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Woodcut portrait of van Eyck, by Edme de Boulonois, mid-16th century.
Woodcut portrait of van Eyck, by Edme de Boulonois, mid-16th century.
The Three Marys at the Tomb, painted or begun by Hubert, perhaps between 1410 and 1420, and completed by another artist.
The Three Marys at the Tomb, painted or begun by Hubert, perhaps between 1410 and 1420, and completed by another artist.
Van Eyck's grave slab in Saint Bavo's Cathedral, Ghent
Van Eyck's grave slab in Saint Bavo's Cathedral, Ghent
Crucifixion and Last Judgement diptych
Death of Christ on the cross. Typically, a crucifixion victim's legs were broken to hasten death. According to the Gospel of John, when soldiers came
Death of Christ on the cross. Typically, a crucifixion victim's legs were broken to hasten death. According to the Gospel of John, when soldiers came to break Jesus' legs, they found him already dead. A soldier pierced his side with a lance; blood and water poured from the wound.
The taunting of the condemned. At the time there were many enemies of the Temple and Jesus was seen by the Jewish hierarchy merely as the charismatic
The taunting of the condemned. At the time there were many enemies of the Temple and Jesus was seen by the Jewish hierarchy merely as the charismatic successor to John the Baptist. Although he became enough of a legitimate threat to be executed, he was ultimately viewed by the elders as just another agitating pseudo-prophet.
Leaf from the Turin-Milan Hours, unknown artist, c. 1440–1450. This illustration is often attributed to Jan van Eyck or a member of his workshop.
Leaf from the Turin-Milan Hours, unknown artist, c. 1440–1450. This illustration is often attributed to Jan van Eyck or a member of his workshop.