1.
Osborne House
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Osborne House is a former royal residence in East Cowes, Isle of Wight, United Kingdom. The house was built between 1845 and 1851 for Queen Victoria and Prince Albert as a home and rural retreat. Prince Albert designed the house himself in the style of an Italian Renaissance palazzo, the builder was Thomas Cubitt, the London architect and builder whose company built the main façade of Buckingham Palace for the royal couple in 1847. An earlier smaller house on the site was demolished to make way for a new and far larger house, Queen Victoria died at Osborne House in January 1901. Following her death, the house became surplus to requirements and was given to the state. From 1903 until 1921 it was used as an officer training college for the Royal Navy, known as the Royal Naval College. In 1998 training were consolidated at the Britannia Royal Naval College, Osborne House is open to the public for tours. Queen Victoria and Prince Albert bought Osborne House on the Isle of Wight from Lady Isabella Blachford in October 1845 and they wanted a home removed from the stresses of court life. Queen Victoria had spent two holidays on the Isle of Wight as a girl, when her mother, the then Duchess of Kent, rented Norris Castle. The setting of the three-storey Georgian house appealed to Queen Victoria and Prince Albert, in particular and they soon realized that the house was too small for their needs. They decided with advisors to replace the house with a new, the new Osborne House was built between 1845 and 1851 in the style of the Italian Renaissance, complete with two belvedere towers. Prince Albert designed the house himself in conjunction with builder Thomas Cubitt, the couple paid for much of the new houses furnishings by the sale of the Royal Pavilion at Brighton. The houses original wing was known as The Pavilion, containing the principal and royal apartments on the ground and first floors. The principal apartments, particularly, hold reminders of Victorias dynastic links with the other European royal families, the Billiard Room holds a massive porcelain vase that was a gift of the Russian Tsar. The Billiard Room, Queens Dining Room, and the Drawing Room on the floor all express grandeur. In marked contrast is the homely and unassuming décor of the royal apartments on the first floor. These include the Princes Dressing Room, the Queens Sitting Room, the Queens Bedroom, intended for private, domestic use, these rooms were made as comfortable as possible. Both Queen Victoria and Prince Albert were determined to bring up their children in a natural, the main wing was added later, it contains the household accommodation and council and audience chambers
2.
Cornice
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A simple cornice may be formed just with a crown molding. The function of the cornice of a building is to throw rainwater free of the building’s walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, however, house eaves may also be called cornices if they are finished with decorative molding. The projecting cornice of a building may appear to be heavy and hence in danger of falling, particularly on commercial buildings, a rake is an architectural term for an eave or cornice which runs along the gable end of the roof of a modern residential structure. It may also be called a sloping cornice, a raking cornice, the trim and rafters at this edge are called rake-, verge-, or barge-board or verge- or barge-rafter. It is a sloped timber on the facing edge of a roof running between the ridge and the eave. On a typical house, any gable will have two rakes, one on each sloped side, the rakes are supported by a series of lookouts and may be enclosed with a rake fascia board on the outside facing edge and a rake soffit along the bottom. The cornices of a residential building will usually be one of three types, a box cornice, a close or closed cornice, or an open cornice. Box cornices enclose the cornice of the building with what is essentially a narrow box. A box cornice may further be divided into either the box cornice or the wide box cornice type. A narrow box cornice is one in which the projection of the rafter serves as a surface for the soffit board as well as the fascia trim. This is possible if the slope of the roof is fairly steep, box cornices often have ventilation screens laid over openings cut in the soffits in order to allow air to circulate within the cornice. A close, closed, or snub cornice is one in there is no projection of the rafters beyond the walls of the building. This type of cornice is easy to construct, but provides little aid in dispersing water away from the building, in an open cornice, the shape of the cornice is similar to that of a wide box cornice except that both the lookouts and the soffit are absent. It is a lower-cost treatment that requires fewer materials, and may not have a fascia board. Ancient Egyptian architectural tradition made special use of large cavetto mouldings as a cornice, with only a short fillet above, inspired by this precedent, it was then revived by Ardashir I, the founder of the Sasanian dynasty. The cavetto took the place of the cymatium in many Etruscan temples, often painted with vertical tongue patterns, additional more-obscure varieties of cornice include the architrave cornice, bracketed cornice, and modillion cornice. A cornice return is a detail that occurs where the horizontal cornice of a roof connects to the rake of a gable
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Campanile
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A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Church bell towers often incorporate clocks, and secular towers usually do, the Italian term campanile, deriving from the word campana meaning bell, is synonymous with bell tower, though in English usage Campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a belfry, though this term may refer specifically to the substructure that houses the bells. The tallest free-standing bell tower in the world, approximately 110 m high, is the Joseph Chamberlain Memorial Clock Tower, located at the University of Birmingham, bells are rung from a tower to enable them to be heard at a distance. Church bells can signify the time for worshippers to go to church for a communal service and they are also rung on special occasions such as a wedding, or a funeral service. In some religious traditions they are used within the liturgy of the service to signify to people that a particular part of the service has been reached. A bell tower may have a bell, or a collection of bells which are tuned to a common scale. They may be stationary and chimed, rung randomly by swinging through a small arc and they may house a carillon or chimes, in which the bells are sounded by hammers connected via cables to a keyboard. These can be found in churches and secular buildings in Europe and America including college. A variety of electronic devices exist to simulate the sound of bells, some churches have an exconjuratory in the bell tower, a space where ceremonies were conducted to ward off weather-related calamities, like storms and excessive rain. The main bell tower of the Cathedral of Murcia has four, in addition, most Christian denominations ring church bells to call the faithful to worship, signalling the start of a mass or service of worship. The Christian tradition of the ringing of bells from a belltower is analogous to Islamic tradition of the adhan from a minaret. In AD400, Paulinus of Nola introduced church bells into the Christian Church, by the 11th century, bells housed in belltowers became commonplace. Historic bell towers exist throughout Europe, the Irish round towers are thought to have functioned in part as bell towers. Famous medieval European examples include Bruges, Ypres, Ghent, perhaps the most famous European free-standing bell tower, however, is the so-called Leaning Tower of Pisa, which is the campanile of the Duomo di Pisa in Pisa, Italy. In 1999 thirty-two Belgian belfries were added to the UNESCOs list of World Heritage Sites, in 2005 this list was extended with one Belgian and twenty-three Northern French belfries and is since known as Belfries of Belgium and France. In the Middle Ages, cities sometimes kept their important documents in belfries, not all are on a large scale, the bell tower of Katúň, in Slovakia, is typical of the many more modest structures that were once common in country areas. Archaic wooden bell towers survive adjoining churches in Lithuania and as well as in parts of Poland
4.
Belvedere (structure)
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A belvedere /ˈbɛlvᵻdɪər/ or belvidere is an architectural structure sited to take advantage of a fine or scenic view. While a belvedere may be built in the part of a building the actual structure can be of any form, whether a turret. Or it may be a pavilion in a garden, or the term may be used for a paved terrace with a good viewpoint. It may also be used for a building, as in the Belvedere, Vienna, a huge palace, or Belvedere Castle. On the hillside above the Vatican Palace, Antonio Pollaiuolo built a pavilion named the palazzetto or the Belvedere for Pope Innocent VIII. This began the fashion in the 16th century for the belvedere, Belvedere, a picture by M. C. Escher which shows an impossible belvedere Widows walk Roth, Leland M. Understanding Architecture, Its Elements History and Meaning
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Classical architecture
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Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in all be said to draw on a common vocabulary of decorative and constructive elements. The term classical architecture also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture and it can also refer to any architecture that employs classical aesthetic philosophy. The term might be used differently from traditional or vernacular architecture, for contemporary buildings following authentic classical principles, the term New Classical Architecture may be used. Classical architecture is derived from the architecture of ancient Greece and ancient Rome, with the collapse of the western part of the Roman empire, the architectural traditions of the Roman empire ceased to be practised in large parts of western Europe. In the Byzantine Empire, the ancient ways of building lived on, the first conscious efforts to bring back the disused language of form of classical antiquity into Western architecture can be traced to the Carolingian Renaissance of the late 8th and 9th centuries. In general, therefore, they are not considered classical architectural styles in a strict sense, nonetheless, the classical architecture of the Renaissance from the outset represents a highly specific interpretation of the classical ideas. Most of the styles originating in post-renaissance Europe can be described as classical architecture and this broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture. The elements of architecture have been applied in radically different architectural contexts than those for which they were developed. For example, Baroque or Rococo architecture are styles which, although classical at root, during these periods, architectural theory still referred to classical ideas but rather less sincerely than during the Renaissance. Neoclassical architecture held a strong position on the architectural scene c. With the advent of Modernism during the early 20th century, classical architecture arguably almost completely ceased to be practised, as noted above, classical styles of architecture dominated Western architecture for a very long time, roughly from the Renaissance until the advent of Modernism. That is to say, that classical antiquity at least in theory was considered the source of inspiration for architectural endeavours in the West for much of Modern history. Furthermore, it can even be argued that styles of architecture not typically considered classical, like Gothic, therefore, a simple delineation of the scope of classical architecture is difficult to make. The more or less defining characteristic can still be said to be a reference to ancient Greek or Roman architecture, and the architectural rules or theories that derived from that architecture. In the grammar of architecture, the word petrification is often used when discussing the development of sacred structures, such as temples, during the Archaic and early Classical periods, the architectural forms of the earliest temples had solidified and the Doric emerged as the predominant element. And not everyone within the reach of Mediterranean civilization made this transition. Nor was it the lack of knowledge of working on their part that prevented them from making the transition from timber to dressed stone
6.
Renaissance architecture
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Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
7.
Palladianism
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Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
8.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
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Picturesque
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Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Picturesque, along with the aesthetic and cultural strands of Gothic, the term “picturesque” needs to be understood in relationship to two other aesthetic ideals, the beautiful and the sublime. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as being non-rational. Aesthetic experience was not just a rational decision – one did not look at a curved form and decide it was beautiful. Picturesque arose as a mediator between these ideals of beauty and the sublime, showing the possibilities that existed in between these two rationally idealised states. As Thomas Gray wrote in 1765 of the Scottish Highlands, “The mountains are ecstatic, none but those monstrous creatures of God know how to join so much beauty with so much horror. ”See also Gilpin and the picturesque. Gilpin’s Essay on Prints defined picturesque as “a term expressive of that kind of beauty. The pictorial genre called “Picturesque” appeared already in the 17th century, as well as portraying beauty in the classical manner, eighteenth-century artists could overdo it from top to bottom. Their preromantic sensitivity could aspire to the sublime or be pleased with the picturesque and this triple definition by Hussey, although modern, is true to the concept of the epoch, as Uvedale Price explained in 1794. The examples Price gave of these three aesthetic tendencies were Handel as the sublime, a pastorale by Arcangelo Corelli as the beautiful, during the mid 18th century the idea of purely scenic pleasure touring began to take hold among the English leisured class. This new image disregarded the principles of symmetry and perfect proportions while focusing more on accidental irregularity, the irregular, anti-classical, ruins became sought after sights. Gilpin himself asked, “shall we suppose it a pleasure to the sportsman to pursue a trivial animal, than it is to the man of taste to pursue the beauties of nature. ”After 1815 when Europe was available to travel again after the wars. Though seemingly vague and far away, the Far East, China and Japan, sir William Temple was a statesman and essayist who traveled throughout Europe. His essay Upon the Gardens of Epicurus, or Of Gardening, in the Year 1685 described what he called the taste of the “Chineses” for a beauty without order. The Chineses scorn this way of planting, and say, a boy, that can tell an hundred, may plant walks of trees in straight lines, and over-against one another, and to what length and extent he pleases. And whoever observes the work upon the best India gowns, or the painting upon their best screens or purcellans, imaginations of Far Eastern irregularity and sharawadgi returns frequently in the eighteenth and nineteenth century discourse. Multiple authors have attempted to trace the etymology of sharawadgi to various Chinese and Japanese terms for garden design, E. V. Gatenby proposed English sharawadgi derived from Japanese sorowaji not being regular, an older form of sorowazu incomplete, unequal, uneven, irregular. S. Lang and Nikolaus Pevsner dismissed these two unattested Chinese terms, doubted the Japanese sorowaji, and suggested that Temple coined the word sharawadgi himself and these authors placed Temples discovery in the context of upcoming ideas on the picturesque
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Neo-Renaissance
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The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. The movement grew from scientific observations of nature, in human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture, in England the Renaissance tended to manifest itself in large square tall houses such as Longleat House. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture and this is particularly evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, mannerism and Baroque being two very opposing styles of architecture. Mannerism was exemplified by the Palazzo del Te and Baroque by the Wurzburg Residenz, as a consequence a self-consciously Neo-Renaissance manner first began to appear circa 1840. By 1890 this movement was already in decline, the Hagues Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, the style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments, if a building were of several floors the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly, one of the very first signs of its emergence was the Würzburg Womens Prison, which was erected in 1809 designed by Peter Speeth. This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the USA during the 1880s, richardsons style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his Marshall Field Warehouse in Chicago, however, while the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came between was far more ornate in its design. This period can be defined by some of the opera houses of the Europe, such as Gottfried Sempers Burgtheater in Vienna. This ornate form of the Neo-Renaissance, originating from France, is known as the Second Empire style. By 1875 it had become the style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed the London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. In Austria, it was pioneered by such names as Rudolf Eitelberger
11.
John Nash (architect)
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John Nash was a British architect responsible for much of the layout of Regency London under the patronage of the Prince Regent, and during his reign as George IV. Nash was also a pioneer in the use of the Picturesque in architecture and his best-known buildings are the Royal Pavilion, Brighton, and Buckingham Palace. Many of his buildings were built by the property developer James Burton, in return, Nash promoted the career of Burtons son, Decimus Burton, who assisted him with several of his designs and later became a famous architect in his own right. Nash was born during 1752 in Lambeth, south London, the son of a Welsh millwright also called John, from 1766 or 67, John Nash trained with the architect Sir Robert Taylor, the apprenticeship was completed in 1775 or 1776. On 28 April 1775, at the now demolished church of St Mary Newington, Nash married his first wife Jane Elizabeth Kerr, initially he seems to have pursued a career as a surveyor, builder and carpenter. This gave him an income of around £300 a year, the couple set up home at Royal Row Lambeth. He established his own practice in 1777 as well as being in partnership with a timber merchant. The couple had two children, both were baptised at St Mary-at-Lambeth, John on 9 June 1776 and Hugh on 28 April 1778. The claim that Jane had faked her pregnancies and then passed babies she had acquired off as her own was brought before the Consistory court of the Bishop of London. His wife was sent to Aberavon to lodge with Nashs cousin Ann Morgan, in an attempt at reconciliation Jane returned to London in June 1779, but she continued to act extravagantly so he sent her to another cousin, Thomas Edwards of Neath. She gave birth just after Christmas, and acknowledged Charles Charles as the father, in 1781 Nash instigated action against Jane for separation on grounds of adultery. The case was tried at Hereford in 1782, Charles who was guilty was unable to pay the damages of £76. The divorce was finally read 26 January 1787 and his career was initially unsuccessful and short-lived. After inheriting £1000 in 1778 from his uncle Thomas, he invested the money in building his first known independent works, 15–17 Bloomsbury Square, but the property failed to let and he was declared bankrupt on 30 September 1783. His debts were £5000, including £2000 he had been lent by Robert Adam, a blue plaque commemorating Nash was placed on 66 Great Russell Street by English Heritage in 2013. Nash left London in 1784 to live in Carmarthen, to where his mother had retired, in 1785 he and a local man Samuel Simon Saxon re-roofed the towns church for 600 Guineas. Nash and Saxon seem to have worked as building contractors and suppliers of building materials, Nashs London buildings had been standard Georgian terrace houses, and it was in Wales that he matured as an architect. He went on to design the prisons at Cardigan and Hereford and it was at Hereford that Nash met Richard Payne Knight, whose theories on the picturesque as applies to architecture and landscape would influence Nash
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Cronkhill
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Cronkhill, Atcham, Shropshire, designed by John Nash, is the earliest Italianate villa in England. Major examples include Trentham Park and Osbourne House, Nashs most original building, it is Grade I listed. The house was designed by John Nash in 1802 for Francis Walford, Walford was a friend of Thomas Noel Hill, 2nd Baron Berwick, of nearby Attingham Park, and the agent for Berwicks Attingham estates. Mansbridge considers that the design was almost certainly inspired by Claude Lorrains painting Landscape near Rome with a View of the Ponte Molle, Lord Berwick was the owner of two Claude landscapes. Walford lived at Cronkhill, managing Lord Berwicks Attingham interests, until their relationship ended acrimoniously in 1828 and it was then occupied by members of the Berwick family, often when Attingham Park was let, until their final return to Attingham in the 1920s. Cronkhill, along with Attingham Park, was gifted to the National Trust in the post-war period, the body of the house is a rectangular two-storey block, with a circular, three-storey, tower to the north and a square, three-storey, tower to the west. A loggia links the two towers, the walls are now white stucco, although the colour may originally have been designed to imitate ashlar. Internally, the reception rooms are simply decorated, comprising a drawing room in the round tower, a library in the square tower. As of 2016, the National Trust is undertaking a restoration of the house to restore Cronkhills appearance back to Nashs original design. A Biographical Dictionary of British Architects, 1600-1840
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Shropshire
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Shropshire Council was created in 2009, a unitary authority taking over from the previous county council and five district councils. The borough of Telford and Wrekin has been a unitary authority since 1998. The county has many towns, including Whitchurch in the north, Newport north-east of Telford. The Ironbridge Gorge area is a UNESCO World Heritage Site, covering Ironbridge, Coalbrookdale, there are other historic industrial sites in the county, such as at Shrewsbury, Broseley, Snailbeach and Highley, as well as the Shropshire Union Canal. The Shropshire Hills Area of Outstanding Natural Beauty covers about a quarter of the county, Shropshire is one of Englands most rural and sparsely populated counties, with a population density of 136/km2. The Wrekin is one of the most famous landmarks in the county, though the highest hills are the Clee Hills, Stiperstones. Wenlock Edge is another significant geographical and geological landmark, the River Severn, Great Britains longest river, runs through the county, exiting into Worcestershire via the Severn Valley. Shropshire is landlocked and with an area of 3,487 square kilometres is Englands largest inland county, the county flower is the round-leaved sundew. The area was part of the lands of the Cornovii. This was a tribal Celtic iron age kingdom and their capital in pre-Roman times was probably a hill fort on the Wrekin. Ptolemys 2nd century Geography names one of their towns as being Viroconium Cornoviorum, after the Roman occupation of Britain ended in the 5th century, the Shropshire area was in the eastern part of the Welsh Kingdom of Powys, known in Welsh poetry as the Paradise of Powys. It was annexed to the Angle kingdom of Mercia by King Offa in the 8th century, in subsequent centuries, the area suffered repeated Danish invasion, and fortresses were built at Bridgnorth and Chirbury. Many defensive castles were built at this time across the county to defend against the Welsh and enable effective control of the region, including Ludlow Castle, the western frontier with Wales was not finally determined until the 14th century. Also in this period, a number of foundations were formed, the county largely falling at this time under the Diocese of Hereford. The county contains a number of historically significant towns, including Shrewsbury, Bridgnorth, additionally, the area around Coalbrookdale in the county is seen as highly significant, as it is regarded as one of the birthplaces of the Industrial Revolution. The village of Edgmond, near Newport, is the location of the lowest recorded temperature in England, the origin of the name Shropshire is the Old English Scrobbesbyrigscīr, which means Shrewsburyshire. The name may, therefore, be derived indirectly from a name such as Scrope. Salop is an old name for Shropshire, historically used as a form for post or telegrams
14.
Regency architecture
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The period coincides with the Biedermeier style in the German-speaking lands, Federal style in the United States and the French Empire style. The style is strictly the late phase of Georgian architecture, and follows closely on from the Neo-classical style of the preceding years, the Georgian period takes its name from the four Kings George of the period 1714–1830, including King George IV. After the decisive victory at the Battle of Waterloo in 1815 ended the wars for good, most Regency architecture comes from this period. Many buildings of the Regency style have a painted stucco facade. In town centres the dominance of the house continued. Elegant wrought iron balconies and bow windows came into fashion as part of this style, further out of town the suburban villa detached house was popular in a range of sizes. For large country houses a range of styles were available. Ashridge, Belvoir Castle and Fonthill Abbey, were all by James Wyatt, sezincote House, designed by Samuel Pepys Cockerell, is a Neo-Mughal country house for a nabob returned from British India. Brighton Pavilion by John Nash, the home of the Prince Regent, is Indian on the exterior. Until the Church Building Act of 1818, church building had been at a low ebb for over 50 years. The Act allocated some money for new churches required to reflect changes in population. Building of Commissioners churches gathered pace in the 1820s, and continued until the 1850s, the early churches, falling into the Regency period, show a high proportion of Gothic Revival buildings, along with the classically inspired. Strict Greek Revival buildings were mixed with those continuing the modified Baroque, the period saw a great increase in public buildings, at both the national and local level. In London, three bridges were built over the Thames between 1813 and 1819, Vauxhall Bridge, Waterloo Bridge and Southwark Bridge, all financed by toll charges. Shops began to be included systematically into newly planned developments, and he had many pupils who disseminated his style, or in the case of Pugin rebelled against it. In London itself there are streets in the style in the areas around Victoria, Pimlico, Mayfair. John Soane was more individualistic, one of a number of European experimenters in Neoclassicism, the public buildings of George Dance the Younger, City Architect of London from 1768, were precursors of the Regency style, though he designed little himself after 1798. Robert Smirke could produce both classical and Gothic designs, and also worked on public buildings
15.
Victorian Architecture
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Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria, called the Victorian era, however, many elements of what is typically termed Victorian architecture did not become popular until later in Victorias reign. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of middle east, the name represents the British and French custom of naming architectural styles for a reigning monarch. Within this naming and classification scheme, it follows Georgian architecture and later Regency architecture, during the early 19th century, the romantic medieval Gothic revival style was developed as a reaction to the symmetry of Palladianism, and such buildings as Fonthill Abbey were built. Paxton also continued to build houses as Mentmore Towers, in the still popular English Renaissance styles. In this era of prosperity new methods of construction were developed, other notable Scottish architects of this period are Archibald Simpson and Alexander Marshall Mackenzie whose stylistically varied work can be seen in the architecture of Aberdeen. Victorian architecture usually has many intricate window frames inspired by the famous architect Elliot Rae, some chose the United States, and others went to Canada, Australia, and New Zealand. Normally, they applied architectural styles that were fashionable when they left England, thus, the influence of English architecture spread across the world. Several prominent architects produced English-derived designs around the world, including William Butterfield, the Victorian period flourished in Australia and is generally recognised as being from 1840 to 1890, which saw a gold rush and population boom during the 1880s in the state of Victoria. There were fifteen styles that predominated, The Arts and Crafts style and Queen Anne style are considered to be part of the Federation Period, during the British colonial period of British Ceylon, Sri Lanka Law College, Sri Lanka College of Technology and the Galle Face Hotel. In the United States, Victorian architecture generally describes styles that were most popular between 1860 and 1900, a list of these styles most commonly includes Second Empire, Stick-Eastlake, Folk Victorian, Queen Anne, Richardsonian Romanesque, and Shingle. As in the United Kingdom, examples of Gothic Revival and Italianate continued to be constructed during this period, some historians classify the later years of Gothic Revival as a distinctive Victorian style named High Victorian Gothic. Stick-Eastlake, a manner of geometric, machine-cut decorating derived from Stick, on the other hand, terms such as Painted Ladies or gingerbread may be used to describe certain Victorian buildings, but do not constitute a specific style. The names of architectural styles varied between countries, many homes combined the elements of several different styles and are not easily distinguishable as one particular style or another. San Francisco is well known for its extensive Victorian architecture, particularly in the Haight-Ashbury, Lower Haight, Alamo Square, Noe Valley, Castro, Nob Hill, the extent to which any one is the largest surviving example is debated, with numerous qualifications. The Distillery District in Toronto, Ontario contains the largest and best preserved collection of Victorian-era industrial architecture in North America, cabbagetown is the largest and most continuous Victorian residential area in North America. Other Toronto Victorian neighbourhoods include The Annex, Parkdale, and Rosedale, in the USA, the South End of Boston is recognized by the National Register of Historic Places as the oldest and largest Victorian neighborhood in the country. Old Louisville in Louisville, Kentucky also claims to be the nations largest Victorian neighborhood, richmond, Virginia is home to several large Victorian neighborhoods, the most prominent being The Fan
16.
Charles Barry
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He also developed the Italian Renaissance garden style for the many gardens he designed around country houses. Born on 23 May 1795 in Bridge Street, Westminster, he was the son of Walter Edward Barry, a stationer. He was baptised at St Margarets, Westminster, into the Church of England and his father remarried shortly after Frances died and Barrys stepmother Sarah would bring him up. He was educated at schools in Homerton and then Aspley Guise, before being apprenticed to Middleton & Bailey, Lambeth architects and surveyors. Barry exhibited drawings at the Royal Academy annually from 1812 to 1815 and he visited France and, while in Paris, spent several days at the Musée du Louvre. In Rome he sketched antiquities, sculptures and paintings at the Vatican Museums and other galleries, before carrying on to Naples, Pompeii, Bari, while in Italy, Barry met Charles Lock Eastlake, an architect, William Kinnaird and Francis Johnson and Thomas Leverton Donaldson. From Constantinople he visited the Troad, Assos, Pergamon and back to Smyrna, on 18 June 1819, Barry parted from Baillie at Tripoli, Lebanon. Over this time, Barry created more than 500 sketches, Barry then travelled on to Cyprus, Rhodes, Halicarnassus, Ephesus and Smyrna from where he sailed on 16 August 1819 for Malta. Barry then sailed from Malta to Syracuse, Sicily, then Italy and his travels in Italy exposed him to Renaissance architecture and after arriving in Rome in January 1820, he met architect John Lewis Wolfe, who inspired Barry himself to become an architect. Their friendship continued until Barry died, the building that inspired Barrys admiration for Italian architecture was the Palazzo Farnese. Over the following months, he and Wolfe together studied the architecture of Vicenza, Venice, Verona and Florence, where the Palazzo Strozzi greatly impressed him. While in Rome he had met Henry Petty-Fitzmaurice, 3rd Marquess of Lansdowne, through whom he met Henry Vassall-Fox, 3rd Baron Holland and their London home, Holland House, was the centre of the Whig Party. Barry remained a supporter of the Liberal party, the successor to the Whig Party. Barry was invited to the gatherings at the house, and there met many of the prominent members of the group, Barry set up his home and office in Ely Place in 1821. In 1827 he moved to 27 Foley Place, then in 1842 he moved to 32 Great George Street and finally to The Elms, now 29 Clapham Common Northside, the Georgian house of five bays and three stories was designed by Samuel Pepys Cockerell as his own home. Probably thanks to his fiancées friendship with John Soane, Barry was recommended to the Church Building Commissioners and these were in the Gothic Revival architecture style, including two in Lancashire, St. Matthew, Campfield, Manchester, and All Saints Church, Whitefield. Barry designed three churches for the Commissioners in Islington, Holy Trinity, St. Johns and St. Pauls, all in the Gothic in style and built between 1826 and 1828. His final church for the Commissioners was the Gothic St Peters Church, Brighton, the Gothic Hurstpierpoint church, with its tower and spire, unlike his earlier churches was much closer to the Cambridge Camden Societys approach to church design
17.
Northern Europe
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Northern Europe is the northern part or region of Europe. However, narrower definitions may also be used based on geographical factors, such as climate. Greenland, geographically a part of North America, is politically a part of the Kingdom of Denmark, while Northern Europe overlaps with most of Northwestern Europe, north-Central Europe, and Northeastern Europe, it does not border Southern Europe. Countries which are central-western, central-central, or central-eastern are generally considered part of neither Northern Europe or Southern Europe. Historically, when Europe was dominated by the Mediterranean region, everything not near this sea was termed Northern Europe, including southern Germany, all of the Low Countries and this meaning is still used today in some contexts, such as in discussions of the Northern Renaissance. In medieval times, the term Thule was used to mean a place in the extreme northern reaches of the continent. The region has a south west extreme of around 50 degrees north, the entire regions climate is mildly affected by the Gulf Stream. From the west climates vary from maritime and maritime subarctic climates, in the north and central climates are generally subarctic or Arctic and to the east climates are mostly subarctic and temperate/continental. With the exception of the United Kingdom and Ireland, Northern European countries are known for harsh winters with temperatures reaching as low as minus 50 degrees Celsius in some parts. Countries in Northern Europe have large, developed economies and some of the highest standards of living in the world and they often score highly on surveys measuring quality of life, such as the Human Development Index
18.
British Empire
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The British Empire comprised the dominions, colonies, protectorates, mandates and other territories ruled or administered by the United Kingdom and its predecessor states. It originated with the possessions and trading posts established by England between the late 16th and early 18th centuries. At its height, it was the largest empire in history and, for over a century, was the foremost global power. By 1913, the British Empire held sway over 412 million people, 23% of the population at the time. As a result, its political, legal, linguistic and cultural legacy is widespread, during the Age of Discovery in the 15th and 16th centuries, Portugal and Spain pioneered European exploration of the globe, and in the process established large overseas empires. Envious of the great wealth these empires generated, England, France, the independence of the Thirteen Colonies in North America in 1783 after the American War of Independence caused Britain to lose some of its oldest and most populous colonies. British attention soon turned towards Asia, Africa, and the Pacific, after the defeat of France in the Revolutionary and Napoleonic Wars, Britain emerged as the principal naval and imperial power of the 19th century. In the early 19th century, the Industrial Revolution began to transform Britain, the British Empire expanded to include India, large parts of Africa and many other territories throughout the world. In Britain, political attitudes favoured free trade and laissez-faire policies, during the 19th Century, Britains population increased at a dramatic rate, accompanied by rapid urbanisation, which caused significant social and economic stresses. To seek new markets and sources of raw materials, the Conservative Party under Benjamin Disraeli launched a period of imperialist expansion in Egypt, South Africa, Canada, Australia, and New Zealand became self-governing dominions. By the start of the 20th century, Germany and the United States had begun to challenge Britains economic lead, subsequent military and economic tensions between Britain and Germany were major causes of the First World War, during which Britain relied heavily upon its empire. The conflict placed enormous strain on the military, financial and manpower resources of Britain, although the British Empire achieved its largest territorial extent immediately after World War I, Britain was no longer the worlds pre-eminent industrial or military power. In the Second World War, Britains colonies in Southeast Asia were occupied by Imperial Japan, despite the final victory of Britain and its allies, the damage to British prestige helped to accelerate the decline of the empire. India, Britains most valuable and populous possession, achieved independence as part of a larger movement in which Britain granted independence to most territories of the empire. The transfer of Hong Kong to China in 1997 marked for many the end of the British Empire, fourteen overseas territories remain under British sovereignty. After independence, many former British colonies joined the Commonwealth of Nations, the United Kingdom is now one of 16 Commonwealth nations, a grouping known informally as the Commonwealth realms, that share a monarch, Queen Elizabeth II. The foundations of the British Empire were laid when England and Scotland were separate kingdoms. In 1496, King Henry VII of England, following the successes of Spain and Portugal in overseas exploration, Cabot led another voyage to the Americas the following year but nothing was ever heard of his ships again
19.
United States
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Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography, climate and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power. The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations. In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
20.
Alexander Jackson Davis
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Alexander Jackson Davis, or A. J. Davis, was one of the most successful and influential American architects of his generation, known particularly for his association with the Gothic Revival style. Davis was born in New York City to Cornelius Davis, a bookseller and editor of theological works and he spent his early years in New Jersey and attended elementary school in upstate New York. In 1818, Davis went to Alexandria, Virginia, to learn the trade from a half-brother. Living mostly in New York City from 1823 onward, he studied at the American Academy of Fine Arts, the New-York Drawing Association, and from the Antique casts of the National Academy of Design. Davis made a first independent career as an illustrator in the 1820s. Picturesque siting, massing and contrasts remained essential to his work, in 1826, Davis went to work in the office of Ithiel Town and Martin E. From 1829, in partnership with Town, Davis formed the first recognizably modern architectural office and designed many late Classical buildings, in Washington, Davis designed the Executive Department offices and with Robert Mills the first Patent Office building. He also designed the Custom House of New York City, bridgeport City Hall, constructed in 1853 and 1854, is a later government building Davis designed in the Classical style. Rague, who was at work on the Iowa State Capitol at the same time and he continued in partnership with Town until shortly before Towns death in 1844. In 1831, he was elected a member of the National Academy. Unfortunately the Panic of 1837 cut short his plans for a series of like volumes, additions to Vesper Cliff were built in 1834. The 1840s and 1850s were Daviss two most fruitful decades as a designer of country houses and his villa Lyndhurst at Tarrytown, New York, is his single most famous house. The village of Skaneateles, New York, has at least two buildings designed by Davis, innovative interior features, including his designs for mantels and sideboards, were also widely imitated in the trade. Other influential interior details include pocket shutters at windows, bay windows, the Greek Revival style William Walsh House was built at Albany, New York, and Gothic Revival style Belmead was built near Powhatan, Virginia, in 1845. This building, fondly called Station 10, still exists and can be found in Newport, Davis built a similar pavilion for his colleague and fellow NYYC founder, John Clarkson Jay, on Jays Hudson River waterfront property in Rye, New York, in 1849. Although this building was taken down in the 1950s, the setting and garden where it was once located is part of a National Historic Landmark site. In 1851, Davis completed Winyah Park, one of eighteen or more Italianate houses he designed in the 1850s. Winyah was built for Richard Lathers, who had studied architecture with Davis in New York in the 1830s and it was situated on Latherss estate in the town of New Rochelle in Westchester County, New York
21.
Hip roof
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A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope. Thus a hipped roof house has no gables or other vertical sides to the roof, a square hip roof is shaped like a pyramid. Hip roofs on houses could have two sides and two trapezoidal ones. A hip roof on a plan has four faces. They are almost always at the pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around, Hip roofs often have dormer slanted sides. Hip roofs are more difficult to construct than a gabled roof, Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it, the triangular faces of the roof are called the hip ends, and they are bounded by the hips themselves. The hips and hip rafters sit on a corner of the building. Where the building has a corner, a valley makes the join between the sloping surfaces. They have the advantage of giving a compact, solid appearance to a structure, in modern domestic architecture, hip roofs are commonly seen in bungalows and cottages, and have been integral to styles such as the American Foursquare. However, the hip roof has been used in different styles of architecture. A hip roof is self-bracing, requiring less diagonal bracing than a gable roof, Hip roofs are thus much better suited for hurricane regions than gable roofs. Hip roofs have no large, flat, or slab-sided ends to catch wind and are much more stable than gable roofs. However, for a region, the roof also has to be steep-sloped. When wind flows over a shallow sloped hip roof, the roof can behave like an airplane wing, lift is then created on the leeward side. The flatter the roof, the more likely this will happen, a steeper pitched hip roof tends to cause the wind to stall as it goes over the roof, breaking up the effect. If the roof slopes are less than 35 degrees from horizontal, greater than 35 degrees, and not only does wind blowing over it encounter a stalling effect, but the roof is actually held down on the wall plate by the wind pressure
22.
Corbel
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In architecture a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a piece of material in the wall. A piece of projecting in the same way was called a tassel or a bragger in the UK. The technique of corbelling, where rows of corbels deeply keyed inside a support a projecting wall or parapet, has been used since Neolithic, or New Stone Age. A console is more specifically an S-shaped scroll bracket in the classical tradition, keystones are also often in the form of consoles. Whereas corbel is rarely used outside architecture, console is used for furniture, as in console table. The word corbel comes from Old French and derives from the Latin corbellus, a diminutive of corvus, similarly, the French refer to a bracket-corbel, usually a load-bearing internal feature, as a corbeau. Norman corbels often have an appearance, although they may be elaborately carved with stylised heads of humans, animals or imaginary beasts. Similarly, in the Early English period, corbels were sometimes carved, as at Lincoln Cathedral. Corbels sometimes end with a point apparently growing into the wall, or forming a knot, in the later periods the carved foliage and other ornaments used on corbels resemble those used in the capitals of columns. Throughout England, in work, wooden corbels abound, carrying window-sills or oriel windows in wood. The corbels carrying balconies in Italy and France were sometimes of great size and richly carved, taking a cue from 16th-century practice, the Paris-trained designers of 19th-century Beaux-Arts architecture were encouraged to show imagination in varying corbels. A corbel table is a moulded string course supported by a range of corbels. Sometimes these corbels carry a small arcade under the string course, as a rule the corbel table carries the gutter, but in Lombard work the arcaded corbel table was utilized as a decoration to subdivide the storeys and break up the wall surface. In Italy sometimes over the corbels will form a moulding, in modern chimney construction, a corbel table is constructed on the inside of a flue in the form of a concrete ring beam supported by a range of corbels. The corbels can be either in-situ or pre-cast concrete, the corbel tables described here are built at approximately ten metre intervals to ensure stability of the barrel of refractory bricks constructed thereon. In medieval architecture the technique was used to support upper storeys or a parapet projecting forward from the wall plane and this later became a decorative feature, without the openings. Corbelling supporting upper stories and particularly supporting projecting corner turrets subsequently became a characteristic of the Scottish baronial style, medieval timber-framed buildings often employ jettying, where upper stories are cantilevered out on projecting wooden beams in a similar manner to corbelling
23.
Pediment
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The tympanum, the triangular area within the pediment, is often decorated with relief sculpture. The pediment is found in classical Greek temples, renaissance, a prominent example is the Parthenon, where it contains a tympanum decorated with figures in relief sculpture. This architectural element was developed in the architecture of ancient Greece, in Ancient Rome, the Renaissance, and later architectural revivals, the pediment was used as a non-structural element over windows, doors and aedicules. A variant is the segmental or arch pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, both traditional and segmental pediments have broken and open forms. In the broken pediment the raking cornice is left open at the apex, the open pediment is open along the base – often used in Georgian architecture. A further variant is the Swan-necked pediment, where the cornice is in the form of two S-shaped brackets. The decorations in the tympanum frequently extend through these openings, in the form of Alto-relievo sculpture, tondo paintings and these forms were adopted in Mannerist architecture, and applied to furniture designed by Thomas Chippendale. The terms open pediment and broken pediment are often used interchangeably, a pediment is sometimes the top element of a portico
24.
Palladian
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Palladian architecture is a European style of architecture derived from and inspired by the designs of the Venetian architect Andrea Palladio. That which is recognised as Palladian architecture today is an evolution of Palladios original concepts, Palladios work was strongly based on the symmetry, perspective and values of the formal classical temple architecture of the Ancient Greeks and Romans. From the 17th century Palladios interpretation of classical architecture was adapted as the style known as Palladianism. It continued to develop until the end of the 18th century, Palladianism became popular briefly in Britain during the mid-17th century, but its flowering was cut short by the onset of the Civil War and the imposition of austerity which followed. In the early 18th century it returned to fashion, not only in England but also, the style continued to be popular in Europe throughout the 19th and early 20th centuries, where it was frequently employed in the design of public and municipal buildings. However, as a style it has continued to be popular and to evolve, its pediments, symmetry. Buildings entirely designed by Palladio are all in Venice and the Veneto, with an especially rich grouping of palazzi in Vicenza and they include villas, and churches such as Redentore in Venice. Palladio always designed his villas with reference to their setting, if on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico and this can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at floor level over the top of a loggia below. Loggias were sometimes given significance in a facade by being surmounted by a pediment, Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building. Palladio would often model his villa elevations on Roman temple facades, the temple influence, often in a cruciform design, later became a trademark of his work. Palladian villas are built with three floors, a rusticated basement or ground floor, containing the service and minor rooms. The proportions of each room within the villa were calculated on simple mathematical ratios like 3,4 and 4,5, earlier architects had used these formulas for balancing a single symmetrical facade, however, Palladios designs related to the whole, usually square, villa. Palladio deeply considered the purpose of his villas as both farmhouses and palatial weekend retreats for wealthy merchant owners. These symmetrical temple-like houses often have symmetrical, but low, wings sweeping away from them to accommodate horses, farm animals. The wings, sometimes detached and connected to the villa by colonnades, were designed not only to be functional but also to complement, the Palladian, Serlian, or Venetian window features largely in Palladios work and is almost a trademark of his early career
25.
Architrave
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An architrave is the lintel or beam that rests on the capitals of the columns. It is an element in Classical architecture. The term can also be applied to all sides, including the vertical members, in an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words arche, the architrave is different in the different orders. In the Tuscan, it consists of a plain face, crowned with a fillet. In the Doric and composite, it has two faces, or fasciae, and three in the Ionic and Corinthian, in which it is 10/12 of a high, though. It means the part of something. The part on which the idea, the reasoning, the thought or the philosophy are based, examples, 1). the Mature Hegel- the Hegel of the Philosophy of Right- who becomes the architrave on which he constructs his social philosophy. Ref. Page, XIV, The Ethics of Democracy, A Contemporary Reading of Hegels Philosophy of Right LINK 2) to become the architrave of his theoretic construction Ref. Pag and it is placed above the bracket of a pillar, which gives it extra support. Dravidian architecture recognizes several distinct types of Architraves, rounded, wavy, flower shaped, bevel and tenon type, voluted, figural
26.
Archivolt
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An archivolt is an ornamental molding or band following the curve on the underside of an arch. It is composed of bands of ornamental moldings surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening, the word is sometimes used to refer to the under-side or inner curve of the arch itself. The word originates in the Italian equivalents of the English words arch, university of Pittsburgh, Glossary of Medieval Art and Architecture
27.
Piano nobile
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The piano nobile is the principal floor of a large house, usually built in one of the styles of Classical Renaissance architecture. This floor contains the reception and bedrooms of the house. The piano nobile is often the first or sometimes the second storey, located above a ground floor containing minor rooms, the reasons for this were so the rooms would have finer views, and more practically to avoid the dampness and odors of the street level. This is especially true in Venice where the piano nobile of the many palazzi is especially obvious from the exterior by virtue of its windows and balconies. Examples of this are Ca Foscari, Ca dOro, Ca Vendramin Calergi, larger windows than those on other floors are usually the most obvious feature of the piano nobile. Often in England and Italy the piano nobile is reached by an outer staircase. Kedleston Hall is an example of this in England, as is Villa Capra in Italy, most houses contained a secondary floor above the piano nobile which contained more intimate withdrawing and bedrooms for private use by the family of the house when no honoured guests were present. Above this floor would often be an attic floor containing staff bedrooms, in these instances, occasionally in museums etc. the principal piano nobile is described as the primo piano nobile to differentiate it. Though often found, this usage is potentially misleading, rooms in the piano nobile are always the grandest, the term is not used in Britain. This arrangement of floors continued throughout Europe for as long as large houses continued to be built in the classical styles and this arrangement was designed at Buckingham Palace as recently as the mid-19th century. Holkham Hall, Osterley Park and Chiswick House are among the innumerable 18th-century English houses which employed this design, Life in the English Country House. Harris, John, de Bellaigue, Geoffrey, & Miller, Oliver, English Country Houses, Early Georgian 1715–1760 London, Country Life. Pavilion Books Ltd. Kaminski Marion, Art and Architecture of Venice,1999, Könemann, ISBN 3-8290-2657-9 Masson, Georgina
28.
Machicolation
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The word derives from the Old French word machecol, mentioned in Medieval Latin as machecollum, probably from Old French machier crush, wound and col neck. Machicolate is only recorded in the 18th century in English, but a verb machicollāre is attested in Anglo-Latin, the Spanish word denoting this structure, matacán, is similarly composed from matar canes meaning roughly killing dogs, the latter being a reference to infidels. The design of a machicoulis, commonly known as drop box, in Arab fortifications they are usually found on defensive walls. The original Arab design was small, and similar to the domestic wooden balcony known as Mashrabiya. However, different from the balcony, for defense purposes it prominently features a wide opening at the bottom. The opening allows the dropping of hot water or oil and other material intended to harm to the enemy below. The feature of a closed balcony also allows to cover while making use. A hoarding is a structure made of wood, usually temporarily constructed in the event of a siege. Advantages of machicolations over wooden hoardings include the strength and fire resistance of stone. Machicolations were more common in French castles than English, where they were restricted to the gateway. One of the first examples of machicolation that still exists in northern France is Château de Farcheville built in 1291 outside Paris, similar to a machicolation is a smaller version which opens as a balcony, generally from a tower rather than a larger structure. Machicolations were a feature in many towers and rural buildings in Malta until the 18th century. Buildings with machicolations include Cavalier Tower, Gauci Tower, the Captains Tower, machicolation was later used for decorative effect with spaces between the corbels but without the openings, and subsequently became a characteristic of many non-military buildings. Bretèche Arrow slit Hoarding Murder hole Media related to Machicolations at Wikimedia Commons Glossary of Medieval Art and Architecture, machicolation
29.
Cupola
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In architecture, a cupola /ˈkjuːpələ/ is a small, most often dome-like, structure on top of a building. Often used to provide a lookout or to light and air. The word derives, via Italian, from the lower Latin cupula small cup indicating a vault resembling an upside down cup. The cupola is a development during the Renaissance of the oculus, an ancient device found in Roman architecture, the chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often appear as small buildings in their own right and they often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret, barns often have cupolas for ventilation. The square, dome-like segment of a North American railroad train caboose that contains the second-level or angel seats is called a cupola. Some armored fighting vehicles have cupolas, called commanders cupola, which is a dome or cylinder with armored glass to provide 360-degree vision around the vehicle
30.
Quoin (architecture)
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Quoins are masonry blocks at the corner of a wall. Stone quoins are used on stone or brick buildings, brick quoins may appear on brick buildings that extrude from the facing brickwork in such a way as to give the appearance of uniformly cut blocks of stone larger than the bricks. Where quoins are used for decoration and not for load-bearing, they may be made from a variety of materials beyond brick, stone or concrete, extending to timber. This forms a long-side, short-side alternate pattern, which by using the same size blocks alternates when the viewer passes the corner and this can be called the alternate, horizontal quoining technique. The long and short quoining method instead places long stone blocks with their lengths oriented vertically and this load bearing quoining is common in Anglo-Saxon buildings such as that of St Benets Church in Cambridge, England
31.
Loggia
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A loggia is an architectural feature which is a covered exterior gallery or corridor usually on an upper level, or sometimes ground level. The outer wall is open to the elements, usually supported by a series of columns or arches, Loggias can be located either on the front or side of a building and are not meant for entrance but as an out-of-door sitting room. From the early Middle Ages, nearly every Italian comune had an arched loggia in its main square which served as a symbol of communal justice and government. The main difference between a loggia and a portico is the role within the layout of the building. The portico allows entrance to the inside from the exterior and can be found on vernacular, the loggia is accessed only from inside and intended as a place for leisure. Thus, it is mainly on noble residences and public buildings. A classic use of both is that represented in the Mosaics of Basilica of Sant Apollinare Nuovo of the Royal Palace, a double loggia occurs when a loggia is located on an upper floor level above a loggia on the floor beneath. In Italian architecture, a loggia often takes the form of a small, often ornate, summer house built on the roof of a residence to enjoy cooling winds and they were especially popular in the 17th century and are prominent in Rome and Bologna, Italy. Grinnell College in Grinnell, Iowa, contains three sets of dorms connected by loggias. In the town center of Chester in the United Kingdom, a number of timber-framed buildings dating from the Tudor to Victorian periods have first-floor loggias called the Chester Rows, in Russia, a loggia can be a recessed balcony on a residential apartment building. A loggia was added to the Sydney Opera House in 2006, at the archeological site of Hagia Triada on the Greek island of Crete, several loggias constructed around 1400 BC have been located and whose column bases still remain. Peristyle Portico Veranda Curl, James Stevens, a Dictionary of Architecture and Landscape Architecture. The dictionary definition of loggia at Wiktionary Media related to Loggias at Wikimedia Commons
32.
Wrought-iron
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Wrought iron is an iron alloy with a very low carbon content in contrast to cast iron. It is a mass of iron with fibrous slag inclusions which gives it a grain resembling wood. Wrought iron is tough, malleable, ductile, corrosion-resistant and easily welded, before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. A wrought product is one that has been worked by forging, extruding, rolling, hammering, etcetera, to change its form. Wrought iron is a worked iron product that is seldom produced today as other cheaper. Historically, a modest amount of iron was refined into steel. The demand for wrought iron reached its peak in the 1860s with the adaptation of ironclad warships, however, as properties such as brittleness of mild steel improved, it became less costly and more widely available than wrought iron, whose usage then declined. Wrought iron is no longer produced on a commercial scale, many products described as wrought iron, such as guard rails, garden furniture and gates, are actually made of mild steel. They retain that description because they are made to resemble objects which in the past were wrought by hand by a blacksmith, the word wrought is an archaic past participle of the verb to work, and so wrought iron literally means worked iron. Wrought iron is a term for the commodity, but is also used more specifically for finished iron goods. It was used in that sense in British Customs records. Cast iron, unlike wrought iron, is brittle and cannot be worked either hot or cold, Cast iron can break if struck with a hammer. In the 17th, 18th, and 19th centuries, wrought iron went by a variety of terms according to its form, origin. While the bloomery process produced wrought iron directly from ore, cast iron or pig iron were the materials used in the finery forge. Pig iron and cast iron have higher content than wrought iron. Cast and especially pig iron have excess slag which must be at least partially removed to produce quality wrought iron, at foundries it was common to blend scrap wrought iron with cast iron to improve the physical properties of castings. Fusion eventually became accepted as relatively more important than composition below a given low carbon concentration. Another difference is that steel can be hardened by heat treating, historically, wrought iron was known as commercially pure iron, however, it no longer qualifies because current standards for commercially pure iron require a carbon content of less than 0.008 wt%
33.
Balustrade
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Multiplied in this way, they form a balustrade. Individually, a baluster shaft may describe the form taken by a brass or silver candlestick. According to OED, baluster is derived through the French, balustre, from Italian, balaustro, from balaustra, pomegranate flower, from Latin balaustium, from Greek βαλαύστιον. The earliest examples are shown in the bas-reliefs representing the Assyrian palaces. The application to architecture was a feature of the early Renaissance, late fifteenth-century examples are found in the balconies of palaces at Venice and these quattrocento balustrades are likely to be following yet-unidentified Gothic precedents. They form balustrades of colonnettes as an alternative to miniature arcading, sangallo passed the motif to Bramante and Michelangelo, through whom balustrades gained wide currency in the 16th century. Because of its low center of gravity, this vase-baluster may be given the modern term dropped baluster. The baluster, being a structure, tends to follow design precedents that were set in woodworking and ceramic practices, where the turners lathe. The profile a baluster takes is often diagnostic of a style of architecture or furniture. Some complicated Mannerist baluster forms can be read as a vase set upon another vase, modern baluster design is also in use for example in designs influenced by the Arts and Crafts movement in a 1905 row of houses in Etchingham Park Road Finchley London England. The modern term baluster shaft is applied to the shaft dividing a window in Saxon architecture, in the south transept of the Abbey in St Albans, England, are some of these shafts, supposed to have been taken from the old Saxon church. Norman bases and capitals have been added, together with plain cylindrical Norman shafts, balusters are normally separated by at least the same measurement as the size of the square bottom section. Placing balusters too far apart diminishes their aesthetic appeal, balustrades normally terminate in columns, building walls or more properly in heavy newel posts because otherwise they will not be structurally strong enough. Balusters may be formed in several ways, wood and stone can be shaped on the lathe, wood can be cut from square or rectangular section boards, while concrete, plaster, iron, and plastics are usually formed by molding and casting. Turned patterns or old examples are used for the molds, Cast iron Cast stone Hardwoods and softwoods Plaster Polymer stone Polyurethane/polystyrene Wrought iron The word banister refers to the balusters of a stairway. According to many dictionaries - a, a handrail, especially on a staircase. Such a handrail together with its supporting structures, the Renaissance baluster and Palladio in Palladio and English Palladianism
34.
Government House, Melbourne
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Government House, Melbourne is the office and official residence of the Governor of Victoria. The current Governor of Victoria is Her Excellency The Honourable Linda Dessau AM, the House is set next to the Royal Botanic Gardens and surrounded by Kings Domain in Melbourne. It was the residence of the Governor-General of Australia from 1901 to 1930. It is the largest Government House in the former British Empire and is almost double the size of the Viceregal Lodge, the land for Government House was set aside by Lieutenant-Governor of Victoria, Charles La Trobe, in 1841. In 1857, Ferdinand von Mueller, Director of the Royal Botanic Gardens, landscaped the area, including Government House reserve. Construction of the building did not start until 1871 and was completed in 1876, while La Trobe was Lieutenant-Governor he lived in La Trobes Cottage. Between 1854 and 1874, Governors lived at Toorak House, then lived in Bishopscourt in East Melbourne until the present Government House was occupied in 1876. Between the formation of the Commonwealth of Australia in 1901 and 1927, during this period Governors of Victoria lived at Stonington mansion. The House has been in use by the Governors of Victoria since 1934. The building reflects the extravagant style of the period with a booming economy due to the Victorian gold rush, rising from the building is a 145-foot belvedere tower. The mews - a paved area surrounded on three sides by stables, coach houses and staff living quarters is nearby, the garden was designed by John Sayce in 1873 and is thought to be the most intact 19th century mansion garden remaining in Melbourne by the Victorian Heritage Register. Government House Governors of Victoria Governor-General of Australia Government Houses of Australia Government Houses in the Commonwealth Official website Government House Victoria - Virtual Tour
35.
Cliveden
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Cliveden is an Italianate mansion and estate in Buckinghamshire, on the border with Berkshire. It crowns an outlying ridge of the Chiltern Hills by the village of Taplow. Set on banks 40 metres above the River Thames, its grounds slope down to the river, the site has been home to an earl, three countesses, two dukes, a Prince of Wales and the Viscounts Astor. As home of Nancy Astor, the house was the place of the Cliveden set of the 1920s and 1930s — a group of political intellectuals. Later, during the 1960s, it became the setting for key events of the notorious Profumo Affair, during the 1970s, it was occupied by Stanford University, which used it as an overseas campus. Today owned by the National Trust, the house is leased as a hotel run by London & Regional Properties. Cliveden means valley among cliffs and refers to the dene which cuts through part of the estate, Cliveden has been spelled differently over the centuries, some of the variations being Cliffden, Clifden, Cliefden and Clyveden. The 375 acres gardens and woodlands are open to the public, there have been three houses on this site, the first, built in 1666, burned down in 1795 and the second house was also destroyed by fire, in 1849. The present Grade I listed house was built in 1851 by the architect Charles Barry for George Sutherland-Leveson-Gower, designed by Sir Charles Barry in 1851 to replace a house previously destroyed by fire, the present house is a blend of the English Palladian style and the Roman Cinquecento. The Victorian three-storey mansion sits on a 400-foot long, 20-foot high brick terrace or viewing platform which dates from the mid-17th century, the exterior of the house is rendered in Roman cement, with terracotta additions such as balusters, capitals, keystones and finials. The roof of the mansion is meant for walking on, and there is a view, above the tree-line. Below the balustraded roofline is a Latin inscription which continues around the four sides of the house and recalls its history, it was composed by the then prime minister William Ewart Gladstone. On the west front it reads, POSITA INGENIO OPERA CONSILIO CAROLI BARRY ARCHIT A MDCCCLI, the main contractor for the work was Lucas Brothers. In 1984–86 the exterior of the mansion was overhauled and a new roof installed by the National Trust. In 2013, restoration work on the house was carried out including the restoration of 300 sash windows and 20 timber doors. The interior of the house today is different from its original appearance in 1851–52. This is mainly due to the 1st Lord Astor, who altered the interior layout. His aim was to make the interior as much like an Italian palazzo as possible, the ceiling and walls were panelled in English oak, with Corinthian columns and swags of carved flowers for decoration, all by architect Frank Pearson
36.
Mansion
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A mansion is a large dwelling house. The word itself derives through Old French from the Latin word mansio dwelling, the English word manse originally defined a property large enough for the parish priest to maintain himself, but a mansion is no longer self-sustaining in this way. Manor comes from the same root—territorial holdings granted to a lord who would remain there—hence it is easy to see how the word Mansion came to have its meaning, within an ancient Roman city, patrician dwellings might be very extensive, and luxurious. Such mansions on one hill in Rome became so extensive that the term palatial was actually derived from the name Palatine hill and is the origin of palace. Following the fall of Rome the practice of building unfortified villas ceased, today, the oldest inhabited mansions around the world usually began their existence as fortified castles in the middle ages. As social conditions slowly changed and stabilised fortifications were able to be reduced and it became fashionable and possible for homes to be beautiful rather than grim and forbidding allowing for the development of the modern mansion. In British English a mansion block refers to a block of flats or apartments designed for the appearance of grandeur, in many parts of Asia, including Hong Kong and Japan, the word mansion also refers to a block of apartments. In Europe, from the 15th century onwards, a combination of politics, as a result, many were transformed into mansions without defences or demolished and rebuilt in a more modern, undefended style. Due to intermarriage and primogeniture inheritance amongst the aristocracy, it common for one noble to often own several country houses. These would be visited throughout the year as their owner pursued the social. Many owners of a house would also own a town mansion in their countrys capital city. These town mansions were referred to as houses in London, hotels in Paris and it might be noted that sometimes the house of a clergyman was called a mansion house. This was a period of social change, as the educated prided themselves on enlightenment. The uses of these edifices paralleled that of the Roman villas and it was vital for powerful people and families to keep in social contact with each other as they were the primary moulders of society. The rounds of visits and entertainments were a part of the societal process. State business was discussed and determined in informal settings. Times of revolution reversed this value, in the great houses of Italy, the number of retainers was often even greater than in England, whole families plus extended relations would often inhabit warrens of rooms in basements and attics. It is doubtful that a 19th-century Marchesa would even know the number of individuals who served her
37.
Villa Emo
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Villa Emo is a patrician villa in the Veneto, northern Italy, near the village of Fanzolo di Vedelago. It was designed by Andrea Palladio in 1559 for the Emo family of Venice, since 1996, it has been conserved as part of the World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. The building of Villa Emo was the culmination of a project of the patrician Emo family of the Republic of Venice to develop its estates at Fanzolo. In 1509, which saw the defeat of Venice in the War of the League of Cambrai, the landscape of Fanzolo has a continuous history since Roman times and it has been suggested that the layout of the villa reflects the straight lines of the Roman roads. The Emo familys central interest was at first in the cultivation of their newly acquired land, not until two generations had passed did Leonardo di Alvise Emo commission Palladio to build a new villa in Fanzolo. We unfortunately do not have any dates for the commencement of the new building. The date of completion is put at 1565, a document which attests to the marriage of Leonardo di Alvise with Cornelia Grimani has come down to us from that year. It is one of the most accomplished of the Palladian Villas and it has been praised for the simple mathematical relationships expressed in its proportions, both of the elevation and the dimensions of the rooms. In 1570 Palladio published a plan of the villa in his treatise I Quattro Libri dellArchitettura, unlike some of the other plans he included in this work, the one of Villa Emo corresponds nearly exactly to what was built. The house is framed by two colonnaded wings which originally housed agricultural activities, for this was a working villa like Villa Badoer, Andrea Palladio emphasises the usefulness of the lay-out in his treatise. He points out that the stores and work areas could be reached under cover. Also, it was necessary for the Villa Emos size to correspond to the returns obtained by good management and these returns must in fact have been considerable, for the side-wings of the building are unusually long, a visible symbol of prosperity. The Emo family introduced the cultivation of maize on their estate, in contrast to the traditional cultivation of millet, considerably higher returns could be obtained from the maize. It is not clear if the walk, made of large square paving-stones. It seems to be a fifteenth-century threshing floor, however, Palladio advised that threshing should not be carried out near a house. The outer appearance of the Villa Emo is marked by a treatment of the entire body of the building. The living quarters are raised above ground-level, as are all of Palladios other villas, instead of the usual staircase going up to the main front door, the building has a wide ramp with a gentle slope. A wide flight of steps leads up to the loggia which takes the form of a portico crowned by a gable - a temple front which Palladio applied to secular buildings
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Palladio
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Andrea Palladio was an Italian architect active in the Republic of Venice. Palladio, influenced by Roman and Greek architecture, primarily by Vitruvius, is considered to be the most influential individual in the history of architecture. All of his buildings are located in what was the Venetian Republic, the city of Vicenza and the Palladian Villas of the Veneto are UNESCO World Heritage Sites. Palladio was born on 30 November 1508 in Padua and was given the name and his father, Pietro, called Della Gondola, was a miller. From early on, Andrea Palladio was introduced into the work of building, in Padua he gained his first experiences as a stonecutter in the sculpture workshop of Bartolomeo Cavazza da Sossano, who is said to have imposed particularly hard working conditions. At the age of sixteen he moved to Vicenza where he would reside for most of his life, here he became an assistant in the Pedemuro studio, a leading workshop of stonecutters and masons. He joined a guild of stonemasons and bricklayers and he was employed as a stonemason to make monuments and decorative sculptures. These sculptures reflected the Mannerist style of the architect Michele Sanmicheli, perhaps the key moment that sparked Palladios career was being employed by the Humanist poet and scholar, Gian Giorgio Trissino, from 1538 to 1539. While Trissino was reconstructing the Villa Cricoli, he took interest in Palladios work, Trissino was heavily influenced by the studies of Vitruvius, who later influenced Palladios own ideals and attitudes toward classical architecture. It was also Trissino who gave him the name by which he became known, Palladio, indeed, the word Palladio means Wise one. The powerful Barbaros introduced Palladio to Venice, where he finally became Proto della Serenissima after Jacopo Sansovino, in addition to the Barbaros, the Corner, Foscari, and Pisani families supported Palladios career. Andrea Palladio began to develop his own architectural style around 1541, the Palladian style, named after him, adhered to classical Roman principles he rediscovered, applied, and explained in his works. Andrea Palladio is known to be one of the most influential architects in Western architecture and his architectural works have been valued for centuries as the quintessence of High Renaissance calm and harmony. He designed many palaces, villas, and churches, but Palladios reputation, initially, the palladian villas are located mainly in the province of Vicenza, while the palazzi are concentrated in the city of Vicenza and the churches in Venice. A number of his works are now protected as part of the World Heritage Site City of Vicenza, other buildings by Palladio are to be found within the Venice and its Lagoon World Heritage Site. Palladios first major public project began when his designs for building the loggias for the town hall and he proposed an addition of two-storey stone buttresses reflecting the Gothic style of the existing hall while using classical proportions. The construction was completed in 1617 after Palladios death, aside from Palladios designs, his publications contributed to Palladianism. During the second half of his life, Palladio published many books, above all, Palladio is most known for his designs of villas and palaces as well as his books
39.
Stoke Gabriel
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Stoke Gabriel is a village and parish in Devon, England, situated on a creek of the River Dart. The village is a popular tourist destination in the South Hams and is famous for its mill pond and it is equidistant from Paignton, Dartmouth and Totnes, and has a population of approximately 1,200, reducing slightly to 1,107 at the 2011 census. The village is the part of the electoral ward of East Dart. The ward population at the census was 1,877. Fisherman probably first came to Stoke Gabriel to fish salmon and gain access to the River Dart, the village has an approximately 1, 000-year-old yew tree in the churchyard of The Church of St Mary and St Gabriel, a church which has stood since Norman times. Legend has it that if you walk backwards seven times round the main stem you will be granted a wish. Stoke Gabriel was the birthplace of the Great Western Railways Chief Mechanical Engineer George Jackson Churchward, the village has two public houses, The Church House Inn and The Castle Inn. Until relatively recently there were three pubs, the other being The Victoria and Albert Inn. The Church House Inn was built to accommodate the masons who constructed the church, the old stocks can be seen outside the inn today. Stoke Gabriel is the template for the village of Thornford Regis in C. C. Benisons crime novels Twelve Drummers Drumming and Eleven Pipers Piping, Stoke Gabriel online Stoke Gabriel Football Club Stoke Gabriel Cricket Club Stoke Gabriel Pre-School
40.
Devon
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Devon, also known as Devonshire, which was formerly its common and official name, is a county of England, reaching from the Bristol Channel in the north to the English Channel in the south. It is part of South West England, bounded by Cornwall to the west, Somerset to the northeast, combined as a ceremonial county, Devons area is 6,707 km2 and its population is about 1.1 million. Devon derives its name from Dumnonia, which, during the British Iron Age, Roman Britain, the Anglo-Saxon settlement of Britain resulted in the partial assimilation of Dumnonia into the Kingdom of Wessex during the eighth and ninth centuries. The western boundary with Cornwall was set at the River Tamar by King Æthelstan in 936, Devon was constituted as a shire of the Kingdom of England thereafter. The north and south coasts of Devon each have both cliffs and sandy shores, and the bays contain seaside resorts, fishing towns. The inland terrain is rural, generally hilly, and has a low density in comparison to many other parts of England. Dartmoor is the largest open space in southern England at 954 km2, to the north of Dartmoor are the Culm Measures and Exmoor. In the valleys and lowlands of south and east Devon the soil is fertile, drained by rivers including the Exe, the Culm, the Teign, the Dart. As well as agriculture, much of the economy of Devon is linked with tourism, in the Brittonic, Devon is known as Welsh, Dyfnaint, Breton, Devnent and Cornish, Dewnens, each meaning deep valleys. One erroneous theory is that the suffix is due to a mistake in the making of the original letters patent for the Duke of Devonshire. However, there are references to Defenascire in Anglo-Saxon texts from before 1000 AD, the term Devonshire may have originated around the 8th century, when it changed from Dumnonia to Defenascir. Kents Cavern in Torquay had produced human remains from 30–40,000 years ago, Dartmoor is thought to have been occupied by Mesolithic hunter-gatherer peoples from about 6000 BC. The Romans held the area under occupation for around 350 years. Devon became a frontier between Brittonic and Anglo-Saxon Wessex, and it was absorbed into Wessex by the mid 9th century. This suggests the Anglo-Saxon migration into Devon was limited rather than a movement of people. The border with Cornwall was set by King Æthelstan on the east bank of the River Tamar in 936 AD, the arrival of William of Orange to launch the Glorious Revolution of 1688 took place at Brixham. Devon has produced tin, copper and other metals from ancient times, Devons tin miners enjoyed a substantial degree of independence through Devons Stannary Parliament, which dates back to the 12th century. The last recorded sitting was in 1748, agriculture has been an important industry in Devon since the 19th century
41.
William Gilpin (priest)
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William Gilpin was an English artist, Anglican cleric, schoolmaster and author, best known as one of the originators of the idea of the picturesque. Gilpin was born in Cumberland, the son of Captain John Bernard Gilpin, while still at Oxford, Gilpin anonymously published A Dialogue upon the Gardens. Part guidebook to Stowe, part essay on aesthetics, this shows that Gilpin had already begun to develop his ideas on the picturesque, after working as curate, Gilpin became master, and from 1755 headmaster, at Cheam School. He was an enlightened educationist, instituting a system of fines rather than punishment and encouraging the boys to keep gardens. His broad intention was to promote uprightness and utility and give his pupils a miniature of the world they were afterwards to enter, Gilpin stayed at Cheam until 1777 when he moved, with his wife Margaret, to become Vicar of Boldre in the New Forest in Hampshire. While there he took as a pupil the future poet Caroline Anne Bowles. Another pupil was his nephew, the painter William Sawrey Gilpin and he was succeeded at Cheam by his son, another William Gilpin. William Gilpin died at Boldre, Hampshire, on 5 April 1804 and was buried there on 13 April and he was survived by his wife. His older son, John Bernard, became British consul for Rhode Island and his younger, William, had taken over at Cheam School. Gilpins tour journals circulated in manuscript to friends, such as the poet William Mason, and a wider circle including Thomas Gray, Horace Walpole and King George III. In 1782, at the instigation of Mason, Gilpin published Observations on the River Wye and several parts of South Wales, etc. relative chiefly to Picturesque Beauty, made in the summer of the year 1770. This was illustrated with plates based on Gilpins sketches, etched by his nephew William Sawrey Gilpin using the new aquatint process, there followed Observations on the Lake District and the West of England and, after his move to Boldre Remarks on Forest Scenery, and other woodland Views. Gilpins watercolour technique has been compared to that of Alexander Cozens, both texture and composition were important in a correctly picturesque scene. The texture should be rough, intricate, varied, or broken, a ruined abbey or castle would add consequence. A low viewpoint, which tended to emphasise the sublime, was preferable to a prospect from on high. While Gilpin allowed that nature was good at producing textures and colours, some extra help from the artist, perhaps in the form of a carefully placed tree, was usually required. In contrast to other travel writers, such as Thomas Pennant, Gilpin included little history. Even Gilpins descriptions can seem quite vague, concentrating on how scenery conformed to picturesque principles rather than its specific character, in one much-quoted passage, Gilpin takes things to an extreme, suggesting that a mallet judiciously used might render the insufficiently ruinous gable of Tintern Abbey more picturesque
42.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
43.
Tudor architecture
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It is generally not used to refer to the whole period of the Tudor dynasty, but in prestige buildings to the period roughly between 1500 and 1560. It followed the Late Gothic Perpendicular style and was superseded by Elizabethan architecture from about 1560 in domestic building of any pretensions to fashion, in this form the Tudor style long retained its hold on English taste. The four-centered arch, now known as the Tudor arch, was a defining feature, some of the most remarkable oriel windows belong to this period. Mouldings are more out and the foliage becomes more naturalistic. During the reigns of Henry VIII and Edward VI, many Italian artists arrived in England, their decorative features can be seen at Hampton Court Palace, Layer Marney Tower, Sutton Place, and elsewhere. However, in the reign of Elizabeth I, the influence of Northern Mannerism. Courtiers and other wealthy Elizabethans competed to build houses that proclaimed their status. The Dissolution of the Monasteries redistributed large amounts of land to the wealthy, resulting in a building boom. The building of churches had already slowed somewhat before the English Reformation, after a boom in the previous century. Civic and university buildings became more numerous in the period. Tudor style buildings have features that separate them from Medieval. Castles and smaller manor houses often had moats, portcullises and crenellations designed for archers to stand guard, however, with the arrival of gunpowder and cannons by the time of Henry VI, fortifications like castles became increasingly obsolete. The autumn of 1485 marked the ascension of Henry VII to the throne, until Henrys accession, England had been engaged in the Wars of the Roses that had left the royal coffers in deep trouble-Yorkists had raided the treasury just after the death of Edward IV. Henry Tudor was hellbent on repairing the damage done by decades of war, though this period is better known for the luxuries and excesses of his son and granddaughter, it was actually under Henry VII that the transition from the Middle Ages to the Renaissance began. In the early part of his reign, Henry Tudor favored a site at Sheen, someway down river from London and now known as Richmond Palace, as his primary residence. This had been one of the royal palaces since the reign of Edward II and this burnt to the ground at Christmas 1497, with the royal family in residence, and Henry began a new palace in a version of Renaissance style. This, called Richmond Palace and now completely lost, has described as the first prodigy house. During the reign of Henry VIII, architecture became a pastime of the king
44.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
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Houses of Parliament
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The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its occupants, the Palace lies on the bank of the River Thames in the City of Westminster. The palace is owned by the monarch in right of the Crown and for ceremonial purposes, the building is managed by committees appointed by both houses, which report to the Speaker of the House of Commons and the Lord Speaker. The first royal palace was built on the site in the 11th century, part of the New Palaces area of 3.24 hectares was reclaimed from the Thames, which is the setting of its nearly 300-metre long façade, called the River Front. Barry was assisted by Augustus Pugin, an authority on Gothic architecture and style. The Palace is one of the centres of political life in the United Kingdom, Westminster has become a metonym for the UK Parliament, the Palace of Westminster has been a Grade I listed building since 1970 and part of a UNESCO World Heritage Site since 1987. The Palace of Westminster site was important during the Middle Ages. Known in medieval times as Thorney Island, the site may have been first-used for a residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, Thorney Island and the surrounding area soon became known as Westminster. Neither the buildings used by the Anglo-Saxons nor those used by William I survive, the oldest existing part of the Palace dates from the reign of William Is successor, King William II. The Palace of Westminster was the principal residence in the late Medieval period. The predecessor of Parliament, the Curia Regis, met in Westminster Hall, simon de Montforts parliament, the first to include representatives of the major towns, met at the Palace in 1265. The Model Parliament, the first official Parliament of England, met there in 1295, in 1512, during the early years of the reign of King Henry VIII, fire destroyed the royal residential area of the palace. In 1534, Henry VIII acquired York Place from Cardinal Thomas Wolsey, renaming it the Palace of Whitehall, Henry used it as his principal residence. Although Westminster officially remained a royal palace, it was used by the two Houses of Parliament and by the various law courts. Because it was originally a residence, the Palace included no purpose-built chambers for the two Houses. Important state ceremonies were held in the Painted Chamber which had originally built in the 13th century as the main bedchamber for King Henry III. The House of Commons, which did not have a chamber of its own, the Commons acquired a permanent home at the Palace in St Stephens Chapel, the former chapel of the royal palace, during the reign of Edward VI
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Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
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Lazio
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Lazio is one of the 20 administrative regions of Italy, situated in the central peninsular section of the country. With almost 5.9 million residents and a GDP of more than 170 billion euros, Lazio is the second most populated region of Italy and its capital is Rome, capital and largest city of Italy. Lazio comprises an area of 17,236 km2 and it has borders with Tuscany, Umbria, and Marche to the north, Abruzzo and Molise to the east, Campania to the south. The region is flat and hilly, with small mountainous areas in the most eastern and southern districts. The coast of Lazio is mainly composed of beaches, punctuated by the headlands of Circeo. The Pontine Islands, which are part of Lazio, lie opposite the southern coast, behind the coastal strip, to the north, lies the Maremma Laziale, a coastal plain interrupted at Civitavecchia by the Tolfa Mountains. The central section of the region is occupied by the Roman Campagna, the southern districts are characterized by the flatlands of Agro Pontino, a once swampy and malarial area, that was reclaimed over the centuries. To the south of the Tiber, other groups form part of the Preapennines, the Alban Hills, also of volcanic origin. The highest peak is Mount Gorzano on the border with Abruzzo, see also, History of Italy The Italian word Lazio descends from the Latin word Latium. The name of the region also survives in the designation of the ancient population of Latins, Latini in the Latin language spoken by them. Although the demography of ancient Rome was multi-ethnic, including, for example, Etruscans and other Italics besides the Latini, in Roman mythology, the tribe of the Latini took their name from king Latinus. Much of Lazio is in flat or rolling. The lands originally inhabited by the Latini were extended into the territories of the Samnites, the Marsi, the Hernici, the Aequi, the Aurunci and the Volsci, all surrounding Italic tribes. This larger territory was still called Latium, but it was divided into Latium adiectum or Latium Novum, the lands or New Latium, and Latium Vetus, or Old Latium. The northern border of Lazio was the Tiber river, which divided it from Etruria, the emperor Augustus officially united almost all of present-day Italy into a single geo-political entity, Italia, dividing it into eleven regions. However, the wars against the Longobards weakened the region. With the Donation of Sutri in 728, the Bishop of Rome acquired the first territory in the region beyond the Duchy of Rome, the strengthening of the religious and ecclesiastical aristocracy led to continuous power struggles between secular lords and the Pope until the middle of the 16th century. Other popes tried to do the same, during the period when the papacy resided in Avignon, France, the feudal lords power increased due to the absence of the Pope from Rome
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Victorian architecture
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Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria, called the Victorian era, however, many elements of what is typically termed Victorian architecture did not become popular until later in Victorias reign. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of middle east, the name represents the British and French custom of naming architectural styles for a reigning monarch. Within this naming and classification scheme, it follows Georgian architecture and later Regency architecture, during the early 19th century, the romantic medieval Gothic revival style was developed as a reaction to the symmetry of Palladianism, and such buildings as Fonthill Abbey were built. Paxton also continued to build houses as Mentmore Towers, in the still popular English Renaissance styles. In this era of prosperity new methods of construction were developed, other notable Scottish architects of this period are Archibald Simpson and Alexander Marshall Mackenzie whose stylistically varied work can be seen in the architecture of Aberdeen. Victorian architecture usually has many intricate window frames inspired by the famous architect Elliot Rae, some chose the United States, and others went to Canada, Australia, and New Zealand. Normally, they applied architectural styles that were fashionable when they left England, thus, the influence of English architecture spread across the world. Several prominent architects produced English-derived designs around the world, including William Butterfield, the Victorian period flourished in Australia and is generally recognised as being from 1840 to 1890, which saw a gold rush and population boom during the 1880s in the state of Victoria. There were fifteen styles that predominated, The Arts and Crafts style and Queen Anne style are considered to be part of the Federation Period, during the British colonial period of British Ceylon, Sri Lanka Law College, Sri Lanka College of Technology and the Galle Face Hotel. In the United States, Victorian architecture generally describes styles that were most popular between 1860 and 1900, a list of these styles most commonly includes Second Empire, Stick-Eastlake, Folk Victorian, Queen Anne, Richardsonian Romanesque, and Shingle. As in the United Kingdom, examples of Gothic Revival and Italianate continued to be constructed during this period, some historians classify the later years of Gothic Revival as a distinctive Victorian style named High Victorian Gothic. Stick-Eastlake, a manner of geometric, machine-cut decorating derived from Stick, on the other hand, terms such as Painted Ladies or gingerbread may be used to describe certain Victorian buildings, but do not constitute a specific style. The names of architectural styles varied between countries, many homes combined the elements of several different styles and are not easily distinguishable as one particular style or another. San Francisco is well known for its extensive Victorian architecture, particularly in the Haight-Ashbury, Lower Haight, Alamo Square, Noe Valley, Castro, Nob Hill, the extent to which any one is the largest surviving example is debated, with numerous qualifications. The Distillery District in Toronto, Ontario contains the largest and best preserved collection of Victorian-era industrial architecture in North America, cabbagetown is the largest and most continuous Victorian residential area in North America. Other Toronto Victorian neighbourhoods include The Annex, Parkdale, and Rosedale, in the USA, the South End of Boston is recognized by the National Register of Historic Places as the oldest and largest Victorian neighborhood in the country. Old Louisville in Louisville, Kentucky also claims to be the nations largest Victorian neighborhood, richmond, Virginia is home to several large Victorian neighborhoods, the most prominent being The Fan
