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The illusionistic perspective of Andrea Pozzo's trompe-l'œil dome at Sant'Ignazio (1685) creates an illusion of an actual architectural space on what
The illusionistic perspective of Andrea Pozzo's trompe-l'œil dome at Sant'Ignazio (1685) creates an illusion of an actual architectural space on what is, in actuality, a slightly concave painted surface.
Andrea Mantegna, di sotto in sù ceiling fresco in the Camera degli Sposi of the Ducal palace, Mantua
Andrea Mantegna, di sotto in sù ceiling fresco in the Camera degli Sposi of the Ducal palace, Mantua
Ceiling of the Jesuit Church, Vienna by Andrea Pozzo (1703)
Ceiling of the Jesuit Church, Vienna by Andrea Pozzo (1703)
The ceiling in Ljubljana Cathedral, painted by Giulio Quaglio the Younger in 1705–06
The ceiling in Ljubljana Cathedral, painted by Giulio Quaglio the Younger in 1705–06
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Image: WLA metmuseum Venus and Adonis by Peter Paul Rubens
Image: WLA metmuseum Venus and Adonis by Peter Paul Rubens
Image: Ecstasy of Saint Teresa September 2015 2a
Image: Ecstasy of Saint Teresa September 2015 2a
Image: Cour de Marbre du Château de Versailles October 5, 2011
Image: Cour de Marbre du Château de Versailles October 5, 2011
Pendant in the form of a siren, made of a baroque pearl (the torso) with enameled gold mounts set with rubies, probably circa 1860, in the Metropolita
Pendant in the form of a siren, made of a baroque pearl (the torso) with enameled gold mounts set with rubies, probably circa 1860, in the Metropolitan Museum of Art (New York City, New York).