1.
Chelsea, London
–
Chelsea is an affluent area in West London, bounded to the south by the River Thames. Its frontage runs from Chelsea Bridge along the Chelsea Embankment, Cheyne Walk, Lots Road and its eastern boundary was once defined by the River Westbourne, which is now in a pipe above Sloane Square tube station. The modern eastern boundary is Chelsea Bridge Road and the half of Sloane Street. To the north and northwest, the area fades into Knightsbridge and Brompton, the football club Chelsea F. C. is based at Stamford Bridge in neighbouring Fulham. From 1900, and until the creation of Greater London in 1965, the exclusivity of Chelsea as a result of its high property prices has historically resulted in the term Sloane Ranger being used to describe its residents. Since 2011, Channel 4 has broadcast a reality show called Made in Chelsea. Moreover, Chelsea is home to one of the largest communities of Americans living outside the United States, the word Chelsea originates from the Old English term for landing place for chalk or limestone. Abbot Gervace subsequently assigned the manor to his mother, and it passed into private ownership, the modern-day Chelsea hosted the Synod of Chelsea in 787 AD. King Henry VIII acquired the manor of Chelsea from Lord Sandys in 1536, in 1609 James I established a theological college, King Jamess College at Chelsey on the site of the future Chelsea Royal Hospital, which Charles II founded in 1682. By 1694, Chelsea – always a popular location for the wealthy, Kings Road, named for Charles II, recalls the Kings private road from St Jamess Palace to Fulham, which was maintained until the reign of George IV. One of the important buildings in Kings Road, the former Chelsea Town Hall. Part of the building contains the Chelsea Public Library and this is no longer the case, although housing trusts and Council property do remain. The areas to the west also attract very high prices and this former fashionable village was absorbed into London during the eighteenth century. Many notable people of 18th century London, such as the bookseller Andrew Millar, were married and buried in the district. The memorials in the churchyard of Chelsea Old Church, near the river and these include Lord and Lady Dacre, Lady Jane Cheyne, Francis Thomas, director of the china porcelain manufactory, Sir Hans Sloane, Thomas Shadwell, Poet Laureate. Sir Thomas Mores tomb can also be found there, in 1718, the Raw Silk Company was established in Chelsea Park, with mulberry trees and a hothouse for raising silkworms. At its height in 1723, it supplied silk to Caroline of Ansbach, Chelsea once had a reputation for the manufacture of Chelsea buns, made from a long strip of sweet dough tightly coiled, with currants trapped between the layers, and topped with sugar. The Chelsea Bun House sold these during the 18th century and was patronised by the Georgian royalty, at Easter, great crowds would assemble on the open spaces of the Five Fields – subsequently developed as Belgravia
Chelsea, London
–
Figure Court of Royal Hospital Chelsea
Chelsea, London
–
Statue of
King Charles II on the site of the
Chelsea Flower Show
Chelsea, London
–
Statue of Thomas More on
Cheyne Walk with
Chelsea Old Church in the background (2006)
2.
English people
–
The English are a nation and an ethnic group native to England, who speak the English language. The English identity is of medieval origin, when they were known in Old English as the Angelcynn. Their ethnonym is derived from the Angles, one of the Germanic peoples who migrated to Great Britain around the 5th century AD, England is one of the countries of the United Kingdom. Collectively known as the Anglo-Saxons, they founded what was to become England along with the later Danes, Normans, in the Acts of Union 1707, the Kingdom of England was succeeded by the Kingdom of Great Britain. Over the years, English customs and identity have become closely aligned with British customs. The English people are the source of the English language, the Westminster system and these and other English cultural characteristics have spread worldwide, in part as a result of the former British Empire. The concept of an English nation is far older than that of the British nation, many recent immigrants to England have assumed a solely British identity, while others have developed dual or mixed identities. Use of the word English to describe Britons from ethnic minorities in England is complicated by most non-white people in England identifying as British rather than English. In their 2004 Annual Population Survey, the Office for National Statistics compared the ethnic identities of British people with their national identity. They found that while 58% of white people in England described their nationality as English and it is unclear how many British people consider themselves English. Following complaints about this, the 2011 census was changed to allow respondents to record their English, Welsh, Scottish, another complication in defining the English is a common tendency for the words English and British to be used interchangeably, especially overseas. In his study of English identity, Krishan Kumar describes a common slip of the tongue in which people say English, I mean British. He notes that this slip is made only by the English themselves and by foreigners. Kumar suggests that although this blurring is a sign of Englands dominant position with the UK and it tells of the difficulty that most English people have of distinguishing themselves, in a collective way, from the other inhabitants of the British Isles. In 1965, the historian A. J. P. Taylor wrote, When the Oxford History of England was launched a generation ago and it meant indiscriminately England and Wales, Great Britain, the United Kingdom, and even the British Empire. Foreigners used it as the name of a Great Power and indeed continue to do so, bonar Law, by origin a Scotch Canadian, was not ashamed to describe himself as Prime Minister of England Now terms have become more rigorous. The use of England except for a geographic area brings protests and this version of history is now regarded by many historians as incorrect, on the basis of more recent genetic and archaeological research. The 2016 study authored by Stephan Schiffels et al, the remaining portion of English DNA is primarily French, introduced in a migration after the end of the Ice Age
English people
English people
–
"The Arrival of the First Ancestors of Englishmen out of Germany into Britain": a fanciful image of the Anglo-Saxon migration, an event central to the English
national myth. From A Restitution of Decayed Intelligence by
Richard Verstegan (1605)
English people
–
A reconstruction of an Anglo-Saxon burial chamber at
Sutton Hoo,
East Anglia.
English people
–
King Harold II of England (right) at the Norman court, from the
Bayeux Tapestry
3.
Printmaking
–
Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
Printmaking
–
Rembrandt,
Self-portrait,
etching, c.1630.
Printmaking
–
Mount Fuji, from the
Thirty-six Views of Mount Fuji, color
woodcut by
Katsushika Hokusai
Printmaking
–
Francisco Goya, There is No One To Help Them,
Disasters of War series,
aquatint c.1810.
Printmaking
–
External video
4.
Etching
–
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal. In modern manufacturing, other chemicals may be used on other types of material, as a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology. In traditional pure etching, a plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with an etching needle where he or she wants a line to appear in the finished piece. The échoppe, a tool with an oval section, is also used for swelling lines. The plate is dipped in a bath of acid, technically called the mordant or etchant. The acid bites into the metal where it is exposed, leaving behind lines sunk into the plate, the remaining ground is then cleaned off the plate. The plate is inked all over, and then the ink wiped off the surface, the plate is then put through a high-pressure printing press together with a sheet of paper. The paper picks up the ink from the lines, making a print. The process can be repeated many times, typically several hundred impressions could be printed before the shows much sign of wear. The work on the plate can also be added to by repeating the whole process, Etching has often been combined with other intaglio techniques such as engraving or aquatint. The process as applied to printmaking is believed to have been invented by Daniel Hopfer of Augsburg, Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron plates. Apart from his prints, there are two examples of his work on armour, a shield from 1536 now in the Real Armeria of Madrid. The switch to copper plates was made in Italy. On the other hand, the handling of the ground and acid need skill and experience, prior to 1100 AD, the New World Hohokam independently utilized the technique of acid etching in marine shell designs. Jacques Callot from Nancy in Lorraine made important technical advances in etching technique and he developed the échoppe, a type of etching-needle with a slanting oval section at the end, which enabled etchers to create a swelling line, as engravers were able to do. Callot also appears to have responsible for an improved, harder, recipe for the etching ground
Etching
–
The Soldier and his Wife. Etching by
Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking
Etching
–
Portrait of
Luca Giordano, 18th century
Etching
–
Rembrandt,
The Virgin and Child with a Cat, 1654. Original copper etching plate above, example of the print below, with composition reversed.
Etching
–
Christ Preaching, known as The
Hundred Guilder Print; etching c1648 by
Rembrandt.
5.
Political cartoon
–
An editorial cartoon, also known as a political cartoon, is a drawing containing a commentary expressing the artists opinion. An artist who writes and draws such images is known as an editorial cartoonist and they typically combine artistic skill, hyperbole and satire in order to question authority and draw attention to corruption, political violence and other social ills. The pictorial satire of William Hogarth has been credited as the precursor to the political cartoon and his pictures combined social criticism with sequential artistic scenes. A frequent target of his satire was the corruption of early-18th-century British politics and his art often had a strong moralizing element to it, such as in his masterpiece of 1719, A Rakes Progress. However, his work was only tangentially politicized and was regarded on its artistic merits. George Townshend, 1st Marquess Townshend produced some of the first overtly political cartoons, Gillray explored the use of the medium for lampooning and caricature, and has been referred to as the father of the political cartoon. The times in which Gillray lived were peculiarly favourable to the growth of a school of caricature. Party warfare was carried on with vigour and not a little bitterness. Gillrays incomparable wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, george Cruikshank became the leading cartoonist in the period following Gillray. His early career was renowned for his caricatures of English life for popular publications. He gained notoriety with his prints that attacked the royal family. His work included a personification of England named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as James Gillray, and Thomas Rowlandson. The art of the cartoon was further developed with the publication of the periodical Punch in 1841, founded by Henry Mayhew. It was bought by Bradbury and Evans in 1842, who capitalised on newly evolving mass printing technologies to turn the magazine into a preeminent national institution. Punch humorously appropriated the term to refer to its political cartoons, artists who published in Punch during the 1840s and 50s included John Leech, Richard Doyle, John Tenniel and Charles Keene. This group became known as The Punch Brotherhood, which also included Charles Dickens who joined Bradbury and Evans after leaving Chapman, Punch authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week, created in response to Dickens departure from Household Words. For over five decades he was a steadfast social witness to the sweeping changes that occurred during this period alongside his fellow cartoonist John Leech. By the mid 19th century, major newspapers in many countries featured cartoons designed to express the publishers opinion on the politics of the day
Political cartoon
–
An editorial cartoon of
Andrew Johnson and
Abraham Lincoln, 1865, entitled "The Rail Splitter at Work Repairing the Union". The caption reads: (Johnson): "Take it quietly Uncle Abe and I will draw it closer than ever." (Lincoln): "A few more stitches Andy and the good old Union will be mended."
Political cartoon
–
A Rake's Progress, Plate 8, 1735, and retouched by Hogarth in 1763 by adding the Britannia emblem
Political cartoon
–
The world being carved up into spheres of influence between
Pitt and
Napoleon. James Gillray, "probably the most famous political cartoon of all time—it has been stolen over and over and over again by cartoonists ever since."
Political cartoon
–
'The British Lion's Vengeance...', cartoon by
John Tenniel in the aftermath of the
Indian Rebellion of 1857.
6.
George III
–
He was concurrently Duke and prince-elector of Brunswick-Lüneburg in the Holy Roman Empire until his promotion to King of Hanover on 12 October 1814. He was the third British monarch of the House of Hanover, early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence, further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. In the later part of his life, George III had recurrent, although it has since been suggested that he had the blood disease porphyria, the cause of his illness remains unknown. After a final relapse in 1810, a regency was established, on George IIIs death, the Prince Regent succeeded his father as George IV. Historical analysis of George IIIs life has gone through a kaleidoscope of changing views that have depended heavily on the prejudices of his biographers and the sources available to them. Until it was reassessed in the half of the 20th century, his reputation in the United States was one of a tyrant. George was born in London at Norfolk House and he was the grandson of King George II, and the eldest son of Frederick, Prince of Wales, and Augusta of Saxe-Gotha. As Prince George was born two months prematurely and he was unlikely to survive, he was baptised the same day by Thomas Secker. One month later, he was baptised at Norfolk House. His godparents were the King of Sweden, his uncle the Duke of Saxe-Gotha, George grew into a healthy but reserved and shy child. The family moved to Leicester Square, where George and his younger brother Prince Edward, Duke of York, Family letters show that he could read and write in both English and German, as well as comment on political events of the time, by the age of eight. He was the first British monarch to study science systematically and his religious education was wholly Anglican. At age 10 George took part in a production of Joseph Addisons play Cato and said in the new prologue, What. It may with truth be said, A boy in England born, historian Romney Sedgwick argued that these lines appear to be the source of the only historical phrase with which he is associated. Georges grandfather, King George II, disliked the Prince of Wales, however, in 1751 the Prince of Wales died unexpectedly from a lung injury, and George became heir apparent to the throne. He inherited one of his fathers titles and became the Duke of Edinburgh, now more interested in his grandson, three weeks later the King created George Prince of Wales. Georges mother, now the Dowager Princess of Wales, preferred to keep George at home where she could imbue him with her moral values
George III
–
Coronation portrait by
Allan Ramsay, 1762
George III
–
George (right) with his brother
Prince Edward, Duke of York and Albany, and their tutor,
Francis Ayscough, later
Dean of
Bristol, c. 1749
George III
–
Pastel portrait of George as
Prince of Wales by
Jean-Étienne Liotard, 1754
George III
–
George III by
Allan Ramsay, 1762
7.
Cartoonist
–
A cartoonist is a visual artist who specializes in drawing cartoons. This work is created for entertainment, political commentary, or advertising. The English satirist and editorial cartoonist William Hogarth, who emerged In the 18th century, has credited with pioneering Western sequential art. His work ranged from realistic portraiture to comic series of pictures called modern moral subjects. Much of his work poked fun at politics and customs. Gillray explored the use of the medium for lampooning and caricature, calling the king, prime ministers and generals to account, while never a professional cartoonist, Benjamin Franklin is credited with having the first cartoon published in an American newspaper. In the 19th century, professional cartoonists such as Thomas Nast introduced other familiar American political symbols, during the 20th century, numerous magazines carried single-panel gag cartoons by such freelance cartoonists as Charles Addams, Irwin Caplan, Chon Day, Clyde Lamb, and John Norment. These were almost always published in black and white, although Colliers often carried cartoons in color, the debut of Playboy introduced full-page color cartoons by Jack Cole, Eldon Dedini, and others. Single-panel cartoonists syndicated to newspapers included Dave Breger, Hank Ketcham, George Lichty, Fred Neher, Irving Phillips, comic strips received widespread distribution to mainstream newspapers by syndicates such as the Universal Press Syndicate, United Media, or King Features. Sunday strips go to a company such as American Color before they are published. Some comic strip creators publish in the press or on the Internet. Comic strip artists may also work in book-length form, creating graphic novels. Both vintage and current strips receive reprints in book collections, the major comic book publishers utilize teams of cartoonists to produce the art. When a consistent artistic style is wanted among different cartoonists, character model sheets may be used as reference, animated cartooning is created for short films, advertising, feature films and television. It is also used in live-action films for dream sequences or opening titles. An animation artist is referred to as an animator rather than a cartoonist. They create motion pictures as well, Animation studios such as DreamWorks Animation, Pixar, Walt Disney Animation Studios, and Blue Sky Studios create CGI or computer-animated films that are more three-dimensional. There are many books of cartoons in both paperback and hardcover, such as the collections of cartoons from The New Yorker, prior to the 1960s, cartoons were mostly ignored by museums and art galleries
Cartoonist
–
Cartoonist
Jack Elrod at work on a
Sunday page of the
Mark Trail comic strip
Cartoonist
–
Benjamin Franklin 's "
Join, or Die " (1754), credited as the first cartoon published in an American newspaper.
Cartoonist
–
Charles Dana Gibson was an influential American cartoonist in the early 20th century.
Cartoonist
–
Dip pens have traditionally been a popular drawing tool for cartoonists.
8.
William Hogarth
–
William Hogarth FRSA was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic series of pictures called modern moral subjects. Knowledge of his work is so pervasive that satirical political illustrations in this style are referred to as Hogarthian. William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, in his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the life of the metropolis and the London fairs. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St Johns Gate, was imprisoned for debt in Fleet Prison for five years, Hogarth never spoke of his fathers imprisonment. Hogarth became a member of the Rose and Crown Club, with Peter Tillemans, George Vertue, Michael Dahl, by April 1720, Hogarth was an engraver in his own right, at first engraving coats of arms, shop bills, and designing plates for booksellers. In 1727, he was hired by Joshua Morris, a tapestry worker, Morris heard that he was an engraver, and no painter, and consequently declined the work when completed. Hogarth accordingly sued him for the money in the Westminster Court, in 1757 he was appointed Serjeant Painter to the King. In the bottom corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round. At the top is a goat, written below which is Whol Ride, Other early works include The Lottery, The Mystery of Masonry brought to Light by the Gormogons, A Just View of the British Stage, some book illustrations, and the small print Masquerades and Operas. He continued that theme in 1727, with the Large Masquerade Ticket, in 1726 Hogarth prepared twelve large engravings for Samuel Butlers Hudibras. These he himself valued highly, and they are among his best book illustrations, in the following years he turned his attention to the production of small conversation pieces. One of his real low-life and real-life subjects was Sarah Malcolm who he sketched two days before her execution and he might also have printed Burlington Gate, evoked by Alexander Popes Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed, however, modern authorities such as Ronald Paulson no longer attribute it to Hogarth. In 1731 Hogarth completed the earliest of his series of moral works, the collection of six scenes was entitled A Harlots Progress and appeared first as paintings before being published as engravings. The inaugural series was a success and was followed in 1735 by the sequel A Rakes Progress. The original paintings of A Harlots Progress were destroyed in the fire at Fonthill House in 1755, while A Rakes Progress is displayed in the room at Sir John Soanes Museum, London
William Hogarth
–
William Hogarth,
Painter and his Pug, 1745
William Hogarth
–
William Hogarth by
Roubiliac, 1741, National Portrait Gallery, London
William Hogarth
–
The Assembly at
Wanstead House.
Earl Tylney and family in foreground
William Hogarth
–
Self-Portrait by Hogarth, ca. 1735,
Yale Center for British Art.
9.
Lanark
–
Lanark is a small town in the central belt of Scotland. The name is believed to come from the Cumbric Lanerc meaning clear space, Lanark is traditionally the county town of Lanarkshire, though there are several larger towns in the county. Lanark railway station and coach station have frequent services to Glasgow, there is little industry in Lanark and some residents commute to work in Glasgow and Edinburgh. Its shops serve the agricultural community and surrounding villages. There is a modern livestock auction market on the outskirts of the town. Lanark has served as an important market town since medieval times, King David I realised that greater prosperity could result from encouraging trade. He decided to create a chain of new towns across Scotland and these would be centres of Norman civilisation in a largely Celtic country, and would be established in such a way as to encourage the development of trade within their area. These new towns were to be known as Burghs, bastides were established in France for much the same reason. When a site had been selected for a new town the King’s surveyors would lay out an area for the town’s market, each merchant who came to the town was granted a plot of land bordering on the marketplace. These plots were known as feus or rigs, each feu in a burgh was the same size, though the size varied between burghs. In Forres in the north of Scotland each feu was 24 feet 10 inches wide and 429 feet deep, the layout of the feus in Lanark can still be easily seen between the north side of Lanark High Street and North Vennel, a lane which runs behind the feus. A motte and bailey castle was constructed at the bottom of Castlegate. Lanark had four gates, West Port, East port. West Port gate was demolished in the 1770s, the first aviation meeting to be held in Scotland was held at Lanark Racecourse between 6 and 13 August 1910. The aeroplanes were transported to the meeting by rail, as aviation technology at the time was not advanced enough to fly there. The Lanark meeting took place shortly after an event in Bournemouth at which Charles Rolls lost his life. Influenced by this, it was decided that no aircraft would fly closer than 300 yards away from the spectators, for the first time, aeroplanes were accurately timed over a straight measured distance, allowing the first world records to be set, covering flights over 1 mile. The meeting was described by The Aero magazine as the most successful yet held in Britain, a permanent military presence was established in the town with the completion of Winston Barracks in 1930
Lanark
–
Lanark High Street, August 2006
Lanark
–
Colonel Duncan Carter-Campbell and
HM Queen Elizabeth II inspecting the guard of honour of the
Cameronians (Scottish Rifles) during the Queen's visit to Lanark in June 1953
10.
Battle of Fontenoy
–
The battle was one of the most important in the war and considered the masterpiece of Saxe, serving France, Louis XV, and his son, the Dauphin, were present at the battle. Saxe went on the offensive in April 1745 with a large French army and his initial aim was to take control of the upper Scheldt basin and thereby gain access to the heart of the Austrian Netherlands. To these ends, he first besieged the fortress of Tournai, in order to relieve Tournai, the allies first decided to attack Saxes position – a naturally strong feature, hinged on the village of Fontenoy and further strengthened by defensive works. Despite devastating flanking fire the allied column, made up of British and Hanoverian infantry, only when Saxe concentrated all available infantry, cavalry, and artillery was the column forced to yield. The allies retreated in order, conducting a fighting withdrawal. The battle had shown, however, the strength of a defensive force relying on firepower, casualties were high on both sides, but the French had gained the field, and Tournai fell shortly after the battle. This success was followed by an advance against the less organised and outnumbered allied army, Ghent, Oudenarde, Bruges. By the years end, the Saxon-born Saxe had completed the conquest of much of the Austrian Netherlands, the battle had established French superiority in force and high command. In 1744, France went over to the offensive in the Low Countries. King Louis XV and the Duke of Noailles scored early successes with the capture of the fortresses of western Flanders, Menin, Ypres. Opposing Saxe was the Pragmatic Army, the bulk of which was made up of British and Hanoverian troops under General George Wade, much had been expected of the allies in 1744 but the timidity of their generals had produced nothing against a numerically inferior enemy. Although Wade eventually advanced towards Lille, he did more than bicker with the Austrians about the cost of moving his siege train from Antwerp. Saxe was able to maintain his position at Courtrai and along the lines of the Lys, elsewhere, the Pragmatic Allies had scored considerable success in late 1744. A joint Austro-Saxon force under Charles of Lorraine and Count Traun drove Frederick IIs Prussian army from Bohemia, further success followed with the death in January 1745 of the French puppet emperor, Charles VII. Joseph sued for peace and gave his support for the candidacy of Maria Theresas husband, Francis Stephen, with Bavaria out of the war the Austrians could now try to win back Silesia from Frederick II. Likewise, Bavarian repudiation of its French ties meant France was freed of its German involvement, and could now concentrate on its own efforts in Italy. As early as December 1744, Saxe had prepared plans for an offensive in the Low Countries. The trio of generals was completed by Prince Waldeck, commander of the Dutch contingent in theatre and they hoped to gain the initiative by the establishment of forward magazines and an early opening of the campaign season
Battle of Fontenoy
–
Maurice de Saxe, by
Maurice Quentin de La Tour. Commander of French forces in the Low Countries during the War of the Austrian Succession.
Battle of Fontenoy
–
The Irish Brigade commander
Charles O'Brien, 6th Viscount Clare, presenting a captured British colour to
Louis XV and the
dauphin The Battle of Fontenoy, 11 May 1745 by Horace Vernet. (
Galerie des Batailles,
Palace of Versailles)
Battle of Fontenoy
–
Prince Waldeck
Battle of Fontenoy
–
Louis, the Duke of Gramont. He was killed during the battle
11.
Chelsea Hospital
–
The Royal Hospital Chelsea is a retirement home and nursing home for some 300 veterans of the British Army. It is a 66-acre site located on Royal Hospital Road in Chelsea and it is an independent charity and relies partly upon donations to cover day-to-day running costs to provide care and accommodation for veterans. They must not, however, have any dependent spouse or family, King Charles II founded the Royal Hospital in 1682 as a retreat for veterans. The provision of a rather than the payment of pensions was inspired by Les Invalides in Paris. The site for the Royal Hospital was an area of Chelsea which held an incomplete building Chelsey College, the Royal Hospital opened its doors to the Chelsea Pensioners in 1692 for the relief and succour of veterans. Some of the first soldiers admitted included those injured at the Battle of Sedgemoor, Wren expanded his original design to add two additional quadrangles to the east and west of the central court, these were known respectively as the Light Horse Court and the College Court. Due to mismanagement by Lord Ranelagh, the Hospital Treasurer, the building was not completed until 1692 and it was replaced by a modern infirmary which was located to the east of the main building and opened by Queen Elizabeth The Queen Mother in 1961. The 1960s infirmary was demolished to make way for the Margaret Thatcher Infirmary which was designed by Sir Quinlan Terry and was completed in 2008, the Mace was designed by Charles Webb and Aubrey Bowden and was made by Master Goldsmith Norman Bassant. The bowl of the Mace is decorated with acorns and is surmounted by the St Edwards Crown, in March 2009, the first women in the Hospitals 317-year history were admitted as In-Pensioners. Winifred Phillips and Dorothy Hughes were the first, Phillips trained as a nurse and later joined the Auxiliary Territorial Service in 1948 before enlisting in the Womens Royal Army Corps in 1949 while serving in Egypt. After 22 years service she retired with the rank of Warrant Officer Class 2, Hughes had joined the British Army in 1941 aged 18, later working as part of 450 Heavy Anti Aircraft Battery in the London Division. In 1945 the Battery was deployed near Dover to defend against V1 flying bomb attacks and she retired with the rank of Sergeant. Chelsea Pensioners are entitled to come and go from the Royal Hospital as they please, however, within the hospital, and in the surrounding area, pensioners are encouraged to wear a blue uniform. If they travel farther from the Royal Hospital they should wear the distinctive scarlet coats instead of the blue uniform, the scarlet coats are also worn for ceremonial occasions, accompanied by tricorne hats. In uniform, the pensioners wear their ribbons and the insignia of rank they reached while serving in the military. They may also wear other insignia they earned during their service and many now wear parachute jump wings. The Royal Hospital Founders Day takes place close to 29 May each year – the birthday of Charles II, on Founders Day, in-pensioners of the Royal Hospital are reviewed by a member of the British Royal Family. The 76 statue of King Charles II which stands in the court of the Hospital was cast in copper alloy by Grinling Gibbons
Chelsea Hospital
–
Figure Court of Royal Hospital Chelsea
Chelsea Hospital
–
An inscription on the statue of
King Charles II outside the hospital.
Chelsea Hospital
–
The Royal Hospital on Stanford's map of central London 1897.
Chelsea Hospital
–
The Great Hall.
12.
Royal Academy
–
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
Royal Academy
–
Royal Academy of Arts
Royal Academy
–
Satiric drawing of Sir William Chambers, one of the founders, trying to slay the 8-headed hydra of the Incorporated Society of Artists
Royal Academy
–
Study for
Henry Singleton 's painting The Royal Academicians assembled in their council chamber to adjudge the Medals to the successful students in Painting, Sculpture, Architecture and Drawing, which hangs in the Royal Academy. Ca. 1793.
Royal Academy
–
An early
RA Summer Exhibition at the Academy's original home in
Somerset House
13.
Aquatint
–
Aquatint is an intaglio printmaking technique, a variant of etching. In intaglio printmaking, the artist makes marks on the plate that are capable of holding ink, the inked plate is passed through a printing press together with a sheet of paper, resulting in a transfer of the ink to the paper. This can be repeated a number of times, depending on the particular technique, like etching, aquatint uses the application of a mordant to etch into the metal plate. Where the engraving uses a needle to make lines that print in black. The rosin is acid resistant and typically adhered to the plate by controlled heating, the tonal variation is controlled by the level of mordant exposure over large areas, and thus the image is shaped by large sections at a time. Another tonal technique, mezzotint, begins with a surface that is evenly indented so that it will carry a fairly dark tone of ink. The mezzotint plate is then smoothed and polished to make areas carry less ink, alternatively, beginning with a smooth plate, areas are roughened to make them darker. Occasionally these two techniques are combined, the painter and printmaker Jan van de Velde IV invented the aquatint technique in Amsterdam, around 1650. The cartographer Peter Perez Burdett later introduced his secret aquatint technique to England in the 1770s, an aquatint requires a metal plate, an acid, and something to resist the acid. Traditionally copper or zinc plates were used, the artist applies a ground that will resist acid. Ground is applied by either dissolving powdered resin in spirits, applying the powder directly to the surface of the plate, in all forms of etching the acid resist is commonly referred to as the ground. An aquatint box is used to apply resin powder, the powder is at the bottom of the box, a crank or a bellows is used to blow the powder up into the air of the box. A window allows the engraver to see the density of flowing powder, when the powder covers the plate, it can be extracted from the box for the next operations. The plate is then heated, if the plate is covered with powder, the resin melts forming a fine and even coat, if it is in spirits, the spirits evaporate and the result is essentially the same. Now the plate is dipped in acid, producing an even, at this point, the plate is said to carry about a 50% halftone. This means that, were the plate printed with no further biting, at some point the artist will then etch an outline of any aspects of the drawing s/he wishes to establish with line, this provides the basis and guide for the later tone work. S/he may also have applied an acid-resistant stop out if s/he intends to keep any areas totally white and free of ink, the artist then begins immersing the plate in the acid bath, progressively stopping out any areas that have achieved the designed tonality. These tones, combined with the limited line elements, give aquatints a distinctive, also, aquatints, like mezzotints, provide ease in creating large areas of tone without laborious cross-hatching, but aquatint plates, it is noted, are generally more durable than mezzotint plates
Aquatint
–
The Sleep of Reason Produces Monsters,
Francisco Goya (1799)
Aquatint
–
aquatint box, used to apply resin powder on the plate.
Aquatint
–
Zinc plate with powder resin.
14.
Engraving
–
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it. Wood engraving is a form of printing and is not covered in this article. Engraving was an important method of producing images on paper in artistic printmaking, in mapmaking. Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving, hand engraving is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also engraved, using just the same techniques to make the lines in the plate. Each graver is different and has its own use, engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes, dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system, there are versions for the insides of rings and also the outsides of larger pieces. Such machines are used for inscriptions on rings, lockets. Gravers come in a variety of shapes and sizes that yield different line types, the burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for work on letters, as well as wriggle cuts on most musical instrument engraving work, remove background. Knife gravers are for line engraving and very deep cuts, round gravers, and flat gravers with a radius, are commonly used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are typically square or elongated diamond-shaped and used for cutting straight lines, V-point can be anywhere from 60 to 130 degrees, depending on purpose and effect. These gravers have very small cutting points, other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects. Burnishing tools can also be used for stone setting techniques
Engraving
–
St. Jerome in His Study (1514), an engraving by Northern Renaissance master
Albrecht Dürer
Engraving
–
Artist and engraver
Chaim Goldberg at work
Engraving
–
An assortment of hand engraving tools
Engraving
–
At an engravers workshop: Miniature engraving on a
Louis George watch movement: Smallest engraving of the royal
Prussian eagle on a watch movement. It takes about 100 passes to create the figure.
15.
George Brydges Rodney
–
George Brydges Rodney, 1st Baron Rodney, KB was a British naval officer. He is best known for his commands in the American War of Independence and it is often claimed that he was the commander to have pioneered the tactic of breaking the line. Rodney came from a distinguished but poor background, and went to sea at the age of fourteen and his first major action was the Second Battle of Cape Finisterre in 1747. He made a large amount of money during the 1740s, allowing him to purchase a large country estate. During the Seven Years War, Rodney was involved in a number of operations such as the raids on Rochefort and Le Havre. He became well known for his role in the capture of Martinique in 1762, following the Peace of Paris, Rodneys financial situation stagnated. He spent large sums of money pursuing his political ambitions, by 1774 he had run up large debts and was forced to flee Britain to avoid his creditors. He was in a French jail when war was declared in 1778, thanks to a benefactor, Rodney was able to secure his release and return to Britain where he was appointed to a new command. Rodney successfully relieved Gibraltar during the Great Siege and defeated a Spanish fleet during the 1780 Battle of Cape St. Vincent and he then was posted to the Jamaica Station, where he became involved in the controversial 1781 capture of Sint Eustatius. Later that year he returned home suffering from ill health. During his absence the British lost the crucial Battle of the Chesapeake leading to the surrender at Yorktown, to some Rodney was a controversial figure, accused of an obsession with prize money and nepotism. This was brought to a head in the wake of his taking of Saint Eustatius for which he was criticised in Britain. Orders for his recall had been sent when Rodney won a victory at the Battle of the Saintes in April 1782. On his return to Britain, Rodney was made a peer and was awarded a pension of £2,000. He lived in retirement until his death in 1792, George Brydges Rodney was born either in Walton-on-Thames or in London, though the family seat was Rodney Stoke, Somerset. He was most likely sometime in January 1718. He was baptized in St Giles-in-the-Fields on 13 February 1718 and he was the third of four surviving children of Henry Rodney and Mary Rodney, daughter of Sir Henry Newton. His father had served in Spain under the Earl of Peterborough during the War of the Spanish Succession, a major investment in the South Sea Company ruined Henry Rodney and impoverished the family
George Brydges Rodney
–
Admiral Rodney at the
Battle of the Saintes, 1782 by
Thomas Gainsborough. Behind is the French
fleur de lys naval ensign from the captured
Ville De Paris
George Brydges Rodney
–
The
Second Battle of Cape Finisterre in October 1747.
George Brydges Rodney
–
Portrait of Rodney by
Joshua Reynolds showing him after his appointment as a Rear Admiral in 1759.
George Brydges Rodney
–
George Brydges Rodney, by Joshua Reynolds in 1789
16.
Battle of the Saintes
–
The battle is named after the Saintes, a group of islands between Guadeloupe and Dominica in the West Indies. The French fleet defeated here by the Royal Navy was the fleet that had blockaded the British Army during the Siege of Yorktown, the French suffered heavy casualties and many were taken prisoner, including the Comte de Grasse. Four French ships of the line were captured and one was destroyed, Rodney was credited with pioneering the tactic of breaking the line in the battle, though this is disputed. De Grasse and his fleet played a part in that victory. On arrival in Saint Domingue in November 1781, he was notified that the plan was given the go ahead to proceed with the conquest of Jamaica. Jamaica was the largest and most profitable British island in the Caribbean, mainly because of sugar, sugar made up 20% of all British imports and was worth five times as much as tobacco. As well as the expulsion of the British from the West Indies by the French and Spanish. The invasion itself though was perceived in the courts at Paris and Madrid as an alternative to the Spanish and French attempts to take Gibraltar, while de Grasse waited for reinforcements to undertake the Jamaica campaign, he captured St. Kitts in February 1782. These included seventeen ships of the line and gave the British a slight numerical advantage, in addition, de Grasse was to rendezvous with 15,000 troops at Saint Domingue earmarked for the conquest by landing on Jamaicas north coast. Rodney, on learning of this, sailed from St Lucia in pursuit with 36 ships of the line the following day, the British hulls by this time had been given copper sheathing to protect them from marine growth and fouling as well as salt water corrosion. This dramatically improved speed and sailing performance as a whole in good wind, on 9 April 1782, the copper-hulled British fleet soon caught up with the French, who were surprised by their speed. De Grasse ordered the French convoy to head into Guadeloupe for repair, after an inconclusive encounter in which both sides suffered damage, de Grasse soon realized that the main British fleet would soon be upon them. He broke off the engagement to return to protect the merchant convoy, in the following days the two fleets faced each other parallel but both sides kept their distance as they repaired their ships. On 12 April, the French were sighted a short distance away, a French straggler, Zélé, was spotted and was chased by four British ships as De Grasse made for Guadeloupe. He bore up with his fleet to protect the ship which led him to Guadeloupe and at the same time Rodney recalled his chasing ships and made the signal for line of battle. Rear-Admiral Hoods van division were still making repairs from the three days earlier, so he directed his rear division, under Rear Admiral Francis S. Drake. At 7,40, HMS Marlborough, under Captain Taylor Penny, led the British line, as the battle progressed, the strong winds of the previous day and night began to temper and became more variable. At 8 am, Formidable opened fire and engaged the French center and as she slowed, duelled with de Grasses flagship, the rest of the ships soon followed, raking the French as they did so, causing huge casualties amongst the soldiers and sailors
Battle of the Saintes
–
The Battle of the Saintes, 12 April 1782: surrender of the Ville de Paris by
Thomas Whitcombe, painted 1783, shows
Hood 's
HMS Barfleur, centre, attacking the French flagship
Ville de Paris, right.
Battle of the Saintes
–
Comte De Grasse
Battle of the Saintes
–
George Rodney
Battle of the Saintes
–
Main stages of the battle
17.
George IV of the United Kingdom
–
George IV was King of the United Kingdom of Great Britain and Ireland and of Hanover following the death of his father, George III, on 29 January 1820, until his own death ten years later. From 1811 until his accession, he served as Prince Regent during his fathers mental illness. George IV led an extravagant lifestyle that contributed to the fashions of the Regency era and he was a patron of new forms of leisure, style and taste. He commissioned John Nash to build the Royal Pavilion in Brighton and remodel Buckingham Palace and he even forbade Caroline to attend his coronation and asked the government to introduce the unpopular Pains and Penalties Bill in a desperate, unsuccessful attempt to divorce her. For most of Georges regency and reign, Lord Liverpool controlled the government as Prime Minister and his ministers found his behaviour selfish, unreliable and irresponsible. At all times he was much under the influence of favourites, taxpayers were angry at his wasteful spending at a time when Britons were fighting in the Napoleonic Wars. He did not provide leadership in time of crisis, nor act as a role model for his people. Liverpools government presided over Britains ultimate victory, negotiated the peace settlement, after Liverpools retirement, George was forced to accept Catholic emancipation despite opposing it. His only child, Princess Charlotte, died before him in 1817 and so he was succeeded by his younger brother, George was born at St Jamess Palace, London, on 12 August 1762, the first child of King George III of the United Kingdom and Queen Charlotte. As the eldest son of a British sovereign, he automatically became Duke of Cornwall and Duke of Rothesay at birth, he was created Prince of Wales, on 18 September of the same year, he was baptised by Thomas Secker, Archbishop of Canterbury. His godparents were the Duke of Mecklenburg-Strelitz, the Duke of Cumberland, George was a talented student, and quickly learned to speak French, German and Italian, in addition to his native English. He was a witty conversationalist, drunk or sober, and showed good, the Prince of Wales turned 21 in 1783, and obtained a grant of £60,000 from Parliament and an annual income of £50,000 from his father. It was far too little for his needs – the stables alone cost £31,000 a year and he then established his residence in Carlton House, where he lived a profligate life. Animosity developed between the prince and his father, who desired more frugal behaviour on the part of the heir apparent, the King, a political conservative, was also alienated by the princes adherence to Charles James Fox and other radically inclined politicians. Soon after he reached the age of 21, the prince became infatuated with Maria Fitzherbert and she was a commoner, six years his elder, twice widowed, and a Roman Catholic. Despite her complete unsuitability, the prince was determined to marry her, nevertheless, the couple went through a marriage ceremony on 15 December 1785 at her house in Park Street, Mayfair. Legally the union was void, as the Kings consent was not granted, however, Fitzherbert believed that she was the princes canonical and true wife, holding the law of the Church to be superior to the law of the State. For political reasons, the union remained secret and Fitzherbert promised not to reveal it, the prince was plunged into debt by his exorbitant lifestyle
George IV of the United Kingdom
–
Coronation portrait by Sir
Thomas Lawrence, 1821
George IV of the United Kingdom
–
George (left) with his mother
Queen Charlotte and younger brother
Frederick, portrait by
Allan Ramsay, 1764
George IV of the United Kingdom
–
Portrait miniature by
Richard Cosway, c. 1780–82
18.
Strand, London
–
Strand is a major thoroughfare in the City of Westminster, Central London. The roads name comes from the Old English strond, meaning the edge of a river, the street was popular with the British upper classes between the 12th and 17th centuries, with many historically important mansions being built between the Strand and the river. These included Essex House, Arundel House, Somerset House, Savoy Palace, Durham House, the aristocracy moved to the West End over the 17th century, following which the Strand became well known for coffee shops, restaurants and taverns. The street was a point for theatre and music hall during the 19th century. At the east end of the street are two churches, St Mary le Strand and St Clement Danes. Several authors, poets and philosophers have lived on or near the Strand, including Charles Dickens, Ralph Waldo Emerson, the street has been commemorated in the song Lets All Go Down the Strand, now recognised as a typical piece of Cockney music hall. The street is the link between the two cities of Westminster and London. It runs eastward from Trafalgar Square, parallel to the River Thames, traffic travelling eastbound follows a short crescent around Aldwych, connected at both ends to the Strand. The road marks the boundary of the Covent Garden district. The name was first recorded in 1002 as strondway, then in 1185 as Stronde and it is formed from the Old English word strond, meaning the edge of a river. Initially it referred to the bank of the once much wider Thames. The name was applied to the road itself. In the 13th century it was known as Densemanestret or street of the Danes, Strand Bridge was the name given to Waterloo Bridge during its construction, it was renamed for its official opening on the second anniversary of the coalition victory in the Battle of Waterloo. London Bus routes 6,23,139 and 176 all run along the Strand, as do numerous night bus services. During Roman Britain, what is now the Strand was part of the route to Silchester, known as Iter VIII on the Antonine Itinerary, and it was briefly part of a trading town called Lundenwic that developed around 600 AD, and stretched from Trafalgar Square to Aldwych. Alfred the Great gradually moved the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, and the area returned to fields. In the Middle Ages, the Strand became the route between the separate settlements of the City of London and the royal Palace of Westminster. The landmark Eleanors Cross was built in the 13th century at the end of the Strand at Charing Cross by Edward I commemorating his wife Eleanor of Castile
Strand, London
–
Strand at
Charing Cross in 2008, looking towards Trafalgar Square and
Admiralty Arch
Strand, London
–
This 1593 map shows "The Strande" as the principal route – parallel to the River, from
the City in the east, to
Whitehall in the west.
Strand, London
–
A 19th-century print showing
St Mary-Le-Strand and the Strand front of
Somerset House.
Strand, London
–
A
Routemaster on
London Buses route 1 heading down the Strand in 1981.
St Clement Danes church is in the background.
19.
New Bond Street
–
Bond Street is a major shopping street in the West End of London. The southern section is Old Bond Street and the northern section New Bond Street—a distinction not generally made in everyday usage. The street was built on fields surrounding Clarendon House on Piccadilly and it was built up in the 1720s, and by the end of the 18th century was a popular place for the upper-class residents of Mayfair to socialise. It is one of the most expensive and sought after strips of real estate in Europe, Bond Street is the only street that runs between Oxford Street and Piccadilly. Old Bond Street is at the end between Piccadilly and Burlington Gardens. The northern section, New Bond Street, extends as far as Oxford Street, the entire street is around 0.5 miles long. Many of the shop frontages are less than 20 feet wide, the nearest tube stations are Green Park in Piccadilly, and Bond Street station in Oxford Street. Despite its name, Bond Street station does not directly connect to either New or Old Bond Street, No buses use the street, although the C2 service crosses New Bond Street. Part of New Bond Street is numbered B406 but the remainder, New Bond Street is pedestrianised between Grafton Street and Clifford Street to prevent through traffic and to stop the road being used as a rat run. There is evidence of Roman settlement around what is now Bond Street, in 1894, a culvert made from brick and stone was discovered in the area. At that time, the house backed onto open fields, known as Albemarle Ground, New Bond Street was laid out during a second phase of construction 14 years after Bonds syndicate began developing the area. Most of the building along the street occurred in the 1720s, john Rocques map of London, published in 1746, shows properties along the entire length of Bond Street, including the fully constructed side streets. The two parts of the street have always had separate names, and a plan by the council to merge the two into a singular Bond Street in the 1920s was rejected by locals. During the 18th century, the street began to be popular with the bourgeoisie living around Mayfair, shop owners let out their upper storeys for residential purposes, attracting lodgers such as Jonathan Swift, George Selwyn, William Pitt the Elder and Laurence Stern. In 1784, Georgiana Cavendish, Duchess of Devonshire, an active socialite and this had caused him to lose his seat in parliament, leading to the dissolution of the Fox–North Coalition. She insisted people should look for nearer shopping streets, and encouraged people to go to Bond Street, consequently, the street became a retail area for people living in Mayfair. By the end of the century, a social group known as the Bond Street Loungers had appeared, wearing expensive wigs and parading up. Lord Nelson stayed at temporary lodgings in New Bond Street between 1797–8, and again in 1811–13, Thomas Pitt, 2nd Baron Camelford lived in Bond Street and was unhappy about the presence of the Bond Street Loungers
New Bond Street
–
New Bond Street
New Bond Street
–
In High-Change in Bond Street (1796),
James Gillray caricatured the lack of courtesy on Bond Street (young men taking up the whole footpath), which was a grand fashionable milieu at the time.
New Bond Street
–
Bond Street has always been divided into two sections; Old Bond Street to the south and New Bond Street to the north. The London branch of the jeweller
Tiffany's is next to the divide.
New Bond Street
–
The
Royal Arcade on Old Bond Street.
20.
Old Bond Street
–
Bond Street is a major shopping street in the West End of London. The southern section is Old Bond Street and the northern section New Bond Street—a distinction not generally made in everyday usage. The street was built on fields surrounding Clarendon House on Piccadilly and it was built up in the 1720s, and by the end of the 18th century was a popular place for the upper-class residents of Mayfair to socialise. It is one of the most expensive and sought after strips of real estate in Europe, Bond Street is the only street that runs between Oxford Street and Piccadilly. Old Bond Street is at the end between Piccadilly and Burlington Gardens. The northern section, New Bond Street, extends as far as Oxford Street, the entire street is around 0.5 miles long. Many of the shop frontages are less than 20 feet wide, the nearest tube stations are Green Park in Piccadilly, and Bond Street station in Oxford Street. Despite its name, Bond Street station does not directly connect to either New or Old Bond Street, No buses use the street, although the C2 service crosses New Bond Street. Part of New Bond Street is numbered B406 but the remainder, New Bond Street is pedestrianised between Grafton Street and Clifford Street to prevent through traffic and to stop the road being used as a rat run. There is evidence of Roman settlement around what is now Bond Street, in 1894, a culvert made from brick and stone was discovered in the area. At that time, the house backed onto open fields, known as Albemarle Ground, New Bond Street was laid out during a second phase of construction 14 years after Bonds syndicate began developing the area. Most of the building along the street occurred in the 1720s, john Rocques map of London, published in 1746, shows properties along the entire length of Bond Street, including the fully constructed side streets. The two parts of the street have always had separate names, and a plan by the council to merge the two into a singular Bond Street in the 1920s was rejected by locals. During the 18th century, the street began to be popular with the bourgeoisie living around Mayfair, shop owners let out their upper storeys for residential purposes, attracting lodgers such as Jonathan Swift, George Selwyn, William Pitt the Elder and Laurence Stern. In 1784, Georgiana Cavendish, Duchess of Devonshire, an active socialite and this had caused him to lose his seat in parliament, leading to the dissolution of the Fox–North Coalition. She insisted people should look for nearer shopping streets, and encouraged people to go to Bond Street, consequently, the street became a retail area for people living in Mayfair. By the end of the century, a social group known as the Bond Street Loungers had appeared, wearing expensive wigs and parading up. Lord Nelson stayed at temporary lodgings in New Bond Street between 1797–8, and again in 1811–13, Thomas Pitt, 2nd Baron Camelford lived in Bond Street and was unhappy about the presence of the Bond Street Loungers
Old Bond Street
–
New Bond Street
Old Bond Street
–
In High-Change in Bond Street (1796),
James Gillray caricatured the lack of courtesy on Bond Street (young men taking up the whole footpath), which was a grand fashionable milieu at the time.
Old Bond Street
–
Bond Street has always been divided into two sections; Old Bond Street to the south and New Bond Street to the north. The London branch of the jeweller
Tiffany's is next to the divide.
Old Bond Street
–
The
Royal Arcade on Old Bond Street.
21.
Napoleon
–
Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
Napoleon
–
The Emperor Napoleon in His Study at the Tuileries, by
Jacques-Louis David, 1812
Napoleon
–
Imperial coat of arms
Napoleon
–
Napoleon's father
Carlo Buonaparte was
Corsica 's representative to the court of
Louis XVI of France.
Napoleon
–
Napoleon Bonaparte, aged 23, Lieutenant-Colonel of a battalion of Corsican
Republican volunteers
22.
Henry William Bunbury
–
For his son, see Sir Henry Bunbury, 7th Baronet Henry William Bunbury was an English caricaturist. The second son of Sir William Bunbury, 5th Baronet, of Mildenhall, Suffolk and he was educated at Westminster School and St Catharines College, Cambridge, and soon showed a talent for drawing, especially for humorous subjects. His son Henry succeeded to the baronetcy and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Bunbury, Henry William. National Portrait Gallery, Henry William Bunbury Original Antique Prints and Engravings by, Henry William Bunbury Bunbury prints within the collection of St. Edmundsbury Heritage Service
Henry William Bunbury
–
A Barber's Shop, copperplate engraving, April 21, 1803
23.
Piccadilly
–
Piccadilly is a road in the City of Westminster, London to the south of Mayfair, between Hyde Park Corner in the west and Piccadilly Circus in the east. It is part of the A4 road that connects central London to Hammersmith, Earls Court, Heathrow Airport, St Jamess is to the south of the eastern section, while the western section is built up only on the northern side. At just under 1 mile in length, Piccadilly is one of the widest and straightest streets in central London, Piccadilly has been a main road since at least medieval times, and in the middle ages was known as the road to Reading or the way from Colnbrook. Around 1611 or 1612, a Robert Baker acquired land in the area, shortly after purchasing the land, he enclosed it and erected several dwellings, including his home, Pikadilly Hall. Some of the most notable homes in London were built on the northern side of the street during this period, including Clarendon House. Berkeley House, constructed around the time as Clarendon House, was destroyed by a fire in 1733 and rebuilt as Devonshire House in 1737 by William Cavendish. It was later used as the headquarters for the Whig party. Burlington House has since been home to several noted societies, including the Royal Academy of Arts, the Geological Society of London, several members of the Rothschild family had mansions at the western end of the street. St Jamess Church was consecrated in 1684 and the area became St James Parish. The Old White Horse Cellar, at No,155, was one of the most famous coaching inns in England by the late-18th century, by which time the street had become a favourable location for booksellers. The Bath Hotel emerged around 1790, and Walsingham House was built in 1887, both the Bath and the Walsingham were purchased and demolished when the prestigious Ritz Hotel was built on the site in 1906. Piccadilly Circus station, at the east end of the street, was designed by Charles Holden and it was the first underground station to have no above-ground premises, the station is only accessible by subways from street level. The clothing store Simpsons was established at 203 -206 Piccadilly by Alec Simpson in 1936, during the 20th century, Piccadilly became known as a place to acquire heroin, and was notorious in the 1960s as the centre of Londons illegal drug trade. Today, Piccadilly is regarded as one of Londons principal shopping streets and its landmarks include the Ritz, Park Lane, Athenaeum and Intercontinental hotels, Fortnum & Mason, the Royal Academy, the RAF Club, Hatchards, the Embassy of Japan and the High Commission of Malta. Piccadilly has inspired works of fiction, including Oscar Wildes The Importance of Being Earnest. It is one of a group of squares on the London Monopoly board, the street has been part of a main road for centuries although there is no evidence that it was part of a Roman Road, unlike Oxford Street further north. In the Middle Ages it was known as the road to Reading or the way from Colnbrook, during the Tudor period, relatively settled conditions made expansion beyond Londons city walls a safer venture. Property speculation became an enterprise and developments grew so rapidly that the threat of disease
Piccadilly
–
View of Piccadilly by the Meriden Hotel looking towards
Piccadilly Circus
Piccadilly
Piccadilly
–
Apsley House on an 1869 map. The neighbouring houses were demolished in the early 1960s to allow
Park Lane to be widened. The
Wellington Arch has been moved since this time.
Piccadilly
–
St James's Church has stood on Piccadilly since 1684, and was designed by
Sir Christopher Wren.
24.
George Macartney, 1st Earl Macartney
–
George Macartney should not be confused with Sir George Macartney, a later British statesman. George Macartney, 1st Earl Macartney, KB was a British statesman, colonial administrator and diplomat. He was an Irishman descended from an old Scottish family, the Macartneys of Auchinleck, who had settled in 1649 at Lissanoure, in Loughguile, Ballymoney, County Antrim, Ireland and he was the only son of George Macartney and Elizabeth Winder. After graduating from Trinity College, Dublin, in 1759, he became a student of the Temple, through Stephen Fox, elder brother of Charles James Fox, he was taken up by Lord Holland. Appointed envoy extraordinary to Russia in 1764, he succeeded in negotiating with Catherine II an alliance between Great Britain and that country. He was returned in 1768 to the Irish House of Commons as Member of Parliament for Armagh Borough, on resigning this office he was knighted. In 1775 he became governor of the British West Indies and was created Baron Macartney in the Peerage of Ireland in 1776 and he was elected to a seat in the British parliament from 1780 to 1781. Macartney was the Governor of Grenada from 1776 to 1779, during his governance, the island was attacked in July 1779 by French royal fleet of the Comte dEstaing. After losing control of the fortifications on Hospital Hill, Macartney chose to surrender unconditionally, Macartney was the Governor of Madras from 1781 to 1785. During his tenure as governor, renovation and strengthening of the walls of Fort St. George was commenced after the siege of Lally and it was also during this time that most of the buildings and barracks in the western portion of the Fort were erected. The Palace Street, the Arsenal, the Hanover square and the Western Barracks were constructed during this time, the streets in the eastern side of the Fort were also altered. It was also during this time that idea of a force for Madras was thought of. He also advocated measures for the naming and lighting of streets, for the registration of births and deaths and for the licensing of liquor, arrack. A Board of Police assisted by a Kotwal was subsequently formed, the Kotwal was to be the officer of the markets under the Superintendent of Police. He negotiated the Treaty of Mangalore which brought an end to the Second Anglo-Mysore War in 1784, Macartney declined the governor-generalship of India and returned to Britain in 1786. After being created Earl Macartney in the Irish peerage, he was appointed the first envoy of Britain to China, after the failure of a number of previous embassies, including Cathcarts. He led the Macartney Embassy to Beijing in 1792 with a large British delegation on board a 64-gun man-of-war, the failure to obtain trade concessions was not due to Macartneys refusal to kowtow in the presence of the Qianlong Emperor, as is commonly believed. It is probably described most neutrally as a result of competing world views which were uncomprehending, after the conclusion of the embassy, Qianlong sent a letter to King George III, explaining in greater depth the reasons for his refusal to grant the requests of the embassy
George Macartney, 1st Earl Macartney
–
Portrait of Lord Macartney by
Lemuel Francis Abbott.
George Macartney, 1st Earl Macartney
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Lord Marcartney saluting the
Qianlong Emperor, 1793.
George Macartney, 1st Earl Macartney
–
Engraving of Lord Macartney
George Macartney, 1st Earl Macartney
–
Lord Macartney
25.
George III of the United Kingdom
–
He was concurrently Duke and prince-elector of Brunswick-Lüneburg in the Holy Roman Empire until his promotion to King of Hanover on 12 October 1814. He was the third British monarch of the House of Hanover, early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence, further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. In the later part of his life, George III had recurrent, although it has since been suggested that he had the blood disease porphyria, the cause of his illness remains unknown. After a final relapse in 1810, a regency was established, on George IIIs death, the Prince Regent succeeded his father as George IV. Historical analysis of George IIIs life has gone through a kaleidoscope of changing views that have depended heavily on the prejudices of his biographers and the sources available to them. Until it was reassessed in the half of the 20th century, his reputation in the United States was one of a tyrant. George was born in London at Norfolk House and he was the grandson of King George II, and the eldest son of Frederick, Prince of Wales, and Augusta of Saxe-Gotha. As Prince George was born two months prematurely and he was unlikely to survive, he was baptised the same day by Thomas Secker. One month later, he was baptised at Norfolk House. His godparents were the King of Sweden, his uncle the Duke of Saxe-Gotha, George grew into a healthy but reserved and shy child. The family moved to Leicester Square, where George and his younger brother Prince Edward, Duke of York, Family letters show that he could read and write in both English and German, as well as comment on political events of the time, by the age of eight. He was the first British monarch to study science systematically and his religious education was wholly Anglican. At age 10 George took part in a production of Joseph Addisons play Cato and said in the new prologue, What. It may with truth be said, A boy in England born, historian Romney Sedgwick argued that these lines appear to be the source of the only historical phrase with which he is associated. Georges grandfather, King George II, disliked the Prince of Wales, however, in 1751 the Prince of Wales died unexpectedly from a lung injury, and George became heir apparent to the throne. He inherited one of his fathers titles and became the Duke of Edinburgh, now more interested in his grandson, three weeks later the King created George Prince of Wales. Georges mother, now the Dowager Princess of Wales, preferred to keep George at home where she could imbue him with her moral values
George III of the United Kingdom
–
Coronation portrait by
Allan Ramsay, 1762
George III of the United Kingdom
–
George (right) with his brother
Prince Edward, Duke of York and Albany, and their tutor,
Francis Ayscough, later
Dean of
Bristol, c. 1749
George III of the United Kingdom
–
Pastel portrait of George as
Prince of Wales by
Jean-Étienne Liotard, 1754
George III of the United Kingdom
–
George III by
Allan Ramsay, 1762
26.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
French Revolution
–
The
August Insurrection in 1792 precipitated the last days of the monarchy.
French Revolution
–
The French government faced a fiscal crisis in the 1780s, and King Louis XVI was blamed for mishandling these affairs.
French Revolution
–
Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.
French Revolution
–
The meeting of the Estates General on 5 May 1789 at Versailles.
27.
John Bull
–
John Bull is a national personification of the United Kingdom in general and England in particular, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country dwelling, jolly, John Bull originated in the creation of Dr. John Arbuthnot, a friend of Jonathan Swift and satirist Alexander Pope in 1712, and was popularised first by British print makers. Arbuthnot created Bull in his pamphlet Law is a Bottomless Pit, the same year Arbuthnot published a four-part political narrative The History of John Bull. Originally derided, William Hogarth and other British writers made Bull a heroic archetype of the freeborn Englishman, later, the figure of Bull was disseminated overseas by illustrators and writers such as American cartoonist Thomas Nast and Irish writer George Bernard Shaw, author of John Bulls Other Island. Starting in the 1760s, Bull was portrayed as an Anglo-Saxon country dweller and he was almost always depicted in a buff-coloured waistcoat and a simple frock coat. Britannia, or a lion, is used as an alternative in some editorial cartoons. As a literary figure, John Bull is well-intentioned, frustrated, full of common sense, unlike Uncle Sam later, he is not a figure of authority but rather a yeoman who prefers his small beer and domestic peace, possessed of neither patriarchal power nor heroic defiance. Arbuthnot provided him with a sister named Peg, and an adversary in Louis Baboon. Peg continued in pictorial art beyond the 18th century, but the figures associated with the original tableau dropped away. John Bull himself continued to appear as a national symbol in posters. Bull is usually portrayed as a stout, portly man in a tailcoat with light-coloured breeches, by the twentieth century however his waistcoat nearly always depicts a Union Flag, and his coat is generally dark blue. He also wears a low topper on his head and is accompanied by a bulldog. John Bull has been used in a variety of different ad campaigns over the years, singer David Bowie famously wore a coat worn in the style of Bull. Washington Irving described him in his chapter entitled John Bull from The Sketch Book, plain, downright, matter-of-fact fellow, with much less of poetry about him than rich prose. There is little of romance in his nature, but a vast deal of a natural feeling. He is a companion, if you allow him to have his humour and to talk about himself. In 1966, The Times, criticising the Unionist government of Northern Ireland, John Bulls surname is also reminiscent of the alleged fondness of the English for beef, reflected in the French nickname for English people, les rosbifs. It is also reminiscent of the animal, and for that reason Bull is portrayed as virile, strong, and stubborn like a bull
John Bull
–
World War I recruiting poster
John Bull
–
An earlier John Bull in which he is depicted as an actual humanoid bull.
John Bull
–
John Bull holds the head of
Napoleon Bonaparte in an 1803 caricature by
James Gillray.
John Bull
–
An 1897 editorial cartoon with John Bull, Uncle Sam, and a dog symbolizing Japan from the newspaper the Hawaiian Gazette. The dog follows the "Hawaii" sausage in Uncle Sam's pocket.
28.
Anti-Jacobin Review
–
Gifford and Andrew Bisset were the chief writers, and the political philosopher James Mill wrote reviews. Described as often scurrilous and ultra-Tory, the journal contained essays, reviews and it grew out of the political ferment of the period and was a vocal element of the British Anti-Jacobin backlash against the ideals of the French Revolution. Ed. H. C. G. Matthew and Brian Harrison, ed. H. C. G. Matthew and Brian Harrison. The British Periodical Press and the French Revolution, 1789–99
Anti-Jacobin Review
–
James Gillray, "A Peep Into the Cave of Jacobinism" (1798). Published in the Anti-Jacobin Review.
29.
British Whig Party
–
The Whigs were a political faction and then a political party in the parliaments of England, Scotland, Great Britain and the United Kingdom. Between the 1680s and 1850s, they contested power with their rivals, the Whigs origin lay in constitutional monarchism and opposition to absolute monarchy. The Whigs played a role in the Glorious Revolution of 1688, and were the standing enemies of the Stuart kings and pretenders. The Whigs took full control of the government in 1715, and remained dominant until King George III, coming to the throne in 1760. The Whig Supremacy was enabled by the Hanoverian succession of George I in 1714, the Whigs thoroughly purged the Tories from all major positions in government, the army, the Church of England, the legal profession, and local offices. The Partys hold on power was so strong and durable, historians call the period from roughly 1714 to 1783 the age of the Whig Oligarchy. The first great leader of the Whigs was Robert Walpole, who maintained control of the government through the period 1721–1742, his protégé was Henry Pelham, who led from 1743 to 1754. Both parties were founded on rich politicians, more than on votes, there were elections to the House of Commons. The Whig Party slowly evolved during the 18th century, later on, the Whigs drew support from the emerging industrial interests and wealthy merchants, while the Tories drew support from the landed interests and the royal family. The term Whig was originally short for whiggamor, a term meaning cattle driver used to describe western Scots who came to Leith for corn. In the reign of Charles I the term was used during Wars of the Three Kingdoms to refer derisively to a faction of the Scottish Covenanters who called themselves the Kirk Party. It was then applied to Scottish Presbyterian rebels who were against the Kings Episcopalian order in Scotland, Whig was a term of abuse applied to those who wanted to exclude James on the grounds that he was a Roman Catholic. The fervent Tory Samuel Johnson often joked that the first Whig was the Devil, the Whigs, under Lord Shaftesburys leadership, wished to exclude the Duke of York from the throne due to his Catholicism, his favouring of monarchical absolutism and his connections to France. They believed the Duke, if allowed to inherit the throne, would endanger the Protestant religion, liberty, the first Exclusion Bill was supported by a substantial majority on its second reading in May 1679. In response, King Charles prorogued Parliament and then dissolved it and this new parliament did not meet for thirteen months, because Charles wanted to give passions a chance to die down. When it met in October 1680, an Exclusion Bill was introduced and passed in the Commons without major resistance, Charles dissolved Parliament in January 1681, but the Whigs did not suffer serious losses in the ensuing election. The next Parliament first met in March, at Oxford, but Charles dissolved it only after a few days, when he made an appeal to the country against the Whigs, and determined to rule without Parliament. In February, Charles had made a deal with the French King Louis XIV, without Parliament, the Whigs gradually crumbled, mainly due to the Rye House Plot
British Whig Party
–
Equestrian portrait of William III by
Jan Wyck, commemorating the landing at Brixham, Torbay, 5 November 1688
British Whig Party
–
John Somers, 1st Baron Somers
British Whig Party
–
In A Block for the Wigs (1783), caricaturist
James Gillray caricatured Fox's return to power in a coalition with North. George III is the blockhead in the centre.
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gillray, James". Encyclopædia Britannica. 12 (11th ed.). Cambridge University Press. pp. 23–24.
