Heraldry is a broad term, encompassing the design and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement; the achievement, or armorial bearings includes a coat of arms on a shield and crest, together with any accompanying devices, such as supporters, heraldic banners, mottoes. Although the use of various devices to signify individuals and groups goes back to antiquity, both the form and use of such devices varied and the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages, it is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered together for extended periods, necessitating the development of heraldry as a symbolic language, but there is little actual support for this view.

The beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as "the handmaid of history", "the shorthand of history", "the floral border in the garden of history". In modern times, individuals and private organizations, cities and regions use heraldry and its conventions to symbolize their heritage and aspirations. Various symbols have been used to represent groups for thousands of years; the earliest representations of distinct persons and regions in Egyptian art show the use of standards topped with the images or symbols of various gods, the names of kings appear upon emblems known as serekhs, representing the king's palace, topped with a falcon representing the god Horus, of whom the king was regarded as the earthly incarnation. Similar emblems and devices are found in ancient Mesopotamian art of the same period, the precursors of heraldic beasts such as the griffin can be found.

In the Bible, the Book of Numbers refers to the standards and ensigns of the children of Israel, who were commanded to gather beneath these emblems and declare their pedigrees. The Greek and Latin writers describe the shields and symbols of various heroes, units of the Roman army were sometimes identified by distinctive markings on their shields; until the nineteenth century, it was common for heraldic writers to cite examples such as these, metaphorical symbols such as the "Lion of Judah" or "Eagle of the Caesars" as evidence of the antiquity of heraldry itself. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour, but these fabulous claims have long since been dismissed as the fantasy of medieval heralds, for there is no evidence of a distinctive symbolic language akin to that of heraldry during this early period. The medieval heralds devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, the various arms attributed to the Nine Worthies and the Knights of the Round Table.

These too are now regarded as a fanciful invention, rather than evidence of the antiquity of heraldry. The development of the modern heraldic language cannot be attributed to a single individual, time, or place. Although certain designs that are now considered heraldic were evidently in use during the eleventh century, most accounts and depictions of shields up to the beginning of the twelfth century contain little or no evidence of their heraldic character. For example, the Bayeux Tapestry, illustrating the Norman invasion of England in 1066, commissioned about 1077, when the cathedral of Bayeux was rebuilt, depicts a number of shields of various shapes and designs, many of which are plain, while others are decorated with dragons, crosses, or other heraldic figures, yet no individual is depicted twice bearing the same arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry. An account of the French knights at the court of the Byzantine emperor Alexius I at the beginning of the twelfth century describes their shields of polished metal, utterly devoid of heraldic design.

A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic. The Abbey of St. Denis contained a window commemorating the knights who embarked on the Second Crusade in 1147, was made soon after the event. In England, from the time of the Norman conquest, official documents had to be sealed. Beginning in the twelfth century, seals assumed a distinctly heraldic character. A notable example of an early armorial seal is attached to a charter granted by Philip I, Count of Flanders, in 1164. Seals from the latter part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism, but by

Shark Jaws

Shark Jaws is a single-player arcade game by Atari Inc. under the name of Horror Games released in 1975. An unlicensed tie-in to the movie Jaws, believed to be the first commercially released movie tie-in, it was created to be a game about sharks eating people. Atari head Nolan Bushnell tried to license the Jaws name for the game, but was unable to secure a license from Universal Pictures. Deciding to go ahead with the game anyway, it was retitled Shark JAWS, with the word Shark in tiny print and JAWS in large all caps print to create greater prominence. Bushnell created a second hidden subsidiary corporation, Horror Games—the previous being Kee Games, to help isolate Atari from a possible lawsuit. According to Bushnell, the game was successful enough to sell two thousand units; the player controls a deep-sea diver trying to catch small fish while avoiding a great white shark, trying to eat him. Points are scored by running over the fish to catch them; the game is housed in a custom cabinet that includes a single start button.

The cabinet bezel uses blue and green colors, portrays sharks swimming around along with a solitary swimmer. The game PCB is composed of discrete technology, although the game was released under the name Horror Games the PCB states Atari. Notes SourcesMontfort, Nick. Riding the Beam: The Atari Video Computer System. MIT Press. ISBN 978-0-262-01257-7. Operation,Maintenance, Service Manual: Shark Jaws. Los Gatos, CA: Horror Games. 1975. MrF4brice. "Atari Shark Jaws arcade cabinet". YouTube. YouTube video of a restored Atari Shark Jaws cabinet being tested. "Shark Jaws - The Horror of IP Infringement". The Dot 2014

2015–16 Northern Colorado Bears men's basketball team

The 2015–16 Northern Colorado Bears men's basketball team represented the University of Northern Colorado during the 2015–16 NCAA Division I men's basketball season. The Bears were led by sixth-year head coach B. J. Hill and played their home games at Bank of Colorado Arena, they were a member of the Big Sky Conference. The Bears finished the season 7 -- 11 in Big Sky play to finish in ninth place, they lost to Portland State in the first round of the Big Sky Tournament. On April 21, 2016, the school fired head coach B. J. Hill amid an NCAA investigation into "serious and concerning" allegations of violations within the program. On May 1, the school hired Jeff Linder as head coach; the Bears finished the 2014–15 season 15–15, 10–8 in Big Sky play to finish in fifth place. They lost in the quarterfinals of the Big Sky Tournament to Northern Arizona