1.
Imperial Regalia
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The Imperial Regalia, also Imperial Insignia, are the regalia of the Emperors and Kings of the Holy Roman Empire. The most important parts are the Imperial Crown, the Holy Lance, today they are kept at the Imperial Treasury in the Hofburg palace in Vienna, Austria. The Imperial Regalia are the completely preserved regalia from the Middle Ages. During the late Middle Ages, the word Imperial Regalia had many variations in the Latin language, the regalia were named in Latin, insignia imperialia, regalia insignia, insignia imperalis capellae quae regalia dicuntur and other similar words. The regalia is composed of two different parts, the greater group are the so-called Nürnberger Kleinodien, named after the town of Nuremberg, where the regalia were kept from 1424 to 1796. St. Stephens Purse, the Imperial Bible, and the so-called Sabre of Charlemagne were kept in Aachen until 1794 and it is not known how long they have been considered among the Imperial Regalia, nor how long they had been in Aachen. The inventory of the regalia during the late Middle Ages normally consisted only of five to six items, goffredo da Viterbo counted following items, the Imperial Cross, the Holy Lance, the crown, the sceptre, the orb, and the sword. On other lists, however, the sword is not mentioned, whether the medieval chronicles really do refer to the same regalia which are kept in Vienna today depends on a variety of factors. Descriptions of the emperors only spoke of them being “clothed in imperial regalia” without exactly describing which items they were, the crown can only be dated back to the 13th century, when it is described in a medieval poem. The first definite pictorial image of the crown can only be later in a mural in the Karlstein Castle close to Prague. It is also difficult to define for how long the Imperial and Ceremonial Swords have belonged to the regalia, until the 15th century the Imperial Regalia had no firm depository and sometimes accompanied the ruler on his trips through the empire. Above all with conflicts around the legality of the rule it was important to own the insignia and they arrived there on 22 March in the next year from Plintenburg coming and were kept in the Heilig-Geist-Spital. They left this place regularly for the Heiltumsweisungen and for coronations, since of the Age of Enlightenment at least the imperial regalia had no constitutive or confirming character for the empire any more. They were an only adorned decoration for the coronation of the emperors who all are derived from the House of Habsburg, the whole rigmarole around the coronation and the imperial regalia was felt mostly only as travesty. In July 1796 French troops crossed the Rhine and shortly after reached Franconia, on 23 July a part of the Imperial Regalia were transported by Nuremberg colonel Johann Georg Haller von Hallerstein from Nuremberg to Regensburg, where they arrived on the next day. On 28 September the remaining parts of the jewels were also delivered to Regensburg, since this elopement parts of the treasure are missing. Until 1800 the Imperial Regalia remained in the St. Emmeram Castle in Regensburg, there the committal is verified for 29 October. The pieces from Aachen were brought in 1798 to Hildesheim and reached Vienna not before 1801, after the Anschluss of Austria to the Nazi Reich in 1938 the imperial regalia were returned on instruction by Adolf Hitler to Nuremberg, where they were exhibited in the Katharinenkirche
2.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
3.
Coin
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A coin is a small, flat, round piece of metal or plastic used primarily as a medium of exchange or legal tender. They are standardized in weight, and produced in quantities at a mint in order to facilitate trade. They are most often issued by a government, Coins are usually metal or alloy, or sometimes made of synthetic materials. Coins made of metal are stored in large quantities as bullion coins. Other coins are used as money in transactions, circulating alongside banknotes. Usually the highest value coin in circulation is less than the lowest-value note. In the last hundred years, the value of circulation coins has occasionally been lower than the value of the metal they contain. Exceptions to the rule of face value being higher than content value also occur for some bullion coins made of copper, silver, or gold, while the Eagle, Maple Leaf, and Sovereign coins have nominal face values, the Krugerrand does not. The first coins were developed independently in Iron Age Anatolia and Archaic Greece, India, Coins spread rapidly in the 6th and 5th centuries BCE, throughout Greece and Persia, and further to the Balkans. Standardized Roman currency was used throughout the Roman Empire, important Roman gold and silver coins were continued into the Middle Ages. Fiat money first arose in medieval China, with the paper money. Early paper money was introduced in Europe in the later Middle Ages, the penny was minted as a silver coin until the 17th century. The first circulating United States coins were cents, produced in 1793, Coins were an evolution of currency systems of the Late Bronze Age, where standard-sized ingots, and tokens such as knife money, were used to store and transfer value. In the late Chinese Bronze Age, standardized cast tokens were made and these were replicas in bronze of earlier Chinese currency, cowrie shells, so they were named Bronze Shell. According to Aristotle and Pollux, the first issuer of coins was Hermodike of Kyme The earliest coins are associated with Iron Age Anatolia. Early electrum coins were not standardized in weight, and in their earliest stage may have been ritual objects, such as badges or medals, issued by priests. The first Lydian coins were made of electrum, a naturally occurring alloy of silver, most of the early Lydian coins include no writing, only an image of a symbolic animal. Anatolian Artemis was the Πὀτνια Θηρῶν, whose symbol was the stag, a small percentage of early Lydian/Greek coins have a legend
4.
Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Eventually the Church would succeed in weeding most of these out, after the period of Byzantine iconoclasm iconographical innovation was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins, the Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism
5.
Sceptre
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A sceptre or scepter is a symbolic ornamental staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty, either right or cruel, the ancient Indian work of Tirukkural dedicates a separate chapter each on the ethics of the right sceptre and the evils of the cruel sceptre. The Was and other types of staffs were signs of authority in Ancient Egypt, for this reason, they are often described as sceptres, even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The staff with the longest history seems to be the heqa-sceptre, the Bronze Age rulers of Mesopotamia are not regularly depicted with sceptres. However, in instances, they are shown armed, with bow and arrow. Use of a rod or staff as representing authority can be traced to the beginning of Classical Antiquity. Among the early Greeks, the sceptre was a staff, such as Agamemnon wielded or was used by respected elders, and came to be used by judges, military leaders, priests. It is represented on painted vases as a staff tipped with a metal ornament. When the sceptre is borne by Zeus or Hades, it is headed by a bird, when, in the Iliad, Agamemnon sends Odysseus to the leaders of the Achaeans, he lends him his sceptre. Among the Etruscans, sceptres of great magnificence were used by kings, many representations of such sceptres occur on the walls of the painted tombs of Etruria. The British Museum, the Vatican, and the Louvre possess Etruscan sceptres of gold, the Roman sceptre probably derived from the Etruscan. Under the Republic, a sceptre was a mark of consular rank. It was also used by generals who received the title of imperator. In the First Persian Empire, the Biblical Book of Esther mentions the sceptre of the King of Persia. Esther 5,2 When the king saw Esther the queen standing in the court, she obtained favor in his sight, so Esther came near, and touched the top of the scepter. Under the Roman Empire, the sceptrum Augusti was specially used by the emperors, the codes of the right and the cruel sceptre are found in the ancient Tamil work of Tirukkural, dating back to between the first and the third centuries BCE. With the advent of Christianity, the sceptre was tipped with a cross instead of with an eagle
6.
Art of Europe
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The art of Europe encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. Before the 1800s, the Christian church was an influence upon European art. The history of the Church was very much reflected in the history of art, in the same period of time there was renewed interest in heroes and heroines, tales of mythological gods and goddesses, great wars, and bizarre creatures which were not connected to religion. Secularism has influenced European art since the Classical period, while most art of the last 200 years has produced without reference to religion. On the other hand, European art has often influenced by politics of one kind or another, of the state, of the patron. European art is arranged into a number of periods, which, historically. Broadly the periods are, Classical, Byzantine, Medieval, Gothic, Renaissance, Baroque, Rococo, Neoclassical, European prehistoric art is an important part of the European cultural heritage. Prehistoric art history is divided into four main periods, Stone age, Neolithic, Bronze age. Most of the artifacts of this period are small sculptures. The oldest European cave art dates back 40,800, rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the paintings of Astuvansalmi in the Saimaa area of Finland. When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879, recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry of Upper Palaeolithic peoples. Cave paintings, undertaken with only the most rudimentary tools, can also furnish valuable insight into the culture, the figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Other less numerous groups of art, many engraved rather than painted. The Iberian examples are believed to date from a period perhaps covering the Upper Paleolithic, Mesolithic. There are human heads and some fully represented animals, but full-length human figures at any size are so rare that their absence may represent a religious taboo, the Minoan culture is regarded as the oldest civilization in Europe
7.
Salvator Mundi
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The latter symbolizes the Earth, and the whole composition has strong eschatological undertones. The theme was popular by Northern painters such as Jan van Eyck, Hans Memling. There are also versions of the theme attributed to Titian. A painting of the subject has been attributed to Leonardo da Vinci in 2011, Salvator Mundi is represented as a central motif in artworks since the 15th century such as, Media related to Blessing Jesus Christ at Wikimedia Commons Details on de Ganays Salvator Mundi
8.
Infant Jesus of Prague
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Pious legends state that the statue once belonged to Saint Teresa of Avila. The statues clothes are changed by the Carmelite sisters of the church. It is especially venerated during the Christmas season and on May 27 every year on a day of feast, Pope Leo XIII approved the devotion to the Infant Jesus of Prague statue in 1896, and instituted a sodality in its favor. On 30 March 1913, Pope Saint Pius X further organised the Confraternity of the Infant Jesus of Prague, Pope Pius XI granted its first Canonical Coronation on 27 September 1924. Pope Benedict XVI crowned the image for the time during his Apostolic visit to the Czech Republic on 26 September 2009. Over its history, copies of the Infant of Prague statue have attracted Catholic devotional worship in numerous countries. Outside of the Czech Republic, the statue is popular in Portugal, Spain, Ireland, Poland, Philippines and Latin American countries that were previously colonies of Portugal. Many other Infant Jesus sculptures were carved by famous masters throughout Europe in the Middle Ages. Often found in medieval work, the significance of the bird symbolizes either a soul or the Holy Spirit. The sculptures of the Holy Child were dressed in imperial regalia reflecting the fashion of that period. One legend says that a monk in a monastery somewhere between Cordoba and Sevilla had a vision of a little boy, telling him to pray. The monk had spent several hours praying and then he made a figure of the child, the House of Habsburg began ruling the Kingdom of Bohemia in 1526, the kingdom developed close ties with Spain. The statue first appeared in 1556, when María Manriquez de Lara y Mendoza brought the image to Bohemia upon her marriage to Czech nobleman Vratislav of Pernstyn. An old legend in the Lobkowicz family reports that Marías mother, María received the family heirloom as a wedding present. It later became the property of her daughter, Polyxena, 1st Princess Lobkowicz, in 1628, Princess Polyxena von Lobkowicz donated the statue to the Discalced Carmelite friars. Upon presenting it, the pious Princess Polyxena is said to have uttered a prophetic statement to the religious, Venerable Fathers, honour this image and you shall never want. The statue was placed in the oratory of the monastery of Our Lady of Victory, Prague, the Carmelite novices professed their vow of poverty in the presence of the Divine Infant. Upon hearing of the Carmelites devotions and needs, the Emperor Ferdinand II of the House of Habsburg sent along 2,000 florins, in 1630, the Carmelite novitiate was transferred to Munich
9.
Byzantine Empire
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It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453. During most of its existence, the empire was the most powerful economic, cultural, several signal events from the 4th to 6th centuries mark the period of transition during which the Roman Empires Greek East and Latin West divided. Constantine I reorganised the empire, made Constantinople the new capital, under Theodosius I, Christianity became the Empires official state religion and other religious practices were proscribed. Finally, under the reign of Heraclius, the Empires military, the borders of the Empire evolved significantly over its existence, as it went through several cycles of decline and recovery. During the reign of Maurice, the Empires eastern frontier was expanded, in a matter of years the Empire lost its richest provinces, Egypt and Syria, to the Arabs. This battle opened the way for the Turks to settle in Anatolia, the Empire recovered again during the Komnenian restoration, such that by the 12th century Constantinople was the largest and wealthiest European city. Despite the eventual recovery of Constantinople in 1261, the Byzantine Empire remained only one of several small states in the area for the final two centuries of its existence. Its remaining territories were annexed by the Ottomans over the 15th century. The Fall of Constantinople to the Ottoman Empire in 1453 finally ended the Byzantine Empire, the term comes from Byzantium, the name of the city of Constantinople before it became Constantines capital. This older name of the city would rarely be used from this point onward except in historical or poetic contexts. The publication in 1648 of the Byzantine du Louvre, and in 1680 of Du Canges Historia Byzantina further popularised the use of Byzantine among French authors, however, it was not until the mid-19th century that the term came into general use in the Western world. The Byzantine Empire was known to its inhabitants as the Roman Empire, the Empire of the Romans, Romania, the Roman Republic, Graikia, and also as Rhōmais. The inhabitants called themselves Romaioi and Graikoi, and even as late as the 19th century Greeks typically referred to modern Greek as Romaika and Graikika. The authority of the Byzantine emperor as the legitimate Roman emperor was challenged by the coronation of Charlemagne as Imperator Augustus by Pope Leo III in the year 800. No such distinction existed in the Islamic and Slavic worlds, where the Empire was more seen as the continuation of the Roman Empire. In the Islamic world, the Roman Empire was known primarily as Rûm, the Roman army succeeded in conquering many territories covering the entire Mediterranean region and coastal regions in southwestern Europe and north Africa. These territories were home to different cultural groups, both urban populations and rural populations. The West also suffered heavily from the instability of the 3rd century AD
10.
Hadrian
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Hadrian was Roman emperor from 117 to 138. He is known for building Hadrians Wall, which marked the limit of Britannia. He also rebuilt the Pantheon and constructed the Temple of Venus, philhellene in most of his tastes, he is considered by some to have been a humanist, and he is regarded as the third of the Five Good Emperors. Hadrian was born Publius Aelius Hadrianus into a Hispano-Roman family, although Italica near Santiponce is often considered his birthplace, his actual place of birth remains uncertain. It is generally accepted that he came from a family with roots in Hispania. His predecessor, Trajan, was a cousin of Hadrians father. Trajan did not designate an heir officially, but according to his wife Pompeia Plotina, Trajans wife and his friend Licinius Sura were well disposed towards Hadrian, and he may well have owed his succession to them. During his reign, Hadrian travelled to every province of the Empire. An ardent admirer of Greece, he sought to make Athens the cultural capital of the Empire and he used his relationship with his Greek lover Antinous to underline his philhellenism, and this led to the establishment of one of the most popular cults of ancient times. Hadrian spent a deal of time with the military, he usually wore military attire and even dined. He ordered rigorous military training and drilling and made use of reports of attacks to keep the army on alert. On his accession to the throne, Hadrian withdrew from Trajans conquests in Mesopotamia, Assyria and Armenia, late in his reign he suppressed the Bar Kokhba revolt in Judaea, renaming the province Syria Palaestina. In 138 Hadrian adopted Antoninus Pius on the condition that he adopt Marcus Aurelius and Lucius Verus as his own heirs and they would eventually succeed Antoninus as co-emperors. Hadrian died the year at Baiae. In Hadrians time, there was already an established convention that one could not write a contemporary Roman imperial history for fear of competing with the emperors themselves. Information on the history of Hadrians reign comes mostly from later. A general account of his reign is Book 69 of the early 3rd century Roman History by Cassius Dio and his original Greek text of this book is lost, what survives is a brief, much later, Byzantine-era abridgment by the 11th century monk Xiphilinius. He selected from Dios account of Hadrians reign based on his religious interests
11.
Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
12.
Constantine the Great
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Constantine the Great, also known as Constantine I or Saint Constantine, was a Roman Emperor from 306 to 337 AD. Constantine was the son of Flavius Valerius Constantius, a Roman Army officer and his father became Caesar, the deputy emperor in the west, in 293 AD. Constantine was sent east, where he rose through the ranks to become a military tribune under the emperors Diocletian, in 305, Constantius was raised to the rank of Augustus, senior western emperor, and Constantine was recalled west to campaign under his father in Britannia. As emperor, Constantine enacted many administrative, financial, social, the government was restructured and civil and military authority separated. A new gold coin, the solidus, was introduced to combat inflation and it would become the standard for Byzantine and European currencies for more than a thousand years. He called the First Council of Nicaea in 325, at which the Nicene Creed was adopted by Christians, in military matters, the Roman army was reorganised to consist of mobile field units and garrison soldiers capable of countering internal threats and barbarian invasions. The age of Constantine marked an epoch in the history of the Roman Empire. He built a new residence at Byzantium and renamed the city Constantinople after himself. It would later become the capital of the Empire for over one thousand years and his more immediate political legacy was that, in leaving the empire to his sons, he replaced Diocletians tetrarchy with the principle of dynastic succession. His reputation flourished during the lifetime of his children and centuries after his reign, the medieval church upheld him as a paragon of virtue while secular rulers invoked him as a prototype, a point of reference, and the symbol of imperial legitimacy and identity. Beginning with the Renaissance, there were more critical appraisals of his due to the rediscovery of anti-Constantinian sources. Critics portrayed him as a tyrant, trends in modern and recent scholarship attempted to balance the extremes of previous scholarship. The Church of the Holy Sepulchre, built on his orders at the site of Jesus tomb in Jerusalem. The Papal claim to power in the High Middle Ages was based on the supposed Donation of Constantine. He is venerated as a saint by Eastern Orthodox and Byzantine Catholics, though Constantine has historically often been referred to as the First Christian Emperor, scholars debate his actual beliefs or even his actual comprehension of the Christian faith itself. Constantine was a ruler of major importance, and he has always been a controversial figure, the fluctuations in Constantines reputation reflect the nature of the ancient sources for his reign. These are abundant and detailed, but have strongly influenced by the official propaganda of the period. There are no surviving histories or biographies dealing with Constantines life, the nearest replacement is Eusebius of Caesareas Vita Constantini, a work that is a mixture of eulogy and hagiography
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