1.
Hampton Court Palace
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Hampton Court Palace is a royal palace in the town of East Molesey, Richmond upon Thames, Greater London, England,11.7 miles south west and upstream of central London on the River Thames. Redevelopment began to be carried out in 1515 for Cardinal Thomas Wolsey, in 1529, as Wolsey fell from favour, the King seized the palace for himself and later enlarged it. Along with St Jamess Palace, it is one of two surviving palaces out of the many owned by King Henry VIII. In the following century, King William IIIs massive rebuilding and expansion project, work ceased in 1694, leaving the palace in two distinct contrasting architectural styles, domestic Tudor and Baroque. While the palaces styles are an accident of fate, a unity exists due to the use of pink bricks, King George II was the last monarch to reside in the palace. In addition, London Buses routes 111,216,411, the structure and grounds are cared for by an independent charity, Historic Royal Palaces, which receives no funding from the Government or the Crown. In addition the palace continues to display a number of works of art from the Royal Collection. The palaces Home Park is the site of the annual Hampton Court Palace Festival, Thomas Wolsey, Archbishop of York, Chief Minister and favourite of Henry VIII, took over the site of Hampton Court Palace in 1514. It had previously been a property of the Order of St John of Jerusalem, over the following seven years, Wolsey spent lavishly to build the finest palace in England at Hampton Court. Wolsey rebuilt the manor house to form the nucleus of the present palace. Today, little of Wolseys building work remains unchanged, the first courtyard, the Base Court, was his creation, as was the second, inner gatehouse which leads to the Clock Court which contained his private rooms. The Base Court contained forty-four lodgings reserved for guests, while the court contained the very best rooms – the state apartments – reserved for the King. Henry VIII stayed in the apartments as Wolseys guest immediately after their completion in 1525. Perpendicular Gothic owed nothing historically to the Renaissance style, yet harmonised well with it and this blending of styles was realised by a small group of Italian craftsmen working at the English court in the second and third decades of the sixteenth century. They specialised in the adding of Renaissance ornament to otherwise straightforward Tudor buildings and it was one of these, Giovanni da Maiano who was responsible for the set of eight relief busts of Roman emperors which were set in the Tudor brickwork. Wolsey was only to enjoy his palace for a few years, in 1528, knowing that his enemies and the King were engineering his downfall, he passed the palace to the King as a gift. Wolsey died two years later in 1530, within six months of coming into ownership, the King began his own rebuilding and expansion. Henry VIIIs court consisted of one thousand people, while the King owned over sixty houses and palaces
2.
Hampstead
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Hampstead, commonly known as Hampstead Village, is an area of London, England,4 miles northwest of Charing Cross. Part of the London Borough of Camden, it is known for its intellectual, liberal, artistic, musical and literary associations and for Hampstead Heath and it has some of the most expensive housing in the London area. The village of Hampstead has more millionaires within its boundaries than any area of the United Kingdom. The name comes from the Anglo-Saxon words ham and stede, which means, and is a cognate of, the growth of Hampstead is generally traced back to the 17th century. Trustees of the Well started advertising the medicinal qualities of the waters in 1700. Although Hampstead Wells was initially most successful and fashionable, its popularity declined in the 1800s due to competition with other fashionable London spas, the spa was demolished in 1882, although a water fountain was left behind. Much luxurious housing was created during the 1870s and 1880s, in the area that is now the ward of Frognal & Fitzjohns. Much of this remains to this day. The large Victorian Hampstead Library and Town Hall was recently converted and extended as a creative industries centre, on 14 August 1975 Hampstead entered the UK Weather Records with the Highest 155-min total rainfall at 169 mm. As of November 2008 this record remains, Hampstead became part of the County of London in 1889 and in 1899 the Metropolitan Borough of Hampstead was formed. The borough town hall on Haverstock Hill, which was also the location of the Register Office, Hampstead is part of the Hampstead and Kilburn constituency, formed at the 2010 general election. It was formerly part of the Hampstead and Highgate constituency, since May 2015 the area has been represented on Camden Council by Conservative Party councillors Tom Currie, Oliver Cooper and Stephen Stark. The area has a significant tradition of educated liberal humanism, often referred to as Hampstead Liberalism, michael Idov of The New Yorker stated that the community was the citadel of the moneyed liberal intelligentsia, posh but not stuffy. As applied to an individual, the term Hampstead Liberal is not synonymous with champagne socialist, the term is also rather misleading. As of 2016, all the component wards of Hampstead elect a full slate of Conservative councillors, the bridge pictured is known locally as The Red Arches or The Viaduct, built in fruitless anticipation of residential building on the Heath in the 19th century. The largest employer in Hampstead is the Royal Free Hospital, Pond Street, George Martins AIR recording studios, in converted church premises in Lyndhurst Road, is a current example, as Jim Hensons Creature Shop was before it relocated to California. It was recently restored by Notting Hill Housing Trust, notable and longstanding are La Gaffe, Gaucho Grill, Jin Kichi, Tip Top Thai, Villa Bianca and, in May 2016, Patara. Hampsteads rural feel lends itself for use on film, an example being The Killing of Sister George starring Beryl Reid
3.
Palladian architecture
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Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
4.
Burlington House
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Burlington House is a building on Piccadilly in London. It was originally a private Palladian mansion, and was expanded in the century after being purchased by the British government. The house was one of the earliest of a number of large private residences built on the north side of Piccadilly, previously a country lane. The first version was begun by Sir John Denham about 1664 and it was a red-brick double-pile hip-roofed mansion with a recessed centre, typical of the style of the time, or perhaps even a little old fashioned. In 1704 the house passed to the ten-year-old Richard Boyle, 3rd Earl of Burlington, who was to become the patron of the Palladian movement in England. The colonnade separated the house from increasingly urbanized Piccadilly with a cour dhonneur, inside, Baroque decorative paintings in the entrance hall and staircase by Sebastiano Ricci and Giovanni Antonio Pellegrini resulted in some of the richest interiors in London. In between his two Grand Tours of Italy young Lord Burlingtons taste was transformed by the publication of Giacomo Leonis Palladio. In 1717 or 1718, Colen Campbell was appointed to replace Gibbs, the ground floor became a rusticated basement, which supported a monumental piano nobile of nine bays. This had no centrepiece, but was highlighted by venetian windows in the end bays. Other alterations included a monumental screening gateway to Piccadilly and the reconstruction of most of the principal interiors, with typical Palladian features such as rich coved ceilings. The Saloon, constructed immediately after William Kents return from Rome in December 1719, has survived in the most intact condition and its plaster putti above the pedimented doorcases were probably by Giovanni Battista Guelfi. Lord Burlington transferred his energies to Chiswick House after 1722. On Burlingtons death in 1753, Burlington House passed to the Dukes of Devonshire, the 4th Dukes younger son Lord George Cavendish and a Devonshire in-law, the 3rd Duke of Portland, each used the house for at least two separate spells. Portland had some of the interiors altered by John Carr in the 1770s. Eventually Lord George, who was a man in his own right due to a marriage to an heiress. Like Carrs work Wares was sympathetic with the Palladian style of the house, providing an example of the Kent Revival. In 1819 the Burlington Arcade was built along the part of the grounds. In 1854, Burlington House was sold to the British government for £140,000 and this plan, however, was abandoned in the face of strong opposition and in 1857 Burlington House was occupied by the Royal Society, the Linnean Society and the Chemical Society
5.
Richard Boyle, 3rd Earl of Burlington
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Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork, KG PC, born in Yorkshire, England, was the son of the 2nd Earl of Burlington and 3rd Earl of Cork and Juliana Noel. He is remembered for bringing Palladian architecture to Britain and Ireland and his major projects include Burlington House, Westminster School, Chiswick House and Northwick Park. Lord Burlington was born in Yorkshire into a wealthy Anglo-Irish aristocratic family, often known as the architect Earl, he was instrumental in the revival of Palladian architecture in both Great Britain and the Kingdom of Ireland. He succeeded to his titles and extensive estates in Yorkshire and Ireland at the age of nine, during his minority, which lasted until 1715, his English and Irish lands and political interests were managed on his behalf by his mother and guardian, the dowager countess Juliana. He showed a love of music. Georg Frideric Handel dedicated two operas to him, while staying at Burlington House, Teseo and Amadigi di Gaula, three foreign Grand Tours 1714 –1719 and a further trip to Paris in 1726 gave him opportunities to develop his taste. His professional skill as an architect was extraordinary in an English aristocrat and he carried his copy of Andrea Palladios book I quattro libri dellarchitettura with him in touring the Veneto in 1719, and made notes on a small number of blank pages. In 1719 he was one of main subscribers in the Royal Academy of Music, Burlington never closely inspected Roman ruins or made detailed drawings on the sites, he relied on Palladio and Scamozzi as his interpreters of the classic tradition. With Some Additional Designs that were by Kent and Burlington, the important role of Jones pupil Webb in transmitting the palladian—neo-palladian heritage was not understood until the 20th century. Burlingtons Palladio drawings include many reconstructions after Vitruvius of Roman buildings, in the meantime, in 1723 he adapted the palazzo facade in the illustration for the London house of General Wade in Old Burlington Street, which was engraved for Vitruvius Britannicus iii. The process put a previously unknown Palladio design into circulation, the courtyard front of Burlington House, prominently sited in Piccadilly, was the first major executed statement of neo-Palladianism. By the early 1730s Palladian style had triumphed as the accepted manner for a British country house or public building. For the rest of his life Burlington was the Apollo of the arts as Horace Walpole phrased it—, in 1739, Lord Burlington was involved in the founding of a new charitable organisation called the Foundling Hospital. Burlington was a governor of the charity, but did not formally take part in planning the construction of this large Bloomsbury childrens home completed in 1742, architect for the building was a Theodore Jacobsen, who took on the commission as an act of charity. Many of Burlingtons projects have suffered, from rebuilding or additions, from fire, brettinghams engraved publication of Holkham credited Burlington specifically with ceilings for the portico and the north dressing-room. Burlingtons architectural drawings, inherited by his son-in-law the Duke of Devonshire, are preserved at Chatsworth, in 1751 he sent some of his drawings to Francesco Algarotti in Potsdam together with a book on Vitruvius. In the original house, the corner pavilion blocks of Inigo Jones Wilton were provided with the Palladian window motif to be seen at Burlington House. Old Burlington Street, London, houses, including one for General Wade,1723, General Wades house adapted the genuine Palladio facade in Burlingtons collection of drawings
6.
Westminster School
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Westminster School is an English independent day and boarding school located within the precincts of Westminster Abbey. It has the highest Oxford and Cambridge university acceptance rates of any school or college in the world. With origins before the 12th century, the tradition of Westminster probably dates back as far as AD960. Boys are admitted to the Under School at age seven and to the school at age thirteen. The school has around 750 pupils, around a quarter are boarders, most of whom go home at weekends and it is one of the original seven public schools as defined by the Public Schools Act 1868. Charging up to £7,800 per term for day pupils and £11,264 for boarders in 2014/15, Westminster is the 13th most expensive HMC day school and 10th most expensive HMC boarding school in the UK. In 1540, Henry VIII ordered the dissolution of the monasteries in England, including that of the powerful Abbots of Westminster, the Royal College of St. Peter carried on with forty Kings Scholars financed from the royal purse. By this point Westminster School had certainly become a public school, during Mary Is brief reign the Abbey was reinstated as a Roman Catholic monastery, but the school continued. Elizabeth I refounded the School in 1560, with new statutes to select 40 Queens Scholars from boys who had attended the school for a year. Queen Elizabeth frequently visited her scholars, although she never signed the statutes nor endowed her scholarships, Elizabeth I appointed William Camden as headmaster, and he is the only layman known to have held the position until 1937. Regardless of politics, he thrashed Royalist and Puritan boys alike without fear or favour, Busby also took part in Oliver Cromwells funeral procession in 1658, when Robert Uvedale, a Westminster schoolboy, succeeded in snatching the Majesty Scutcheon draped on the coffin. Busby remained in office throughout the Civil War and the Commonwealth, when the school was governed by Parliamentary Commissioners, and well into the Restoration. In 1679, a group of scholars killed a bailiff, ostensibly in defence of the Abbeys traditional right of sanctuary, dr Busby obtained a royal pardon for his scholars from Charles II and added the cost to the school bills. Until the 19th century, the curriculum was made up of Latin and Greek. After the Public Schools Act 1868, in response to the Clarendon Commission on the financial and other malpractices at nine pre-eminent public schools, the school began to approach its modern form. It was legally separated from the Abbey, although the organisations remain close, there followed a scandalous public and parliamentary dispute lasting a further 25 years, to settle the transfer of the properties from the Canons of the Abbey to the School. School statutes have been made by Order in Council of Queen Elizabeth II, the Dean of Christ Church, Oxford and the Master of Trinity College, Cambridge are ex officio members of the schools governing body. Westminster Under School was formed in 1943 in the school buildings in Westminster
7.
William Kent
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William Kent was an eminent English architect, landscape architect and furniture designer of the early 18th century. As a landscape gardener he revolutionised the layout of estates, but had limited knowledge of horticulture and he complemented his houses and gardens with stately furniture for major buildings including Hampton Court Palace, Chiswick House, Devonshire House and Rousham. Kent was born in Bridlington, Yorkshire, and baptised, on 1 January 1686, Kents career began as a sign and coach painter who was encouraged to study art, design and architecture by his employer. A group of Yorkshire gentlemen sent Kent for a period of study in Rome, by 18 November he was in Florence, staying there until April 1710 before finally setting off for Rome. In 1713 he was awarded the medal in the second class for painting in the annual competition run by the Accademia di San Luca for his painting of A Miracle of S. Andrea Avellino. During his stay in Rome, he painted the ceiling of the church of San Giuliano dei Fiamminghi with the Apotheosis of St. Julian, the most significant meeting was between Kent and Richard Boyle, 3rd Earl of Burlington. Kent started practising as a relatively late, in the 1730s. He is better remembered as an architect of the revived Palladian style in England, Burlington gave him the task of editing The Designs of Inigo Jones. With some additional designs in the Palladian/Jonesian taste by Burlington and Kent and these neo-antique buildings were inspired as much by the architecture of Raphael and Giulio Romano as by Palladio. Walpoles son Horace described Kent as below mediocrity as a painter, a restorer of science as an architect, a theatrically Baroque staircase and parade rooms in London, at 44 Berkeley Square, are also notable. Kents domed pavilions were erected at Badminton House and at Euston Hall, Kent could provide sympathetic Gothic designs, free of serious antiquarian tendencies, when the context called, he worked on the Gothic screens in Westminster Hall and Gloucester Cathedral. When Kent died, the work was completed by Stephen Wright, as a landscape designer, Kent was one of the originators of the English landscape garden, a style of natural gardening that revolutionised the laying out of gardens and estates. Smaller Kent works can be found at Shotover Park, Oxfordshire, including a faux Gothic eyecatcher and his all-but-lost gardens at Claremont, Surrey, have recently been restored. It is often said that he was not above planting dead trees to create the mood he required. Kents only real downfall was said to be his lack of knowledge and technical skill. Claremont, Stowe, and Rousham are places where their joint efforts can be viewed, Stowe and Rousham are Kents most famous works. At the latter, Kent elaborated on Bridgemans 1720s design for the property, adding walls, at Stowe, Kent used his Italian experience, particularly with the Palladian Bridge. At both sites Kent incorporated his naturalistic approach, the royal barge he designed for Frederick, Prince of Wales can still be seen at the National Maritime Museum, Greenwich
8.
Windsor Great Park
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Windsor Great Park is a Royal Park of 2020 hectares, including a deer park, to the south of the town of Windsor on the border of Berkshire and Surrey in England. The park was, for centuries, the private hunting ground of Windsor Castle. Historically the park covered an area many times the known as Windsor Forest. The park is managed and funded by the Crown Estate, most parts of the park are open to the public, free of charge, from dawn to dusk, although there is a charge to enter Savill Garden. The park is Grade I listed on the Register of Historic Parks, the Great Park is a gently undulating area of varied landscape. It has sweeping deer lawns, small woods, coverts and areas covered by huge solitary ancient oak trees, there is a small river in the north of the park called the Battle Bourne running to the Thames near Datchet. The River Bourne runs through a number of ponds to the south, chief amongst these are Great Meadow Pond and Obelisk Pond, near the great lake of Virginia Water. The most prominent hill is Snow Hill and the avenue of trees known as the Long Walk runs between here and Windsor Castle, the main Sheet Street Road into Windsor runs through the north-east of the park. On the western side of the park is The Village, built in the 1930s to house Royal estate workers, other buildings include the Royal Lodge, Cumberland Lodge, the Cranbourne Tower and Norfolk Farm. The park lies mostly within the parish of Old Windsor, though the eastern regions are in the Borough of Runnymede and there are small areas in the parishes of Winkfield. Areas associated with or attached to the Great Park, but not officially within its borders include the Home Park, Mote Park, Flemish Farm, Cranbourne Chase, Forest Lodge, the modern enclosed Deer Park is at the northern end of the Great Park. It is home to a herd of semi-wild deer, reflecting the original medieval purpose of the park. The Long Walk runs south from Windsor Castle to the 1829 Copper Horse statue of King George III atop Snow Hill where there are views of the castle. It is 2.65 miles from George IV Gateway at Windsor Castle to The Copper Horse, other equestrian statues in the park include one of the Prince Consort, to the west of the polo grounds, and one of Queen Elizabeth II near the Village. The Royal Lodge was built in the centre of the park as the Deputy Rangers house and it was made in to a retreat for the Prince Regent from 1812, but was largely pulled down after his death. The remains were renovated, in the 1930s, as a home for the Duke and Duchess of York before their accession as George VI and it is now the official residence of the Prince Andrew, Duke of York and not accessible by the public. The Royal Chapel of All Saints was built after the chapels of the Royal, the chapel was built in 1825 by Jeffry Wyattville and regularly used by George IV during the refurbishment of Windsor Castle. It was later remodelled in the Gothic Revival style by Samuel Sanders Teulon, Queen Victoria often attended the chapel as did the Duke and Duchess of York before their accession as George VI and Queen Elizabeth
9.
Virginia Water Lake
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Virginia Water Lake lies on the southern edge of Windsor Great Park, in the borough of Runnymede in Surrey and the civil parishes of Old Windsor and Sunningdale and Ascot in Berkshire, in England. It is a man-made lake taking its name from a body of water of the same name. There is a village of Virginia Water which stretches out to the east of the lake, the grounds of the lake, nearby Fort Belvedere, and the Clockcase are all Grade I listed on the Register of Historic Parks and Gardens. Virginia Water Lake was originally more than a stream, which existed from at least the 17th century and may well be named after Elizabeth I. The lake itself was begun in 1746 by William, Duke of Cumberland who was then Ranger of the Park, the original lake was much smaller than the current form, and was destroyed in a flood in 1768. In 1780 Paul and Thomas Sandby began construction of a larger lake at the site. During World War II, the lake was drained, as its obvious shape provided enemy guidance at night to Windsor and other important military targets in the area. The circuit around the lake is about 4.5 miles, about half is paved, recently the lake has been used by the crews for the Harry Potter films for lakeside scenes. The Scottish alternative was deemed due to the number of midges. The River Bourne provides the water for the lake and it exits the lake at the end after the cascading waterfall. Royal Lake, the story of Virginia Water, Runnymede borough council - picture of cascading waterfall Walk around the lake
10.
Potternewton
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Potternewton is a suburb and parish of north-east Leeds, West Yorkshire, England, situated between Chapeltown and Chapel Allerton, mainly in the LS7 postcode and partly in LS8. It is between Scott Hall Road on the west and Roundhay Road on the east, with Harehills Lane on the north, the main thoroughfare is Chapeltown Road, and it is often taken to be part of a larger area referred to as Chapeltown. On some maps Potternewton included the Chapeltown and Scott Hall areas, there is overlap between the areas referred to as Chapeltown and Potternewton so that they can be two names for the same area. Potternewton is a village and most maps prioritise the name Potternewton over Chapeltown. Potternewton Park Mansion, Newton Lodge, Scott Hall and Potternewton Hall are typical examples, the Hall was a grand c. 1720 manor house which had been built by the Barker family. By the mid 19th century it was owned by the Lupton family, who also owned Newton Hall and the surrounding Newton Park. Wool merchants, brothers Darnton, Arthur and Francis Lupton, had worked to develop the land around these mansions and were planning subdivisions on the family estate as early as the 1850s. Both Francis and Darnton had lived at Potternewton Hall, Darnton, mayor of Leeds in 1844, was living there with his family from the 1830s. Francis – Darntons younger brother and business partner – had become the owner of the Potternewton Hall Estate by 1860, Francis had married in 1847, and raised his family at Potternewton Hall, including his eldest son, Francis Martineau, until the early 1860s. In 1870, the two brothers purchased together the adjacent Newton Hall Estate from their brother, Arthur Lupton who was also a cloth merchant, Arthur had owned the Newton Hall Estate since the 1840s. By 1880, a number of buildings had been erected on the Lupton estate. By the outbreak of the Second World War, both Newton Hall and Potternewton Hall had been demolished to make way for Leeds largest private housing estate, olive was born on the estate in 1881 at Newton Grove. Olive was the daughter of politician Francis Martineau Lupton, himself the son of Francis Lupton, built c. 1817 for James Brown, a wool merchant, Potternewton Mansion was originally called Harehills Grove. In 1900, the house and park were bought by the Leeds Corporation and Potternewton Park was created, Transport Direct uses the names Potternewton and Chapeltown when defining them as separate areas. However, Potternewton is defined as a small area around the north of Scott Hall Road. WYMetro and Transport Direct also identify the area as being in this location, Potternewton Lane is frequently served by bus service 7. Millfield Primary School, formerly known as Potternewton Primary, is located on Potternewton Mount, upon being renamed, the school received more pupils due to the nearby Miles Hill school being shut down and demolished. Sugarwell Hill Mill is also found here, new housing has also been constructed along Potternewton Crescent
