Huiyen Lallong is a traditional Meitei martial art form. It is one of the Indian martial arts, originating from Manipur. In the Meitei language, Huiyen means war while Lallong or Lanlong can mean net, knowledge or art. Huiyen Langlon consists of two main subforms: Thang-Ta and Sarit Sarak. The primary weapons of Huiyen Lallong are the Thang (sword) and Ta (spear). The spear can be used in its non-missile form while up close, or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling (Mukna). Because of Manipur's cultural similarity and geographical proximity with Myanmar, huyen langlon is closely related to Burmese bando and banshay.
Thang-ta
Kenjutsu (剣術) is an umbrella term for all (ko-budō) schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration. Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. Kenjutsu, which originated with the samurai class of feudal Japan, means "methods, techniques, and the art of the Japanese sword". This is opposed to kendo, which means "the way of the sword" and uses a bamboo sword (shinai) and protective armour (bōgu).
Woodblock print by Utagawa Kunisada I (unsigned, the print is the upper part of a "two scenes" print; only the lower part is signed).The actors Seki Sanjūrō III and Bandō Shūka I as Inukai Genpachi and Inuzuka Kiba in a stage adaptation of Satomi Hakkenden, performed at the Ichimura theatre in 1852.