1.
Pompeii
–
Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town
Pompeii
–
View into a street of Pompeii
Pompeii
–
The Temple of Jupiter with
Vesuvius in the distance
Pompeii
–
Pompeii, Italy. Pompeii - Forum and Vesuvius. Brooklyn Museum Archives, Goodyear Archival Collection
Pompeii
–
Illustrated reconstruction, from a
CyArk /
University of Ferrara research partnership, of how the
Temple of Apollo may have looked before Mt. Vesuvius erupted
2.
Roman Empire
–
Civil wars and executions continued, culminating in the victory of Octavian, Caesars adopted son, over Mark Antony and Cleopatra at the Battle of Actium in 31 BC and the annexation of Egypt. Octavians power was then unassailable and in 27 BC the Roman Senate formally granted him overarching power, the imperial period of Rome lasted approximately 1,500 years compared to the 500 years of the Republican era. The first two centuries of the empires existence were a period of unprecedented political stability and prosperity known as the Pax Romana, following Octavians victory, the size of the empire was dramatically increased. After the assassination of Caligula in 41, the senate briefly considered restoring the republic, under Claudius, the empire invaded Britannia, its first major expansion since Augustus. Vespasian emerged triumphant in 69, establishing the Flavian dynasty, before being succeeded by his son Titus and his short reign was followed by the long reign of his brother Domitian, who was eventually assassinated. The senate then appointed the first of the Five Good Emperors, the empire reached its greatest extent under Trajan, the second in this line. A period of increasing trouble and decline began with the reign of Commodus, Commodus assassination in 192 triggered the Year of the Five Emperors, of which Septimius Severus emerged victorious. The assassination of Alexander Severus in 235 led to the Crisis of the Third Century in which 26 men were declared emperor by the Roman Senate over a time span. It was not until the reign of Diocletian that the empire was fully stabilized with the introduction of the Tetrarchy, which saw four emperors rule the empire at once. This arrangement was unsuccessful, leading to a civil war that was finally ended by Constantine I. Constantine subsequently shifted the capital to Byzantium, which was renamed Constantinople in his honour and it remained the capital of the east until its demise. Constantine also adopted Christianity which later became the state religion of the empire. However, Augustulus was never recognized by his Eastern colleague, and separate rule in the Western part of the empire ceased to exist upon the death of Julius Nepos. The Eastern Roman Empire endured for another millennium, eventually falling to the Ottoman Turks in 1453, the Roman Empire was among the most powerful economic, cultural, political and military forces in the world of its time. It was one of the largest empires in world history, at its height under Trajan, it covered 5 million square kilometres. It held sway over an estimated 70 million people, at that time 21% of the entire population. Throughout the European medieval period, attempts were made to establish successors to the Roman Empire, including the Empire of Romania, a Crusader state. Rome had begun expanding shortly after the founding of the republic in the 6th century BC, then, it was an empire long before it had an emperor
Roman Empire
–
The
Augustus of Prima Porta (early 1st century AD)
Roman Empire
–
Aureus of
Augustus, the first
Roman Emperor.
Roman Empire
–
A segment of the ruins of Hadrian's Wall in northern England
Roman Empire
–
A 5th-century
papyrus showing a parallel Latin-Greek text of a speech by
Cicero
3.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
4.
Ave
–
Ave is a Latin word, used by the Romans as a salutation and greeting, meaning hail. It is the imperative form of the verb avēre, which meant to be well. The Classical Latin pronunciation of ave was or, in Church Latin, it is ideally, and in English, it tends to be pronounced /ˈɑːveɪ/. The term was used to greet the Caesar or other authorities. Suetonius recorded that on one occasion, naumachiarii—captives and criminals fated to die fighting during mock naval encounters—addressed Caesar with the words Ave Caesar, morituri te salutant. in an attempt to avoid death. The expression is not recorded as being used in Roman times on any other occasion, the Vulgate version of the Annunciation translates the salute of the angel to Mary, Mother of Jesus as Ave Maria, gratia plena. Ave Maria is a Catholic Marian prayer that also has inspired authors of religious music, within Satanism, the phrase Ave Satana is used, along with its more popular English translation Hail Satan. Fascist regimes during the 20th century also adopted the greeting and it was also distinctly used during the National Socialist Third Reich in the indirect German translation, heil. Roman salute Ave Imperator, morituri te salutant
Ave
–
"HAVE" Mosaic outside the
House of the Faun,
Pompeii (Have is a spelling variant of Ave).
Ave
5.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
Italian language
–
Dante Alighieri (above) and
Petrarch (below) were influential in establishing their
Tuscan dialect as the most prominent literary language in all of
Italy in the
Late Middle Ages
Italian language
–
The geographic distribution of the Italian language in the world: large Italian-speaking communities are shown in green; light blue indicates areas where the Italian language was used officially during the Italian colonial period.
Italian language
Italian language
–
Pietro Bembo was an influential figure in the development of the Italian language from the Tuscan dialect, as a literary medium, codifying the language for standard modern usage
6.
Domus
–
In ancient Rome, the domus was the type of house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It could be found in almost all the cities throughout the Roman territories. The modern English word domestic comes from Latin domesticus, which is derived from the word domus, the word dom in modern Slavic languages means home and is a cognate of the Latin word, going back to Proto-Indo-European. Along with a domus in the city, many of the richest families of ancient Rome also owned a country house known as a villa. The elite classes of Roman society constructed their residences with elaborate decorations, inlaid marble paneling, door jambs and columns as well as expensive paintings. Many poor and lower-middle-class Romans lived in crowded, dirty and mostly rundown rental apartments and these multi-level apartment blocks were built as high and tightly together as possible and held far less status and convenience than the private homes of the prosperous. The homes of the early Etruscans were simple, even for the wealthy or ruling classes and they were small familiar huts constructed on the axial plan of a central hall with an open skylight. It is believed that the Temple of Vesta was, in form, the huts were probably made of mud and wood with thatched roofs and a centre opening for the hearths smoke to escape. This could have been the beginnings of the atrium, which was common in later homes, as Rome became more and more prosperous from trade and conquest, the homes of the wealthy increased in both size and luxury emulating both the Etruscan atrium house and Hellenistic peristyle house. The domus included multiple rooms, indoor courtyards, gardens and beautifully painted walls that were laid out. The vestibulum led into a central hall, the atrium. Leading off the Atrium were cubicula a dining room triclinium where guests could recline on couches and eat dinner whilst reclining, in cities throughout the Roman Empire, wealthy homeowners lived in buildings with few exterior windows. Glass windows werent readily available, glass production was in its infancy, thus a wealthy Roman citizen lived in a large house separated into two parts, and linked together through the tablinum or study or by a small passageway. To protect the family from intruders, it would not face the streets, only its entrance providing more room for living spaces, surrounding the atrium were arranged the masters families main rooms, the small cubicula or bedrooms, the tablinum or study, and the triclinium or dining-room. Roman homes were like Greek homes, only two objects were present in the atrium of Caecilius in Pompeii, a small bronze box that stored precious family items and the lararium, a small shrine to the household gods, the Lares. In the master bedroom was a wooden bed and couch which usually consisted of some slight padding. As the domus developed, the took on a role similar to that of the study. In each of the other bedrooms there was usually just a bed, the triclinium had three couches surrounding a table
Domus
–
A late 19th-century artist's reimagining of an atrium in a Pompeian domus
Domus
–
The exterior of the domus depicting the entrance with ostium
7.
Roman republic
–
It was during this period that Romes control expanded from the citys immediate surroundings to hegemony over the entire Mediterranean world. During the first two centuries of its existence, the Roman Republic expanded through a combination of conquest and alliance, by the following century, it included North Africa, most of the Iberian Peninsula, and what is now southern France. Two centuries after that, towards the end of the 1st century BC, it included the rest of modern France, Greece, and much of the eastern Mediterranean. By this time, internal tensions led to a series of wars, culminating with the assassination of Julius Caesar. The exact date of transition can be a matter of interpretation, Roman government was headed by two consuls, elected annually by the citizens and advised by a senate composed of appointed magistrates. Over time, the laws that gave exclusive rights to Romes highest offices were repealed or weakened. The leaders of the Republic developed a tradition and morality requiring public service and patronage in peace and war, making military. Many of Romes legal and legislative structures can still be observed throughout Europe and much of the world in modern nation states, the exact causes and motivations for Romes military conflicts and expansions during the republic are subject to wide debate. While they can be seen as motivated by outright aggression and imperialism and they argue that Romes expansion was driven by short-term defensive and inter-state factors, and the new contingencies that these decisions created. In its early history, as Rome successfully defended itself against foreign threats in central and then northern Italy, with some important exceptions, successful wars in early republican Rome generally led not to annexation or military occupation, but to the restoration of the way things were. But the defeated city would be weakened and thus able to resist Romanizing influences. It was also able to defend itself against its non-Roman enemies. It was, therefore, more likely to seek an alliance of protection with Rome and this growing coalition expanded the potential enemies that Rome might face, and moved Rome closer to confrontation with major powers. The result was more alliance-seeking, on the part of both the Roman confederacy and city-states seeking membership within that confederacy. While there were exceptions to this, it was not until after the Second Punic War that these alliances started to harden into something more like an empire and this shift mainly took place in parts of the west, such as the southern Italian towns that sided with Hannibal. In contrast, Roman expansion into Spain and Gaul occurred as a mix of alliance-seeking, in the 2nd century BC, Roman involvement in the Greek east remained a matter of alliance-seeking, but this time in the face of major powers that could rival Rome. This had some important similarities to the events in Italy centuries earlier, with some major exceptions of outright military rule, the Roman Republic remained an alliance of independent city-states and kingdoms until it transitioned into the Roman Empire. It was not until the time of the Roman Empire that the entire Roman world was organized into provinces under explicit Roman control
Roman republic
–
Route of Pyrrhus of Epirus
Roman republic
–
Roman consul accompanied by two
lictors
Roman republic
–
Gaius Gracchus, tribune of the people, presiding over the
Plebeian Council
Roman republic
–
A Roman
denarius struck in 56 BC showing on one side the bust of the
Goddess Diana, and on the reverse the Roman general
Lucius Cornelius Sulla is offered an olive branch by his ally
Bocchus I as the captive
Jugurtha kneels beside Sulla with his hands bound.
8.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
9.
Samnium
–
Samnium is a Latin exonym for a region of Southern Italy anciently inhabited by the Samnites. Their own endonyms were Safinim for the country and Safineis for the people, the language of these endonyms and of the population was the Oscan language. However, not all the Samnites spoke Oscan, and not all the Oscan-speakers lived in Samnium, the ancient geographers were unable to relay a precise definition of Samniums borders. Moreover, the areas it included vary depending on the period considered. The main configurations are the borders it had during the floruit of the Oscan speakers, from about 600 BC to about 290 BC and this originary Samnium should not be confused with the later territory of the same name. Romes first Emperor, Augustus, divided Italy into 11 regions, although these entities only served administrative purposes, and were identified with the sole numeral, by scholarly convention the Regio IV has been dubbed Samnium. Ancient Samnium had actually split up into three of the Augustan regions. The name survives in Italian today, but it only a small portion of what it once was - virtually, only the Province of Benevento. Etymologically the name Samnium is generally recognized to be a form of the name of the Sabines, from Safinim, Sabinus, Sabellus and Samnis an Indo-European root can be extracted, *sabh-, which becomes Sab- in Latino-Faliscan and Saf- in Osco-Umbrian, Sabini and *Safineis. The eponymous god of the Sabines, Sabus, seems to support this view, the Greek terms, Saunitai and Saunitis, remain outside the group. Nothing is known of their origin, at some point in prehistory, a population speaking a common language extended over both Samnium and Umbria. Salmon conjectures that it was common Italic and puts forward a date of 600 BC and this date does not necessarily correspond to any historical or archaeological evidence, developing a synthetic view of the ethnology of proto-historic Italy is an incomplete and ongoing task. The linguist, Julius Pokorny, carries the etymology somewhat further back, the general concept is our own kith and kin, Pokornys von eigener Art, Gesamtheit der eigenen Leute, Liebe, Sippegenossen, Sippenangehörigen, and the like. Samnium mostly lay on the Apennine area, it was delimited by Latium to the north, by Lucania to the south, by Campania to the west, and by Apulia to the east. The principal cities of the region were Bovaiamom, renamed Bovianum by Latins and Maleventum, for most of their history the Samnites were landlocked, but during a brief period they controlled parts of both coasts of the Italian peninsula. The Samnites were composed of at least four tribes, the Pentri, the Caraceni, the Caudini and they may have later been joined by the Frentani. The earliest written record of the people is a treaty with the Romans from 354 BC, which set their border at the Liris River. Shortly thereafter the Samnite Wars broke out, they won an important battle against the Roman army in 321 BC, by 290 BC, the Romans were able to break the Samnites power after some hard fought battles
Samnium
–
Samnite soldiers, from a tomb frieze in
Nola,
Campania, 4th century BCE.
10.
Tetrastyle
–
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
Tetrastyle
–
Under the portico of the Pantheon
Tetrastyle
–
Portico close to piazza Santo Stefano,
Bologna
Tetrastyle
–
Temple of Portunus, with its tetrastyle portico of four
Ionic columns
Tetrastyle
–
The hexastyle Temple of Concord at
Agrigentum (c. 430 B.C.)
11.
Atrium (architecture)
–
In architecture, an atrium is a large open air or skylight covered space surrounded by a building. Atria were a feature in Ancient Roman dwellings, providing light. Modern atria, as developed in the late 19th and 20th centuries, are several stories high and having a glazed roof or large windows. Atria are a design feature because they give their buildings a feeling of space. The atrium has become a key feature of buildings in recent years. Atria are popular with building users, building designers and building developers, users like atria because they create a dynamic and stimulating interior that provides shelter from the external environment while maintaining a visual link with that environment. Designers enjoy the opportunity to new types of spaces in buildings. Fire control is an important aspect of contemporary atrium design due to criticism that poorly designed atria could allow fire to spread to a buildings upper stories more quickly. The Latin word atrium referred to the central court from which enclosed rooms led off. The impluvium was a shallow pool sunken into the floor to catch rainwater from the roof, some surviving examples are beautifully decorated. The opening in the ceiling above the pool called for some means of support for the roof, as the centrepiece of the house, the atrium was the most lavishly-furnished room. Also, it contained the chapel to the ancestral spirits. The term was used for a variety of spaces in public and religious buildings, mostly forms of arcaded courtyards. Byzantine churches were often entered through such a space, the 19th century brought the industrial revolution with great advances in iron and glass manufacturing techniques. Courtyards could then have horizontal glazing overhead, eliminating some of the elements from the space. One of the public spaces at Federation Square, in Melbourne, Australia, is called The Atrium and is a street-like space, five storeys high with glazed walls. The structure and glazing pattern follow the system of fractals used to arrange the panels on the rest of the facades at Federation Square, as of 2016, the Burj Al Arab hotel in Dubai, has the worlds tallest atrium at 590 feet. The Luxor Hotel, in Las Vegas, Nevada, has the largest atrium in the world at 29 million cubic feet, cavaedium Courtyard Quadrangle Roth, Leland M. Understanding Architecture, Its Elements History and Meaning
Atrium (architecture)
–
Kobe Portopia Hotel atrium lobby in 2012
Atrium (architecture)
–
The
Grand Doubletree hotel/condo in
Downtown Miami 42 story atrium
Atrium (architecture)
–
Victoria Hall in
Halifax Town Hall, 1863
Atrium (architecture)
–
Atrium at the center of the
Bradbury Building, 1893, in Los Angeles
12.
Eruption of Mount Vesuvius in 79
–
The 79 AD eruption of Mount Vesuvius was one of the most catastrophic volcanic eruptions in European history. Historians have learned about the eruption from the account of Pliny the Younger. It is the namesake for Vesuvian eruptions, several Roman settlements were obliterated and buried underneath massive pyroclastic surges and ashfall deposits, the most well known being Pompeii and Herculaneum. The remains of about 1,500 people have found at Pompeii and Herculaneum. The 79 AD eruption was preceded by a powerful earthquake seventeen years before on February 5,62 AD, which caused widespread destruction around the Bay of Naples, some of the damage had still not been repaired when the volcano erupted. Suetonius recorded that the emperor continued singing through the earthquake until he had finished his song, the Romans grew accustomed to minor earth tremors in the region, the writer Pliny the Younger wrote that they were not particularly alarming because they are frequent in Campania. Small earthquakes started taking place on 20 August 79, becoming more frequent over the four days. Reconstructions of the eruption and its effects vary considerably in the details but have the same overall features, the eruption lasted for two days. Mount Vesuvius violently erupted, spewing up a column from which ash and pumice began to fall. Rescues and escapes occurred during this time, at some time in the night or early the next day, August 25, pyroclastic flows in the close vicinity of the volcano began. Lights seen on the mountain were interpreted as fires, people as far away as Misenum fled for their lives. These were accompanied by additional light tremors and a tsunami in the Bay of Naples. By evening of the day, the eruption was over. Pliny the Younger wrote an account of the eruption, Broad sheets of flame were lighting up many parts of Vesuvius, their light, two pyroclastic surges engulfed Pompeii, burning and asphyxiating the stragglers who had remained behind. Oplontis and Herculaneum received the brunt of the surges and were buried in ash, pumice, lava fragments. In an article published in 2002, Sigurdsson and Casey elaborate on the evidence based on excavations. Subsequently, the cloud collapsed as the gases densified and lost their capability to support their solid contents, releasing it as a pyroclastic surge, the eruption alternated between Vesuvian and Peléan six times. Surges 4 and 5 are believed by the authors to have destroyed and buried Pompeii, surges are identified in the deposits by dune and cross-bedding formations, which are not produced by fallout
Eruption of Mount Vesuvius in 79
–
Destruction of Pompeii and Herculaneum by
John Martin
Eruption of Mount Vesuvius in 79
–
The Last Day of Pompeii. Painting by
Karl Brullov, 1830–1833
Eruption of Mount Vesuvius in 79
–
Inside the crater of Vesuvius
Eruption of Mount Vesuvius in 79
–
Pompeii, with Vesuvius towering above
13.
Mount Vesuvius
–
Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km east of Naples and a short distance from the shore. It is one of several volcanoes which form the Campanian volcanic arc, Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera caused by the collapse of an earlier and originally much higher structure. Mount Vesuvius is best known for its eruption in AD79 that led to the burying and destruction of the Roman cities of Pompeii and Herculaneum, more than 1,000 people died in the eruption, but exact numbers are unknown. The only surviving account of the event consists of two letters by Pliny the Younger to the historian Tacitus. Vesuvius has erupted many times since and is the volcano on the European mainland to have erupted within the last hundred years. Vesuvius has a historic and literary tradition. An inscription from Capua to IOVI VESVVIO indicates that he was worshipped as a power of Jupiter and it was inhabited by bandits, the sons of the Earth, who were giants. With the assistance of the gods he pacified the region and went on, the facts behind the tradition, if any, remain unknown, as does whether Herculaneum was named after it. An epigram by the poet Martial in 88 AD suggests that both Venus, patroness of Pompeii, and Hercules were worshipped in the devastated by the eruption of 79. Mount Vesuvius was regarded by the Romans as being devoted to the hero, Vesuvius was a name of the volcano in frequent use by the authors of the late Roman Republic and the early Roman Empire. Its collateral forms were Vesaevus, Vesevus, Vesbius and Vesvius, writers in ancient Greek used Οὐεσούιον or Οὐεσούιος. Many scholars since then have offered an etymology, as peoples of varying ethnicity and language occupied Campania in the Roman Iron Age, the etymology depends to a large degree on the presumption of what language was spoken there at the time. Naples was settled by Greeks, as the name Nea-polis, New City, the Oscans, a native Italic people, lived in the countryside. The Latins also competed for the occupation of Campania, etruscan settlements were in the vicinity. Other peoples of unknown provenance are said to have been there at some time by various ancient authors. Some theories about its origin are, From Greek οὔ = not prefixed to a root from or related to the Greek word σβέννυμι = I quench, from Greek ἕω = I hurl and βίη violence, hurling violence, *vesbia, taking advantage of the collateral form. From an Indo-European root, *eus- < *ewes- < *wes-, shine sense the one who lightens, the Gran Cono was produced during the A. D.79 eruption. For this reason, the volcano is also called Somma-Vesuvius or Somma-Vesuvio, the caldera started forming during an eruption around 17,000 years ago and was enlarged by later paroxysmal eruptions, ending in the one of AD79
Mount Vesuvius
–
Mt. Vesuvius as seen from the ruins of
Pompeii, which was destroyed in the eruption of AD 79. The active cone is the high peak on the left side; the smaller one on the right is part of the Somma caldera wall.
Mount Vesuvius
–
City of Naples with Mount Vesuvius at sunset
Mount Vesuvius
–
A view of the
crater wall of Vesuvius, with the city of
Torre del Greco in the background
14.
Volcanic ash
–
Volcanic ash consists of fragments of pulverized rock, minerals and volcanic glass, created during volcanic eruptions and measuring less than 2 mm in diameter. The term volcanic ash is often loosely used to refer to all explosive eruption products. Volcanic ash is formed during volcanic eruptions when dissolved gases in magma expand. The force of the escaping gas shatters the magma and propels it into the atmosphere where it solidifies into fragments of volcanic rock and glass. Ash is also produced when magma comes into contact with water during phreatomagmatic eruptions, once in the air, ash is transported by wind up to thousands of kilometers away. Volcanic ash is formed during volcanic eruptions, phreatomagmatic eruptions. Explosive eruptions occur when magma decompresses as it rises, allowing dissolved volatiles to exsolve into gas bubbles, as more bubbles nucleate a foam is produced, which decreases the density of the magma, accelerating it up the conduit. Fragmentation occurs when bubbles occupy ~70-80 vol% of the erupting mixture, when fragmentation occurs, violently expanding bubbles tear the magma apart into fragments which are ejected into the atmosphere where they solidify into ash particles. Fragmentation is an efficient process of ash formation and is capable of generating very fine ash even without the addition of water. Volcanic ash is produced during phreatomagmatic eruptions. During these eruptions fragmentation occurs when magma comes into contact with bodies of water groundwater, as the magma, which is significantly hotter than the boiling point of water, comes into contact with water an insulating vapor film forms. Eventually this vapor film will collapse leading to direct coupling of the cold water and this increases the heat transfer which leads to the rapid expansion of water and fragmentation of the magma into small particles which are subsequently ejected from the volcanic vent. Fragmentation causes an increase in area between magma and water creating a feedback mechanism, leading to further fragmentation and production of fine ash particles. Pyroclastic density currents can also produce ash particles and these are typically produced by lava dome collapse or collapse of the eruption column. Within pyroclastic density currents particle abrasion occurs as particles interact with each resulting in a reduction in grain size. In addition, ash can be produced during secondary fragmentation of pumice fragments and these processes produce large quantities of very fine grained ash which is removed from pyroclastic density currents in co-ignimbrite ash plumes. Physical and chemical characteristics of volcanic ash are primarily controlled by the style of volcanic eruption, another parameter controlling the amount of ash produced is the duration of the eruption, the longer the eruption is sustained, the more ash will be produced. The types of minerals present in volcanic ash are dependent on the chemistry of the magma from which it erupted, low energy eruptions of basalt produce a characteristically dark coloured ash containing ~45 - 55% silica that is generally rich in iron and magnesium
Volcanic ash
–
Ash cloud from the 2008 eruption of
Chaitén volcano,
Chile, stretching across
Patagonia from the
Pacific to the
Atlantic Ocean.
Volcanic ash
–
Ash plume from
Mt Cleveland, a
stratovolcano.
Volcanic ash
–
454 million year old volcanic ash between layers of
limestone in the catacombs of
Peter the Great's Naval Fortress in
Estonia near
Laagri. The diameter of objective cover is 58 mm (2.3 in). This is remnant of one of the oldest
large eruptions preserved.
Volcanic ash
–
Particle of volcanic ash from
Mount St. Helens.
15.
Mosaic
–
A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
Mosaic
–
Irano-Roman floor mosaic detail from the palace of
Shapur I at
Bishapur.
Mosaic
–
Cone mosaic courtyard from
Uruk in
Mesopotamia 3000 BC
Mosaic
–
Ancient Greek mosaic of a deer hunt, in the House of the Abduction of Helen at
Pella, late 4th century BC
Mosaic
–
Roman mosaic of
Ulysses, from Carthage. Now in the
Bardo Museum,
Tunisia
16.
Faun
–
The faun is a mythological half human–half goat manifestation of forest and animal spirits that would help or hinder humans at whim. They are often associated with the satyrs of Greek mythology, romans believed fauns inspired fear in men traveling in lonely, remote or wild places. They were also capable of guiding humans in need, as in the fable of The Satyr, satyrs also were more woman-loving than fauns, and fauns were rather foolish where satyrs had more knowledge. Ancient Roman mythological belief also included a god named Faunus often associated with enchanted woods and the Greek god Pan, the Barberini Faun is a Hellenistic marble statue from about 200 BCE, found in the Mausoleum of the Emperor Hadrian and installed at Palazzo Barberini by Cardinal Maffeo Barberini. Gian Lorenzo Bernini restored and refinished the statue, the House of the Faun in Pompei, dating from the 2nd century BCE, was so named because of the dancing faun statue that was the centerpiece of the large garden. The original now resides in the National Museum in Naples and a copy stands in its place and it has become a noticeable trend recent years for some fantasy artists to depict fauns as having the hind legs, tail, and antlers of a deer instead those of a goat. This may be due to the English word faun sounding the same as the English word for baby deer fawn, the Marble Faun is a romance set in Italy by Nathaniel Hawthorne. It was said to have been inspired after viewing the Faun of Praxiteles in the Capitoline Museum, mr. Tumnus, in C. S. Lewis The Chronicles of Narnia, is a faun. In Lolita, the protagonist is attracted to pubescent girls whom he dubs nymphets, faunlets are the male equivalent, in the 1981 film My Dinner With Andre it is related how fauns befriend and take a mathematician to meet Pan. In Guillermo del Toros 2006 film Pans Labyrinth, a faun guides the films protagonist, Ofelia, to a series of tasks, don, in Rick Riordans The Son of Neptune, is a faun. In the book, several fauns appear, begging for money, due to his memory of the Greek satyrs, Percy Jackson feels like there should be more to fauns. Also, in the prequel to The Son of Neptune, The Lost Hero, in the third instalment in the series, The Mark of Athena, Frank Zhang calls Hedge a faun. In The Goddess Within, a fiction novel written by Iva Kenaz
Faun
–
A faun, as painted by
Hungarian painter
Pál Szinyei Merse
Faun
–
Statue of a faun;
Vatican, Brooklyn Museum Archives, Goodyear Archival Collection
Faun
–
Ivory Faun by Baron Triqueti, c. 1860
Faun
–
Faun by
Wilhelm von Gloeden
17.
Hellenization
–
In modern times, Hellenization has been associated with the adoption of modern Greek culture and the ethnic and cultural homogenization of Greece. Other tribes that underwent varying degrees of Hellenization included Thracians, Dardanians, Paeonians and Illyrians south of the Jireček Line, Hellenization during the Hellenistic period, however, had its limitations. For example, areas of southern Syria that were affected by Greek culture mostly entailed Seleucid urban centers where Greek was commonly spoken, the countryside, on the other hand, was largely unaffected since most of its inhabitants spoke Syriac and continued to maintain their native traditions. Moreover, Hellenization did not necessarily involve assimilation of ethnic groups since Hellenistic Greeks in regions such as Asia Minor were conscious of their ancestral lineages. Hellenization can also refer to the medieval Byzantine Empire and Constantines founding of Constantinople, moreover, it can refer to the primacy of Greek culture and the Greek language after the reign of Emperor Heraclius in the 7th century AD. Hellenization during the period of Ottoman imperial rule entailed the higher status which Greek culture, in 1909, a commission appointed by the Greek government reported that one third of the villages of Greece should have their names changed, often because of their non-Greek origin. In other instances, names were changed from a name of Greek origin to the ancient Greek toponym. Some village names were formed from a Greek root word with a foreign suffix, the majority of the name changes took place in areas populated by ethnic Greeks, where a strata of foreign, or divergent, toponyms had accumulated over the centuries. However, in parts of northern Greece the population was not Greek-speaking. The process of the change of toponyms in modern Greece has been described as a process of Hellenization and this led to the diminution of the community of Corfiot Italians, resident in Corfu since the Middle Ages, by the 1940s there were only four hundred Corfiot Italians left. The twentieth century witnessed a debate over the extent of Hellenization in the Levant. Rudolf Bultmann thus argued that Christianity arose almost completely within those Hellenistic confines, in his Introduction to the 1964 book Meditations, the Anglican priest Maxwell Staniforth discussed the profound influence of Stoic philosophy on Christianity. In particular, Again in the doctrine of the Trinity, the conception of Father, Word
Hellenization
–
Map of the Macedonian Empire, circa 323 BC
Hellenization
–
A map showing the Greek territories and colonies during the
Archaic period.
18.
Pan (mythology)
–
In Greek religion and mythology, Pan is the god of the wild, shepherds and flocks, nature of mountain wilds and rustic music, and companion of the nymphs. His name originates within the ancient Greek language, from the word paein, meaning to pasture and he has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is recognized as the god of fields, groves, and wooded glens, because of this, Pan is connected to fertility. The ancient Greeks also considered Pan to be the god of theatrical criticism, in the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement. Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god *Péh2usōn, the Hindu god Pushan is believed to be a cognate of Pan. The connection between Pan and Pushan was first identified in 1924 by the German scholar Hermann Collitz, the name Pan is probably also a cognate with the Greek word πάειν, meaning to pasture, which shares an origin with the modern English word pasture. In his earliest appearance in literature, Pindars Pythian Ode iii,78, Pan is associated with a mother goddess, perhaps Rhea or Cybele, Pindar refers to virgins worshipping Cybele and Pan near the poets house in Boeotia. In some early sources such as Pindar, his father is Apollo via Penelope, Herodotus, Cicero, Apollodorus and Hyginus all make Hermes and Penelope his parents. Pausanias 8.12.5 records the story that Penelope had in fact been unfaithful to her husband, other sources report that Penelope slept with all 108 suitors in Odysseus absence, and gave birth to Pan as a result. This myth reflects the folk etymology that equates Pans name with the Greek word for all, in the mystery cults of the highly syncretic Hellenistic era, Pan is made cognate with Phanes/Protogonos, Zeus, Dionysus and Eros. Accounts of Pans genealogy are so varied that it must lie buried deep in mythic time, like other nature spirits, Pan appears to be older than the Olympians, if it is true that he gave Artemis her hunting dogs and taught the secret of prophecy to Apollo. Pan might be multiplied as the Pans or the Paniskoi, Kerenyi notes from scholia that Aeschylus in Rhesus distinguished between two Pans, one the son of Zeus and twin of Arcas, and one a son of Cronus. In the retinue of Dionysos, or in depictions of landscapes, there appeared not only a great Pan, but also little Pans, Paniskoi. The worship of Pan began in Arcadia which was always the seat of his worship. Arcadia was a district of people, culturally separated from other Greeks. Greek hunters used to scourge the statue of the god if they had been disappointed in the chase. Being a rustic god, Pan was not worshipped in temples or other built edifices and these are often referred to as the Cave of Pan. In the 4th century BC Pan was depicted on the coinage of Pantikapaion, the goat-god Aegipan was nurtured by Amalthea with the infant Zeus in Athens
Pan (mythology)
–
Pan teaching his
eromenos, the shepherd
Daphnis, to play the pipes, 2nd century AD Roman copy of Greek original c. 100 BC, found in
Pompeii
Pan (mythology)
–
Representations of Pan on 4th-century BC gold and silver Pantikapaion coins
Pan (mythology)
–
Pan having sex with a goat, statue from
Villa of the Papyri,
Herculaneum.
19.
Satyr
–
In Greek mythology, a satyr is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection. Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common, in Roman Mythology there is a concept similar to satyrs, with goat-like features, the faun, being half-man, half-goat, who roamed the woods and mountains. In myths they are associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, the satyrs chief was Silenus, a minor deity associated with fertility. These characters can be found in the complete remaining satyr play, Cyclops, by Euripides. The satyr play was a short, lighthearted tailpiece performed after each trilogy of tragedies in Athenian festivals honoring Dionysus, there is not enough evidence to determine whether the satyr play regularly drew on the same myths as those dramatized in the tragedies that preceded. The groundbreaking tragic playwright Aeschylus is said to have especially loved for his satyr plays. Mature satyrs are depicted in Roman art with goats horns. As Dionysiac creatures they are lovers of wine and women, because of their love of wine, they are often represented holding wine cups, and they appear often in the decorations on wine cups. Attic painted vases depict mature satyrs as being built with flat noses, large pointed ears, long curly hair. Satyrs often carry the thyrsus, the rod of Dionysus tipped with a pine cone, in earlier Greek art, Silenos appear as old and ugly, but in later art, especially in Hellenistic art, he is softened into a more youthful and graceful aspect. This transformation or humanization of the Satyr appears throughout late Greek art, another example of this shift occurs in the portrayal of Medusa and in that of the Amazon, characters who are traditionally depicted as barbaric and uncivilized. A humanized Satyr is depicted in a work of Praxiteles known as the Resting Satyr, Praxiteles gives a new direction to the satyr in art. Although not mentioned by Homer, in a fragment of Hesiods works satyrs are called brothers of the nymphs and Kuretes. In the Dionysus cult, male followers are known as satyrs, in Attica there was a species of drama dealing with the legends of gods and heroes, and the chorus was composed of satyrs and sileni. In the Athenian satyr plays of the 5th century BC, the chorus commented on the action and this satyric drama burlesqued the serious events of the mythic past with lewd pantomime and subversive mockery. One complete satyr play from the 5th century survives, the Cyclops of Euripides, the Satyr and the Traveller, one of Aesops Fables, features the satyr as the benevolent host for a traveler in the forest in winter. The satyr is bewildered by the claim to be able to blow hot and cold with the same breath, first to warm his hands, then to cool his porridge
Satyr
–
Satyr with pipe and a pipe case (
Attic red-figure plate), 520–500 BC, from
Vulci,
Etruria
Satyr
–
The goat on the left has a short goat tail, but the Greek satyr on the right has a long horse tail, not a goat tail (Attic ceramic, 520 BC).
Satyr
–
Satyr on a mountain goat, drinking with women, in a
Gandhara relief of 2nd-4th century CE
Satyr
–
This
Hellenistic satyr wears a rustic
perizoma (loincloth) and carries a pedum (shepherd's crook).
Walters Art Museum,
Baltimore.
20.
Dionysus
–
Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by Mycenean Greeks, traces of Dionysian-type cult have also been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms, some are described by ancient sources as Thracian, in some cults, he arrives from the east, as an Asiatic foreigner, in others, from Ethiopia in the South. He is a god of epiphany, the god that comes and his festivals were the driving force behind the development of Greek theatre. The earliest cult images of Dionysus show a male, bearded and robed. He holds a staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth, in its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession is made up of female followers and bearded satyrs with erect penises, some are armed with the thyrsus. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers and this procession is presumed to be the cult model for the followers of his Dionysian Mysteries. He is also known as Bacchus, the adopted by the Romans. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios, his wine, music and ecstatic dance free his followers from self-conscious fear and care and those who partake of his mysteries are possessed and empowered by the god himself. The cult of Dionysus is also a cult of the souls, his maenads feed the dead through blood-offerings and he is sometimes categorised as a dying-and-rising god. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity, Dionysus had a strange birth that evokes the difficulty in fitting him into the Olympian pantheon. His mother was a woman, Semele, the daughter of king Cadmus of Thebes, and his father was Zeus. Zeus wife, Hera, discovered the affair while Semele was pregnant, appearing as an old crone, Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semeles mind, curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood
Dionysus
–
2nd-century Roman statue of Dionysus, after a
Hellenistic model (ex-coll.
Cardinal Richelieu,
Louvre)
Dionysus
–
Marble sarcophagus with the Triumph of Dionysos and the Seasons. Roman ca. AD 260–270
Dionysus
–
Birth of Dionysus, on a small sarcophagus that may have been made for a child (
Walters Art Museum)
Dionysus
–
Hermes and the Infant Dionysus by
Praxiteles, (
Archaeological Museum of Olympia).
21.
Sir Kenneth Clark
–
Clark was born in London, the only child of Kenneth MacKenzie Clark and Margaret Alice McArthur. The Clarks were a wealthy Scottish family with roots in the textile trade and his great-great-grandfather had invented the cotton spool. Kenneth Clark the elder, reputedly the man who broke the bank at Monte Carlo, had retired in 1909 at the age of 41 to become a member of the idle rich. Clark was educated at Wixenford School, Winchester College and Trinity College, Oxford, in 1927 he married a fellow Oxford student, Elizabeth Jane Martin, who was Irish and the daughter of Dr. Emily Winifred Dickson, first female Fellow of the Royal College of Surgeons. The couple had three children, Alan, in 1928, and twins Colette and Colin in 1932, greatly influenced by John Ruskin and a protégé of the most influential art critic of the time, Bernard Berenson, Clark quickly became the British art establishments most respected aesthete. After a stint as fine art curator at Oxfords Ashmolean Museum, in 1933 at age 30 and he remains the youngest person ever to hold the post. The following year he also became Surveyor of the Kings Pictures, as Director of the National Gallery he oversaw the successful relocation and storage of the collection to avoid the Blitz and continued a programme of concerts and performances. In 1939, Clark visited Australia, and later referred to it as that intolerable continent, adding that Australian galleries had the worst art, as Director of The National Gallery he wrote Southampton Art Gallerys acquisitions policy which included a growing collection of modern oil paintings. He was also an advisor to the Ministry of Information commissioning Dylan Thomas amongst others to write scripts for propaganda films, in 1946 Clark resigned his directorship in order to devote more time to writing. Between 1946 and 1950 he was Slade Professor of Fine Art at Oxford. He was a board member and also served as Chairman of the Arts Council of Great Britain from 1955 to 1960. In the preface to his book, The Nude, a study of art, Clark wrote. There is difficulty of form, a survey would be long and repetitive. And there is a difficulty of scope, since Jacob Burckhardt no responsible art historian would have attempted to cover both antique and post-mediaeval art, in 1955, Clark bought Saltwood Castle in Kent. Kenneth Clark was created Knight Commander of the Order of the Bath in 1938 and he was appointed to the Order of Merit in 1976. In 1959, he received the Grand Decoration with Sash for Services to the Republic of Austria and he was one of the founders, in 1954, of the Independent Television Authority, serving as its Chairman until 1957. In 1969 he wrote and presented Civilisation for BBC television, a series on the history of Western civilisation as seen through its art, afterwards Clark was persuaded to write a book version of Civilisation but lamented that without the visual and musical accompaniment it was weak. Also broadcast in the US on PBS in 1969, Civilisation was successful on both sides of the Atlantic, gaining Clark an international profile, according to Clark, the series was created in answer to growing criticism of Western civilisation, from its value system to its heroes
Sir Kenneth Clark
–
Clark in the library at
Osterley Park, presenting the BBC TV series
Civilisation
22.
Alexander Mosaic
–
The Alexander Mosaic, dating from circa 100 BC, is a Roman floor mosaic originally from the House of the Faun in Pompeii. It depicts a battle between the armies of Alexander the Great and Darius III of Persia and measures 2.72 by 5.13 metres, the original is preserved in the Naples National Archaeological Museum. The mosaic is believed to be a copy of an early 3rd-century BC Hellenistic painting, the mosaic illustrates a battle in which Alexander faced and attempted to capture or kill Darius. Alexander defeated him at the Battle of Issus and two years later at the Battle of Gaugamela, the work is traditionally believed to show the Battle of Issus. Since the mosaic emulates the appearance of a painting so accurately, the mosaic is held to be a copy either of a painting by Aristides of Thebes, or of a lost late 4th-century BC fresco by the painter Philoxenus of Eretria. The latter is mentioned by Pliny the Elder as a commission for the Macedonian king Cassander, despite being damaged, the two main figures are easy to recognize. The portrait of Alexander is one of his most famous, Alexanders breastplate depicts Medusa, the famous Gorgon, and his wavy hair is typical of royal portraiture as established in Greek art of the fourth century BC. He is portrayed sweeping into battle at the left, on his famous horse, Bucephalus, Darius is shown in a chariot. He seems to be commanding his frightened charioteer to flee the battle, while stretching out his hand either as a mute gesture to Alexander. He has an expression on his face. The charioteer is whipping the horses as he tries to escape, the Persian soldiers behind him have expressions of determination and consternation. Dariuss brother Oxyathres is also portrayed, sacrificing himself to save the King, radical foreshortening – as in the central horse, seen from behind – and the use of shading to convey a sense of mass and volume enhance the naturalistic effect of the scene. Repeated diagonal spears, clashing metal, and the crowding of men, at the same time, action is arrested by dramatic details such as the fallen horse and the Persian soldier in the foreground who watches his own death throes reflected in a shield. The mosaic is made of one and a half million tiny colored tiles called tesserae. The color scale of Roman mosaics are extremely rich in gradation, the process of gathering materials for mosaics was a complex undertaking since the color scale was based solely off of the pieces of marble that could be found in nature. The mosaic is a detailed work for a private residence and was likely commissioned by a wealthy person or family. The fact that this scene was made to be viewed in the house of a Roman civilian reveals that Alexander the Great was more than just an image to the Romans. Because Roman leaders followed after Alexanders image, Roman civilians also aspired to emulate the power he represented, since the mosaic was arranged on the floor where the patron would receive his guests, it was the first decorative object a visitor would see upon entering the home
Alexander Mosaic
–
The Alexander Mosaic
Alexander Mosaic
–
Detail showing Alexander
Alexander Mosaic
–
1893 Reconstruction of the mosaic depiction.
Alexander Mosaic
–
Modern reconstruction of the Alexander Mosaic.
23.
Battle of Issus (333 BC)
–
The invading Macedonian troops defeated Persia. After the Hellenic League soundly defeated the Persian satraps of Asia Minor at the Battle of the Granicus, Darius took personal command of his army and he gathered reinforcements and led his men in a surprise march behind the Hellenic advance to cut their line of supply. This forced Alexander to countermarch, setting the stage for the battle near the mouth of the Pinarus River, the battle took place south of the ancient town Issus, which is close to the present-day Turkish town of Iskenderun, on either side of a small river called Pinarus. At that location, the distance from the Gulf of Issus to the mountains is only 2.6 km. Speculation on the location of the Pinarus has taken place for over 80 years, older historians believed it to be the Deli Tchai river, but historians N. G. L. Alexander set out into Asia in 334 BC and defeated the local Persian satraps at the Battle of the Granicus and he then proceeded to occupy all of Asia Minor, with the idea of capturing all coastal settlements so as to negate the power of the vastly superior Persian fleet. He captured several important settlements such as Miletus in 334 BC and Halicarnassus, while Alexander was in Tarsus, he heard of Darius massing a great army in Babylon. Alexander kept his army at Tarsus but sent Parmenion ahead to occupy the coast around Issus. In November, Alexander received reports that the great Persian army had advanced into Syria to a town named Sochi, Alexander decided to mass his scattered army and advance south from Issus through the Pass of Jonah. Darius knew that Parmenion held the Pass of Jonah and thus chose a route of advance. The Persians captured Issus without opposition and cut off the hands of all the sick, now Darius found out he had placed his army behind the Hellenic League and had cut their supply lines. He then advanced to the south and got no further than the river Pinarus before his scouts spotted Alexander marching north, Darius had to set up camp on this narrow coastal plain. There is much debate as to the motives of Alexander and Darius preceding Issus, Darius large army could not be supported in the field during winter and his cities in Phoenicia were already in unrest at the arrival of Alexander. Darius was forced to move his army to a small battlefield. Darius instead moved north from Sochi and around the mountains, emerging behind Alexanders position and on his supply, thus Alexander was forced to march to Darius, who had caught him off guard in a large flanking maneuver. This gives the illusion that Darius was the one acting defensively, some ancient sources, who based their accounts on earlier Greek sources, estimated 600,000 Persian soldiers in total, while Diodorus and Justin estimated 400,000, and Curtius Rufus estimated 250,000. Modern historians find Arrians count of 600,000 men highly unlikely and they argue that the logistics of fielding more than 100,000 soldiers in battle was extremely difficult at the time. The size of the Hellenic army may not have exceeded 40,000 men, including their other allies, Alexanders army may have consisted of about 22,000 phalangites and hoplites,13,000 peltasts, and 5,850 cavalry
Battle of Issus (333 BC)
–
Alexander battling Darius at the Battle of Issus (
Naples National Archaeological Museum)
Battle of Issus (333 BC)
–
The battle of Issus by
Jan Brueghel the Elder in
the Louvre.
Battle of Issus (333 BC)
–
The family of Darius in front of Alexander, by
Justus Sustermans and displayed in the
Biblioteca Museu Víctor Balaguer
Battle of Issus (333 BC)
–
Altdorfer 's The Battle of Alexander at Issus.
24.
Alexander the Great
–
Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception
Alexander the Great
–
"Alexander fighting king
Darius III of Persia ",
Alexander Mosaic,
Naples National Archaeological Museum.
Alexander the Great
–
Bust of a young Alexander the Great from the Hellenistic era,
British Museum
Alexander the Great
–
Aristotle tutoring Alexander, by
Jean Leon Gerome Ferris
Alexander the Great
–
Philip II of Macedon, Alexander's father.
25.
Darius III of Persia
–
Darius III, originally named Artashata and called Codomannus by the Greeks, was the last king of the Achaemenid Empire of Persia from 336 BC to 330 BC. Artashata adopted Darius as a dynastic name and his empire was unstable, with large portions governed by jealous and unreliable satraps and inhabited by disaffected and rebellious subjects. With the Persian Empire now effectively under Alexanders control, Alexander then decided to pursue Darius, before Alexander reached him, however, Darius was killed by the satrap Bessus, who was also his cousin. Artashata was the son of Arsames, son of Ostanes, and Sisygambis and he had distinguished himself in a combat of champions in a war against the Cadusii and was serving at the time as a royal courier. However, prior to being appointed as a courier, he had served as a satrap of Armenia. He may have been promoted from his satrapy to the service after the ascension of Arses. In 336 BC, he took the throne at the age of 43 after the death of Artaxerxes III, however, a cuneiform tablet suggests that Artaxerxes died from natural causes. Artashata took the regnal name Darius III, and quickly demonstrated his independence from his possible assassin benefactor, Bagoas then tried to poison Darius as well, when he learned that even Darius couldnt be controlled, but Darius was warned and forced Bagoas to drink the poison himself. Compared to his ancestors and his heirs who had since perished, Darius had a distinct lack of experience ruling an empire. Darius was a ruler of entirely average stamp, without the striking talents and he sent an advance force into Asia Minor under the command of his generals Parmenion and Attalus to liberate the Greeks living under Persian control. In the spring of 334 BC, Philips heir, Alexander and this invasion, which marked the beginning of the Wars of Alexander the Great, was followed almost immediately by the victory of Alexander over the Persians at Battle of the Granicus. In the previous invasion of Asia Minor by the Spartan king Agesilaus, Darius attempted to employ the same strategy, with the Spartans rebelling against the Macedonians, but the Spartans were defeated at Megalopolis. Darius did not actually take the field against Alexander’s army until a year and his forces outnumbered Alexanders soldiers by at least a 2 to 1 ratio, but Darius was still outflanked, defeated, and forced to flee. On the way, he left behind his chariot, his bow, at the Battle of Issus, Darius III even caught Alexander by surprise and failed to defeat Alexanders forces. Darius fled so far so fast that Alexander was able to capture Darius’s headquarters, Darius petitioned to Alexander through letters several times to get his family back, but Alexander refused to do so unless Darius would acknowledge him as the new emperor of Persia. Circumstances were more in Darius’s favor at the Battle of Gaugamela in 331 BC, despite all these beneficial factors, he still fled the battle before any victor had been decided and deserted his experienced commanders as well as one of the largest armies ever assembled. Many Persian soldiers lost their lives that day, so many in fact that after the battle the casualties of the enemy ensured that Darius would never raise a imperial army. Darius then fled to Ecbatana and attempted to raise an army, while Alexander took possession of Babylon, Susa
Darius III of Persia
–
Detail of Darius III from the
Alexander Mosaic.
Darius III of Persia
–
Darius III portrayed (in the middle) in battle against Alexander in a Greek depiction; Possible illustration of either Battle of Issus or Battle of Gaugamela
Darius III of Persia
–
Darius’s flight at the
Battle of Gaugamela (18th-century ivory relief)
Darius III of Persia
–
Persian Miniature painting, showing Darius III dying with Alexander and his soldiers watching
26.
Tessellation
–
A tessellation of a flat surface is the tiling of a plane using one or more geometric shapes, called tiles, with no overlaps and no gaps. In mathematics, tessellations can be generalized to higher dimensions and a variety of geometries, a periodic tiling has a repeating pattern. The patterns formed by periodic tilings can be categorized into 17 wallpaper groups, a tiling that lacks a repeating pattern is called non-periodic. An aperiodic tiling uses a set of tile shapes that cannot form a repeating pattern. In the geometry of higher dimensions, a space-filling or honeycomb is called a tessellation of space. A real physical tessellation is a made of materials such as cemented ceramic squares or hexagons. Such tilings may be decorative patterns, or may have such as providing durable and water-resistant pavement. Historically, tessellations were used in Ancient Rome and in Islamic art such as in the decorative geometric tiling of the Alhambra palace, in the twentieth century, the work of M. C. Escher often made use of tessellations, both in ordinary Euclidean geometry and in geometry, for artistic effect. Tessellations are sometimes employed for decorative effect in quilting, Tessellations form a class of patterns in nature, for example in the arrays of hexagonal cells found in honeycombs. Tessellations were used by the Sumerians in building wall decorations formed by patterns of clay tiles, decorative mosaic tilings made of small squared blocks called tesserae were widely employed in classical antiquity, sometimes displaying geometric patterns. In 1619 Johannes Kepler made a documented study of tessellations. He wrote about regular and semiregular tessellations in his Harmonices Mundi, he was possibly the first to explore and to explain the structures of honeycomb. Some two hundred years later in 1891, the Russian crystallographer Yevgraf Fyodorov proved that every periodic tiling of the features one of seventeen different groups of isometries. Fyodorovs work marked the beginning of the mathematical study of tessellations. Other prominent contributors include Shubnikov and Belov, and Heinrich Heesch, in Latin, tessella is a small cubical piece of clay, stone or glass used to make mosaics. The word tessella means small square and it corresponds to the everyday term tiling, which refers to applications of tessellations, often made of glazed clay. Tessellation or tiling in two dimensions is a topic in geometry that studies how shapes, known as tiles, can be arranged to fill a plane without any gaps, according to a given set of rules
Tessellation
–
Zellige terracotta tiles in
Marrakech, forming edge-to-edge, regular and other tessellations
Tessellation
–
A wall sculpture at
Leeuwarden celebrating the artistic tessellations of
M. C. Escher
Tessellation
–
A temple mosaic from the ancient Sumerian city of
Uruk IV (3400–3100 BC), showing a tessellation pattern in coloured tiles
Tessellation
–
Roman geometric mosaic
27.
Opus signinum
–
Opus signinum is a building material used in ancient Rome. It is made of broken up into very small pieces, mixed with mortar. The technique began in North Africa, some time before 256 B. C. floors of signinum are found extensively in the Punic towns of North Africa and commonly in the Hellenistic houses on Sicily. While some signinum pavements have been found in Rome, the technique is not common there, vitruvius describes the process of laying a floor, whether signinum or mosaic. The trend began in the 1st century BC, proliferating in private homes as well as public buildings, by the 2nd century, opus signinum would give way to more patterned styles of pavement. Vassal, V. Les Pavements dOpus signinum, technique, décor, fonction architecturale
Opus signinum
–
An example of opus signinum: The
aqueduct of Itálica near
Seville.
28.
Nilotic
–
In a more general sense, the Nilotic peoples include all descendants of the original Nilo-Saharan speakers. Among these are the Luo, Sara, Maasai, Kalenjin, Dinka, Nuer, Shilluk, Ateker, the Nilotes make up the majority of the population in South Sudan, an area that is believed to be their original point of dispersal. After the Bantu people, they constitute the second-largest group of peoples inhabiting the African Great Lakes region around the Eastern Great Rift and they make up a notable part of the population of southwestern Ethiopia as well. The Nilote peoples primarily adhere to Christianity and traditional faiths, including the Dinka religion, the terms Nilotic and Nilote were previously used as racial sub-classifications, based on anthropological observations of the distinct body morphology of many Nilotic speakers. Twentieth-century social scientists have largely discarded such efforts to classify peoples according to physical characteristics and they formed ethnicities and cultures based on shared language. Since the late 20th century, however, social and physical scientists are making use of data from population genetics, Nilotic and Nilote are now mainly used to classify Nilotic people based on ethnic identification and linguistic families. Etymologically, the terms Nilotic and Nilote derive from the Nile Valley, specifically, the Upper Nile and its tributaries, a Proto-Nilotic unity, separate from an earlier undifferentiated Eastern Sudanic unity, is assumed to have emerged by the 3rd millennium BC. The development of the Proto-Nilotes as a group may have connected with their domestication of livestock. The Eastern Sudanic unity must have been considerably earlier still, perhaps around the 5th millennium BC, the original locus of the early Nilotic speakers was presumably east of the Nile in what is now South Sudan. The Proto-Nilote of the 3rd millennium BC were pastoralists, while their neighbors, by about the 12th century, Luo peoples occupied the area that now lies in eastern Bahr el Ghazal. A Nilotic expansion southward, accompanied by ethnic and linguistic diversification, the reason was presumably the Islamization of Sudan and the eventual collapse of the Nubian Christian kingdom of Alodia. Most of the Luo moved to all the territories neighbouring Sudan. As a result, the separated groups developed variations in language, a branch of the Luo, the Shilluk nation, comprising more than one hundred clans and sub-tribes, was founded by a chief named Nyikango sometime in the middle of the 15th century. They evolved a nation with a feudal-style system, Nyikango and his nation moved northward along the Nile, towards Kush. The rest of the Luo groups rejected Nyikangos idea and kept a south, the Nilotes migrated to their modern territories in a lengthy process spanning about the 15th to 18th centuries. Thus, the Maasai, according to their own oral history and they reached the long trunk of land stretching from what is now northern Kenya to what is now central Tanzania during the 17th and 18th centuries. Includes languages like Turkana and Maasai, bari Teso–Lotuko–Maa Southern Nilotic - Spoken by Nilotic populations in western Kenya, northern Tanzania and eastern Uganda. Kalenjin Omotik–Datooga Western Nilotic - Spoken by Nilotic populations in South Sudan, Sudan, northeastern Congo, northern Uganda, southwestern Kenya, northern Tanzania, dinka–Nuer Luo Nilotic people constitute the bulk of the population of South Sudan
Nilotic
–
1st row:
Milton Obote •
Alek Wek 2nd row:
Salva Kiir Mayardit •
Daniel arap Moi
Nilotic
–
Dinka politician
John Garang amongst Nilotic supporters in
South Sudan.
Nilotic
–
Maasai men in
Ngorongoro,
Tanzania.
Nilotic
–
A
Luo village in
Kenya.
29.
Insulae
–
The term was also used to mean a city block. The ground-level floor of the insula was used for tabernae, shops and businesses, like modern apartment buildings, an insula might have a name, usually referring to the owner of the building. Strabo notes that insulae, like domus, had running water, but this kind of housing was sometimes constructed at minimal expense for speculative purposes, resulting in insulae of poor construction. They were built in timber, mud brick, and later primitive concrete, among his many business interests, Marcus Licinius Crassus speculated in real estate and owned numerous insulae in the city. When one collapsed from poor construction, Cicero purportedly stated that Crassus was happy that he could charge higher rents for a new building than the collapsed one. Living quarters were typically smallest in the buildings uppermost floors, with the largest and most expensive apartments being located on the bottom floors. The insulae could be up to six or seven stories high, and despite height restrictions in the Imperial era, often those floors were without heating, running water or lavatories, which meant their occupants had to use Romes extensive system of public restrooms. Despite prohibitions, residents would sometimes dump trash and human excrement out the windows and into the surrounding streets, augustus instituted reforms aimed at increasing the safety of buildings in the city of Rome. According to the 4th-century regionaries, there were about 42, 000–46,000 insulae in the city, data on the number of insulae and to a lesser extent domus are used for classical demography. Photo of Insulae in Ostia Model of another insula in Ostia Insula 9, an excavation of a Pompeii insula Roman apartment building
Insulae
–
Remains of the top floors of an insula near the
Capitolium and the
Aracoeli in Rome
Insulae
–
An insula dating from the early 2nd century A.D. in the Roman port town of
Ostia Antica
Insulae
–
Reconstruction of the Casa dei Dipinti at Ostia
30.
Ionic order
–
The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two orders, the Tuscan, and the rich variant of Corinthian called the composite order. The Ionic columns are the thinnest and smallest columns out of the three canonic orders, the Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform, since Vitruvius a female character has been ascribed to the Ionic, in contrast to the masculine Doric. The major features of the Ionic order are the volutes of its capital, the only tools required to design these features were a straight-edge, a right angle, string and a compass. Originally the volutes lay in a plane, then it was seen that they could be angled out on the corners. Ionic columns are most often fluted, after a little early experimentation, the number of hollow flutes in the shaft settled at 24. This standardization kept the fluting in a proportion to the diameter of the column at any scale. Roman fluting leaves a little of the surface between each hollow, Greek fluting runs out to a knife edge that was easily scarred. In some instances, the fluting has been omitted, mohr included 8 unfluted Ionic frontal columns on his 1928 design for the railroads St. Louis suburban stop Delmar Station. Pictorial often narrative bas-relief frieze carving provides a feature of the Ionic order. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, the Ionic order originated in the mid-6th century BC in Ionia, the southwestern coastland and islands of Asia Minor settled by Ionian Greeks, where an Ionian dialect was spoken. The Ionic order column was being practiced in mainland Greece in the 5th century BC and it was most popular in the Archaic Period in Ionia. The first of the great Ionic temples was the Temple of Hera on Samos and it stood for only a decade before it was leveled by an earthquake. A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, the Parthenon, although it conforms mainly to the Doric order, also has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum, following the conquests of Alexander the Great in the east, a few examples of the Ionic order can be found as far as Pakistan with the Jandial temple near Taxila. Several examples of capitals displaying Ionic influences can seen as far away as Patna, especially with the Pataliputra capital. Renaissance architectural theorists took his hints, to interpret the Ionic order as matronly in comparison to the Doric order, the Ionic is a natural order for post-Renaissance libraries and courts of justice, learned and civilized
Ionic order
–
Architects' first real look at the Greek Ionic order: Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce Paris, 1758 (Plate XX)
Ionic order
–
Drawing by Piranesi of the
Temple of Portunus
Ionic order
–
Ionic capital at Priene
Ionic order
–
Scamozzian Ionic capitals on
Castle Coole portico
31.
Peristyle
–
In Hellenistic Greek and Roman architecture a peristyle is a continuous porch formed by a row of columns surrounding the perimeter of building or a courtyard. Tetrastoon is a rarely used term for this feature. In the Christian ecclesiastical architecture that developed from Roman basilica, a courtyard peristyle, in rural settings a wealthy Roman could surround a villa with terraced gardens, within the city Romans created their gardens inside the domus. Sometimes the lararium, a shrine for the Lares, the gods of the household, was located in this portico, the courtyard might contain flowers and shrubs, fountains, benches, sculptures and even fish ponds. No new peristyle houses were built after A. D.550
Peristyle
–
Reconstruction of a Roman peristylum (peristyle) and peristylium (courtyard) of Pompeii.
Peristyle
–
"In the Peristyle"
John William Waterhouse (1849-1917). Rochdale Art Gallery,
Rochdale,
England.
Peristyle
–
Ceiling decoration in the peristyle hall of the
Medinet Habu
Peristyle
–
Peristyle of the Diocletian palace in Split, Croatia.
R. Adam 1764
32.
Doric order
–
The Doric order was one of the three orders of ancient Greek and later Roman architecture, the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognised by the simple circular capitals at the top of columns and it was the earliest and in its essence the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, the capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. In stone they are purely ornamental, the relatively uncommon Roman and Renaissance Doric retained these, and often introduced thin layers of moulding or further ornament, as well as often using plain columns. The Doric order was used in Greek Revival architecture from the 18th century onwards, often earlier Greek versions were used, with wider columns. Since at least Vitruvius it has been customary for writers to associate the Doric with masculine virtues and it is also normally the cheapest of the orders to use. In their original Greek version, Doric columns stood directly on the pavement of a temple without a base. The Parthenon has the Doric design columns and it was most popular in the Archaic Period in mainland Greece, and also found in Magna Graecia, as in the three temples at Paestum. These are in the Archaic Doric, where the capitals spread wide from the column compared to later Classical forms, pronounced features of both Greek and Roman versions of the Doric order are the alternating triglyphs and metopes. The triglyphs are decoratively grooved with two vertical grooves and represent the original wooden end-beams, which rest on the plain architrave that occupies the half of the entablature. Under each triglyph are peglike stagons or guttae that appear as if they were hammered in from below to stabilize the post-and-beam construction and they also served to organize rainwater runoff from above. The spaces between the triglyphs are the metopes and they may be left plain, or they may be carved in low relief. The spacing of the triglyphs caused problems which some time to resolve. The architecture followed rules of harmony, since the original design probably came from wooden temples and the triglyphs were real heads of wooden beams, every column had to bear a beam which lay across the centre of the column. Triglyphs were arranged regularly, the last triglyph was centred upon the last column and this was regarded as the ideal solution which had to be reached. Changing to stone instead of wooden beams required full support of the architrave load at the last column. At the first temples the final triglyph was moved, still terminating the sequence, even worse, the last triglyph was not centered with the corresponding column. That “archaic” manner was not regarded as a harmonious design, the resulting problem is called the doric corner conflict
Doric order
–
Temple of the Delians,
Delos; 19th century pen-and-wash restoration.
Doric order
–
An example of the early archaic Doric order- Temple of Poseidon in
Paestum, Italy.
Doric order
–
The Doric order of the
Parthenon
Doric order
–
The Roman Doric order from the
Theater of Marcellus: triglyphs centered over the end column
33.
Taberna
–
A taberna was a single room shop covered by a barrel vault within great indoor markets of ancient Rome. Each taberna had a window above it to let light into an attic for storage and had a wide doorway. A famous example is the Markets of Trajan in Rome, built in the early 1st century by Apollodorus of Damascus, Tabernae probably first appeared in Greece in locations that were important for economic activities around the end of the fifth and fourth centuries B. C. Many of these cities were major areas where imported luxury. Tabernae functioned as the buildings that facilitated the sale of goods. Livy writes about an encounter that Marcus Furius Camillus, a Roman general present during the expansion of the Roman Republic in the 5th and 4th centuries B. C, there were mainly two forms of tabernae within the Roman empire, those found in domestic and public settings. Domestic houses had shops fronting their premises, Tabernae were also established in residential multi-storey apartment blocks called insulae, which were heavily occupied by freedmen. Insulae were constructed, with tabernae located on the levels of them. The class of people who ran the tabernae are called tabernari, ardyle Mac Mahon writes about tabernae in the Roman empire in Britain, “Tabernae were located so that they fulfilled the purpose of providing goods and services to customers. Many social, economic and other factors may have had an influence on this, but, in general, it must be assumed that retailers in Roman Britain wished to sell their products. A good site will have helped to maximize a retailer’s net selling potential and for reason, tabernae will normally be located within reach of their markets. ”Tabernae revolutionized the Roman economy because they were the first permanent retail structures within cities. Tabernae provided places for a variety of agricultural and industrial products to be sold, like wheat, bread, wine, jewelry and it is likely that tabernae were also the structures where free grain would be distributed to the public. Moreover, tabernae were used as measures to gain upward social mobility for the freedmen class. In Italy, they survive in a number of place names. IX The Last Age of the Roman Republic 146-43 B. C, 2nd ed. Edited by JA Crook, Andrew Linott, and Elizabeth Rawson,1994 p. 656-688. Livy, The History of Rome, Book VI. v.25 Cambridge Ancient History, IX The Last Age of the Roman Republic 146-43 B. C. 2nd ed. Edited by JA Crook, Andrew Linott, Mahon, Ardle Mac “FIXED-POINT RETAIL LOCATION IN THE MAJOR TOWNS OF ROMAN BRITAIN, ” Oxford Journal of Archaeology,2006. Mahon article Tabernae on Penelope Image from Perseus Project Image of actual Roman shops Image of Reconstructive model of a taberna
Taberna
–
Pompeii: Taberna of Iunianus (I.6.12)
34.
Latin
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin
–
Latin inscription, in the
Colosseum
Latin
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
35.
Ancient Roman bathing
–
Bathing played a major part in ancient Roman culture and society. Bathing was one of the most common activities in Roman culture. Though many contemporary cultures see bathing as a very private activity conducted in the home, while the extremely wealthy could afford bathing facilities in their homes, most people bathed in the communal baths thermae. In some ways, these resembled modern-day spas, the Romans raised bathing to a high art as they socialized in these communal baths. Communal baths were available in temples such as The Imperial Fora. Courtship was conducted, as well as sealing business deals, as they built baths on natural hot springs. Such was the importance of baths to Romans that a catalogue of buildings in Rome from 354 AD documented 952 baths of varying sizes in the city. Small bathhouses, called balneum, might be owned. Larger baths called thermae were owned by the state and often covered several city blocks, the largest of these, the Baths of Diocletian, could hold up to 3,000 bathers. Fees for both types of baths were quite reasonable, within the budget of most free Roman males, some of the earliest descriptions of western bathing practices came from Greece. The Greeks began bathing regimens that formed the foundation for modern spa procedures and these Aegean people utilized small bathtubs, wash basins, and foot baths for personal cleanliness. The earliest such findings are the baths in the complex at Knossos, Crete. They established public baths and showers within their gymnasium complexes for relaxation, Greek mythology specified that certain natural springs or tidal pools were blessed by the gods to cure disease. Around these sacred pools, Greeks established bathing facilities for those desiring healing, supplicants left offerings to the gods for healing at these sites and bathed themselves in hopes of a cure. The Spartans developed a steam bath. At Serangeum, an early Greek balneum, bathing chambers were cut into the hillside from which the hot springs issued, a series of niches cut into the rock above the chambers held bathers clothing. One of the chambers had a decorative mosaic floor depicting a driver and chariot pulled by four horses. Thus the early Greeks used natural features, but expanded them and added their own amenities, such as decorations, during later Greek civilization, bathhouses were often built in conjunction with athletic fields
Ancient Roman bathing
–
Some remains of the
Baths of Trajan
Ancient Roman bathing
Ancient Roman bathing
–
Baths of Caracalla, in 2003
Ancient Roman bathing
–
Roman baths in Bath, England
36.
Recitation
–
A recitation in a general sense is the act of reciting from memory, or a formal reading of verse or other writing before an audience. In academia, recitation is a made by a student to demonstrate knowledge of a subject or to provide instruction to others. In some academic institutions the term is used for a presentation by an assistant or instructor, under the guidance of a senior faculty member. In recitations that supplement lectures, the leader will often review the lecture, expand on the concepts, and carry on a discussion with the students. In its most basic form, a student would recite poems or essays of others, either to the teacher or tutor directly. In classes involving mathematics and engineering, a recitation is often used as the vehicle to perform derivations or solve problems similar to those assigned to the students and these recitation sections may be conducted by the professor or a student teaching assistant. Some universities may require attendance at regularly scheduled recitation sections in addition to any required labs, recitations may also provide students with additional opportunities for receiving grades for the lecture portion of the course. Recitations of holy texts are part of the presentations of some religions. As Denny notes, There is a vast bibliography of Quran recitation in Arabic and these religion recitations take the form of prayer, liturgy, and public performance. Recitation is practiced as a performing art especially in Bangladesh and India, nowadays it is a popular art form in Bengal. The reciters recite Bengali poems on stage and electronic media, shambhu Mitra, Kazi Sabyasachi, Pradeep Ghosh, Partha Ghhosh, Gauri Ghosh, Utpal Kundu are great reciters from West Bengal. Reciters like Samiran Sanyal, Bratati Bandyopadhyay, Bijoylakshmi Burman, Pinaki Chattopadhyay to name a few, are contributing significantly in this field, There are many such organizations of recitation, with most located in Bangladesh. It was often popular for a poet to recite his or her newly-created poetry to an audience, in the early twentieth century, recitation developed into an autonomous art form. A. Hill, New York, p. cdlxxx
Recitation
–
Muslim prayers recitation
37.
Mime artist
–
A mime or mime artist is a person who uses mime as a theatrical medium or as a performance art, involving miming, or the acting out a story through body motions, without use of speech. In earlier times, in English, such a performer would typically be referred to as a mummer, miming is to be distinguished from silent comedy, in which the artist is a seamless character in a film or sketch. The performance of mime originates at its earliest in Ancient Greece, in Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth century Paris, Jean-Gaspard Deburau solidified the many attributes that we have come to know in modern times—the silent figure in whiteface, Jacques Copeau, strongly influenced by Commedia dellarte and Japanese Noh theatre, used masks in the training of his actors. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods, however, the twentieth century also brought a new medium into widespread usage, the motion picture. The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue and this often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies, the mimetic style of film acting was used to great effect in German Expressionist film. Indeed, Chaplin may be the best-documented mime in history, tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them. Mime has been performed on stage, with Marcel Marceau and his character Bip being the most famous, Mime is also a popular art form in street theatre and busking. Traditionally, these sorts of performances involve the actor/actress wearing tight black, however, contemporary mimes often perform without whiteface. Similarly, while traditional mimes have been silent, contemporary mimes, while refraining from speaking. Mime acts are often comical, but some can be very serious, canadian author Michael Jacots first novel, The Last Butterfly, tells the story of a mime artist in Nazi-occupied Europe who is forced by his oppressors to perform for a team of Red Cross observers. Nobel laureate Heinrich Bölls The Clown relates the downfall of a mime artist, Hans Schneir, jacob Appels Pushcart short-listed story, Coulrophobia, depicts the tragedy of a landlord whose marriage slowly collapses after he rents a spare apartment to an intrusive mime artist. The first recorded mime was Telestēs in the play Seven Against Thebes by Aeschylus, tragic mime was developed by Puladēs of Kilikia, comic mime was developed by Bathullos of Alexandria. The Roman emperor Trajan banished mime artists, Caligula favored them, nero himself acted as a mime. Recitation, music, and even percussive footwork sometimes accompany the performance, the Natya Shastra, an ancient treatise on theatre by Bharata Muni, mentions silent performance, or mukabhinaya. In Kathakali, stories from Indian epics are told with facial expressions, hand signals, performances are accompanied by songs narrating the story while the actors act out the scene, followed by actor detailing without background support of narrative song. Butoh, though referred to as a dance form, has been adopted by various theatre practitioners as well
Mime artist
–
Mimes Jean Soubeyran and Brigitte Soubeyran in 1950.
Mime artist
–
A Dog's Life (1918).
Charlie Chaplin.
Mime artist
–
Mime
Pablo Zibes.
38.
Pantomime
–
Pantomime, is a type of musical comedy stage production, designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, generally during the Christmas and New Year season and, to a lesser extent. It is a form of theatre, in which the audience is expected to sing along with certain parts of the music. Pantomime has a theatrical history in Western culture dating back to classical theatre. It developed partly from the 16th century commedia dellarte tradition of Italy, as well as other European and British stage traditions, such as 17th-century masques, an important part of the pantomime, until the late 19th century, was the harlequinade. Outside Britain the word pantomime is used to mean miming. The Roman pantomime drew upon the Greek tragedy and other Greek genres from its inception, although the art was instituted in Rome, the English word came to be applied to the performance itself. Music was supplied by flute and the pulse of an iron-shod shoe, performances might be in a private household, with minimal personnel, or else lavish theatrical productions involving a large orchestra and chorus and sometimes an ancillary actor. The dancer danced all the roles, relying on masks, stock poses and gestures, Pantomime differed from mime by its more artistic nature and relative lack of farce and coarse humour, though these were not absent from some productions. Precursors of pantomime also included the masque, which grew in pomp, the development of English pantomime was also strongly influenced by the continental commedia dellarte, a form of popular theatre that arose in Italy in the Early Modern Period. Each scenario used some of the stock characters. These included the innamorati, the vecchi such as Pantalone, and zanni such as Arlecchino, Colombina, Scaramouche, Italian masque performances in the 17th century sometimes included the Harlequin character. In the 17th century, adaptations of the characters became familiar in English entertainments. From these, the standard English harlequinade developed, depicting the eloping lovers Harlequin and Columbine, pursued by the girls father Pantaloon and his comic servants Clown, in English versions, by the 18th century, Harlequin became the central figure and romantic lead. The basic plot of the harlequinade remained essentially the same for more than 150 years, tavern Bilkers, by John Weaver, the dancing master at Drury Lane, is cited as the first pantomime produced on the English stage. The same year he produced a pantomime on the subject of Perseus, after this, pantomime was regular feature at Drury Lane. In 1717 at Lincolns Inn, actor and manager John Rich introduced Harlequin into the theatres pantomimes under the name of Lun and he gained great popularity for his pantomimes, especially beginning with his 1724 production of The Necromancer, or, History of Dr. Faustus. These early pantomimes were silent, or dumb show, performances consisting of only dancing, spoken drama was only allowed in London only in the two patent theatres until Parliament changed this restriction in 1843
Pantomime
–
The Christmas Pantomime colour
lithograph bookcover, 1890, showing the
harlequinade characters
Pantomime
–
John Rich as Harlequin, c. 1720
Pantomime
–
Playbill of an English circus and pantomime performance, 1803
Pantomime
–
Dan Leno and
Herbert Campbell in
Babes in the Wood, 1897, at the Drury Lane Theatre
39.
Triclinium
–
A triclinium is a formal dining room in a Roman building. The word is adopted from the Greek τρικλίνιον, triklinion, from τρι-, tri-, the triclinium was characterized by three klinai on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position, the fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room, in Roman-era dwellings, particularly wealthy ones, triclinia were common and the hosts and guest would recline on pillows while feasting. The Museum of Archeology in Arezzo, Italy, or the House of Caro in Pompeii offer what are thought to be accurate reconstructions of triclinia, the custom of using klinai while taking a meal rather than sitting became popular among the Greeks in the early seventh century BC. From here it spread to their colonies in southern Italy and was adopted by the Etruscans. The Romans may have seen the first dining klinai as used by the Etruscans, dining was the defining ritual in Roman domestic life, lasting from late afternoon through late at night. Typically, 9-20 guests were invited, arranged in a prescribed seating order to emphasize divisions in status, as static, privileged space, dining rooms received extremely elaborate decoration, with complex perspective scenes and central paintings. Dionysus, Venus, and still lifes of food were popular, middle class and elite Roman houses usually had at least two triclinia, its not unusual to find four or more. Here, the triclinium maius would be used for dinner parties. Smaller triclinia would be used for dinner parties, with a more exclusive set of guests. Hence their decoration was often at least as elaborate as that found in larger triclinia, as in the larger triclinia, wine, food, and love were always popular themes. As in many houses in Pompeii, here the smaller dining room forms a suite with the adjoining cubiculum, accubita Stibadium Triclinium Galleries and plans of Roman triclinia
Triclinium
–
Reproduction of a triclinium.
Triclinium
–
Another reproduction of a triclinium.
40.
Naples National Archaeological Museum
–
The Naples National Archaeological Museum is a museum in Naples, southern Italy, at the northwest corner of the original Greek wall of the city of Neapolis. The museum contains a collection of Roman artifacts from Pompeii, Stabiae. The collection includes works of the highest quality produced in Greek, Roman and it is the most important Italian archaeological museum and is considered one of the most important in the world. Charles of Bourbon founded the museum in the 1750s, the building he used for it had been erected as a cavalry barracks and during its time as the seat of the University of Naples was extended, in the late 18th century. The museum hosts extensive collections of Greek and Roman antiquities and their core is from the Farnese Collection, which includes a collection of engraved gems and the Farnese Marbles. Among the notable works found in the museum are the Herculaneum papyri, carbonized by the eruption of Mount Vesuvius, many of these works, especially the larger ones, have been moved to the Museo di Capodimonte for display in recent years. The Farnese Hercules, which fixed the image of Hercules in the European imagination, a major collection of ancient Roman bronzes from the Villa of the Papyri is housed at the museum. These include the Seated Hermes, a sprawling Drunken Satyr, a bust of Thespis, another variously identified as Seneca or Hesiod, the museums Mosaic Collection includes a number of important mosaics recovered from the ruins of Pompeii and the other Vesuvian cities. This includes the Alexander Mosaic, dating from circa 100 BC and it depicts a battle between the armies of Alexander the Great and Darius III of Persia. Another mosaic found is that of the gladiatorial fighter depicted in a found from the Villa of the Figured Capitals in Pompeii. With 2,500 objects, the museum has one of the largest collection of Egyptian artifacts in Italy after the Turin, Florence and Bologna ones. It is made up primarily of works from two collections, assembled by Cardinal Stefano Borgia in the second half of the 18th century. In its new layout the collection provides both an important record of Egyptian civilization from the Old Kingdom up to the Ptolemaic-Roman era, access was limited to only persons of mature age and known morals. The rooms were also called Cabinets of matters reserved or obscene or pornographic, the highlight of the censorship occurred in 1851 when even nude Venus statues were locked up, and the entrance walled up in the hope that the collection would vanish from memory. In September 1860, when the forces of Garibaldi occupied Naples, since the Royal Butler was no longer available, they broke into the collection. Limiting viewership and censorship have always been part of the history of the collection, censorship was restored during the era of the Kingdom of Italy, and peaked during the Fascist period, when visitors to the rooms needed the permission of the Minister of National Education in Rome. Censorship persisted in the period up to 1967, abating only after 1971 when the Ministry was given the new rules to regulate requests for visits. Completely rebuilt a few years ago with all of the new criteria, visitors under the age of 14 can tour the exhibit only with an adult
Naples National Archaeological Museum
–
Naples National Archaeological Museum
Naples National Archaeological Museum
–
Naples Museum, 1895. Brooklyn Museum Archives, Goodyear Archival Collection
Naples National Archaeological Museum
–
Venus Kallipygos
Naples National Archaeological Museum
–
The
Alexander Mosaic
41.
Naples
–
Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
Naples
–
Naples Napoli
Naples
–
Ancient map of the Bay of Naples area from Vatican Museum
Naples
–
A scene featuring the
siren Parthenope, the mythological founder of Naples.
Naples
–
The
Gothic Battle of Mons Lactarius on
Vesuvius, painted by
Alexander Zick.
42.
House of Sallust
–
The House of Sallust is a domus or elite residence in the ancient Roman city of Pompeii. The oldest parts of the house have been dated to the 4th century BC, the long history of this structure provides important evidence about the development of elite residences in Pompeii. The house is located on the east side of the Via Consolare and it received its modern name from an election notice placed on the facade, recommending Gaius Sallustius for office. An alternative name is the House of A. Cossus Libanus and it was first excavated between 1805 and 1809, was damaged by a bomb in World War II, and was restored in 1970. The House of Sallust was originally a single house from the Samnite Period. It had six shops on its west side and a corridor in the middle. This went though into the atrium with compluvium and impluvium, the atrium contained two alae, four cubicula, a tablinum, four other rooms and a garden. Over time, we can see the addition of new features, such as the peristyle which was imported from Greece in the 2nd century BC, and the second atrium, which also became popular around this time. It eventually expanded to use almost all the space. Domus Pompeii Mount Vesuvius Thorpe, Martin, Roman Architecture, Classical World Series, Bristol Classical Press, ISBN 1-85399-421-9, ISBN 978-1-85399-421-0
House of Sallust
–
A
venereum in the House of Sallust
House of Sallust
–
A rough plan of the House of Sallust.
43.
House of the Vettii
–
In Pompeii one of the most famous of the luxurious residences is the so-called House of the Vettii, preserved like the rest of the Roman city by the eruption of Vesuvius in 79 AD. The house is named for its owners, two successful freedmen, Aulus Vettius Conviva, an Augustalis, and Aulus Vettius Restitutus. Its careful excavation has preserved almost all of the wall frescos, the House of the Vettii is located on a back street, opposite a bar. Servants quarters are to one side off the atrium, arranged round a small atrium of their own, the major fresco decorations enliven the peristyle and its living spaces and the triclinium or dining hall. The house had approximately 30 rooms, most artifacts found from upper level rooms were toiletry items and jewelry, consistent with artifacts found in other Pompeian houses. Throughout the house, the decor is unified by the backgrounds of its large frescoed panels, in Pompeiian red and yellow framing. Also throughout the house were images of hermaphrodites with the intention to ward off the Evil Eye of envy from those who entered the home, the most richly-decorated room is a virtual picture gallery, with trompe loeil views of architecture. The peristyle was laid out symmetrically for a water display. The statues were connected to piping and spouted water. There are 14 jets of water, new York, St. Martins Press,2005. From Pompeii, The Afterlife of a Roman Town, House of Sallust House of the Faun R. Etienne, Pompeii. The Day a City Died R. Laurence, Roman Pompeii, Space and Society A. Wallace-Hadrill, Houses and Society in Pompeii and Herculaneum Rowland, from Pompeii, The Afterlife of a Roman Town
House of the Vettii
–
Reconstruction of the peristyle (without fresco decor), made for an exhibition in the
Boboli Gardens, 2007
House of the Vettii
–
A drawing of paintings in the Ixion room
House of the Vettii
–
Mural of a flying figure in the House of the Vettii. Photograph taken circa 1900, before modern restoration.
44.
Roman gardens
–
Gardens and ornamental horticulture became highly developed under Roman civilization. The Gardens of Lucullus, on the Pincian Hill at the edge of Rome and it was seen as a place of peace and tranquility, a refuge from urban life, and a place filled with religious and symbolic meaning. As Roman culture developed and became influenced by foreign civilizations. Roman gardens were influenced by Egyptian, Persian, and Greek gardening techniques, formal gardens had existed in Egypt as early as 2800 BC. At the time of the 18th dynasty of Egypt, gardening techniques, porticos served to connect the home with the outdoors, creating outdoor living spaces. Persian gardens developed in accordance with an arid climate, Gardens were enclosed to protect them from drought, and became rich and fertile in contrast to the dry and arid Persian terrain. When Alexander the Great conquered parts of Western Asia, he back with him new varieties of fruits and plants that prompted a renewed interest in horticulture. Even before Alexander, Cimon of Athens is said to have torn down the walls of his garden to transform it into a public space, Roman Pleasure gardens were adapted from the Greek model, where such a garden also served the purpose of growing fruit. The Roman Peristyle garden, adapted from the Greeks, was used to beautify temple groves, open peristyle courts were designed to fuse homes with the outside world. Roman gardens were built to suit a range of activities, initially, lower class Romans used gardens as a source of food to provide for their families and mainly grew herbs and vegetables. In Ancient Latium, a garden was a part of every farm, according to Cato the Elder, every garden should be close to the house and should have flower beds and ornamental trees. No type of garden was specifically reserved for wealthy Romans, all a civilian needed was to have their own land or home, excavations in Pompeii show that gardens attached to residences were scaled down to meet the space constraints of the home of the average Roman. Horace wrote that during his time, flower gardens became a national indulgence, augustus constructed the Porticus Liviae, a public garden on the Oppian Hill in Rome. Outside Rome, gardens tended to proliferate at centers of wealth, modified versions of Roman garden designs were adopted in Roman settlements in Africa, Gaul and Britannia. As townhouses were replaced by tall insula, these gardens were replaced by window boxes or roof gardens. Toward the back of the house was often a hortus or peristylium. is found, Villa rustica —A large farmhouse used when the landowner came to visit. Villa urbana —These villas were where Roman citizens would go on holiday excursion or would stop, Villa suburbana —A Roman take on the country home, used specifically for recreational use. Palace villa—Reserved for imperial families alone, very large and extravagant, non-residential gardens—These would be the public parks, pleasure gardens, temple gardens, tombs, etc
Roman gardens
–
Reconstruction of the garden of the House of the Painters in
Pompeii
Roman gardens
–
Reconstruction of the garden of the
House of the Vettii in
Pompeii
Roman gardens
–
Gardening
45.
Nymph
–
A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. They are beloved by many and dwell in mountainous regions and forests by lakes, charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, nymphs were the frequent target of satyrs. The Greek word νύμφη has bride and veiled among its meanings, other readers refer the word to a root expressing the idea of swelling. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by people in the springs. Among the Roman literate class, their sphere of influence was restricted, the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as nereids. At that time, John Cuthbert Lawson wrote and they might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, when parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Due to widespread use of the term among lay persons and stereotypes attached, professionals nowadays prefer the term hypersexuality, the word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov, the main character, Humbert Humbert, uses the term many times, usually in reference to the title character. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification, rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically. She is the consort of Acheron, and the mother of Ascalaphus, leuce, lover of Hades Minthe, lover of Hades, rival of Persephone Melinoe Orphic nymph, daughter of Persephone and Zeus disguised as Pluto. Her name is an epithet of Hecate. Nymphs in such groupings could belong to any of the mentioned above. For lists of Naiads, Oceanids, Dryades etc and this motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube
Nymph
–
In this 1896 painting by
John William Waterhouse,
Hylas is abducted by the
Naiads, i.e. fresh water nymphs
Nymph
–
Nymph with morning glory flowers
Nymph
–
Nymphe by Gaston Bussière
Nymph
–
Cave of the Storm Nymphs by
Sir Edward John Poynter
46.
Opus Sectile
–
Opus sectile is an art technique popularized in the ancient and medieval Roman world where materials were cut and inlaid into walls and floors to make a picture or pattern. Common materials were marble, mother of pearl, and glass, the materials were cut in thin pieces, polished, then trimmed further according to a chosen pattern. Although early examples have found from Egypt and Asia Minor. A large set from the Basilica of Junius Bassus survived, depicting an elaborate chariot, the popularity of opus sectile decoration continued in Rome through the 6th century, and affected areas as far as Constantinople. Recent work in Jerusalem has recovered enough pieces of floor tile from the Herodian Temple Mount to reconstruct geometric patterns of opus sectile flooring. Although the technique died in Rome with the decline of the Empire, it continued to be used prominently in Byzantine churches, from Byzantium it was eventually brought back to Sicily and the Italian mainland, in the 12th century as the Cosmatesque style, concentrating on geometric patterns. There was a revival from the Italian Renaissance in the form of pietra dura work, although this normally consists of much smaller compositions and it is used on furniture. Architectural work from later periods tends to be called Intarsia, in England, the technique was revived in the late 19th century by artists working in the Arts and Crafts movement. Charles Hardgrave, whose designs were executed by James Powell & Sons at the Whitefriars Glass Works, was a designer in this technique. A, Addressing the Issue of Temple Mount Pavements During the Herodian Period, new Studies on Jerusalem, Vol 13, Ramat-Gan, Israel. A, The Opus Sectile Floor in Caldarium of the Palatial Fortress at Cypros, in, Hasmonean and Herodian Palaces at Jericho, Volume V. The Hebrew University of Jerusalem, pp 175–202
Opus Sectile
–
Tigress attacking a calf, marble opus sectile (325–350 AD) from the
Basilica of Junius Bassus on the
Esquiline Hill, Rome
Opus Sectile
–
Two-horse chariot bearing the presiding
magistrate at a
pompa circensis ("
circus parade"), from the Basilica of Junius Bassus
Opus Sectile
–
Marble floor inlay,
Hadrian's Villa (early 2nd century)
Opus Sectile
–
Vegetal pattern from the
Palazzo Massimi alle Terme
47.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
48.
JSTOR
–
JSTOR is a digital library founded in 1995. Originally containing digitized back issues of journals, it now also includes books and primary sources. It provides full-text searches of almost 2,000 journals, more than 8,000 institutions in more than 160 countries have access to JSTOR, most access is by subscription, but some older public domain content is freely available to anyone. William G. Bowen, president of Princeton University from 1972 to 1988, JSTOR originally was conceived as a solution to one of the problems faced by libraries, especially research and university libraries, due to the increasing number of academic journals in existence. Most libraries found it prohibitively expensive in terms of cost and space to maintain a collection of journals. By digitizing many journal titles, JSTOR allowed libraries to outsource the storage of journals with the confidence that they would remain available long-term, online access and full-text search ability improved access dramatically. Bowen initially considered using CD-ROMs for distribution, JSTOR was initiated in 1995 at seven different library sites, and originally encompassed ten economics and history journals. JSTOR access improved based on feedback from its sites. Special software was put in place to make pictures and graphs clear, with the success of this limited project, Bowen and Kevin Guthrie, then-president of JSTOR, wanted to expand the number of participating journals. They met with representatives of the Royal Society of London and an agreement was made to digitize the Philosophical Transactions of the Royal Society dating from its beginning in 1665, the work of adding these volumes to JSTOR was completed by December 2000. The Andrew W. Mellon Foundation funded JSTOR initially, until January 2009 JSTOR operated as an independent, self-sustaining nonprofit organization with offices in New York City and in Ann Arbor, Michigan. JSTOR content is provided by more than 900 publishers, the database contains more than 1,900 journal titles, in more than 50 disciplines. Each object is identified by an integer value, starting at 1. In addition to the site, the JSTOR labs group operates an open service that allows access to the contents of the archives for the purposes of corpus analysis at its Data for Research service. This site offers a facility with graphical indication of the article coverage. Users may create focused sets of articles and then request a dataset containing word and n-gram frequencies and they are notified when the dataset is ready and may download it in either XML or CSV formats. The service does not offer full-text, although academics may request that from JSTOR, JSTOR Plant Science is available in addition to the main site. The materials on JSTOR Plant Science are contributed through the Global Plants Initiative and are only to JSTOR
JSTOR
–
The JSTOR front page
