Hyperrealism (visual arts)
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
Duane Hanson, Woman Eating, polyester resin, fiberglass, polychromed in oil paint with clothes, table, chair and accessories, Smithsonian American Art Museum, 1971
Charles Bell, Circus Act, Silkscreen on Paper, Smithsonian American Art Museum, 1995
La hora del té by Mexican painter Magda Torres Gurza [es] (oil on canvas, 90×140 cm).
Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s.
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches
Dream of Love (2005), oil on canvas. Example of Photorealist Glennray Tutor's work