1.
Dead Kennedys
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Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the first American hardcore bands to make a significant impact in the United Kingdom, Dead Kennedys lyrics were usually political in nature, satirizing establishment political figures and authority in general, as well as popular culture and even the punk movement itself. During their initial incarnation between 1978 and 1986, they attracted considerable controversy for their lyrics and artwork. This culminated in an obscenity trial between 1985 and 1986, which resulted in a hung jury, the group released a total of four studio albums and one EP before disbanding in 1986. Following the bands dissolution, Biafra continued to collaborate and record other artists including D. O. A. NoMeansNo and his own bands Lard and the Guantanamo School of Medicine, in 2000, Jello Biafra lost an acrimonious legal case initiated by his former Dead Kennedys band mates over songwriting credits and unpaid royalties. In 2001, the band reformed without Biafra, various singers have since been recruited for vocal duties, the original band lineup consisted of Jello Biafra on vocals, East Bay Ray on guitar, Klaus Flouride on bass, and Ted on drums and percussion. This lineup recorded their first demos, in early to mid July, the band recruited 6025 as a rhythm guitarist. Their first live show was on July 19,1978 at Mabuhay Gardens in San Francisco and they were the opening act on a bill that included DV8 and Negative Trend with The Offs headlining. Dead Kennedys played numerous shows at local venues afterwards, due to the provocative name of the band, they sometimes played under pseudonyms, including The DKs, The Sharks, The Creamsicles and The Pink Twinkies. The bands real name generated controversy,22, the 15th anniversary of John F. Kennedys assassination. Despite mounting protests, the owner of Mabuhay declared, I cant cancel them NOW—theres a contract, not, apparently, the kind of contract some people have in mind. However, despite popular belief, the name was not meant to insult the Kennedy family,6025 left the band in March 1979 under somewhat unclear circumstances, generally considered to be musical differences. In June, the released their first single, California Über Alles, on Biafra and East Bay Rays independent label. The band followed with a poorly attended East Coast tour, being a new and fairly unknown band at the time, in early 1980, they recorded and released the single Holiday in Cambodia. In June, the recorded their debut album, Fresh Fruit for Rotting Vegetables. The album reached number 33 on the UK Albums Chart, on March 25,1980, Dead Kennedys were invited to perform California Über Allesat the Bay Area Music Awards in an effort to give the event some new wave credibility, in the words of the organizers. The day of the performance was spent practicing the song they were asked to play, Weve gotta prove that were adults now
2.
Hardcore punk
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Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock, New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy and subversive humor. Hardcore punk generally disavows commercialism, the music industry and anything similar to the characteristics of mainstream rock. Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Washington, New York, New Jersey, and Boston—as well as in Australia, Canada and the United Kingdom. Hardcore has spawned the straight movement and its associated submovements, hardline. Hardcore was heavily involved with the rise of the independent record labels in the 1980s and it has also influenced various music genres that have experienced widespread commercial success, including alternative rock, thrash metal, emo and metalcore. While traditional hardcore has never experienced mainstream success, some of its early pioneers have garnered appreciation over time. In 2011, Rolling Stone writer David Fricke placed Greg Ginn of Black Flag 99th place in his 100 Greatest Guitarists list, although the music genre started in English-speaking western countries, notable hardcore scenes have existed in Italy, Brazil, Japan, Europe and the Middle East. The origin of the hardcore punk is uncertain. The Vancouver-based band D. O. A. may have helped to popularize the term with the title of their 1981 album, Hardcore 81. C. Hardcore historian Steven Blush said that the term hardcore is also a reference to the sense of being fed up with the existing punk, Blush also states that the term refers to an extreme, the absolute most Punk. One definition of the genre is a form of exceptionally harsh punk rock, like the Oi. subgenre of the UK, hardcore punk can be considered an internal music reaction. According to one writer, distressed by the artificiality of much post-punk, lacking the art-school grace of post-punk, hardcore punk favor low key visual aesthetic over extravagance and breaking with original punk rock song patterns. One of the important philosophies in the scene is authenticity. The pejorative term poseur is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Joe Keithley, the vocalist of D. O. A. said in an interview, in the vein of earlier punk rock, most hardcore punk bands have followed the traditional singer/guitar/bass/drum format. The songwriting has more emphasis on rather than melody. Critic Steven Blush writes The Sex Pistols were still rocknroll. like the craziest version of Chuck Berry, Hardcore was a radical departure from that
3.
Punk rock
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Punk rock is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as proto-punk music, Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic, many bands self-produce recordings and distribute them through informal channels, the term punk was first used in relation to rock music by some American critics in the early 1970s, to describe garage bands and their devotees. The following year saw punk rock spreading around the world, for the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment, by the beginning of the 1980s, faster, more aggressive styles such as hardcore and street punk had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a range of other variations, giving rise to post-punk. At the end of the 20th century, punk rock had been adopted by the mainstream, as pop punk and punk bands such as Green Day. The first wave of rock was aggressively modern, distancing itself from the bombast. According to Ramones drummer Tommy Ramone, In its initial form, unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere, by 1973, I knew that what was needed was some pure, stripped down, no bullshit rock n roll. In critic Robert Christgaus description, It was also a subculture that rejected the political idealism. Technical accessibility and a DIY spirit are prized in punk rock, in the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion, according to Holmstrom, punk rock was rock and roll by people who didnt have very many skills as musicians but still felt the need to express themselves through music. In December 1976, the English fanzine Sideburns published an illustration of three chords, captioned This is a chord, this is another, this is a third. The title of a 1980 single by the New York punk band Stimulators, inscribed a catchphrase for punks basic musical approach. The previous year, when the rock revolution began in Great Britain, was to be both a musical and a cultural Year Zero. As a Clash associate describes singer Joe Strummers outlook, Punk rock is meant to be our freedom, were meant to be able to do what we want to do. Scholar Daniel S. Traber argues that attaining authenticity in the identity can be difficult, as the punk scene matured, he observes
4.
Jello Biafra
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Jello Biafra is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys. He is currently both a musician and spoken word artist, after he left the Dead Kennedys, he took over the influential independent record label Alternative Tentacles, which he had co-founded in 1979 with Dead Kennedys bandmate East Bay Ray. Although now focused primarily on spoken word, he has continued as a musician in numerous collaborations, politically, Biafra is a member of the Green Party of the United States and actively supports various political causes. He ran for the partys Presidential nomination in 2000, finishing a distant second to Ralph Nader and he is a staunch believer in a free society, and utilizes shock value and advocates direct action and pranksterism in the name of political causes. Biafra is known to use absurdist media tactics, in the leftist tradition of the Yippies, to issues of civil rights. Eric Boucher was born in Boulder, Colorado, the son of Virginia, a librarian, and Stanley Wayne Boucher and he also had a sister, Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library. As a child, Eric Boucher developed an interest in politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination, Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. Boucher was informed by his school guidance counselor that he should be spending his high school years preparing to become a dental hygienist. He began his career in music in January 1977 as a roadie for the rock band The Ravers. The Healers became infamous locally for their mainly improvised lyrics and avant garde music, in the autumn of that year, he began attending the University of California, Santa Cruz. In June 1978, he responded to an advertisement placed in a store by guitarist East Bay Ray, stating Guitarist wants to form punk band, and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant, but soon began to use his current stage name, a combination of the brand name Jell-O and the short-lived African state Biafra. Biafra wrote the lyrics, most of which were political in nature and displayed a sardonic, sometimes absurdist. In the tradition of UK anarcho-punk bands like Crass, the Dead Kennedys were one of the first US punk bands to write politically themed songs, the lyrics Biafra wrote helped popularize the use of humorous lyrics in hardcore. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs, noting in particular songs by The Ramones such as Beat on the Brat, Biafra sang his riffs and melodies into a tape recorder, which he brought to the bands rehearsal and/or recording sessions. This later became a problem when the members of the Dead Kennedys sued Biafra over royalties. Biafras first popular song was the first single by the Dead Kennedys, the song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra
5.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
6.
Patrick Henry
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Patrick Henry was an American attorney, planter and politician who became known as an orator during the movement for independence in Virginia. A Founding Father, he served as the first and sixth post-colonial Governor of Virginia, from 1776 to 1779, Henry led the opposition to the Stamp Act 1765 and is remembered for his Give me liberty, or give me death. After the Revolution, Henry was a leader of the anti-federalists in Virginia and he opposed the United States Constitution, fearing that it endangered the rights of the States as well as the freedoms of individuals, he helped gain adoption of the Bill of Rights. However, by 1798 he supported President John Adams and the Federalists and he denounced passage of the Kentucky and Virginia Resolutions as he feared the social unrest and widespread executions that had followed the increasing radicalism of the French Revolution. After he married, Henry began acquiring extensive land holdings, by 1779, along with his cousin and her husband, Henry owned a 10, 000-acre plantation known as Leatherwood. He is also recorded having purchased up to 78 slaves, in 1794, he and his wife retired to Red Hill Plantation, comprising 520 acres in Charlotte County, which was also a functioning tobacco plantation. Henry was born at Studley, the farm, in Hanover County in the Colony of Virginia. His father was John Henry, an immigrant from Aberdeenshire, Scotland, settling in Hanover County, in about 1732 John Henry married Sarah Winston Syme, a wealthy widow from a prominent Hanover County family of English ancestry. Patrick Henry was once thought to have been of humble origins, Henry attended local schools for a few years, and then was tutored by his father. He tried to start in business but was not successful, in 1754 Henry married Sarah Shelton, reportedly in the parlor of her family house, Rural Plains. As a wedding gift, her father gave the couple six slaves, with his marriage, he became a slaveholder and landowner. Henry worked with his slaves on the land because it was a property, it was exhausted from tobacco cultivation. After the main house burned, the moved for a short time with their two children into the 20 by 60 foot Honeymoon Cottage, a one-story building with attic. They later moved to the Hanover Tavern, owned by Sarahs father and they sold Pine Slash Plantation in 1764, after Henry started working as a lawyer. The Henrys had six children together, one of whom married a brother of poet Thomas Campbell, in 1771 the family moved to Scotchtown Plantation, also in Hanover County. Sarah became mentally ill and died there in 1775, on October 25,1777, 41-year-old Henry married his second wife, 22-year-old Dorothea Dandridge. The next year moved to Williamsburg after his election as governor. In 1779 they moved to the 10, 000-acre Leatherwood Plantation, Henry began a career as a planter, but the soil was poor and their main house was destroyed by fire in 1757
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