Greek academic art of the 19th century
The most important artistic movement of Greek art in the 19th century was academic realism, often called in Greece "the Munich School" because of the strong influence from the Royal Academy of Fine Arts of Munich, where many Greek artists trained. The Munich School painted the same sort of scenes in the same sort of style as Western European academic painters in several countries, and did generally not attempt to incorporate Byzantine stylistic elements into their work.
Nikolaus Gysis, Eros and the Painter.
Ioannis Altamouras, The port of Copenhagen.
Nikiphoros Lytras, Execution of Patriarch Gregory V of Constantinople.
Nikolaus Gyzis, Learning by heart.
Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods. It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism, until the Modernist and Postmodernist.
Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making.
The Stag Hunt Mosaic at the Archaeological Museum of Pella (3rd BC)
Mosaic of Daphni Monastery (ca. 1100)
St Theodora icon by Emmanuel Tzanes, an example of the Cretan School
Ξ—istoria (Allegory of History) by Nikolaos Gyzis (1892)