Indo-Saracenic architecture was a revivalist architectural style mostly used by British architects in India in the later 19th century, especially in public and government buildings in the British Raj, and the palaces of rulers of the princely states. It drew stylistic and decorative elements from native Indo-Islamic architecture, especially Mughal architecture, which the British regarded as the classic Indian style. The basic layout and structure of the buildings tended to be close to that used in contemporary buildings in other revivalist styles, such as Gothic revival and Neo-Classical, with specific Indian features and decoration added.
Madras High Court buildings are a prime example of Indo-Saracenic architecture, designed by J. W. Brassington under the guidance of British architect Henry Irwin, 1892.
The Victoria Memorial, Kolkata, has very discreet Indo-Saracenic touches, such as the corner chatris, in the Raj metropolis least touched by the style.
The Chhatrapati Shivaji Maharaj Terminus (previously Victoria Terminus) in Mumbai, 1878–88. A mixture of Romanesque, Gothic and Indian elements.
North Block of the Secretariat Building, New Delhi, designed by Herbert Baker.
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.
Eclectic building. Street Alfonso VIII. Burgos, Spain (1922). Note the mix of neogothic with art nouveau and neoclassical styles
Residence of Bukovinian and Dalmatian Metropolitans, by Josef Hlávka, 1882, Chernivtsi, Ukraine, with a basis in Brick Gothic.
The Aston Webb building at the University of Birmingham (1900–12), UK, in a quasi-Byzantine style.