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Irvin Leigh Matus
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Irvin Leigh Matus was an independent scholar, autodidact, and author. He is best known as an authority on Shakespeare, but also wrote about aspects of Brooklyn's history such as the Vitagraph Studios,
Irvin Matus in England during a 1993 research trip
Irvin Matus in England during a 1993 research trip
Matus's book rebutting anti-Stratfordian arguments was described by Shakespeare scholar David Bevington as "fair, balanced, and persuasive."
Matus's book rebutting anti-Stratfordian arguments was described by Shakespeare scholar David Bevington as "fair, balanced, and persuasive."
Shakespeare Candidates 1
Shakespeare Candidates 1
Shakespeare authorship question
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The Shakespeare authorship question is the argument that someone other than William Shakespeare of Stratford-upon-Avon wrote the works attributed to him. Anti-Stratfordians—a collective term for adher
Irvin Leigh Matus
…sounded 'refreshingly up-to-date'. In February 1989 he was asked by the Shakespeare Authorship Roundtable to investigate the scholarship of the Shakespeare authorship controversy and was invited to speak to the membership in Los Angeles about his findings. Matus, according to Jonathan Bate, came to the controversy as an agnostic…
John Shakespeare's house in Stratford-upon-Avon is believed to be Shakespeare's birthplace.
John Shakespeare's house in Stratford-upon-Avon is believed to be Shakespeare's birthplace.
Shakespeare's name was hyphenated on the cover of the 1609 quarto edition of the Sonnets.
Shakespeare's name was hyphenated on the cover of the 1609 quarto edition of the Sonnets.
Ben Jonson's "On Poet-Ape" from his 1616 collected works is taken by some anti-Stratfordians to refer to Shakespeare.
Ben Jonson's "On Poet-Ape" from his 1616 collected works is taken by some anti-Stratfordians to refer to Shakespeare.
The effigy of Shakespeare's Stratford monument as it was portrayed by Dugdale in 1656, as it appears today, and as it was portrayed in 1748 before the
The effigy of Shakespeare's Stratford monument as it was portrayed by Dugdale in 1656, as it appears today, and as it was portrayed in 1748 before the restoration.