1.
Fairy
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A fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural. According to Thomas Keightley, the word derives from the Latin fata. Other forms are the Italian fata, and the Provençal fada, in old French romance, fee was a woman skilled in magic, and who knew the power and virtue of words, of stones, and of herbs. Faierie became fairy, but with that now almost exclusively referring to one of the legendary people. The word fairy was used to represent an illusion, or enchantment, to the word faie was added the suffix -erie, used to express either a place where something is found or a trade or typical activity engaged in. In later usage it applied to any kind of quality or activity associated with a particular type of person. In the sense land where fairies dwell, the distinctive and archaic spellings Faery, the latinate fay is not to be confused with the unrelated fey, meaning fated to die. Various folkloristic traditions refer to them euphemistically, by such as wee folk, good folk, people of peace, fair folk. Sometimes the term fairy is used to any magical creature, including goblins or gnomes, at other times. Fairies have their origin in the conflation of Celtic traditions in the Middle French medieval romances. Fairie was in origin used adjectivally, meaning enchanted, but was used as a name for enchanted creatures from as early as the Late Middle English period. In English literature of the Elizabethan era, elves became conflated with the fairies of Romance culture, the Victorian and Edwardian eras saw an increase in interest in fairies. The Celtic Revival viewed them as part of Irelands cultural heritage, carole Silvers and others suggest that the fascination of English antiquarians arose from a reaction to greater industrialization, and loss of folkways. Fairies are generally described as human in appearance and having magical powers, even with these small fairies, however, their small size may be magically assumed rather than constant. Some fairies though normally quite small were able to dilate their figures to imitate humans, on Orkney they were described as short in stature, dressed in dark grey, and sometimes seen in armour. Wings, while common in Victorian and later artwork of fairies, are rare in the folklore, even very small fairies flew with magic. Nowadays, fairies are depicted with ordinary insect wings or butterfly wings. In some folklore, fairies have green eyes, some depictions of fairies either have them wearing some sort of footwear and other depictions of fairies are always barefoot
2.
Wild Hunt
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The Wild Hunt is a European folk myth involving a ghostly or supernatural group of huntsmen passing in wild pursuit. Seeing the Wild Hunt was thought to presage some catastrophe such as war or plague, people encountering the Hunt might also be abducted to the underworld or the fairy kingdom. In some instances, it was believed that peoples spirits could be pulled away during their sleep to join the cavalcade. Grimm popularised the term Wilde Jagd for the phenomenon, based on the comparative approach based on German folklore, the phenomenon is often referred to as Wilde Jagd or Wildes Heer. In Germany, where it was known as the Wild Army, or Furious Army, its leader was given various identities, including Wodan, Knecht Ruprecht, Berchtold. The Wild Hunt is also known from post-medieval folklore, in England, it was known as Herlaþing, Wodens Hunt, Herods Hunt, Cains Hunt, the Devils Dandy Dogs, Gabriels Hounds, and Ghost Riders. In Wales, a folk myth is known as Cŵn Annwn. In Scandinavia, the Wild Hunt is known as Oskoreia or Asgårdsreia, in France, it was known as Mesnée dHellequin, in Canada it becomes Chasse-galerie. In West Slavic Central Europe it is known as divoký hon or štvaní, Dziki Gon or Dziki Łów, the concept of the Wild Hunt was first documented by the German folklorist Jacob Grimm, who first published it in his 1835 book Deutsche Mythologie. It was in work that he popularised the term Wilde Jagd for the phenomenon. Grimms methodological approach was rooted in the idea – common in nineteenth-century Europe – that modern folklore represented a fossilized survival of the beliefs of the distant past. In developing his idea of the Wild Hunt, he mixed together recent folkloric sources with textual evidence dating to the Medieval and Early Modern periods. This approach came to be criticized within the field of folkloristics during the 20th century, as emphasis was placed on the dynamic. Grimm believed that this figure was sometimes replaced by a female counterpart. In his words, not only Wuotan and other gods, but heathen goddesses too, may head the furious host and he added his opinion that this female figure was Wodens wife. Discussing martial elements of the Wild Hunt, Grimm commented that it marches as an army, hutton nevertheless believed that this approach could be fundamentally challenged. In England, the historical figures St, the huntsmen were black, huge, and hideous, and rode on black horses and on black he-goats, and their hounds were jet black, with eyes like saucers, and horrible. Reliable witnesses were said to have given the number of huntsmen as twenty or thirty, and it is said, in effect, that this went on for nine weeks, ending at Easter
3.
Glastonbury Tor
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Glastonbury Tor is a hill near Glastonbury in the English county of Somerset, topped by the roofless St Michaels Tower, a Grade I listed building. The whole site is managed by the National Trust, and has designated a scheduled monument. The conical hill of clay and Blue Lias rises from the Somerset Levels and it was formed when surrounding softer deposits were eroded, leaving the hard cap of sandstone exposed. The slopes of the hill are terraced, but the method by which they were formed remains unexplained, artefacts from human visitation have been found, dating from the Iron Age to Roman eras. Several buildings were constructed on the summit during the Saxon and early periods, they have been interpreted as an early church. The head of a cross dating from the 10th or 11th century has been recovered. The original wooden church was destroyed by an earthquake in 1275, and its tower remains, although it has been restored and partially rebuilt several times. Archaeological excavations during the 20th century sought to clarify the background of the monument and church, the Tor is mentioned in Celtic mythology, particularly in myths linked to King Arthur, and has a number of other enduring mythological and spiritual associations. The origin of the name Glastonbury is unclear, but when the settlement was first recorded in the late 7th, of the latter name, Glestinga is obscure, and may derive from an Old English word or Celtic personal name. It may derive from a person or kindred group named Glast, the second half of the name, -burg, is Anglo-Saxon in origin and could refer to either a fortified place such as a burh or, more likely, a monastic enclosure. Tor is an English word referring to a rock or a hill. The Celtic name of the Tor was Ynys Wydryn, or sometimes Ynys Gutrin, at this time the plain was flooded, the isle becoming a peninsula at low tide. The Tor is in the middle of the Summerland Meadows, part of the Somerset Levels, the plain is reclaimed fen above which the Tor is clearly visible for miles around. It has been described as an island but actually sits at the end of a peninsula washed on three sides by the River Brue. The Tor is formed from rocks dating from the early Jurassic Period, the uppermost of these, forming the Tor itself, are a succession of rocks assigned to the Bridport Sand Formation. These rocks sit upon strata forming the hill on which the Tor stands, the various layers of the Beacon Limestone Formation. The Bridport Sands have acted as a caprock protecting the lower layers from erosion, the low-lying damp ground can produce a visual effect known as a Fata Morgana when the Tor appears to rise out of the mist. This optical phenomenon occurs because rays of light are bent when they pass through air layers of different temperatures in a steep thermal inversion where an atmospheric duct has formed
4.
King Arthur
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King Arthur is a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries AD. The details of Arthurs story are mainly composed of folklore and literary invention, the sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthurs name also occurs in early sources such as Y Gododdin. Arthur is a figure in the legends making up the so-called Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouths fanciful, how much of Geoffreys Historia was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. The 12th-century French writer Chrétien de Troyes, who added Lancelot, in these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a resurgence in the 19th century. In the 21st century, the lives on, not only in literature but also in adaptations for theatre, film, television, comics. The historical basis for the King Arthur legend has long debated by scholars. These culminate in the Battle of Badon, where he is said to have single-handedly killed 960 men, recent studies, however, question the reliability of the Historia Brittonum. The other text that seems to support the case for Arthurs historical existence is the 10th-century Annales Cambriae, the Annales date this battle to 516–518, and also mention the Battle of Camlann, in which Arthur and Medraut were both killed, dated to 537–539. These details have often used to bolster confidence in the Historias account. Problems have been identified, however, with using this source to support the Historia Brittonums account, the latest research shows that the Annales Cambriae was based on a chronicle begun in the late 8th century in Wales. Additionally, the textual history of the Annales Cambriae precludes any certainty that the Arthurian annals were added to it even that early. They were more likely added at point in the 10th century. The Badon entry probably derived from the Historia Brittonum and this lack of convincing early evidence is the reason many recent historians exclude Arthur from their accounts of sub-Roman Britain. These modern admissions of ignorance are a recent trend, earlier generations of historians were less sceptical
5.
May Day
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May Day is a public holiday usually celebrated on May 1. It is an ancient northern hemisphere spring festival and it is also a traditional spring holiday in many cultures. Dances, singing, and cake are usually part of the celebrations that the day includes, in the late 19th century, May Day was chosen as the date for International Workers Day by the Socialists and Communists of the Second International to commemorate the Haymarket affair in Chicago. International Workers Day may also be referred to as May Day and it is also associated with the Gaelic Beltane, most commonly held on April 30. The day was a summer holiday in many pre-Christian European pagan cultures. While February 1 was the first day of spring, May 1 was the first day of summer, hence, as Europe became Christianised, the pagan holidays lost their religious character and May Day changed into a popular secular celebration. A significant celebration of May Day occurs in Germany where it is one of days on which St. Walburga. The secular versions of May Day, observed in Europe and America, may be best known for their traditions of dancing around the maypole and crowning the Queen of May. Fading in popularity since the late 20th century is the giving of May baskets, small baskets of sweets or flowers, usually left anonymously on neighbours doorsteps. May 1 is also one of two feast days of the Catholic patron saint of workers St Joseph the Worker, a carpenter, husband to Mother Mary, and surrogate father of Jesus. Replacing another feast to St. Joseph, this date was chosen by Pope Pius XII in 1955 as a counterpoint to the communist International Workers Day celebrations on May Day. In the late 20th century, many neopagans began reconstructing traditions, traditional English May Day rites and celebrations include crowning a May Queen and celebrations involving a maypole. Historically, Morris dancing has been linked to May Day celebrations, much of this tradition derives from the pagan Anglo-Saxon customs held during Þrimilci-mōnaþ along with many Celtic traditions. May Day has been a day of festivities throughout the centuries. May Day is most associated with towns and villages celebrating springtime fertility and revelry with village fetes, seeding has been completed by this date and it was convenient to give farm labourers a day off. Perhaps the most significant of the traditions is the maypole, around which traditional dancers circle with ribbons, the spring bank holiday on the first Monday in May was created in 1978, May Day itself – May 1 – is not a public holiday in England. Unlike the other Bank Holidays and common law holidays, the first Monday in May is taken off from schools by itself and this is because it has no Christian significance and does not otherwise fit into the usual school holiday pattern. May Day was abolished and its celebration banned by Puritan parliaments during the Interregnum, may 1,1707, was the day the Act of Union came into effect, joining England and Scotland to form the Kingdom of Great Britain
6.
Robert Graves
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Robert von Ranke Graves was an English poet, novelist, critic and classicist. He produced more than 140 works, Irish literature deeply affected Graves White Goddess theories, specifically the genre aisling. He earned his living from writing, particularly historical novels such as I, Claudius, King Jesus, The Golden Fleece. He also was a prominent translator of Classical Latin and Ancient Greek texts, his versions of The Twelve Caesars and The Golden Ass remain popular, for their clarity, Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God. Graves was born into a family in Wimbledon, then part of Surrey. Gravess mother was from a recently ennobled German family, the eldest daughter of Heinrich von Ranke, a professor of medicine at the University of Munich and she was also a greatniece of the German historian Leopold von Ranke. At school, Graves was enrolled as Robert von Ranke Graves and in Germany his books are published under that name but before and during the First World War, the name caused him difficulties. In August 1916 an officer who disliked him spread the rumour that he was a spy, the problem resurfaced in a minor way in the Second World War, when a suspicious rural policeman blocked his appointment to the Special Constabulary. Gravess eldest half-brother, Philip Perceval Graves, achieved note as a journalist and his brother, Charles Patrick Graves, was a writer. Among the masters his chief influence was George Mallory, who introduced him to contemporary literature, in his final year at Charterhouse, he won a classical exhibition to St Johns College, Oxford but did not take his place there until after the war. At the outbreak of the First World War in August 1914, Graves enlisted almost immediately and he published his first volume of poems, Over the Brazier, in 1916. He developed a reputation as a war poet and was one of the first to write realistic poems about experience of frontline conflict. In later years, he omitted his war poems from his collections, at the Battle of the Somme, he was so badly wounded by a shell-fragment through the lung that he was expected to die and was officially reported as having died of wounds. He gradually recovered and, apart from a spell back in France. One of Gravess friends at this time was the poet Siegfried Sassoon, in 1917, Sassoon rebelled against the conduct of the war by making a public antiwar statement. Graves feared Sassoon could face a court martial and intervened with the authorities, persuading them that Sassoon was suffering from shell shock. As a result, Sassoon was sent to Craiglockhart, a hospital in Edinburgh. Graves also suffered shell shock, or neurasthenia as it was then called, but he was never hospitalised for it, I thought of going back to France
7.
Cantre'r Gwaelod
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It has been described as a Welsh Atlantis and has featured in folklore, literature and song. Cantrer Gwaelod was an area of land which, according to legend, was located in an area west of present-day Wales which is now under the waters of Cardigan Bay. Accounts variously suggest the tract of land extended from Bardsey Island to Cardigan or as far south as Ramsey Island, legends of the land suggest that it may have extended 20 miles west of the present coast. There are several versions of the myth, the earliest known form of the legend is usually said to appear in the Black Book of Carmarthen, in which the land is referred to as Maes Gwyddno. In this version, the land was lost to floods when a well-maiden named Mererid neglected her duties, rachel Bromwich questions this identification, saying that There is no certainty, however, that in twelfth century tradition Maes Gwyddneu did represent the submerged land in Cardigan Bay. She also links Gwyddno Garanhir with the Hen Ogledd, not Wales, the popular version known today is thought to have been formed from the 17th century onwards. Cantrer Gwaelod is described as a low-lying land fortified against the sea by a dyke, Sarn Badrig, Cantrer Gwaelods capital was Caer Wyddno, seat of the ruler Gwyddno Garanhir. Two princes of the realm held charge over the dyke, the church bells of Cantrer Gwaelod are said to ring out in times of danger. Rachel Bromwich discusses a similar tale, that of the submergence of the kingdom of Helig ap Glanawg in the Conwy estuary, as with Cantrer Gwaelod, there are tales of remains being seen of the sunken kingdom. She also notes that the Halliwell Manuscript gives Helig the title Lord of Cantrer Gwaelod, There is no reliable physical evidence of the substantial community that legend promises lies under the sea, although several reports exist of remains being sighted. In 1770, Welsh antiquarian scholar William Owen Pughe reported seeing sunken human habitations about four miles off the Ceredigion coast, the causeways described by Lewis can be seen today at beaches around Cardigan Bay. Known as Sarnau, these ridges stretch several miles into the sea at right angles to the coast, modern geologists surmise that these formations of clay, gravel and rocks are moraines formed by the action of melting glaciers end of the last ice age. In a 2006 episode of the BBC television documentary Coast, presenter Neil Oliver visited Sarn Gynfelyn at Wallog, the programme also featured the remains of the submerged forest at Ynyslas, near Borth which is associated with the lost land of Cantrer Gwaelod. The vista of dead oak, pine, birch, willow, the myth, like so many others, may be a folk memory of gradually rising sea levels at the end of the ice age. The legend of Cantrer Gwaelod is comparable to the myth found in nearly every ancient culture. Several similar legends exist in Celtic mythology which refer to a lost land beneath the waves, both the Breton legend of Ker-Ys and the Arthurian tale of Lyonesse refer to a kingdom submerged somewhere in the Celtic Sea, off the coast of Brittany or Cornwall respectively. The legend has inspired poems and songs throughout the ages. The earliest mention of Cantrer Gwaelod is thought to be in the thirteenth-century Black Book of Carmarthen in a poem called Boddi Maes Gwyddno which relates the tale of Mererid, the story inspired a Victorian era-novel, The Misfortunes of Elphin, by Thomas Love Peacock
8.
City Hall, Cardiff
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City Hall is a civic building in Cathays Park, Cardiff, Wales, serving as Cardiffs centre of local government since it opened in October 1906. Built of Portland stone, it is an important early example of the Edwardian Baroque style, the complex replaced Cardiffs fourth town hall, built by architect Horace Jones c. The competition to design Cardiffs fifth town hall and adjacent law courts was won in 1897 by the firm of Lanchester, Stewart, construction was carried out by local builders E. Turner and Sons. Turned and Sons used the worlds first all-electrically operated building site, the total building cost was £129,708. As Cardiff received its city charter in 1905 while construction was underway, the distinctive clock tower is 59 m in height has a 3.7 m-diameter gilded dial on each of its four faces. The clock mechanism includes a bell and four quarter bells which are each inscribed with mottoes in English or Welsh. In front of the portico is a rectangular pool with fountains. They were created in July 1969 to mark the investiture of Prince Charles as Prince of Wales, the memorial on the left is dedicated to Polish soldiers, airmen and sailors who gave their lives during the Second World War 1939-1945. The one on the right is dedicated to victims of the war, the first floor landing of City Hall is decorated with statues in Pentelicon marble of famous figures from Welsh history. These were funded by a gift from David Alfred Thomas, 1st Viscount Rhondda, the Marble Hall was unveiled by David Lloyd George, then Secretary of State for War, on October 27,1916. It is used for ceremonies, conferences and events during the year. It is decorated with mouldings picked out in leaf, of mermaids. Three large bronze chandeliers are contemporary to the architects design. This is located above the entrance portico and directly below the main dome of the building. The chamber was designed to host Cardiffs Council meetings, the dome of City Hall is supported by four massive pillars of Italian marble. The chamber is panelled throughout in oak, the cover of the Catatonia single Mulder and Scully has a UFO above the building similar to the movie poster for Independence Day. Grade I listed buildings in Cardiff List of tallest buildings in Cardiff Official website The history of the Marble Hall
9.
Holy water
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Holy water is water that has been blessed by a member of the clergy or a religious figure. The use for cleansing prior to a baptism and spiritual cleansing is common in several religions, the use of holy water as a sacramental for protection against evil is common among Anglicans and Roman Catholics. The use of water in the earliest days of Christianity is attested to only in somewhat later documents. The Apostolic constitutions, which go back to about the year 400 and it is plausible that in earliest Christian times water was used for expiatory and purificatory purposes in a way analogous to its employment in Jewish Law. However, Eastern Orthodox do perform the blessing, whether in a baptistry or an outdoor body of water. Sprinkling with holy water is used as a sacramental that recalls baptism, Holy water is kept in the holy water font, which is typically located at the entrance to the church. Smaller vessels, called stoups, are placed at the entrances of the church. In recent years, with the concerns over influenza, new holy water machines that work like a soap dispenser have become popular. In the Middle Ages the power of water was considered so great that in some places fonts had locked covers to prevent the theft of holy water for unauthorized magic practices. The Constitutions of Archbishop Edmund Rich prescribe that Fonts are to be kept under lock and key, similarly the chrism and sacred oil are kept locked up. In Catholicism, holy water, as well as used during the washing of the priests hands at mass, is not allowed to be disposed of in regular plumbing. Roman Catholic churches will usually have a basin that leads directly into the ground for the purpose of proper disposal. A hinged lid is kept over the water basin to distinguish it from a regular sink basin. Items that contained holy water are separated, drained of the holy water, Holy water fonts have been identified as a potential source of bacterial and viral infection. In the late 19th century, bacteriologists found staphylococci, streptococci, coli bacilli, Loefflers bacillus, in a study performed in 1995, thirteen samples were taken when a burn patient acquired a bacterial infection after exposure to holy water. The samples in that study were shown to have a range of bacterial species. During the swine flu epidemic of 2009, Bishop John Steinbock of Fresno, also in response to the swine flu, an automatic, motion-detecting holy water dispenser was invented and installed in an Italian church in 2009. As a reminder of baptism, Catholic Christians dip their fingers in the holy water and this ceremony dates back to the ninth century
10.
Owl
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Exceptions include the diurnal northern hawk-owl and the gregarious burrowing owl. Owls hunt mostly small mammals, insects, and other birds and they are found in all regions of the Earth except Antarctica and some remote islands. Owls are divided into two families, the Strigidae family of owls, and the Tytonidae family of barn-owls. Owls possess large, forward-facing eyes and ear-holes, a beak, a flat face, and usually a conspicuous circle of feathers. The feathers making up this disc can be adjusted to focus sounds from varying distances onto the owls asymmetrically placed ear cavities. Most birds of prey have eyes on the sides of their heads, although owls have binocular vision, their large eyes are fixed in their sockets—as are those of most other birds—so they must turn their entire heads to change views. As owls are farsighted, they are unable to see anything within a few centimeters of their eyes. Caught prey can be felt by owls with the use of feathers on the beak. Their far vision, particularly in low light, is exceptionally good, Owls can rotate their heads and necks as much as 270°. Owls have 14 neck vertebrae compared to seven in humans, which makes their necks more flexible, other anastomoses between the carotid and vertebral arteries support this effect. The smallest owl—weighing as little as 31 g and measuring some 13.5 cm —is the elf owl, around the same diminutive length, although slightly heavier, are the lesser known long-whiskered owlet and Tamaulipas pygmy owl. The largest owl by length is the great grey owl, which measures around 70 cm on average, however, the heaviest owls are two similarly sized eagle owls, the Eurasian eagle-owl and Blakistons fish owl. These two species, which are on average about 2.53 cm shorter in length than the great grey, as noted above, their facial discs help owls to funnel the sound of prey to their ears. In many species, these discs are placed asymmetrically, for better directional location, Owl plumage is generally cryptic, although several species have facial and head markings, including face masks, ear tufts, and brightly coloured irises. These markings are more common in species inhabiting open habitats. Sexual dimorphism is a difference between males and females of a species. Reverse sexual dimorphism, when females are larger than males, has been observed across multiple owl species, the degree of size dimorphism varies across multiple populations and species, and is measured through various traits, such as wing span and body mass. Overall, female owls tend to be larger than males
11.
Odin
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In Germanic mythology, Odin is a widely revered god. In the modern period, Odin continued to be acknowledged in the folklore of Germanic Europe. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland and these texts make up the bulk of modern understanding of Norse mythology. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak, Odin is attested as having many sons, most famously the god Baldr with Frigg, and is known by hundreds of names. Odin has an association with Yule, and mankinds knowledge of both the runes and poetry is also attributed to him. In Old Norse texts, Odin is given primacy over female beings associated with the battlefield—the valkyries—and oversees Valhalla, where he receives half of those who die in battle, the other half are chosen by the goddess Freyja for her afterlife location, Fólkvangr. In later folklore, Odin appears as a leader of the Wild Hunt and he has also been associated with charms and other forms of magic, particularly in Old English and Old Norse texts. Odin has been a frequent subject of study in Germanic studies, in the modern period, Odin has inspired numerous works of poetry, music, and other forms of media. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples, some branches focus particularly on him. The Old Norse theonym Óðinn and its cognates, including Old English Wōden, Old Saxon Wōden, the masculine noun *wōđanaz developed from the Proto-Germanic adjective *wōđaz, related to Latin vātēs and Old Irish fáith, both meaning seer, prophet. Adjectives stemming from *wōđaz include Gothic woþs possessed, Old Norse óðr, mad, frantic, furious, additionally the Old Norse noun æði rage, fury and Old High German wuotī madness derive from the feminine noun *wōđīn, from *wōđaz. Over 170 names are recorded for the god Odin and these names are variously descriptive of attributes of the god, refer to myths involving him, or refer to religious practices associated with the god. This multitude of names makes Odin the god with the most names known among the Germanic peoples, the weekday name Wednesday derives from Old English wōdnesdæg. Cognate terms are found in other Germanic languages, such as Middle Low German wōdensdach, all of these terms derive from Proto-Germanic *Wodensdag, itself a Germanic interpretation of Latin Dies Mercurii. However, in Old High German, the derived from Odins was replaced by a translation of Church Latin media hebdomas. The earliest records of the Germanic peoples were recorded by the Romans and they regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and Týr as Mars, and the identity of the Isis of the Suebi has been debated. But their rankings in their respective religious spheres may have very different
12.
Cadair Idris
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Cadair Idris or Cader Idris is a mountain in Gwynedd, Wales, which lies at the southern end of the Snowdonia National Park near the town of Dolgellau. Idris is usually taken to be the name of a giant or, alternatively, it may refer to Idris ap Gwyddno, Idris ap Gwyddno was in fact referred to as Idris Gawr in some mediaeval genealogies of Meirionydd. The basic meaning of the word cadair is seat, chair, in place names cadair can mean stronghold, fort, fortress or mountain or hill shaped like a chair. The spelling cader represents a variant of the standard form cadair. It appears that Cadair/Cadeir Idris is the used in the earliest Welsh-language sources. In a poem in his own hand in the half of the fifteenth century. Around 1600, John Jones of Gellilyfdy referred to y mynydh neu bhan neu bhoel a elwir Cadeir Idris (the mountain, in his Dictionarum Duplex published in 1632, John Davies of Mallwyd differentiated between the two words cadair and cader, referring to Cader Idris and Cader Ddinmael. That interpretation was followed by some later lexicographers, including Thomas Charles and it is now accepted, however, that cader is a spelling of a spoken form of cadair, and that there is no evidence that cadair and cader are separate words. But as it represents the pronunciation in the dialect, the spelling Cader Idris is often seen in Welsh and English. In June 2016 Snowdonia National Park decided to adopt that spelling on its signage, the local dialect form is also seen in the name of the local secondary school, Ysgol y Gader. The name of the mountain is typically spelt Cadair Idris on current maps, the summit of the mountain is known as Penygader. There are three trails that lead to the top of Cadair Idris. The summit, which is covered in scree, is marked by a trig point, there is also a low-standing stone shelter with a roof. The Pony Path, which begins in the north from either Dolgellau or the Mawddach estuary, is the easiest and its length from the mountains base is 5 kilometres with a 600 metres climb. The Foxs Path, This is the most direct way to the summit as the trail leads straight up the northern face, the 3.8 kilometres ascent involves a climb up a 310 metres cliff-scree face. However, this part of the Foxs Path has been eroded in recent years making the descent dangerous. The Minffordd Path starts on the side of the mountain near the glacial Tal-y-llyn Lake. Hikers using this ascent climb past Llyn Cau and along the rim of Craig Cau to Penygadair and its length is 4.4 kilometres and involves two climbs of over 300 metres
