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Granida and Daifilo, 1625
Granida and Daifilo, 1625
The Concert, 1623, National Gallery of Art (Washington, D.C.)
The Concert, 1623, National Gallery of Art (Washington, D.C.)
The Matchmaker (1625), showing the use of Carravagesque lighting effects
The Matchmaker (1625), showing the use of Carravagesque lighting effects
Musical Group on a Balcony (1622)
Musical Group on a Balcony (1622)
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Johannes Vermeer, The Milkmaid (1658–1661)
Johannes Vermeer, The Milkmaid (1658–1661)
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture,
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture, genre painting, and sometimes history painting.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left