coins, the name often was written as Ζμύρνα, Ζμυρναῖος, of Smyrna. The name Smyrna may also have taken from the ancient Greek word for myrrh, smyrna. The region was settled at least as of the beginning of the third millennium BC, or perhaps earlier, as the recent finds in Yeşilova Höyük suggests. It could have been a city of the autochthonous Leleges before the Greek colonists started to settle along the coast of Asia Minor as of the beginning of the first millennium BC, throughout antiquity Smyrna was a leading city-state of Ionia, with influence over the Aegean shores and islands. Smyrna was also among the cities that claimed Homer as a resident, the early Aeolian Greek settlers of Lesbos and Cyme, expanding eastwards, occupied the valley of Smyrna
11.
Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
12.
Genre art
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Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, and street scenes. Such representations may be realistic, imagined, or romanticized by the artist, some variations of the term genre art specify the medium or type of visual work, as in genre painting, genre prints, genre photographs, and so on. Rather confusingly, the meaning of genre, covering any particular combination of an artistic medium. Painting was divided into a hierarchy of genres, with painting at the top, as the most difficult and therefore prestigious. But history paintings are a genre in painting, not genre works, the following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of such as porcelain, furniture, wallpaper. Genre painting, also called genre scene or petit genre, depicts aspects of life by portraying ordinary people engaged in common activities. A work would often be considered as a genre work even if it could be shown that the artist had used a known member of his family. In this case it would depend on whether the work was likely to have intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist, because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre themes appear in all art traditions. These were part of a pattern of Mannerist inversion in Antwerp painting, giving low elements previously in the background of images prominent emphasis. The generally small scale of these paintings was appropriate for their display in the homes of middle class purchasers. Often the subject of a painting was based on a popular emblem from an Emblem book. The merry company showed a group of figures at a party, other common types of scenes showed markets or fairs, village festivities, or soldiers in camp. In Italy, a school of painting was stimulated by the arrival in Rome of the Dutch painter Pieter van Laer in 1625. He acquired the nickname Il Bamboccio and his followers were called the Bamboccianti, whose works would inspire Giacomo Ceruti, Antonio Cifrondi, jean-Baptiste Greuze and others painted detailed and rather sentimental groups or individual portraits of peasants that were to be influential on 19th-century painting. Spain had a tradition predating The Book of Good Love of social observation and commentary based on the Old Roman Latin tradition, practiced by many of its painters and illuminators
