1.
Akhenaten
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Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
2.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
3.
Aten
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Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
4.
Eighteenth Dynasty of Egypt
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The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
5.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
6.
Atenism
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Atenism, or the Amarna heresy, refers to the religious changes associated with the eighteenth dynasty Pharaoh Amenhotep IV, better known under his adopted name, Akhenaten. Aten, the god of Atenism, first appears in texts dating to the 12th dynasty, during the Middle Kingdom, Aten as the sun disk. was merely one aspect of the sun god Re. It was a relatively obscure sun god, without the Atenist period, during the reign of Thutmosis IV, it was identified as a distinct solar god, and his son Amenhotep III established and promoted a separate cult for the Aten. There is no evidence that Amenhotep III neglected the other gods or attempted to promote the Aten as an exclusive deity. Amenhotep initially introduced Atenism in the year of his reign, raising Aten to the status of supreme god. To emphasise the change, Atens name was written in the form normally reserved for Pharaohs. The religious reformation appears to coincide with the proclamation of a Sed festival, traditionally held in the thirtieth year of the Pharaohs reign, it possibly was a festival in honour of Amenhotep III. Some Egyptologists think that he had a coregency with Amenhotep IV of 2-12 years, the fifth year is believed to mark the beginning of Amenhotep IVs construction of a new capital, Akhetaten, at the site known today as Amarna. Evidence appears on three of the boundary stelae used to mark the boundaries of new capital. Then, Amenhotep IV officially changed his name to Akhenaten as evidence of his new worship, the date given for the event has been estimated to fall around January 2 of that year. In the seventh year of his reign, the capital was moved from Thebes to Akhetaten, in shifting his court from the traditional ceremonial centres, he was signalling a dramatic transformation in the focus of religious and political power. The move separated the Pharaoh and his court from the influence of the priesthood and from the centres of worship. Taken in conjunction with his change, it is possible that the move to Amarna was also meant as a signal of Akhenatens symbolic death and rebirth. It may also have coincided with the death of his father, key features of Atenism included a ban on idols and other images of the Aten, with the exception of a rayed solar disc in which the rays appear to represent the unseen spirit of Aten. Aten was addressed by Akhenaten in prayers, such as the Great Hymn to the Aten, Atens name is also written differently after the ninth year of the Pharaohs rule to emphasise the radicalism of the new regime. Aten, instead of being written with the symbol of a solar disc. The details of Atenist theology are still unclear and he simply refrained from worshiping any but Aten. It is known that Atenism did not attribute divinity only to Aten, Akhenaten continued the cult of the Pharaoh, proclaiming himself the son of Aten and encouraging the Egyptian people to worship him
7.
Rock-cut architecture
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Rock-cut architecture is the creation of structures, buildings, and sculptures, by excavating solid rock where it naturally occurs. Rock-cut architecture is designed and made by man from the start to finish, in India and China, the terms cave and cavern are often applied to this form of man-made architecture. However, caves and caverns, that began in natural form, are not considered to be rock-cut architecture even if extensively modified, although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and this technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples, tombs and cave dwellings, some rock-cut architecture, mostly for tombs, is excavated entirely in chambers under the surface of relatively level rock. If the excavation is made into the side of a cliff or steep slope, there can be an impressive facade, as found in Lycian tombs, Petra, Ajanta. Ellora in India and Lalibela in Ethiopia provide the most spectacular, rock-cut architecture is also said to be cut, hewn, etc. from the living rock. Another term sometimes associated with architecture is monolithic architecture, which is rather applied to free-standing structures made of a single piece of material. Monolithic architecture is often rock-cut architecture but monolithic structures might be also cast of artificial material, gomateshwara, the largest monolithic statue in the world is situated at Shravanabelagola, Karnataka, India. It was built in 983 A. D and was carved out from a single block of granite. In many parts of the world there are rock reliefs, relief sculptures carved into rock faces. Ancient monuments of architecture are widespread in several regions of world. It dates from about 1280 BCE, and consists of a monumentally scaled facade carved out of the cliff, in the 5th century BCE, the Lycians, who inhabited southern Anatolia built hundreds of rock-cut tombs of a similar type, but smaller in scale. Excellent examples are to be found near Dalyan, a town in Muğla Province, since these served as tombs rather than as religious sites, the interiors were usually small and unassuming. The ancient Etruscans of central Italy also left an important legacy of architecture, mostly tombs, as those near the cities of Tarquinia. The creation of rock-cut tombs in ancient Israel began in the 8th-century BCE, the Nabataeans in their city of Petra, now in Jordan, extended this tradition, carving their temples and tombs into the yellowish-orange rock that defines the canyons and gullies of the region. These structures, dating from 1st century BCE to about 2nd century CE, are important in the history of architecture given their experimental forms. Here too, because the structures served as tombs, the interiors were rather perfunctory, in Petra one even finds a theater where the seats are cut out of the rock
8.
Amarna
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The name for the city employed by the ancient Egyptians is written as Akhetaten in English transliteration. Akhetaten means Horizon of the Aten, the city of Deir Mawas lies directly west across from the site of Amarna. Amarna, on the east side, includes several villages, chief of which are el-Till in the north. The area was occupied during later Roman and early Christian times. The name Amarna comes from the Beni Amran tribe that lived in the region, the ancient Egyptian name was Akhetaten. It may be that the Royal Wadis resemblance to the hieroglyph for horizon showed that this was the place to found the city, the city was built as the new capital of the Pharaoh Akhenaten, dedicated to his new religion of worship to the Aten. Construction started in or around Year 5 of his reign and was completed by Year 9. To speed up construction of the city most of the buildings were constructed out of mud-brick, the most important buildings were faced with local stone. Once it was abandoned it remained uninhabited until Roman settlement began along the edge of the Nile, however, due to the unique circumstances of its creation and abandonment, it is questionable how representative of ancient Egyptian cities it actually is. The entire city was encircled with a total of 14 boundary stelae detailing Akhenatens conditions for the establishment of new capital city of Egypt. The earliest dated stele from Akhenatens new city is known to be Boundary stele K which is dated to Year 5, IV Peret and it preserves an account of Akhenatens foundation of this city. Located on the east bank of the Nile, the ruins of the city are laid out north to south along a Royal Road. The Royal residences are generally to the north, in what is known as the North City, with an administration and religious area. If one approached the city of Amarna from the north by river the first buildings past the boundary stele would be the North Riverside Palace. This building ran all the way up to the waterfront and was likely the residence of the Royal Family. Located within the North City area is the Northern Palace, the residence of the Royal Family. Between this and the city, the Northern Suburb was initially a prosperous area with large houses. Most of the important ceremonial and administrative buildings were located in the central city, located behind the Royal Residence was the Bureau of Correspondence of Pharaoh, where the Amarna Letters were found
9.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
10.
Ay
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Ay was the penultimate Pharaoh of Ancient Egypts 18th dynasty. Ays prenomen or royal name—Kheperkheperure—means Everlasting are the Manifestations of Ra while his birth name Ay it-netjer reads as Ay, Ay is usually believed to be a native Egyptian from Akhmim. During his short reign, he built a rock cut chapel in Akhmim and dedicated it to the deity there. He may have been the son of Yuya, who served as a member of the priesthood of Min at Akhmim as well as superintendent of herds in this city, and wife Tjuyu. If so, Ay could have been of partial non-Egyptian, perhaps Syrian, there are also noted similarities in the physical likenesses of monuments attributed to Ay and those of the mummy of Yuya, and both held similar names and titles. Other titles listed in this tomb include Fan-bearer on the Right Side of the King, Acting Scribe of the King, beloved by him, and Gods Father. The Fan-bearer on the Right Side of the King was an important position. The final Gods Father title is the one most associated with Ay, alternatively, it could also mean that he may have had a daughter that married the pharaoh Akhenaten, possibly being the father of Akhenatens chief wife Nefertiti. Ultimately there is no evidence to prove either hypothesis. The Great Hymn to the Aten is also found in his Amarna tomb which was built during his service under Akhenaten and it is likely that this was required by Akhenaten, though not evidence that Ay agreed with Akhenatens decision to promote the Aten above all other gods. It suggests that he did believe in Akhenatens religious revolution and his wife Tey was born a commoner but was given the title Nurse of the Pharaohs Great Wife. In several Amarna tomb chapels there is a woman whose name begins with Mut who had the title Sister of the Pharaohs Great Wife. This could also be a daughter of Ays by his wife Tey, Ays reign was preceded by that of King Tutankhamun, who ascended to the throne at the age of eight or nine, at a time of great tension between the new monotheism and the old polytheism. He was assisted in his duties by his predecessors two closest advisors, Grand Vizier Ay and General of the Armies Horemheb. Egyptologist Bob Brier suggested that Ay murdered Tutankhamun in order to usurp the throne and he also alleged that Ankhesenamun and the Hittite Prince she was about to marry were also murdered at his orders. However, Brier has stated that the fragment in the skull is not relevant to the issue of whether Tutankhamun was murdered. The evidence Brier presents for the murder is a spot on the base of the skull. Dr. Gerald Irwin agrees with Brier on this point, Tutankhamun could very well have died from this, combined with the infection in his knee
11.
Heresy
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Heresy /hār ə sē/ is any belief or theory that is strongly at variance with established beliefs or customs. A heretic is a proponent of such claims or beliefs, the term is usually used to refer to violations of important religious teachings, but is used also of views strongly opposed to any generally accepted ideas. It is used in particular in reference to Christianity, Judaism, the word heresy is usually used within a Christian, Jewish, or Islamic context, and implies slightly different meanings in each. The founder or leader of a movement is called a heresiarch. Heresiology is the study of heresy, according to Titus 3,10 a divisive person should be warned two times before separating from him. The Greek for the phrase divisive person became a term in the early Church for a type of heretic who promoted dissension. In contrast correct teaching is called not only because it builds up the faith. The Church Fathers identified Jews and Judaism with heresy and they saw deviations from orthodox Christianity as heresies that were essentially Jewish in spirit. The use of the word heresy was given currency by Irenaeus in his 2nd century tract Contra Haereses to describe. He described the beliefs and doctrines as orthodox and the Gnostics teachings as heretical. He also pointed out the concept of succession to support his arguments. By Roman law the Emperor was Pontifex Maximus, the high priest of the College of Pontiffs of all recognized religions in ancient Rome. To put an end to the doctrinal debate initiated by Arius, Constantine called the first of what would afterwards be called the ecumenical councils and then enforced orthodoxy by Imperial authority. The first known usage of the term in a context was in AD380 by the Edict of Thessalonica of Theodosius I. Prior to the issuance of this edict, the Church had no state-sponsored support for any particular legal mechanism to counter what it perceived as heresy, by this edict the states authority and that of the Church became somewhat overlapping. One of the outcomes of this blurring of Church and state was the sharing of state powers of legal enforcement with church authorities and this reinforcement of the Churchs authority gave church leaders the power to, in effect, pronounce the death sentence upon those whom the church considered heretical. The edict of Theodosius II provided severe punishments for those who had or spread writings of Nestorius and those who possessed writings of Arius were sentenced to death. For some years after the Reformation, Protestant churches were known to execute those they considered heretics
12.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
13.
Tutankhamun
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Tutankhamun was an Egyptian pharaoh of the 18th dynasty, during the period of Egyptian history known as the New Kingdom or sometimes the New Empire Period. He has, since his discovery, been referred to as King Tut. His original name, Tutankhaten, means Living Image of Aten, in hieroglyphs, the name Tutankhamun was typically written Amen-tut-ankh, because of a scribal custom that placed a divine name at the beginning of a phrase to show appropriate reverence. The 1922 discovery by Howard Carter and Lord Carnarvon of Tutankhamuns nearly intact tomb received worldwide press coverage and it sparked a renewed public interest in ancient Egypt, for which Tutankhamuns mask, now in the Egyptian Museum, remains the popular symbol. Exhibits of artifacts from his tomb have toured the world, in February 2010, the results of DNA tests confirmed that he was the son of Akhenaten. His mother was Akhenatens sister and wife, whose name is unknown, the mysterious deaths of a few of those who excavated Tutankhamuns tomb has been popularly attributed to the curse of the pharaohs. Tutankhamun was the son of Akhenaten and one of Akhenatens sisters, as a prince, he was known as Tutankhaten. He ascended to the throne in 1333 BC, at the age of nine or ten and his wet nurse was a woman called Maia, known from her tomb at Saqqara. His teacher was most likely Sennedjem, when he became king, he married his half-sister, Ankhesenpaaten, who later changed her name to Ankhesenamun. They had two daughters, both stillborn, computed tomography studies released in 2011 revealed that one daughter died at 5–6 months of pregnancy and the other at 9 months of pregnancy. No evidence was found in either mummy of congenital anomalies or an apparent cause of death, given his age, the king probably had very powerful advisers, presumably including General Horemheb and Grand Vizier Ay. Horemheb records that the king appointed him lord of the land as hereditary prince to maintain law and he also noted his ability to calm the young king when his temper flared. In his third year, under the influence of his advisors. He ended the worship of the god Aten and restored the god Amun to supremacy, the ban on the cult of Amun was lifted and traditional privileges were restored to its priesthood. The capital was moved back to Thebes and the city of Akhetaten abandoned and this is when he changed his name to Tutankhamun, Living image of Amun, reinforcing the restoration of Amun. As part of his restoration, the king initiated building projects, in particular at Karnak in Thebes, many monuments were erected, and an inscription on his tomb door declares the king had spent his life in fashioning the images of the gods. The traditional festivals were now celebrated again, including those related to the Apis Bull, Horemakhet and his restoration stela says, The temples of the gods and goddesses. Their shrines were deserted and overgrown and their sanctuaries were as non-existent and their courts were used as roads
14.
Monotheism
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Monotheism has been defined as the belief in the existence of only one god that created the world, is all-powerful and interferes in the world. Another, more broad definition of monotheism, is the belief in one god, a distinction may be made between exclusive monotheism, and both inclusive monotheism and pluriform monotheism which, while recognising various distinct gods, postulate some underlying unity. There are also monotheistic parody religions, such as Pastafarianism, the word monotheism comes from the Greek μόνος meaning single and θεός meaning god. The English term was first used by Henry More, according to Jewish, Christian and Islamic tradition, monotheism was the original religion of humanity. Scholars of religion largely abandoned that view in the 19th century in favour of a progression from animism via polytheism to monotheism. Austrian anthropologist Wilhelm Schmidt had postulated an Urmonotheismus, original or primitive monotheism in the 1910s and it was objected that Judaism, Christianity, and Islam had grown up in opposition to polytheism as had Greek philosophical monotheism. Some writers believe that the concept of monotheism sees a gradual development out of notions of henotheism and monolatrism, quasi-monotheistic claims of the existence of a universal deity date to the Late Bronze Age, with Akhenatens Great Hymn to the Aten. A possible inclination towards monotheism emerged during the Vedic period in Iron-Age South Asia, the Rigveda exhibits notions of monism of the Brahman, in particular, in the comparatively late tenth book, dated to the early Iron Age, e. g. in the Nasadiya sukta. While all adherents of the Abrahamic religions consider themselves to be monotheists, Judaism does not consider Christianity to be monotheistic, Judaism is one of the oldest monotheistic religions in the world. God in Judaism is strictly monotheistic, a one, indivisible. The Babylonian Talmud references other, foreign gods as non-existent entities to whom humans mistakenly ascribe reality, One of the best-known statements of Rabbinical Judaism on monotheism is the Second of Maimonides 13 Principles of faith, God, the Cause of all, is one. This does not mean one as in one of a pair, nor one like a species, nor one as in an object that is made up of many elements, rather, God is a unity unlike any other possible unity. Judaism and Islam reject the Christian idea of monotheism, Judaism uses the term shituf to refer to the worship of God in a manner which Judaism does not deem to be monotheistic. During the 8th century BCE, the worship of YHWH in Israel was in competition with other cults. Some scholars hypothesize that Judaism was originally a form of monolatrism or henotheism, in this hypothesis both the Kingdom of Israel and the Kingdom of Judah had YHWH as their state god, while also acknowledging the existence of other gods. Shema Yisrael are the first two words of a section of the Torah, and is the title of a prayer that serves as a centerpiece of the morning and evening Jewish prayer services. Observant Jews consider the Shema to be the most important part of the service in Judaism. It is traditional for Jews to say the Shema as their last words, despite at least one earlier local synod rejecting the claim of Arius, this Christological issue was to be one of the items addressed at the First Council of Nicaea
15.
Henotheism
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Henotheism is the worship of a single god while not denying the existence or possible existence of other deities. Friedrich Schelling coined the word, and Friedrich Welcker used it to depict primordial monotheism among ancient Greeks, Friedrich Schelling coined the term henotheism, from heis which literally means single, one. The term refers to a form of theism focused on a single god, related terms are monolatrism and kathenotheism. The latter term is an extension of henotheism, from καθ ἕνα θεόν — one god at a time, Henotheism refers to a pluralistic theology wherein different deities are viewed to be of a unitary, equivalent divine essence. Another term related to henotheism is equitheism, referring to the belief that all gods are equal, further, the term henotheism does not exclude monism, nondualism or dualism. Various scholars prefer the term monolatry to henotheism, to discuss religions where a god is central. According to Christoph Elsas, henotheism in modern usage connotes a syncretic stage in the development of religions in late antiquity. A henotheist may worship a god from a pantheon of deities at a given time, depending on his or her choice, while accepting other deities. Henotheism and inclusive monotheism are terms that refer to a position between unlimited polytheism and exclusive monotheism. Ahura Mazda is the god, but Zoroastrianism does not deny other deities. Ahura Mazda has yazatas some of which include Anahita, Sraosha, Mithra, Rashnu, Richard Foltz has put forth evidence that Iranians of Pre-Islamic era worshiped all these figures, especially Mithra and Anahita. Prods Oktor Skjærvø states Zoroastrianism is henotheistic, and a dualistic and polytheistic religion, but with one supreme god, who is the father of the ordered cosmos. Other scholars state that this is unclear, because historic texts present a picture, ranging from Zoroastrianisms belief in one god. Henotheism was the used by scholars such as Max Muller to describe the theology of Vedic religion. The Vedic era conceptualization of the divine or the One, states Jeaneane Fowler, is more abstract than a monotheistic God, it is the Reality behind and of the phenomenal universe. The Vedic hymns treat it as limitless, indescribable, absolute principle, an example of the questioning of the concept of God, in addition to henotheistic hymns found therein, are in later portions of the Rigveda, such as the Nasadiya Sukta. Hinduism calls the metaphysical absolute concept as Brahman, incorporating within it the transcendent and immanent reality, different schools of thought interpret Brahman as either personal, impersonal or transpersonal. Ishwar Chandra Sharma describes it as Absolute Reality, beyond all dualities of existence and non-existence, light and darkness, while Greek and Roman religion began as polytheism, during the Classical period, under the influence of philosophy, differing conceptions emerged
16.
James Henry Breasted
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James Henry Breasted was an American archaeologist, Egyptologist, and historian. After completing his PhD at the University of Berlin in 1894, in 1901 he became director of the Haskell Oriental Museum at the university, where he continued to concentrate on Egypt. In 1905 Breasted was promoted to professor, and was the first chair in Egyptology, in 1919 he became the founder of the Oriental Institute at the University of Chicago, a center for interdisciplinary study of ancient civilizations. Breasted was a field researcher, and had a productive interest in recording and interpreting ancient writings. James Henry Breasted was born on Aug.27,1865 and he was educated at North Central College, graduated in 1888, and attended Chicago Theological Seminary but transferred to Yale University to study Hebrew. He received a degree from Yale in 1891 and, on the advice of William Rainey Harper, went to University of Berlin. Erman had just established a new school of Egyptology, concentrating systematically on grammar, Breasted received his doctorate in 1894. He was the first American citizen to obtain a PhD in Egyptology, in 1894 Breasted married Frances Hart. Hart and her sisters were in Germany at the time as Breasted, learning the German language. It was a vacation as Breasted had been recruited to build a collection of Egyptian antiquities for the University of Chicago. Hart died four decades later in 1934, after which Breasted married one of her sisters, Breasted popularized the term Fertile Crescent to describe the archaeologically important area including parts of present-day Iraq, Syria, Turkey, Lebanon, Jordan, Palestine and Israel. Breasted became an instructor at the University of Chicago in 1894 soon after earning his doctorate, five years later the university agreed to his accepting an invitation from the Prussian Academy of Sciences to work on its Egyptian dictionary project. From 1899 to 1908 he did work in Egypt, which established his reputation. He began to publish articles and monographs, as well as his History of Egypt from the Earliest Times Down to the Persian Conquest in 1905. At that time he was promoted to Professor of Egyptology and Oriental History for Chicago, in 1901 Breasted was appointed director of the Haskell Oriental Museum, which had opened at the University of Chicago in 1896. Piccione wrote in the preface to its 2001 reprint, it contains certain texts. As World War I wound down, he sensed an opportunity and he wrote to John D. Rockefeller Jr. son of the major donor to the University, and proposed founding what would become the Oriental Institute. He planned a trip through the Middle East, which he suggested was ready to receive scholars
17.
Flinders Petrie
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Sir William Matthew Flinders Petrie, FRS, FBA, commonly known as Flinders Petrie, was an English Egyptologist and a pioneer of systematic methodology in archaeology and preservation of artefacts. He held the first chair of Egyptology in the United Kingdom, some consider his most famous discovery to be that of the Merneptah Stele, an opinion with which Petrie himself concurred. Petrie developed the system of dating based on pottery and ceramic findings. William Matthew Flinders Petrie was born in Maryon Road, Charlton, Kent, England, Anne was the daughter of Captain Matthew Flinders, surveyor of the Australian coastline, spoke six languages and was an Egyptologist. His father taught his son how to survey accurately, laying the foundation for his archaeological career, at the age of eight, he was tutored in French, Latin, and Greek, until he had a collapse and was taught at home. He also ventured his first archaeological opinion aged eight, when visiting the Petrie family were describing the unearthing of the Brading Roman Villa in the Isle of Wight. The boy was horrified to hear the rough shovelling out of the contents, and protested that the earth should be pared away, inch by inch, to see all that was in it and how it lay. All that I have done since, he wrote when he was in his seventies, was there to begin with. I was already in archaeology by nature, on 26 November 1896, Petrie married Hilda Urlin in London. They had two children, John and Ann and they originally lived in Hampstead, where an English Heritage blue plaque now stands on the building they lived in,5 Cannon Place. Their son was John Flinders Petrie, the mathematician, who gave his name to the Petrie polygon, when he died in 1942, Petrie donated his head to the Royal College of Surgeons of London while his body was interred in the Protestant Cemetery on Mt. Zion. World War II was then at its height, and the head was delayed in transit, after being stored in a jar in the college basement, its label fell off and no one knew who the head belonged to. It was identified however, and is now stored, but not displayed, the chair of Edwards Professor of Egyptian Archaeology and Philology at University College London was set up and funded in 1892 by a bequest of Amelia Edwards following her sudden death in that year. Petries supporter since 1880, Edwards had instructed that he should be its first incumbent and he continued to excavate in Egypt after taking up the professorship, training many of the best archaeologists of the day. In 1913 Petrie sold his collection of Egyptian antiquities to University College, London. One of his students was Howard Carter who went on to discover the tomb of Tutankhamun, in his teenage years, Petrie surveyed British prehistoric monuments in attempts to understand their geometry. On that visit, he was appalled by the rate of destruction of monuments, impressed by his scientific approach, they offered him work as the successor to Édouard Naville. Petrie accepted the position and was given the sum of £250 per month to cover the excavations expenses, in November 1884, Petrie arrived in Egypt to begin his excavations
18.
C. S. Lewis
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Clive Staples Lewis was a British novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, broadcaster, lecturer, and Christian apologist. He held academic positions at both Oxford University and Cambridge University, Lewis and fellow novelist J. R. R. Tolkien were close friends. They both served on the English faculty at Oxford University, and were active in the informal Oxford literary group known as the Inklings, according to Lewiss memoir Surprised by Joy, he was baptised in the Church of Ireland, but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends and his faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim. In 1956, he married American writer Joy Davidman, she died of cancer four years later at the age of 45, Lewis died on 22 November 1963 from renal failure, one week before his 65th birthday. In 2013, on the 50th anniversary of his death, Lewis was honoured with a memorial in Poets Corner in Westminster Abbey, Lewiss works have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularised on stage, TV, radio and his works entered the public domain in 2014 in countries where copyright expires 50 years after the death of the creator, such as Canada. Clive Staples Lewis was born in Belfast, Ireland, on 29 November 1898 and his father was Albert James Lewis, a solicitor whose father Richard had come to Ireland from Wales during the mid-19th century. His mother was Florence Augusta Lewis, née Hamilton, known as Flora and he had an elder brother, Warren Hamilton Lewis. When he was four, his dog Jacksie was killed by a car, at first, he would answer to no other name, but later accepted Jack, the name by which he was known to friends and family for the rest of his life. When he was seven, his family moved into Little Lea, as a boy, Lewis was fascinated with anthropomorphic animals, he fell in love with Beatrix Potters stories and often wrote and illustrated his own animal stories. He and his brother Warnie created the world of Boxen, inhabited, Lewis loved to read, his fathers house was filled with books, and he felt that finding a book to read was as easy as walking into a field and finding a new blade of grass. Lewis was schooled by tutors before being sent to the Wynyard School in Watford, Hertfordshire, in 1908. Lewiss brother had enrolled there three years previously, the school was closed not long afterwards due to a lack of pupils, the headmaster Robert Oldie Capron was soon after committed to a psychiatric hospital. Lewis then attended Campbell College in the east of Belfast about a mile from his home and he was then sent to the health-resort town of Malvern, Worcestershire, where he attended the preparatory school Cherbourg House, which Lewis calls Chartres in his autobiography. It was during this time that Lewis abandoned his childhood Christian faith and became an atheist, becoming interested in mythology, in September 1913, Lewis enrolled at Malvern College, where he remained until the following June. He found the school socially competitive, after leaving Malvern, he studied privately with William T. Kirkpatrick, his fathers old tutor and former headmaster of Lurgan College. As a teenager, Lewis was wonder-struck by the songs and legends of what he called Northernness and these legends intensified an inner longing he later called joy
19.
Psalms
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The Book of Psalms, commonly referred to simply as Psalms or the Psalms, is the first book of the Ketuvim, the third section of the Hebrew Bible, and a book of the Christian Old Testament. The title is derived from the Greek translation, ψαλμοί psalmoi, meaning instrumental music and, by extension, the book is an anthology of individual psalms, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many of the psalms are linked to the name of David, over a third appear to be musical directions, addressed to the leader or choirmaster, including such statements as with stringed instruments and according to lilies. Others appear to be references to types of composition, such as A psalm and Song. Many superscriptions carry the names of individuals, the most common being of David, others named include Moses, Asaph, the Sons of Korah and Solomon. A natural way of understanding these attributions is as a claim to authorship, Psalms are usually identified by a sequence number, often preceded by the abbreviation Ps. Numbering of the Psalms differs—mostly by one digit, see table—between the Hebrew and it is generally admitted that Pss.9 and 10 were originally a single acrostic poem, they have been wrongly separated by Massorah, rightly united by the Septuagint and Vulgate. On the other hand, Ps.144 is made up of two songs — verses 1–11 and 12–15, Pss.42 and 43 are shown by identity of subject, of metrical structure and of refrain, to be three strophes of one and the same poem. The Hebrew text is correct in counting as one Ps.146, later liturgical usage would seem to have split up these and not a few other psalms. Zenner combines into what he deems were the original choral odes,1,2,3,4,6 +13,9 +10,19,20,21,56 +57,69 +70,114 +115,148,149,150. A choral ode would seem to have been the form of Pss.14 +70. The two strophes and the epode are Ps,14, the two antistrophes are Ps.70. It is noteworthy that, on the breaking up of the ode, each portion crept twice into the Psalter, Ps.14 =53, Ps.70 =40. Other such duplicated psalms are Ps and this loss of the original form of some of the psalms is allowed by the Biblical Commission to have been due to liturgical uses, neglect of copyists, or other causes. The Septuagint bible, present in Eastern Orthodox churches, includes a Psalm 151, Some versions of the Peshitta include Psalms 152–155. There are also the Psalms of Solomon, which are a further 18 psalms of Jewish origin, likely written in Hebrew. These and other indications suggest that the current Western Christian and Jewish collection of 150 psalms were selected from a wider set, gunkel divided the psalms into five primary types, Hymns, songs of praise for Gods work in creation or in history. They typically open with a call to praise, describe the motivation for praise, two sub-categories are enthronement psalms, celebrating the enthronement of Yahweh as king, and Zion psalms, glorifying Mount Zion, Gods dwelling-place in Jerusalem
20.
Psalm 104
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Psalm 104 is one of the psalms from the Book of Psalms of the Hebrew Bible. It is notable among the psalms for describing YHWH explicitly as the creator deity, german philosopher Johann Gottfried Herder remarked, It is worth studying the Hebrew language for ten years in order to read Psalm 104 in the original. In particular, the Egyptian Great Hymn to the Aten is frequently cited as a predecessor, one of the longer psalms, it is traditionally divided into 35 verses. Begins by describing the glory of God, verse 5 asserts that God has laid the foundations of the Earth. Verses 6 to 13 concern the ordering of the waters, verses 14-18 vegetation and animal life, 19-24 Sun and Moon, V.24, O LORD, how manifold are thy works. In wisdom hast thou made them all, the earth is full of thy riches, verses 27-30 emphasises how all creature still depend on the ongoing attention and provision by the creator, and perish if he averts his attention. V.30, Thou sendest forth thy spirit, they are created, in the Masoretic text, the phrase Hallelujah is placed at the end of the final verse. This is lacking in the Septuagint and the Vulgate, but it is rendered by the KJV as Praise ye the LORD, observant Jews recite Psalm 104 in its entirety every day during morning services, and on certain occasions, such as the New Moon, though customs vary. Is recited following the Shabbat Mincha between Sukkot and Shabbat Hagadol, verses 1-2 are recited upon donning the tallit during morning services. Verse 24 is part of Hameir Laaretz in the Blessings before the Shema during Shacharit and is found in Pirkei Avot Chapter 6, no.10. Verse 31 is the first verse of Yehi Kivod in Pesukei Dezimra, is part of Baruch Hashem LOlam during Maariv and its main liturgical usage in the Eastern Orthodox Church is at the beginning of vespers and the all-night vigil. While it is one of the elements of the vespers service prescribed for the senior reader. The psalm is meant to be read or chanted in a style at services of vespers which are not part of a vigil. When vespers is served as part of a vigil, a musical version is usually sung by the choir. Several such musical arrangements of the psalm have been composed over the years, perhaps the most familiar is that found in the Obikhod, or common setting. In the context of its setting, this psalm is understood to be a hymn of creation, in all the fulness wherein God has created it - it speaks of animals, plants, waters, skies. In the scope of the act, it is often taken to be Adams song, sung outside the closed gates of Eden from which he has been expelled. While the reader chants the psalm, the priest stands outside the closed Royal Doors wearing only his epitrachilion and this psalm is used during the Easter Vigil on Holy Saturday night
21.
Amarna letters
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The letters were found in Upper Egypt at Amarna, the modern name for the ancient Egyptian capital of Akhetaten, founded by pharaoh Akhenaten during the Eighteenth dynasty of Egypt. The Amarna letters are unusual in Egyptological research, because they are written in Akkadian cuneiform. The written correspondence spans a period of at most thirty years, the Amarna letters are of great significance for biblical studies as well as Semitic linguistics, since they shed light on the culture and language of the Canaanite peoples in pre-biblical times. These Canaanisms provide valuable insights into the proto-stage of those languages several centuries prior to their first actual manifestation and they had originally been stored in an ancient building that archaeologists have since called the Bureau of Correspondence of Pharaoh. Once the location where they were found was determined, the ruins were explored for more, the first archaeologist who successfully recovered more tablets was Flinders Petrie, who in 1891 and 1892 uncovered 21 fragments. Émile Chassinat, then director of the French Institute for Oriental Archaeology in Cairo, since Knudtzons edition, some 24 more tablets, or fragments, have been found, either in Egypt, or identified in the collections of various museums. The initial group of letters recovered by local Egyptians have been scattered among museums in Germany, England, Egypt, France, Russia, the archive contains a wealth of information about cultures, kingdoms, events and individuals in a period from which few written sources survive. It includes correspondence from Akhenatens reign, as well as his predecessor Amenhotep IIIs reign, the tablets consist of over 300 diplomatic letters, the remainder comprise miscellaneous literary and educational materials. These tablets shed light on Egyptian relations with Babylonia, Assyria, Syria, Canaan, and Alashiya as well as relations with the Mitanni. The letters have been important in establishing both the history and the chronology of the period, letters from the Babylonian king, Kadashman-Enlil I, anchor the timeframe of Akhenatens reign to the mid-14th century BC. Specifically, the letters include requests for help in the north against Hittite invaders. Note, Many assignments are tentative, spellings vary widely, william L. The Amarna archive, it is now generally agreed, spans at most about thirty years, perhaps only fifteen or so. Moran notes that scholars believe one tablet, EA16. However, this speculation appears improbable because the Amarna archives were closed by Year 2 of Tutankhamun, a small number of the Amarna letters are in the class of poetry. EA153, entitled, Ships on hold, from Abimilku of Tyre is a short, lines 6-8, and 9-11 are parallel phrases, each ending with. before the troops of the king, my lord. -. Both sentences are identical, and repetitive, with only the subject statement changing, the entire corpus of Amarna letters has many standard phrases. It also has some phrases, and quotations used only once, some are parables, A bird in a cage —Rib-Hadda subcorpus of letters. A brick may move from under its partner, still I will not move from under the feet of the king, my lord. —Used in letters EA266,292, EA292 by Adda-danu of Gazru
22.
Philip Glass
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Philip Morris Glass is an American composer. He is considered one of the most influential makers of the late 20th century. Glasss compositions have been described as music, similar to other minimalist composers including La Monte Young, Steve Reich. However, Glass has described himself instead as a composer of music with repetitive structures, Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written numerous operas and musical works, eleven symphonies, eleven concertos, seven string quartets and various other chamber music. Three of his scores have been nominated for Academy Awards. Glass was born in Baltimore, Maryland, the son of Ida and his family were Jewish immigrants from Lithuania. His father owned a store and his mother was a librarian. She developed a plan to help them learn English and develop skills so they could find work and his sister, Sheppie, would later do similar work as an active member of the International Rescue Committee. Glass developed his appreciation of music from his father, discovering later his fathers side of the family had many musicians and his cousin Cevia was a classical pianist, while others had been in vaudeville. He learned his family was related to Al Jolson. Glasss father often received promotional copies of new recordings at his music store and he spent many hours listening to them, developing his knowledge and taste in music. This openness to modern sounds affected Glass at an age, My father was self-taught, but he ended up having a very refined and rich knowledge of classical, chamber. Typically he would come home and have dinner, and then sit in his armchair, I caught on to this very early, and I would go and listen with him. The elder Glass promoted both new recordings and a selection of composers to his customers, sometimes convincing them to try something new by allowing them to return records they didnt like. His store soon developed a reputation as Baltimores leading source of modern music, Glass cites Schuberts work as a big influence growing up. He studied the flute as a child at the school of the Peabody Institute. At the age of 15, he entered a college program at the University of Chicago where he studied mathematics
23.
Akhnaten (opera)
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Akhnaten is an opera in three acts based on the life and religious convictions of the pharaoh Akhenaten, written by the American minimalist composer Philip Glass in 1983. Akhnaten had its premiere on March 24,1984, at the Stuttgart State Theatre. Paul Esswood sang the role, German director Achim Freyer staged the opera in an abstract style with highly ritualistic movements. The American premiere was held on October 12,1984, at the Houston Grand Opera, according to the composer, this work is the culmination of his two other biographical operas, Einstein on the Beach and Satyagraha. The text, taken from sources, is sung in the original languages, linked together with the commentary of a narrator in a modern language. Other portions are in Akkadian and Biblical Hebrew, Akhnatens Hymn to the Sun is sung in the language of the audience. Apart from this, this was Glasss most conventional opera orchestra until then, generally speaking, for the unprepared listener the music of this opera is more accessible than that of its predecessors, the hardcore minimalist Einstein and the oratorio-like Satyagraha. The opera is divided into three acts, Thebes,1370 BC Prelude, verse 1, verse 2, verse 3 Set in the key of A minor, the scribe recites funeral texts from the pyramids. Open are the doors of the horizon, unlocked are its bolts. Scene 1, Funeral of Akhnatens father Amenhotep III Heralded by hammering drums, Aye, the music is basically a march, based on the chords of A major and F♯ minor, and grows to ecstatic intensity towards the end. Scene 2, The Coronation of Akhnaten After a lengthy introduction, during which Akhnaten appears, heralded by a solo trumpet, the High Priest, Aye. After that, the Narrator recites a list of royal titles bestowed upon Akhnaten, after the coronation, the chorus repeats the ritual text from the beginning of the scene. Again, the key is A minor. Scene 3, The Window of Appearances After an introduction in A minor, dominated by tubular bells and this is the first time he actually sings, after he has already been on stage for 20 minutes and the effect of his countertenor voice is startling. He is joined by Nefertiti, who actually sings lower notes than he, and later by Queen Tye, whose soprano soars high above the intertwining voices of the royal couple. Scene 1, The Temple The scene opens again in A minor, with the High Priest, the music becomes increasingly dramatic, as Akhnaten, together with Queen Tye and his followers, attack the temple. This scene has only wordless singing, the harmonies grow very chromatic, finally reaching A♭ major and E minor. The temple roof is removed and the sun god Atens rays invade the temple, thus ending Amuns reign, Scene 2, Akhnaten and Nefertiti Two solo celli introduce a love theme
24.
Moses and Monotheism
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Moses and Monotheism is a 1939 book about monotheism by Sigmund Freud, published in English translation in 1939. The book consists of three essays and is an extension of Freud’s work on theory as a means of generating hypotheses about historical events. Freud hypothesizes that Moses was not Hebrew, but actually born into Ancient Egyptian nobility and was probably a follower of Akhenaten, an ancient Egyptian monotheist. Freud explains that years after the murder of Moses, the rebels regretted their action, Freud said that the guilt from the murder of Moses is inherited through the generations, this guilt then drives the Jews to religion to make them feel better. Atenism Joseph and His Brothers Judaism and ancient Egyptian religion Osarseph Assmann, Moses the Egyptian, The Memory of Egypt in Western Monotheism Harvard University Press. The Fiction of History, The Writing of Moses and Monotheism, the Writing of History, pp. 308–354. Egypt in England and America, The Cultural Memorials of Religion, Royalty and Religion, Sites of Exchange, European Crossroads and Faultlines, chaney, E, Freudian Egypt, The London Magazine, pp. 62–69. Chaney, E, Moses and Monotheism, by Sigmund Freud’, The Canon, THE, 3–9 June 2010, the Death of Sigmund Freud, The Legacy of His Last Days Bloomsbury United States ISBN 978-1-59691-430-8 Ginsburg, Ruth, Pardes, Ilona. New Perspectives on Freuds Moses and Monotheism, paul, Robert A. Moses and civilization, The meaning behind Freud’s myth. Freud and Moses, The Long Journey Home, albany, New York, State University of New York. Freud, Moses, and the Religions of Egyptian Antiquity, A Journey Through History Psychoanalytic Review,1999 Apr,86, PMID10461667 Yerushalmi, Y. H. Freuds Moses. Moses and Monotheism text at archive. org
25.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
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Wikisource
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Wikisource is an online digital library of free content textual sources on a wiki, operated by the Wikimedia Foundation. Wikisource is the name of the project as a whole and the name for each instance of that project, the projects aims are to host all forms of free text, in many languages, and translations. Originally conceived as an archive to store useful or important historical texts, the project officially began in November 24,2003 under the name Project Sourceberg. The name Wikisource was adopted later that year and it received its own domain name seven months later, the project has come under criticism for lack of reliability but it is also cited by organisations such as the National Archives and Records Administration. The project holds works that are either in the domain or freely licensed, professionally published works or historical source documents, not vanity products. Verification was initially made offline, or by trusting the reliability of digital libraries. Now works are supported by online scans via the ProofreadPage extension, some individual Wikisources, each representing a specific language, now only allow works backed up with scans. While the bulk of its collection are texts, Wikisource as a whole hosts other media, some Wikisources allow user-generated annotations, subject to the specific policies of the Wikisource in question. Wikisources early history included several changes of name and location, the original concept for Wikisource was as storage for useful or important historical texts. These texts were intended to support Wikipedia articles, by providing evidence and original source texts. The collection was focused on important historical and cultural material. The project was originally called Project Sourceberg during its planning stages, in 2001, there was a dispute on Wikipedia regarding the addition of primary source material, leading to edit wars over their inclusion or deletion. Project Sourceberg was suggested as a solution to this, perhaps Project Sourceberg can mainly work as an interface for easily linking from Wikipedia to a Project Gutenberg file, and as an interface for people to easily submit new work to PG. Wed want to complement Project Gutenberg--how, exactly, and Jimmy Wales adding like Larry, Im interested that we think it over to see what we can add to Project Gutenberg. It seems unlikely that primary sources should in general be editable by anyone -- I mean, Shakespeare is Shakespeare, unlike our commentary on his work, the project began its activity at ps. wikipedia. org. The contributors understood the PS subdomain to mean either primary sources or Project Sourceberg, however, this resulted in Project Sourceberg occupying the subdomain of the Pashto Wikipedia. A vote on the name changed it to Wikisource on December 6,2003. Despite the change in name, the project did not move to its permanent URL until July 23,2004, since Wikisource was initially called Project Sourceberg, its first logo was a picture of an iceberg
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