1.
Hindu texts
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Hindu texts are manuscripts and historic literature related to any of the diverse traditions within Hinduism. A few texts are shared resources across these traditions and broadly considered as Hindu scriptures and these include the Vedas and the Upanishads. There are two classifications of Hindu texts, Shruti – that which is heard, and Smriti – that which is remembered. The Śruti refers to the body of most authoritative, ancient religious texts, without any author and it includes the four Vedas including its four types of embedded texts - the Samhitas, the Brahmanas, the Aranyakas and the early Upanishads. The Smriti texts are a body of Hindu texts attributed to an author. Many ancient and medieval Hindu texts were composed in Sanskrit, many others in regional Indian languages, in modern times, most ancient texts have been translated into other Indian languages and some in Western languages. This verbal tradition of preserving and transmitting Hindu texts, from one generation to next, the Vedas are a large body of Hindu texts originating in ancient India, before about 300 BCE. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature, hindus consider the Vedas to be apauruṣeya, which means not of a man, superhuman and impersonal, authorless. Vedas are also called śruti literature, distinguishing them from religious texts. The Veda, for orthodox Indian theologians, are considered revelations, in the Hindu Epic the Mahabharata, the creation of Vedas is credited to Brahma. There are four Vedas, the Rigveda, the Yajurveda, the Samaveda, each Veda has been subclassified into four major text types – the Samhitas, the Aranyakas, the Brahmanas, and the Upanishads. The Upanishads are a collection of Hindu texts which contain some of the philosophical concepts of Hinduism. The Upanishads are commonly referred to as Vedānta, variously interpreted to either the last chapters, parts of the Veda or the object. The concepts of Brahman and Ātman are central ideas in all the Upanishads, the Upanishads are the foundation of Hindu philosophical thought and its diverse traditions. Of the Vedic corpus, they alone are known. More than 200 Upanishads are known, of which the first dozen or so are the oldest and most important and are referred to as the principal or main Upanishads. The mukhya Upanishads are found mostly in the part of the Brahmanas and Aranyakas and were, for centuries, memorized by each generation. The early Upanishads all predate the Common Era, some in all likelihood pre-Buddhist, of the remainder, some 95 Upanishads are part of the Muktika canon, composed from about the start of common era through medieval Hinduism
2.
Hinduism
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Hinduism is a religion, or a way of life, found most notably in India and Nepal. Hinduism has been called the oldest religion in the world, and some practitioners and scholars refer to it as Sanātana Dharma, scholars regard Hinduism as a fusion or synthesis of various Indian cultures and traditions, with diverse roots and no founder. This Hindu synthesis started to develop between 500 BCE and 300 CE following the Vedic period, although Hinduism contains a broad range of philosophies, it is linked by shared concepts, recognisable rituals, cosmology, shared textual resources, and pilgrimage to sacred sites. Hindu texts are classified into Shruti and Smriti and these texts discuss theology, philosophy, mythology, Vedic yajna, Yoga, agamic rituals, and temple building, among other topics. Major scriptures include the Vedas and Upanishads, the Bhagavad Gita, prominent themes in Hindu beliefs include the four Puruṣārthas, the proper goals or aims of human life, namely Dharma, Artha, Kama and Moksha, karma, samsara, and the various Yogas. Hindu practices include such as puja and recitations, meditation, family-oriented rites of passage, annual festivals. Some Hindus leave their world and material possessions, then engage in lifelong Sannyasa to achieve Moksha. Hinduism prescribes the eternal duties, such as honesty, refraining from injuring living beings, patience, forbearance, self-restraint, Hinduism is the worlds third largest religion, with over one billion followers or 15% of the global population, known as Hindus. The majority of Hindus reside in India, Nepal, Mauritius, the Caribbean, the word Hindu is derived from the Indo-Aryan/Sanskrit word Sindhu, the Indo-Aryan name for the Indus River in the northwestern part of the Indian subcontinent. The term Hindu in these ancient records is a geographical term, the Arabic term al-Hind referred to the people who live across the River Indus. This Arabic term was taken from the pre-Islamic Persian term Hindū. By the 13th century, Hindustan emerged as an alternative name of India. It was only towards the end of the 18th century that European merchants and colonists began to refer to the followers of Indian religions collectively as Hindus. The term Hinduism, then spelled Hindooism, was introduced into the English language in the 18th-century to denote the religious, philosophical, because of the wide range of traditions and ideas covered by the term Hinduism, arriving at a comprehensive definition is difficult. The religion defies our desire to define and categorize it, Hinduism has been variously defined as a religion, a religious tradition, a set of religious beliefs, and a way of life. From a Western lexical standpoint, Hinduism like other faiths is appropriately referred to as a religion, in India the term dharma is preferred, which is broader than the western term religion. Hindu traditionalists prefer to call it Sanatana Dharma, the study of India and its cultures and religions, and the definition of Hinduism, has been shaped by the interests of colonialism and by Western notions of religion. Since the 1990s, those influences and its outcomes have been the topic of debate among scholars of Hinduism, Hinduism as it is commonly known can be subdivided into a number of major currents
3.
Vedas
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The Vedas are a large body of knowledge texts originating in the ancient Indian subcontinent. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature, Hindus consider the Vedas to be apauruṣeya, which means not of a man, superhuman and impersonal, authorless. Vedas are also called śruti literature, distinguishing them from religious texts. The Veda, for orthodox Indian theologians, are considered revelations seen by ancient sages after intense meditation, in the Hindu Epic the Mahabharata, the creation of Vedas is credited to Brahma. The Vedic hymns themselves assert that they were created by Rishis, after inspired creativity. There are four Vedas, the Rigveda, the Yajurveda, the Samaveda, each Veda has been subclassified into four major text types – the Samhitas, the Aranyakas, the Brahmanas, and the Upanishads. Some scholars add a fifth category – the Upasanas, the various Indian philosophies and denominations have taken differing positions on the Vedas. Schools of Indian philosophy which cite the Vedas as their authority are classified as orthodox. Other śramaṇa traditions, such as Lokayata, Carvaka, Ajivika, Buddhism and Jainism, despite their differences, just like the texts of the śramaṇa traditions, the layers of texts in the Vedas discuss similar ideas and concepts. The Sanskrit word véda knowledge, wisdom is derived from the root vid- to know and this is reconstructed as being derived from the Proto-Indo-European root *u̯eid-, meaning see or know. The noun is from Proto-Indo-European *u̯eidos, cognate to Greek εἶδος aspect, not to be confused is the homonymous 1st and 3rd person singular perfect tense véda, cognate to Greek οἶδα oida I know. Root cognates are Greek ἰδέα, English wit, etc, the Sanskrit term veda as a common noun means knowledge. The term in some contexts, such as hymn 10.93.11 of the Rigveda, means obtaining or finding wealth, property, a related word Vedena appears in hymn 8.19.5 of the Rigveda. It was translated by Ralph T. H. Griffith as ritual lore, as studying the Veda by the 14th century Indian scholar Sayana, as bundle of grass by Max Müller, Vedas are called Maṛai or Vaymoli in parts of South India. Marai literally means hidden, a secret, mystery, in some south Indian communities such as Iyengars, the word Veda includes the Tamil writings of the Alvar saints, such as Divya Prabandham, for example Tiruvaymoli. The Vedas are among the oldest sacred texts, the Samhitas date to roughly 1700–1100 BC, and the circum-Vedic texts, as well as the redaction of the Samhitas, date to c. 1000-500 BC, resulting in a Vedic period, spanning the mid 2nd to mid 1st millennium BC, or the Late Bronze Age, Michael Witzel gives a time span of c.1500 to c. Witzel makes special reference to the Near Eastern Mitanni material of the 14th century BC the only record of Indo-Aryan contemporary to the Rigvedic period
4.
Rigveda
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The Rigveda is an ancient Indian collection of Vedic Sanskrit hymns. It is one of the four sacred texts of Hinduism known as the Vedas. The text is a collection of 1,028 hymns and 10,600 verses, a good deal of the language is still obscure and many hymns as a consequence seem unintelligible. The hymns are dedicated to Rigvedic deities, for each deity series the hymns progress from longer to shorter ones, and the number of hymns per book increases. In the eight books that were composed the earliest, the hymns predominantly discuss cosmology, Rigveda is one of the oldest extant texts in any Indo-European language. 1700–1100 BC has also been given, some of its verses continue to be recited during Hindu rites of passage celebrations such as weddings and religious prayers, making it probably the worlds oldest religious text in continued use. This redaction also included some additions and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi, the Padapatha and the Pratisakhya anchor the texts fidelity and meaning, and the fixed text was preserved with unparalleled fidelity for more than a millennium by oral tradition alone. In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections and this interplay with sounds gave rise to a scholarly tradition of morphology and phonetics. The Rigveda was probably not written down until the Gupta period, the oral tradition still continued into recent times. The text is organized in 10 books, known as Mandalas, of varying age, the family books, mandalas 2–7, are the oldest part of the Rigveda and the shortest books, they are arranged by length and account for 38% of the text. Within each book, the hymns are arranged in collections each dealing with a deity, Agni comes first, Indra comes second. They are attributed and dedicated to a rishi and his family of students, within each collection, the hymns are arranged in descending order of the number of stanzas per hymn. If two hymns in the collection have equal numbers of stanzas then they are arranged so that the number of syllables in the metre are in descending order. The second to seventh mandalas have a uniform format, the eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively. The first and the tenth mandalas are the youngest, they are also the longest books, of 191 suktas each, however, adds Witzel, some hymns in Mandala 8,1 and 10 may be as old as the earlier Mandalas. The first mandala has an arrangement not found in the other nine mandalas. The ninth mandala is arranged by both its structure and hymn length, while the first eighty four hymns of the tenth mandala have a structure different than the remaining hymns in it. Each mandala consists of hymns called sūkta intended for various rituals, the sūktas in turn consist of individual stanzas called ṛc, which are further analysed into units of verse called pada
5.
Samaveda
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The Samaveda, is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism, one of the four Vedas, it is a liturgical text whose 1,875 verses are primary derived from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in parts of India. The classical Indian music and dance tradition considers the chants and melodies in Samaveda as one of its roots and it is also referred to as Sama Veda. The Samaveda is the Veda of Chants, or storehouse of knowledge of chants, according to Frits Staal, it is the Rigveda set to music. It is a fusion of melodies and the Rig verses. It has far fewer verses than Rigveda, but Samaveda is textually larger because it all the chant-. The Samaveda text contains notated melodies, and these are probably the worlds oldest surviving ones, the musical notation is written usually immediately above, sometimes within, the line of Samaveda text, either in syllabic or a numerical form depending on the Samavedic Sakha. The first part include four collections and the second part three verse books. A melody in the song corresponds to a verse in the arcika books. The Gana collection is subdivided into Gramageya and Aranyageya, while the Arcika portion is subdivided into Purvarcika and Uttararcika portions, the Purvarcika portion of the text has 585 single stanza verses and is organized in order of deities, while Uttararcika text is ordered by rituals. The Gramageya melodies are those for public recitations, while Aranyageya melodies are for personal meditative use such as in the solitude of a forest. Just like Rigveda, the sections of Samaveda typically begin with Agni and Indra hymns but shift to abstract speculations and philosophy. The later sections of the Samaveda, states Witzel, have least deviation from substance of hymns they derive from Rigveda into songs, the purpose of Samaveda was liturgical, and they were the repertoire of the udgātṛ or singer priests. The Samaveda, like other Vedas, contains layers of text, with Samhita being the oldest. The Samaveda consists of 1,549 unique verses, taken almost entirely from Rigveda, the largest number of verse come from Books 9 and 8 of the Rig Veda. Some of the Rigvedic verses are repeated more than once, including these repetitions, there are a total of 1,875 verses numbered in the Samaveda recension translated by Griffith. Samaveda samhita is not meant to be read as a text, the text uses creative structures, called Stobha, to help embellish, transform or play with the words so that they better fit into a desired musical harmony
6.
Yajurveda
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The Yajurveda is the Veda of prose mantras. An ancient Vedic Sanskrit text, it is a compilation of ritual offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire, Yajurveda is one of the four Vedas, and one of the scriptures of Hinduism. The exact century of Yajurvedas composition is unknown, and estimated by scholars to be around 1200 to 1000 BCE, the Yajurveda is broadly grouped into two – the black Yajurveda and the white Yajurveda. The term black implies the un-arranged, unclear, motley collection of verses in Yajurveda, in contrast to the white which implies the well arranged, the black Yajurveda has survived in four recensions, while two recensions of white Yajurveda have survived into the modern times. The earliest and most ancient layer of Yajurveda samhita includes about 1,875 verses, the middle layer includes the Satapatha Brahmana, one of the largest Brahmana texts in the Vedic collection. The youngest layer of Yajurveda text includes the largest collection of primary Upanishads and these include the Brihadaranyaka Upanishad, the Isha Upanishad, the Taittiriya Upanishad, the Katha Upanishad, the Shvetashvatara Upanishad and the Maitri Upanishad. Yajurveda is a compound Sanskrit word, composed of yajus and veda, monier-Williams translates yajus as religious reverence, veneration, worship, sacrifice, a sacrificial prayer, formula, particularly mantras muttered in a peculiar manner at a sacrifice. Johnson states yajus means prose formulae or mantras, contained in the Yajur Veda, michael Witzel interprets Yajurveda to mean a knowledge text of prose mantras used in Vedic rituals. Ralph Griffith interprets the name to mean knowledge of sacrifice or sacrificial texts, carl Olson states that Yajurveda is a text of mantras that are repeated and used in rituals. The Yajurveda text includes Shukla Yajurveda of which about 16 recensions are known, only two recensions of the Shukla Yajurveda have survived, Madhyandina and Kanva, and others are known by name only because they are mentioned in other texts. These two recensions are nearly the same, except for few differences, in contrast to Shukla Yajurveda, the four surviving recensions of Krishna Yajurveda are very different versions. The samhita in the Shukla Yajurveda is called the Vajasaneyi Samhita, the name Vajasaneyi is derived from Vajasaneya, patronymic of sage Yajnavalkya, and the founder of the Vajasaneyi branch. There are two surviving recensions of the Vajasaneyi Samhita, Vajasaneyi Madhyandina and Vajasaneyi Kanva, there are four surviving recensions of the Krishna Yajurveda – Taittirīya saṃhitā, Maitrayani saṃhitā, Kaṭha saṃhitā and Kapiṣṭhala saṃhitā. A total of eighty six recensions are mentioned to exist in Vayu Purana, the Katha school is referred to as a sub-school of Carakas in some ancient texts of India, because they did their scholarship as they wandered from place to place. The best known and best preserved of these recensions is the Taittirīya saṃhitā, some attribute it to Tittiri, a pupil of Yaksa and mentioned by Panini. The text is associated with the Taittiriya school of the Yajurveda, the Kāṭhaka saṃhitā or the Caraka-Kaṭha saṃhitā, according to tradition was compiled by Katha, a disciple of Vaisampayana. Like the Maitrayani Samhita, it offers more detailed discussion of some rituals than the younger Taittiriya samhita that frequently summarizes such accounts. The Kapiṣṭhala saṃhitā or the Kapiṣṭhala-Kaṭha saṃhitā, named after the sage Kapisthala is extant only in some large fragments and this text is practically a variant of the Kāṭhaka saṃhitā
7.
Atharvaveda
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The Atharva is the knowledge storehouse of atharvāṇas, the procedures for everyday life. The text is the fourth Veda, but has been an addition to the Vedic scriptures of Hinduism. The Atharvaveda is composed in Vedic Sanskrit, and it is a collection of 730 hymns with about 6,000 mantras, divided into 20 books. About a sixth of the Atharvaveda text adapts verses from the Rigveda, and except for Books 15 and 16, two different recensions of the text – the Paippalāda and the Śaunakīya – have survived into modern times. Reliable manuscripts of the Paippalada edition were believed to have been lost, the Atharvaveda is sometimes called the Veda of magical formulas, an epithet declared to be incorrect by other scholars. Many books of the Atharvaveda Samhita are dedicated to rituals without magic, the text, states Kenneth Zysk, is one of oldest surviving record of the evolutionary practices in religious medicine and reveals the earliest forms of folk healing of Indo-European antiquity. It was likely compiled as a Veda contemporaneously with Samaveda and Yajurveda, along with the Samhita layer of text, the Atharvaveda includes a Brahmana text, and a final layer of the text that covers philosophical speculations. The latter layer of Atharvaveda text includes three primary Upanishads, influential to various schools of Hindu philosophy and these include the Mundaka Upanishad, the Mandukya Upanishad and the Prashna Upanishad. Monier Williams notes that the now obsolete term for fire used to be Athar, the name Atharvaveda, states Laurie Patton, is for the text being Veda of the Atharvāṇas. The oldest name of the text, according to its own verse 10.7.20, was Atharvangirasah, each school called the text after itself, such as Saunakiya Samhita, meaning the compiled text of Saunakiya. The Atharvan and Angiras names, states Maurice Bloomfield, imply different things, over time, the positive auspicious side came to be celebrated and the name Atharva Veda became widespread. The latter name Angiras which is linked to Agni and priests in the Vedas, states George Brown, michael Witzel states Atharvan roots may be *atharwan or priest, sorcerer, with links to Avestan āθrauuan priest and Tocharian <*athr, superior force. The Atharvaveda is also referred to as Bhrgvangirasah and Brahmaveda, after Bhrigu. The Atharvaveda is a collection of 20 books, with a total of 730 hymns of about 6,000 stanzas. The Caraṇavyuha, a later era Sanskrit text, states that the Atharvaveda had nine shakhas, or schools, paippalāda, stauda, mauda, śaunakīya, jājala, jalada, brahmavada, devadarśa and cāraṇavaidyā. Of these, only the Shaunakiya recension, and the recently discovered manuscripts of Paippalāda recension have survived. The Paippalāda edition is more ancient, the two recensions differ in how they are organized, as well as content. For example, the Book 10 of Paippalada recension is more detailed, more developed and more conspicuous in describing monism, the concept of oneness of Brahman, all life forms, the Atharvaveda Samhita originally was organized into 18 books, and the last two were added later
