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Iliad
Inscription of lines 468–473, Book I. Dated 400‍–‍500 AD, from Egypt, on display at the British Museum
Inscription of lines 468–473, Book I. Dated 400‍–‍500 AD, from Egypt, on display at the British Museum
Iliad, Book VIII, lines 245–253, Greek manuscript, late 5th, early 6th centuries AD
Iliad, Book VIII, lines 245–253, Greek manuscript, late 5th, early 6th centuries AD
Thetis at Hephaestus's forge waiting to receive Achilles's new weapons, fresco from Pompeii, 1st century
Thetis at Hephaestus's forge waiting to receive Achilles's new weapons, fresco from Pompeii, 1st century
A detail of fresco from the François Tomb at Vulci, showing the sacrifice of Trojan slaves. From left to right: Agamemnon, ghost of Patroclus, Vanth,
A detail of fresco from the François Tomb at Vulci, showing the sacrifice of Trojan slaves. From left to right: Agamemnon, ghost of Patroclus, Vanth, Achilles beheading a slave, Charun, Ajax the Great, a slave, Ajax the Lesser. 350–330 BC
Likely statue of Paris, possibly by Euphanor, 4th century BC, National Archaeological Museum, Athens.
Likely statue of Paris, possibly by Euphanor, 4th century BC, National Archaeological Museum, Athens.
The 'Trojan Archer' or 'Paris', from the west pediment of the Temple of Aphaia, ca. 505–500 BC, Munich.
The 'Trojan Archer' or 'Paris', from the west pediment of the Temple of Aphaia, ca. 505–500 BC, Munich.
7th-century BC Melian pithamphora depicting the Judgement of Paris, Archaeological Museum of Paros.
7th-century BC Melian pithamphora depicting the Judgement of Paris, Archaeological Museum of Paros.
Paris receives Hermes who leads Athena, Hera and Aphrodite. Painting on terracotta panels, 560–550 BC
Paris receives Hermes who leads Athena, Hera and Aphrodite. Painting on terracotta panels, 560–550 BC