1.
Petit Luxembourg
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The Petit Luxembourg is a French hôtel particulier, currently the residence of the president of the French Senate. It is located at 17–17 bis, rue de Vaugirard, just west of the Senates main building, originally built around 1550 to the designs of an unknown architect, it is especially noted for the surviving Rococo interiors designed in 1710–1713 by the French architect Germain Boffrand. Further west, at 19 rue de Vaugirard, is the Musée du Luxembourg, Marie de Médicis purchased the hôtel in 1612 when she began acquiring property for the construction of the adjacent Luxembourg Palace. The old hôtel soon became known as the Petit Luxembourg to distinguish it from the larger building, richelieu left the Petit Luxembourg to his niece, the Duchess of Aiguillon. It was inherited in turn by the Grand Condé, who left it to his son, the latters widow, Anne of Bavaria, Princess Palatine, engaged the architect Germain Boffrand to enlarge and redecorate it between 1710 and 1713. Boffrand demolished the buildings to the west of the courtyard. The new wing preserved the style of the old corps de logis to the east and incorporated vestiges of the Couvent des Filles-du-Calvaire and these can still be seen in the winter garden and the Mannerist interior of the Queens Chapel. Between the street and the courtyard Boffrand added a screen which connected the old to the new. Its portal is flanked by Tuscan columns on the courtyard side. The upper floor contains a corridor connecting the east and west wings, although Boffrand preserved the façades of the older wing, he completely redesigned the interior. A modest vestibule with Ionic columns leads directly to a grand two-storey stair hall decorated on the floor with pilasters of the Composite order, elaborate carvings. The staircase, much admired in its day, sweeps up to the piano nobile in a flight, its grandeur enhanced with balustrades of stone. The princesss apartments lead directly off the landing, the first room no longer has the original décor, but the next still has Boffrands ceiling, cornices, and frieze. The following room, the Grand Salon also retains these elements, in large rooms, such as the stair hall and the Grand Salon, Boffrands unit of design was not the wall, but rather the entire room. Each wall consisted of an arcade, which pulled the space together and subordinated doors, windows. The focus of the décor was high in the spandrels between the arches, not in the panels as seen with Lepautre. This principle, first employed by J. H. Mansart at the Grand Trianon, kept the main part of the surface free for hangings, such as tapestries. The band of ornate spandrels running around the room achieves a unity, Boffrands decorative motifs, the linked C-scrolls entwined with palmettes and festoons, are more similar to those of Jean Bérain than Lepautre
2.
6th arrondissement of Paris
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The 6th arrondissement of Paris is one of the 20 arrondissements of Paris, France. Sulpice Church and square, the Pont des Arts and the Jardin du Luxembourg and it is a major locale for art galleries and one of the most fashionable districts of Paris as well as Paris most expensive area. The new Palace turned the neighborhood into a district for French nobility. The land area of the arrondissement is 2.154 km², in 1999, the population was 44,919 inhabitants while the arrondissement provided 43,691 jobs. Toei Animation Europe has its office in the arrondissement. The company, which opened in 2004, serves France, Germany, Italy, Spain, 6th arrondissement travel guide from Wikivoyage
3.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
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France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
5.
Marie de' Medici
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Marie de Medici was Queen of France as the second wife of King Henry IV of France, of the House of Bourbon. She was a member of the wealthy and powerful House of Medici, following the assassination of her husband in 1610, which occurred the day after her coronation, she acted as regent for her son, King Louis XIII of France, until he came of age. She was noted for her ceaseless political intrigues at the French court and she was born as Maria at the Palazzo Pitti of Florence, Italy, the sixth daughter of Francesco I de Medici, Grand Duke of Tuscany, and Archduchess Joanna of Austria. Marie was one of seven children, but only she and her sister Eleonora survived to adulthood, Marie is not a male-line descendant of Lorenzo the Magnificent but from Lorenzo the Elder, a branch of the Medici family sometimes referred to as the cadet branch. She does descend from Lorenzo in the female-line however, through his daughter Lucrezia de Medici, nonetheless this cadet branch produced every Grand Duke of Tuscany from 1537 to 1737, and the kings of France from Louis XIII in 1601 to Louis XVI in 1793. This cadet branch is already 700 years old, beginning with Averardo de Medici in 1320 and flourishes to this day with Louis Alphonse and her daughter, Henrietta Maria was queen consort of England, Scotland, and Ireland as the wife of King Charles I. Henrietta Maria, in turn, was mother of two successors, Charles II and James II. Lorenzo the Magnificents line instead became extinct shortly after the death of Lorenzo in 1492, at the time of his death the Medici Bank was already in bankruptcy. A portrait of Marie as a girl shows her with regular features. Her wavy hair was light brown in colour, and she had honey-brown eyes, the painter was from the school of Santi di Tito. She married Henry IV of France in October 1600 following the annulment of his marriage to Margaret of Valois. The wedding ceremony in Florence, Italy was celebrated with 4,000 guests and lavish entertainments, including examples of the newly invented musical genre of opera and she brought as part of her dowry 600,000 crowns. Her eldest son, the future King Louis XIII, was born at Fontainebleau the following year and her husband was almost 47 at the marriage and had a long succession of mistresses. Dynastic considerations required him to take a second wife, the marriage was successful in producing children, but it was not a happy one. The queen feuded with Henrys mistresses in language that shocked French courtiers, when he failed to do so, and instead married Marie, the result was constant bickering and political intrigues behind the scenes. Catherine referred to Maria as the fat bankers daughter, Henry used Maria for breeding purposes exactly as Henry II had treated Catherine de Medici, although the king could have easily banished his mistress, supporting his queen, he never did so. She, in turn, showed sympathy and support to her husbands banished ex-wife Marguerite de Valois. Marie was crowned Queen of France on 13 May 1610, a day before her husbands death, hours after Henrys assassination, she was confirmed as regent by the Parliament of Paris
6.
Henry IV of France
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Henry IV, also known by the epithet Good King Henry, was King of Navarre from 1572 to 1610 and King of France from 1589 to 1610. He was the first French monarch of the House of Bourbon, baptised as a Catholic but raised in the Protestant faith by his mother Jeanne dAlbret, Queen of Navarre, he inherited the throne of Navarre in 1572 on the death of his mother. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomews Day massacre, and later led Protestant forces against the royal army. Henry, as Head of the House of Bourbon, was a direct descendant of Louis IX of France. Upon the death of his brother-in-law and distant cousin Henry III of France in 1589 and he initially kept the Protestant faith and had to fight against the Catholic League, which denied that he could wear Frances crown as a Protestant. To obtain mastery over his kingdom, after four years of stalemate, as a pragmatic politician, he displayed an unusual religious tolerance for the era. Notably, he promulgated the Edict of Nantes, which guaranteed religious liberties to Protestants and he was assassinated in 1610 by François Ravaillac, a fanatical Catholic, and was succeeded by his son Louis XIII. Considered a usurper by some Catholics and a traitor by some Protestants, an unpopular king immediately after his accession, Henrys popularity greatly improved after his death, in light of repeated victories over his enemies and his conversion to Catholicism. The Good King Henry was remembered for his geniality and his concern about the welfare of his subjects. He was celebrated in the popular song Vive le roi Henri, Henry was born in Pau, the capital of the joint Kingdom of Navarre with the sovereign principality of Béarn. His parents were Queen Joan III of Navarre and her consort, Antoine de Bourbon, Duke of Vendôme, although baptised as a Roman Catholic, Henry was raised as a Protestant by his mother, who had declared Calvinism the religion of Navarre. As a teenager, Henry joined the Huguenot forces in the French Wars of Religion, on 9 June 1572, upon his mothers death, he became King of Navarre. At Queen Joans death, it was arranged for Henry to marry Margaret of Valois, daughter of Henry II, the wedding took place in Paris on 18 August 1572 on the parvis of Notre Dame Cathedral. On 24 August, the Saint Bartholomews Day Massacre began in Paris, several thousand Protestants who had come to Paris for Henrys wedding were killed, as well as thousands more throughout the country in the days that followed. Henry narrowly escaped death thanks to the help of his wife and he was made to live at the court of France, but he escaped in early 1576. On 5 February of that year, he formally abjured Catholicism at Tours and he named his 16-year-old sister, Catherine de Bourbon, regent of Béarn. Catherine held the regency for nearly thirty years, Henry became heir presumptive to the French throne in 1584 upon the death of Francis, Duke of Anjou, brother and heir to the Catholic Henry III, who had succeeded Charles IX in 1574. Because Henry of Navarre was the senior agnatic descendant of King Louis IX, King Henry III had no choice
7.
Luxembourg Palace
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The Luxembourg Palace is located at 15 rue de Vaugirard in the 6th arrondissement of Paris. It was originally built to the designs of the French architect Salomon de Brosse to be the residence of the regent Marie de Medici. After the Revolution it was refashioned by Jean Chalgrin into a legislative building, since 1958 it has been the seat of the French Senate of the Fifth Republic. Immediately west of the palace on the rue de Vaugirard is the Petit Luxembourg, now the residence of the Senate President, and slightly further west, the Musée du Luxembourg, in the former orangery. On the south side of the palace, the formal Luxembourg Garden presents a 25-hectare green parterre of gravel and lawn populated with statues, after the death of Henry IV in 1610, his widow, Marie de Médicis, became regent to her son, Louis XIII. Marie de Médicis desired to make a similar to her native Florences Palazzo Pitti. Marie de Médicis bought the Hôtel de Luxembourg and its fairly extensive domain in 1612 and commissioned the new building, the suites of paintings she commissioned, in the subjects of which she expressed her requirements through her agents and advisers, are scattered among museums. Marie de Médicis installed her household in 1625, while work on interiors continued, the apartments in the right wing on the western side were reserved for the Queen and the matching suite to the east, for her son, Louis XIII, when he was visiting. The 24 Marie de Medici cycle canvases, a series commissioned from Peter Paul Rubens, were installed in the Galerie de Rubens on the floor of the western wing. A series of paintings executed for her Cabinet doré was identified by Anthony Blunt in 1967, Louis XIII commissioned further decorations for the Palace from Nicolas Poussin and Philippe de Champaigne. In 1642, Marie bequeathed the Luxembourg to her second and favourite son, Gaston, duc dOrléans, who called it the Palais dOrléans, but by popular will it was still known by its original name. Upon Gastons death, the passed to his widow, Marguerite de Lorraine, then to his elder daughter by his first marriage, Anne, duchesse de Montpensier. In 1660, Anne de Montpensier sold the Luxembourg to her younger half-sister, Élisabeth Marguerite dOrléans, duchesse de Guise who, in turn, gave it to her cousin, King Louis XIV, in 1694. In 1715, the became the residence of Marie Louise Elisabeth dOrleans. The widowed Duchess was notoriously promiscuous, having the reputation of a French Messalina, the Luxembourg palace and its gardens thus became stages where the radiantly beautiful princess acted out her ambitions, enthroned like a queen surrounded by her court. According to various songs which scurrilously evoked her amours the Lady of the Luxembourg hid several pregnancies. Her taste for strong liquors and her sheer gluttony also scandalised the court, on 21 May 1717, Madame de Berry received Peter the Great at the Luxembourg. On 28 February 1718, the Duchess of Berry threw a magnificent party for her visiting aunt, the entire palace and its gardens were elaborately illuminated
8.
Senate (France)
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The Senate is the upper house of the Parliament of France, presided over by a president. Indirectly elected by elected officials, it represents territorial collectivities of the Republic, the Senate enjoys less prominence than the lower house, the directly elected National Assembly, debates in the Senate tend to be less tense and generally receive less media coverage. Frances first experience with a house was under the Directory from 1795 to 1799. With the Restoration in 1814, a new Chamber of Peers was created, at first it contained hereditary peers, but following the July Revolution of 1830, it became a body to which one was appointed for life. The Second Republic returned to a system after 1848, but soon after the establishment of the Second French Empire in 1852. In the Fourth Republic, the Senate was replaced by the Council of the Republic, with the new constitution of the Fifth Republic enforced on 4 October 1958, the older name of Senate was restored. In 2011, the Socialist Party won control of the French Senate for the first time since the foundation of the French Fifth Republic, in 2014, the centre-right Gaullists and its allies won back the control of the Senate. Until September 2004, the Senate had 321 senators, each elected to a nine-year term and that month, the term was reduced to six years, while the number of senators progressively increased to 348 in 2011, in order to reflect the countrys population growth. Senators were elected in every three years, this was also changed to one-half of their number every three years. Senators are elected indirectly by approximately 150,000 officials, including regional councilors, department councilors, mayors, city councilors in large towns, however, 90% of the electors are delegates appointed by councilors. This system introduces a bias in the composition of the Senate favoring rural areas, the Senate has also been accused of being a refuge for politicians that have lost their seats in the National Assembly. The senators elect a President from among their members, the current incumbent is Gérard Larcher. This happened twice for Alain Poher—once at the resignation of Charles de Gaulle, under the Constitution, the Senate has nearly the same powers as the National Assembly. Bills may be submitted by the administration or by either house of Parliament, because both houses may amend the bill, it may take several readings to reach an agreement between the National Assembly and the Senate. This does not happen frequently, usually the two eventually agree on the bill, or the administration decides to withdraw it. The power to pass a vote of censure, or vote of no confidence, is limited, as was the case in the Fourth Republics constitution, new cabinets do not have to receive a vote of confidence. Also, a vote of censure can occur only after 10 percent of the sign a petition, if rejected. If the petition gets the support, a vote of censure must gain an absolute majority of all members
9.
Medici Fountain
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The Medici Fountain is a monumental fountain in the Jardin du Luxembourg in the 6th arrondissement in Paris. It was built in about 1630 by Marie de Medici, the widow of King Henry IV of France and it was moved to its present location and extensively rebuilt in 1864-66. The new palace was modeled after the Palazzo Pitti in her native Florence, the Palace was the work of architect Salomon de Brosse, but the fountain and grotto was most probably the work of Tommaso Francini, the Intendant General of Waters and Fountains of the King. The first difficulty of construction was the lack of water in the Left Bank of Paris, as a result, the city had expanded far from the Right Bank of the Seine, but had hardly grown at all on the Left Bank. This problem was solved by the construction of the aqueduct of Arcueil. After the death of Marie de Medici, the Palace and fountain went through a series of owners, by the middle of the 18th century, when the fountains of Versailles and the Garden à la française were in fashion, the Medici Fountain fell into disrepair. In 1864, during the Second French Empire, Baron Haussmann planned to build the rue de Medicis through the occupied by the fountain. The lateral arcades of the fountain and the crumbling old orangerie behind it had already torn down in 1855. From 1858 to 1864, The new architect, Alphonse de Gisors, moved the fountain thirty meters to make room for the street, since the fountain no longer stood against a wall, the Fontaine de Léda, displaced from another neighborhood, was placed directly behind it. He replaced the two statues of nymphs at the top of the statue with two new statues, representing the Rivers Rhone and Seine. He restored the coat of arms of the Medici family over the fountain and he inserted two statues into the niches, one representing a faun and the other a huntress, above which are two masks, one representing comedy and the other tragedy. He removed the simple basin and water spout which had been in the niche and that is the fountain as it appears today. The fountain which Gisors placed behind the Medici Fountain had a history of its own, the Fontaine de Léda had been constructed in 1806-1809, during the First Empire, at the corner of rue Vaugirard and rue du Regard. It was the work of architect François-Jean Bralle and sculptor Achille Valois. The bas-relief of the fountain depicts the story of Leda and the Swan, Leda holds the swan on her knees, water flowed from the beak of the swan down to a hemispherical basin at the foot of the fountain. Since it was a fountain, it had to be attached to something, so he placed it on the back of the Medici Fountain. LArt des jardins en Europe, Yves-Marie Allain and Janine Christiany, Citadelles & Mazenod, Paris,2006
10.
Pitti Palace
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The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the side of the River Arno. The core of the present palazzo dates from 1458 and was originally the residence of Luca Pitti. The palace was bought by the Medici family in 1549 and became the residence of the ruling families of the Grand Duchy of Tuscany. It grew as a treasure house as later generations amassed paintings, plates, jewelry. In the late 18th century, the palazzo was used as a base by Napoleon. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919, the palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of design known as the corps de logis, is 32,000 square metres. It is divided into several principal galleries or museums detailed below, the construction of this severe and forbidding building was commissioned in 1458 by the Florentine banker Luca Pitti, a principal supporter and friend of Cosimo de Medici. The early history of the Palazzo Pitti is a mixture of fact, Pitti is alleged to have instructed that the windows be larger than the entrance of the Palazzo Medici. Besides obvious differences from the architects style, Brunelleschi died 12 years before construction of the palazzo began. The design and fenestration suggest that the architect was more experienced in utilitarian domestic architecture than in the humanist rules defined by Alberti in his book De Re Aedificatoria. Though impressive, the original palazzo would have no rival to the Florentine Medici residences in terms of either size or content. Whoever the architect of the Palazzo Pitti was, he was moving against the flow of fashion. The rusticated stonework gives the palazzo a severe and powerful atmosphere, reinforced by the series of seven arch-headed apertures. The Roman-style architecture appealed to the Florentine love of the new style allantica, work stopped after Pitti suffered financial losses following the death of Cosimo de Medici in 1464. Luca Pitti died in 1472 with the building unfinished, the building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo. Raised at the court of Naples, Eleonora was the wife of Cosimo I de Medici of Tuscany
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Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
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Salomon de Brosse
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Salomon de Brosse was an influential early 17th-century French architect, a major influence on François Mansart. He was established in practice in Paris in 1598 and was promoted to court architect in 1608, the impetus for the plan is often traced to Palazzo Pitti, Florence, where the Medici queen had spent her youth, but the formal plan of Anet could also be adduced. He clad the building wholly in stone, avoiding the lively contrast of brick, other buildings that he designed include, the château de Montceaux-en-Brie the château of Coulommiers-en-Brie, for Catherine Gonzaga, duchesse de Longueville. The facade of the Church of Saint-Gervais, Paris the Luxembourg Palace, Paris the Parlement de Bretagne Rennes the aqueduct of Arcueil the château of Blérancourt De Brosse died, aged 55, Architecture françoise, reimpression of 1904, vol. Salomon de Brosse and the Development of the Classical Style in French Architecture from 1565 to 1630, University Park, The Pennsylvania State University Press. Brosse, Solomon de in The Dictionary of Art, edited by Jane Turner, reprinted with corrections in 1998. Un architecte français au commencement du XVIIe siècle, Salomon de Brosse, Paris, Libraire centrale dArt et dArchitecture
13.
Elm
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Elms are deciduous and semi-deciduous trees comprising the flowering plant genus Ulmus in the plant family Ulmaceae. The genus first appeared in the Miocene geological period about 20 million years ago, Elms are components of many kinds of natural forests. Some individual elms reached great size and age, however, in recent decades, most mature elms of European or North American origin have died from Dutch elm disease, caused by a microfungus dispersed by bark beetles. In response, disease-resistant cultivars have been developed, capable of restoring the elm to forestry, eight species are endemic to North America, and a smaller number to Europe, the greatest diversity is found in Asia. The classification adopted in the List of elm species, varieties, cultivars, a large number of synonyms have accumulated over the last three centuries, their currently accepted names can be found in the list List of elm Synonyms and Accepted Names. Botanists who study elms and argue over elm identification and classification are called pteleologists, as part of the sub-order urticalean rosids they are distant cousins of cannabis, hops, and nettles. The name Ulmus is the Latin name for these trees, while the English elm, the genus is hermaphroditic, having apetalous perfect flowers which are wind-pollinated. Elm leaves are alternate, with simple, single- or, most commonly, doubly serrate margins, usually asymmetric at the base, the fruit is a round wind-dispersed samara flushed with chlorophyll, facilitating photosynthesis before the leaves emerge. All species are tolerant of a range of soils and pH levels but, with few exceptions. The elm tree can grow to height, often with a split trunk creating a vase-shape profile. Dutch elm disease devastated elms throughout Europe and much of North America in the half of the 20th century. It derives its name Dutch from the first description of the disease and its cause in the 1920s by the Dutch botanists Bea Schwarz, DED is caused by a micro-fungus transmitted by two species of Scolytus elm-bark beetle which act as vectors. The disease affects all species of elm native to North America and Europe, fungal spores, introduced into wounds in the tree caused by the beetles, invade the xylem or vascular system. The tree responds by producing tyloses, effectively blocking the flow from roots to leaves, woodland trees in North America are not quite as susceptible to the disease because they usually lack the root-grafting of the urban elms and are somewhat more isolated from each other. In France, inoculation with the fungus of over three hundred clones of the European species failed to find a single variety possessed of any significant resistance. The second, far more virulent strain of the disease Ophiostoma novo-ulmi was identified in Europe in the late 1960s, Elm phloem necrosis is a disease of elm trees that is spread by leafhoppers or by root grafts. This very aggressive disease, with no cure, occurs in the Eastern United States, southern Ontario in Canada. It is caused by phytoplasmas which infect the phloem of the tree, infection and death of the phloem effectively girdles the tree and stops the flow of water and nutrients
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Tommaso and Alessandro Francini
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Tommaso Francini and his younger brother Alessandro Francini were Florentine hydraulics engineers and garden designers. Francesco de Medicis heir, his brother Ferdinando, was persuaded to part with the Francini brothers in 1597 by his niece Maria, married to Henri IV of France. Their first project, begun in 1598, was to provide fountains, grottoes, waterworks and, above all, the main feature there was a great fountain, from which water was channeled and conducted in siphon tubes to the reservoir in the vaulted area that supported the terrace. From there, through a series of tubes, the water had sufficient head to operate grotto fountains. Not all of Tommaso Francinis mechanisms for courtly entertainments were garden features, in the reign of Louis XIII, Francini remained in the employ of the Marie de Medici, the Queen Mother. Alessandro Francini engraved views of the fountains and brought out a Livre darchitecture in 1631 that featured many fantastically rusticated doorways, the Francini brothers founded a dynasty of French fountain engineers, a younger Francini worked on fountains in the early stages of Versailles, especially the Grotto of Thetis. Members of the Francini clan were still at work in the eighteenth century, grottos and fountains, engraved in 1614 by Alexandre Francini. In gardens laid out by Jean Thiriot to designs of Jacques Lemercier, Francinis Grand Cascade completed about 1638 for the Cardinal de Richelieu and it has been suggested that Rueils cascade and gardens were inspired by those of the Villa Aldobrandini at Frascati. The French Garden 1500–1800 Marie, Alfred 1955, Francine, Alexandre, –1648 at Library of Congress Authorities, with 3 catalogue records Works by or about Francine, Alexandre –1648 in libraries
15.
Jacques Boyceau
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Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements was published in 1638. Its sixty engravings after Boyceaus designs make it one of the milestones in tracing the history of the Garden à la française and his nephew Jacques de Menours, who produced the volume, included an engraved frontispiece with the portrait of Boyceau. A few of the show formally planted bosquets, but the majority are of designs for parterres. Boyceau was made a gentilhomme de la chambre du roi and ennobled for his efforts. Boyceaus book is the first French work to treat the esthetic of gardening, an engraving reproduced in Boyceaus Traité du jardinage depicts his parterre design centered on the garden front of the Luxembourg Palace. Basically a square within a square, it was crowned at the far end by a circle the width of the inner square. The compartments, all filled with fine rinceaux executed in clipped boxwood, the parterre was much modified by 1652 as evidenced by the map of Gomboust, and even further after 1693 in favour of the broader, simpler parterre of Claude Desgotz. Notes Sources F Hamilton Hazlehurst,1966, at the Architectura website, Laurent Paya on Jacques Boyceau and the 1638 edition of Traité du jardinage
16.
Tuileries Palace
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The Tuileries Palace was a royal and imperial palace in Paris which stood on the right bank of the River Seine. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. After the accidental death of Henry II of France in 1559 and she sold the medieval Hôtel des Tournelles, where her husband had died, and began building the palace of Tuileries in 1564, using architect Philibert de lOrme. The name derives from the tile kilns or tuileries which had occupied the site. The palace was formed by a range of long, narrow buildings. During the reign of Henry IV, the building was enlarged to the south, so it joined the long gallery, the Grande Galerie. During the reign of Louis XIV major changes were made to the Tuileries Palace, from 1659 to 1661 it was extended to the north by the addition of the Théâtre des Tuileries. From 1664 to 1666 the architect Louis Le Vau and his assistant François dOrbay made other significant changes, a new grand staircase was installed in the entrance of the north wing of the palace, and lavishly decorated royal apartments were constructed in the south wing. The kings rooms were on the floor, facing toward the Louvre. At the same time, Louis gardener, André Le Nôtre, the Court moved into the Tuileries Palace in November 1667, but left in 1672, and soon thereafter went to the Palace of Versailles. The Tuileries Palace was virtually abandoned and used only as a theatre, the boy-king Louis XV was moved from Versailles to the Tuileries Palace on 1 January 1716, four months after ascending to the throne. He moved back to Versailles on 15 June 1722, three months before his coronation, both moves were made at the behest of the Regent, the duc dOrléans. The king also resided at the Tuileries for short periods during the 1740s, on 6 October 1789, during the French Revolution, Louis XVI and his family were forced to leave Versailles and brought to the Tuileries where they were kept under surveillance. For the next two years the palace remained the residence of the king. The Tuileries covered riding ring, the Salle du Manège, home to the royal equestrian academy, the royal family tried to escape after dark, on 20 June 1791, but were captured at Varennes and brought back to the Tuileries. The Paris National Guard defended the King, but the daughter of King Louis XVI claimed that many of the guard were already in favor of the revolution, in November 1792, the Armoire de fer incident took place at the Tuileries palace. This was the discovery of a place at the royal apartments. The incident created a scandal that served to discredit the King
17.
Palace of Versailles
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The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
18.
French formal garden
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The French formal garden, also called the jardin à la française, is a style of garden based on symmetry and the principle of imposing order on nature. The Garden à la française evolved from the French Renaissance garden, the gardens were designed to represent harmony and order, the ideals of the Renaissance, and to recall the virtues of Ancient Rome. His successor Henry II, who had traveled to Italy and had met Leonardo da Vinci. The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, in 1536 the architect Philibert de lOrme, upon his return from Rome, created the gardens of the Château dAnet following the Italian rules of proportion. The different parts of the gardens were not harmoniously joined together, all this was to change in the middle of the 17th century with the development of the first real Garden à la française. The first important garden à la française was the Chateau of Vaux-le-Vicomte, created by Nicolas Fouquet, Fouquet commissioned Louis Le Vau to design the chateau, Charles Le Brun to design statues for the garden, and André Le Nôtre to create the gardens. For the first time, that garden and the chateau were perfectly integrated, the symmetry attained at Vaux achieved a degee of perfection and unity rarely equalled in the art of classic gardens. The chateau is at the center of this spatial organization which symbolizes power. The Gardens of Versailles, created by André Le Nôtre between 1662 and 1700, were the greatest achievement of the Garden à la francaise. The central symbol of the Garden was the sun, the emblem of Louis XIV, the views and perspectives, to and from the palace, continued to infinity. The king ruled over nature, recreating in the not only his domination of his territories. Andre Le Nôtre died in 1700, but his pupils and his ideas continued to dominate the design of gardens in France through the reign of Louis XV. The major inspiration for gardens continued to be architecture, rather than nature – the architect Ange-Jacques Gabriel designed elements of the gardens at Versailles, Choisy, nonetheless, a few variations in the strict geometry of the garden à la française began to appear. Elaborate parterres of broderies, with their curves and counter-curves, were replaced by parterres of grass bordered with flowerbeds, circles became ovals, called rotules, with alleys radiating outward in the shape of an x, and irregular octagon shapes appeared. Gardens began to follow the landscape, rather than moving earth to shape the ground into artificial terraces. Jacques Boyceau, sieur de la Barauderie the superintendent of royal gardens under Louis XIII and his book, Traité du jardinage selon les raisons de la nature et de lart. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements was published after his death in 1638, claude Mollet, was the chief gardener of three French Kings, Henry IV, Louis XIII and the young Louis XIV. The gardens he created became the symbols of French grandeur and rationality, joseph-Antoine Dezallier dArgenville wrote Theorie et traite de jardinage, laid out the principles of the Garden à la francaise, and included drawings and designs of gardens and parterres
19.
Paris Observatory
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The Paris Observatory is the foremost astronomical observatory of France, and one of the largest astronomical centers in the world. Its historic building is to be found on the Left Bank of the Seine in central Paris, administratively, it is a grand établissement of the French Ministry of National Education, with a status close to that of a public university. Its missions include, research in astronomy and astrophysics, education, diffusion of knowledge to the public and it maintains a solar observatory at Meudon and a radio astronomy observatory at Nançay. It was also the home to the International Time Bureau until its dissolution in 1987 and its foundation lies in the ambitions of Jean-Baptiste Colbert to extend Frances maritime power and international trade in the 17th century. Louis XIV promoted its construction, which was started in 1667 and it thus predates by a few years the Royal Greenwich Observatory in England, which was founded in 1675. The architect of the Paris Observatory was Claude Perrault whose brother, Charles, was secretary to Colbert, optical instruments were supplied by Giuseppe Campani. The buildings were extended in 1730,1810,1834,1850, the last extension incorporates the spectacular Meridian Room designed by Jean Prouvé. The worlds first national almanac, the Connaissance des temps, was published by the observatory in 1679, in 1863, the observatory published the first modern weather maps. In 1882, a 33 cm astrographic lens was constructed, an instrument that catalysed what proved to be the over-ambitious international Carte du Ciel project. The Meudon great refractor was a 83 cm aperture refractor, which with September 20,1909 observations by E. M. Antoniadi helped disprove the Mars canals theory and it was a double telescope completed in 1891, with secondary having 62 cm aperture lens for photography. It was one of the largest active telescopes in Europe, the title of Director of the Observatory was officially given for the first time to César-François Cassini de Thury by a Royal brevet dated November 12,1771. However, the important role played by his grandfather and father in this institution during its first century actually gives them somewhat the role of director, a coronograph was in operation there for ten years, the dome was moved there from the Perrault building of the Observatoire de Paris. Nowadays, the AstroQueyras amateur astronomy association operates the facility, using a 60 cm telescope on loan from the Observatoire de Haute Provence, numerous asteroids have been discovered there. Paris Observatory, Encyclopaedia Britannica, Deluxe CDROM edition Aubin, D, the fading star of the Paris Observatory in the nineteenth century, astronomers urban culture of circulation and observation. History of the Bureau International de lHeure, polar Motion, Historical and Scientific problems. Paris Observatory Paris Observatory History Location in Paris Publications of the Observatoire de Paris in Gallica, the digital library of the BnF
20.
Louis XVIII of France
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Louis XVIII, known as The Desired, was a monarch of the House of Bourbon who ruled as King of France from 1814 to 1824 except for a period in 1815 known as the Hundred Days. Until his accession to the throne of France, Louis held the title of Count of Provence as brother of King Louis XVI, on 21 September 1792, the National Convention abolished the monarchy and deposed King Louis XVI, who was later executed by guillotine. When the young Louis XVII, Louis XVIs son, died in prison in June 1795, during the French Revolution and Napoleonic era, Louis XVIII lived in exile in Prussia, the United Kingdom and Russia. When the Sixth Coalition finally defeated Napoleon in 1814, Louis was placed in what he, Napoleon escaped from his exile in Elba, however, and restored his French Empire. Louis XVIII fled and a Seventh Coalition declared war on the French Empire, defeated Napoleon, Louis XVIII ruled as king for slightly less than a decade. The Bourbon Restoration regime was a constitutional monarchy, as a constitutional monarch, Louis XVIIIs royal prerogative was reduced substantially by the Charter of 1814, Frances new constitution. Louis had no children, therefore, upon his death, the passed to his brother, Charles. Louis XVIII was the last French monarch to die while reigning, as his successor Charles X abdicated and both Louis Philippe I and Napoléon III were deposed. Louis Stanislas Xavier, styled Count of Provence from birth, was born on 17 November 1755 in the Palace of Versailles, the son of Louis, Dauphin of France and he was the grandson of the reigning King Louis XV. As a son of the Dauphin he was a Fils de France, Louis Stanislas was christened Louis Stanislas Xavier six months after his birth in accordance with Bourbon family tradition, being nameless before his baptism. By this act, he also a Knight of the Order of the Holy Spirit. The former died in 1761, leaving Louis Auguste as heir to their father until the Dauphins own premature death in 1765, the two deaths elevated Louis Stanislas to second in the line of succession, while Louis Auguste acquired the title Dauphin. Louis Stanislas found comfort in his governess, Madame de Marsan, Governess of the Children of France, as he was her favourite among his siblings. Louis Stanislas was taken away from his governess when he turned seven, Antoine de Quélen de Stuer de Caussade, Duke of La Vauguyon, a friend of his father, was named his governor. Louis Stanislas was an intelligent boy, excelling in classics and his education was of the same quality and consistency as that of his older brother, Louis Auguste, despite the fact that Louis Auguste was heir and Louis Stanislas was not. Louis Stanislas education was religious in nature, several of his teachers were men of the cloth. La Vauguyon drilled into young Louis Stanislas and his brothers the way he thought princes should know how to withdraw themselves, to like to work, and to know how to reason correctly. In the same month his household was founded, Louis was granted titles by his grandfather, Louis XV, Duke of Anjou, Count of Maine, Count of Perche
21.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
22.
French Directory
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It gave its name to the final four years of the French Revolution. The Directory was continually at war with foreign coalitions which at different times included Britain, Austria, Prussia, the Kingdom of Naples, Russia and it annexed Belgium and the left bank of the Rhine, while Bonaparte conquered a large part of Italy. The Directory established six short-lived sister republics modelled after France, in Italy, Switzerland, the conquered cities and states were required to send to France huge amounts of money, as well as art treasures, which were used to fill the new Louvre museum in Paris. An army led by Bonaparte conquered Egypt and marched as far as Saint-Jean-dAcre in Syria, the French economy was in continual crisis during the Directory. At the beginning, the treasury was empty, the money, the Assignat, had fallen to a fraction of its value. The Directory stopped printing assignats and restored the value of the money, but this caused a new crisis, prices and wages fell, and economic activity slowed to a standstill. The Jacobin political club was closed and the government crushed an uprising planned by the Jacobins. The Jacobins took two seats in the Directory, hopelessly dividing it. In 1799, after several defeats, French victories in the Netherlands and Switzerland restored the French military position, Bonaparte returned from Egypt in October, and was engaged by the Abbé Sieyès and other moderates to carry out a parliamentary coup détat on 8–9 November 1799. The coup abolished the Directory, put the French Consulate led by Bonaparte in its place, Robespierre and his leading followers were declared outside the law, and on 28 July were arrested, and guillotined the same day. The Terror quickly came to a halt, the Revolutionary Tribunal, which had sent thousands to the guillotine, ceased meeting and its head, Fouquier-Tinville, was arrested and imprisoned, and after trial was himself guillotined. More than five hundred suspected counter-revolutionaries awaiting trial and execution were immediately released, in the wake of these events, the members of the Convention began planning an entirely new form of government. They wished to continue the Revolution, but without its excesses and this executive will have a force concentrated enough that it will be swift and firm, but divided enough to make it impossible for any member to even consider becoming a tyrant. A single chief would be dangerous, each member will preside for three months, he will have during this time the signature and seal of the head of state. By the slow and gradual replacement of members of the Directory, you will preserve the advantages of order and continuity and will have the advantages of unity without the inconveniences. To assure that the Directors would have some independence, each would be elected by one portion of the legislature, the members of this legislature had a term of three years, with one-third of the members renewed every year. The Ancients could not initiate new laws, but could veto those proposed by the Council of Five Hundred, the new Constitution required the Council of 500 to prepare, by secret ballot, a list of candidates for the Directory. The Council of the Ancients then chose, again by secret ballot, the Constitution required that Directors be at least forty years old
23.
Carthusians
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The Carthusian Order, also called the Order of Saint Bruno, is a Catholic religious order of enclosed monastics. The order was founded by Saint Bruno of Cologne in 1084, the order has its own Rule, called the Statutes, rather than the Rule of Saint Benedict, and combines eremitical and cenobitic life. The name Carthusian is derived from the Chartreuse Mountains, Saint Bruno built his first hermitage in the valley of these mountains in the French Alps, the word charterhouse, which is the English name for a Carthusian monastery, is derived from the same source. The same mountain range lends its name to the alcoholic cordial Chartreuse produced by the monks since 1737 which itself gives rise to the name of the colour. The motto of the Carthusians is Stat crux dum volvitur orbis, in 1084 Bishop Hugh of Grenoble offered Bruno, the former Chancellor of the Diocese of Reims, a solitary site in the mountains of his diocese, in the valley of Chartreuse. Six years later, Brunos former pupil, Pope Urban II requested his services. He would only live in Rome for a few months however, before leaving to establish a new hermitage in the forests of Calabria, in the south of Italy. He died there on 6 October 1101, in 1132, an avalanche destroyed the first hermitage, killing 7 monks under the snow. The fifth prior of Chartreuse, Guiges, rebuilt the hermitage, there were twelve Carthusian monasteries in the British Isles before the Reformation. The first was founded by Henry II in 1181 at Witham Friary, Hugh of Lincoln was its first prior. The third Charterhouse built in Britain was Beauvale Charterhouse remains of which can still be seen in Beauvale, Greasley parish, the Carthusians, as with all Catholic religious orders, were variously persecuted and banned during the Protestant Reformation. The abolition of their priories, which were sources of charity in England and this was followed by the French Revolution which had a similar effect in France. A few fragments remain of the Charterhouse in Coventry, mostly dating from the 15th century, the area, about a mile from the centre of the city, is a conservation area, but the buildings are in use as part of a local college. Inside the building is a wall painting, alongside many carvings. Nearby is the river Sherbourne that runs underneath the centre of the city, the best preserved remains of a medieval Charterhouse in the UK are at Mount Grace Priory near Osmotherley, North Yorkshire. One of the cells has been reconstructed to illustrate how different the lay-out is to monasteries of most other Christian orders, which are normally designed with communal living in mind. The London Charterhouse gave its name to a square and several streets in the City of London, as well as to the Charterhouse School which used part of its site before moving out to Godalming, Surrey. Perth Charterhouse, the single Carthusian Priory founded in Scotland during the Middle Ages, was located in Perth and it stood just west of the medieval town and was founded by James I in the early 15th century
24.
Jean Chalgrin
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Jean-François-Thérèse Chalgrin was a French architect, best known for his design for the Arc de Triomphe, Paris. His time in Rome coincided with a fervent new interest in Classicism among the young French pensionnaires, under the influences of Piranesi, in this church, which was built 1772-84, he revived a basilica plan that had not been characteristic of French ecclesiastical architecture since the sixteenth century. In 1775 he was appointed First Architect to the comte de Provence, brother of Louis XVI, in 1779 he was appointed overseer of the building projects of another brother of the king, the comte dArtois. In 1777 Chalgrin partly remodelled the interior of Church of Saint-Sulpice and he also designed the case for the great organ. After the Revolution Chalgrin extended the Collège de France and made alterations in the Palais du Luxembourg to suit it to its new use as the seat of the Directoire, the Arc de Triomphe was commissioned by Napoleon to commemorate the victorious armies of the Empire. The project was under way when Chalgrin died, and it was completed by Jean-Nicolas Huyot, Chalgrin married Émilie, a daughter of the painter Joseph Vernet. Louis Hautcoeur, Histore de larchitecture classique en France, vol, IV second moitié du XVIIIe siècle 1952. Michel Gallet, Demeures parisiennes, époque Louis XVI1964
25.
Arc de Triomphe
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The Arc de Triomphe should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. Beneath its vault lies the Tomb of the Unknown Soldier from World War I and it set the tone for public monuments with triumphant patriotic messages. Inspired by the Roman Arch of Titus, the Arc de Triomphe has an height of 50 metres, width of 45 m. The smaller transverse vaults are 18.68 m high and 8.44 m wide, three weeks after the Paris victory parade in 1919, Charles Godefroy flew his Nieuport biplane under the archs primary vault, with the event captured on newsreel. Pariss Arc de Triomphe was the tallest triumphal arch until the completion of the Monumento a la Revolución in Mexico City in 1938, the Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m. The Arc is located on the bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes, the architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. On 15 December 1840, brought back to France from Saint Helena, prior to burial in the Panthéon, the body of Victor Hugo was displayed under the Arc during the night of 22 May 1885. The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, the relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc, Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight. Following its construction, the Arc de Triomphe became the point of French troops parading after successful military campaigns. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944 and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées, after the interment of the Unknown Soldier, however, all military parades have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb, both Hitler in 1940 and de Gaulle in 1944 observed this custom. By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching. In the prolongation of the Avenue des Champs-Élysées, a new arch, after the Arc de Triomphe du Carrousel and the Arc de Triomphe de lÉtoile, the Grande Arche is the third arch built on the same perspective. In 1995, the Armed Islamic Group of Algeria placed a bomb near the Arc de Triomphe which wounded 17 people as part of a campaign of bombings, the astylar design is by Jean Chalgrin, in the Neoclassical version of ancient Roman architecture. Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe, Jean-Pierre Cortot, François Rude, Antoine Étex, James Pradier and Philippe Joseph Henri Lemaire
26.
Statue of Liberty
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The Statue of Liberty is a colossal neoclassical sculpture on Liberty Island in New York Harbor in New York City, in the United States. The copper statue, a gift from the people of France to the people of the United States, was designed by French sculptor Frédéric Auguste Bartholdi, the statue was dedicated on October 28,1886. The Statue of Liberty is a female figure representing Libertas. She holds a torch above her head, and in her left arm carries a tabula ansata inscribed July 4,1776, a broken chain lies at her feet. The statue became an icon of freedom and of the United States, due to the post-war instability in France, work on the statue did not commence until the early 1870s. In 1875, Laboulaye proposed that the French finance the statue, Bartholdi completed the head and the torch-bearing arm before the statue was fully designed, and these pieces were exhibited for publicity at international expositions. The torch-bearing arm was displayed at the Centennial Exposition in Philadelphia in 1876, fundraising proved difficult, especially for the Americans, and by 1885 work on the pedestal was threatened due to lack of funds. Publisher Joseph Pulitzer of the New York World started a drive for donations to complete the project attracted more than 120,000 contributors. The statue was constructed in France, shipped overseas in crates, the statues completion was marked by New Yorks first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland. The statue was administered by the United States Lighthouse Board until 1901 and then by the Department of War, public access to the balcony surrounding the torch has been barred for safety reasons since 1916. The project is traced to a conversation between Édouard René de Laboulaye, a staunch abolitionist and Frédéric Bartholdi, a sculptor. The National Park Service, in a 2000 report, however, deemed this a legend traced to an 1885 fundraising pamphlet, in order to honor these achievements, Laboulaye proposed that a gift be built for the United States on behalf of France. Laboulaye hoped that by calling attention to the recent achievements of the United States, according to sculptor Frédéric Auguste Bartholdi, who later recounted the story, Laboulayes comment was not intended as a proposal, but it inspired Bartholdi. Given the repressive nature of the regime of Napoleon III, Bartholdi took no action on the idea except to discuss it with Laboulaye. Sketches and models were made of the work, though it was never erected. There was a precedent for the Suez proposal, the Colossus of Rhodes. This statue is believed to have been over 100 feet high, any large project was further delayed by the Franco-Prussian War, in which Bartholdi served as a major of militia. In the war, Napoleon III was captured and deposed, Bartholdis home province of Alsace was lost to the Prussians, and a more liberal republic was installed in France
27.
Ossip Zadkine
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Ossip Zadkine was a Russian-born artist who lived in France. He is primarily known as a sculptor, but also produced paintings, Zadkine was born on 4 July 1890 as Yossel Aronovich Tsadkin in the city of Vitsebsk, part of the Russian Empire. He was born to a Jewish father and a mother of Scottish origin, after attending art school in London, Zadkine settled in Paris in 1910. He studied at the Ecole des Beaux-Arts for six months, in 1911 he lived and worked in La Ruche. While in Paris he joined the Cubist movement, working in a Cubist idiom from 1914 to 1925 and he later developed his own style, one that was strongly influenced by African and Greek art. 1921 he obtained obtain French citizenship, Zadkine served as a stretcher-bearer in the French Army during World War I, and was wounded in action. He spent World War II in the US, in August 1920, Zadkine married Valentine Prax, an Algerian-born painter of Sicilian and French Catalan descent. Zadkine was a friend of Henry Miller and was represented by the character Borowski in Millers Tropic of Cancer, the artists only child, Nicolas Hasle, was the result of his affair with a Danish woman, Annelise Hasle. Zadkine died in Paris in 1967 at the age of 77 after undergoing surgery and was interred in the Cimetière du Montparnasse. His former home and studio is now the Musée Zadkine, there is also a Musée Zadkine in the village of Les Arques in the Midi-Pyrénées region. Zadkine lived in Les Arques for a number of years, and while there, carved an enormous Christ on the Cross, yamanashi Kenritsu Bijutsukan, Ossip Zadkine, Tokyo, Yomiuri Shinbunsha,1989
28.
Napoleon III
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Louis-Napoléon Bonaparte was the only President of the French Second Republic and, as Napoleon III, the Emperor of the Second French Empire. He was the nephew and heir of Napoleon I and he was the first President of France to be elected by a direct popular vote. He remains the longest-serving French head of state since the French Revolution, during the first years of the Empire, Napoleons government imposed censorship and harsh repressive measures against his opponents. Some six thousand were imprisoned or sent to penal colonies until 1859, thousands more went into voluntary exile abroad, including Victor Hugo. From 1862 onwards, he relaxed government censorship, and his came to be known as the Liberal Empire. Many of his opponents returned to France and became members of the National Assembly, Napoleon III is best known today for his grand reconstruction of Paris, carried out by his prefect of the Seine, Baron Haussmann. He launched similar public works projects in Marseille, Lyon, Napoleon III modernized the French banking system, greatly expanded and consolidated the French railway system, and made the French merchant marine the second largest in the world. He promoted the building of the Suez Canal and established modern agriculture, Napoleon III negotiated the 1860 Cobden–Chevalier free trade agreement with Britain and similar agreements with Frances other European trading partners. Social reforms included giving French workers the right to strike and the right to organize, womens education greatly expanded, as did the list of required subjects in public schools. In foreign policy, Napoleon III aimed to reassert French influence in Europe and he was a supporter of popular sovereignty and of nationalism. In Europe, he allied with Britain and defeated Russia in the Crimean War and his regime assisted Italian unification and, in doing so, annexed Savoy and the County of Nice to France, at the same time, his forces defended the Papal States against annexation by Italy. Napoleon doubled the area of the French overseas empire in Asia, the Pacific, on the other hand, his armys intervention in Mexico which aimed to create a Second Mexican Empire under French protection ended in failure. Beginning in 1866, Napoleon had to face the power of Prussia. In July 1870, Napoleon entered the Franco-Prussian War without allies, the French army was rapidly defeated and Napoleon III was captured at the Battle of Sedan. The French Third Republic was proclaimed in Paris, and Napoleon went into exile in England, charles-Louis Napoleon Bonaparte, later known as Louis Napoleon and then Napoleon III, was born in Paris on the night of 20–21 April 1808. His presumed father was Louis Bonaparte, the brother of Napoleon Bonaparte. His mother was Hortense de Beauharnais, the daughter by the first marriage of Napoleons wife Joséphine de Beauharnais, as empress, Joséphine proposed the marriage as a way to produce an heir for the Emperor, who agreed, as Joséphine was by then infertile. Louis married Hortense when he was twenty-four and she was nineteen and they had a difficult relationship, and only lived together for brief periods
29.
Gabriel Davioud
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Jean-Antoine-Gabriel Davioud was a French architect. Davioud was born in Paris and studied at the École des Beaux-Arts under Léon Vaudoyer, after winning a Second Grand Prix de Rome, he was named inspector general for architectural works in Paris, and chief architect for its parks and public spaces. His mandate was interrupted when he was appointed capitaine du génie during the Franco-Prussian War, noted for his work in Paris, he built a single villa in Houlgate, La Brise, on the Route de Caumont. Placzek, Macmillan Encyclopedia of Architects, Collier Macmillan,1982, structurae entry Marcel Miocque, Huguette Vernochet, Alain Bertaud, Lise Dassonville-Agron
30.
English landscape garden
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The English garden presented an idealized view of nature. The work of Lancelot Capability Brown was particularly influential, by the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a influence on the form of the public parks. These parks featured vast lawns, woods, and pieces of architecture and these gardens, modelled after the gardens of Versailles, were designed to impress visitors with their size and grandeur. William Kent was an architect, painter and furniture designer who introduced Palladian style architecture to England and his gardens were designed to complement the Palladian architecture of the houses he built. He collaborated with Kent on several major gardens, providing the botanical expertise which allowed Kent to realize his architectural visions, Kent created one of the first true English landscape gardens at Chiswick House for Richard Boyle, 3rd Earl of Burlington. Between 1733 and 1736, he redesigned the garden, adding lawns sloping down to the edge of the river, for the first time the form of a garden was inspired not by architecture, but by an idealized version of nature. Rousham House in Oxfordshire is considered by some as the most accomplished, the patron was General Dormer, who commissioned Bridgeman to begin the garden in 1727, then brought in Kent to recreate it in 1737. Bridgeman had built a series of gardens, including a grotto of Venus, on the slope along the river Cherwell, finally, he added cascades modelled on those of the garden of Aldobrandini and Pratolino in Italy, to add movement and drama. Stowe, in Buckinghamshire, was a more radical departure from the formal French garden. In the early 18th century, Richard Temple, 1st Viscount Cobham, had commissioned Charles Bridgeman to design a formal garden, bridgemans design included an octagonal lake and a Rotunda designed by Vanbrugh. In the 1730s, William Kent and James Gibbs were appointed to work with Bridgeman, Kent remade the lake in a more natural shape, and created a new kind of garden, which took visitors on a tour of picturesque landscapes. The garden attracted visitors from all over Europe, including Jean-Jacques Rousseau and it became the inspiration for landscape gardens in Britain and on the Continent. Stourhead, in Wiltshire, created by banker Henry Hoare, was one of the first picturesque gardens, Hoare had travelled to Italy on the Grand Tour and had returned with a painting by Claude Lorrain. He sought to create an ideal landscape out of the English countryside and he created artificial lakes and used dams and canals to transform streams or springs into the illusion that a river flowed through the garden. He compared his own role as a designer to that of a poet or composer. Here I put a comma, there, when its necessary to cut the view, I put a parenthesis, there I end it with a period, the most important were, Petworth in 1752, Chatsworth in 1761, Bowood in 1763, Blenheim Palace in 1764. Humphry Repton was the last great English landscape designer of the eighteenth century, to help clients visualize his designs, Repton produced Red Books with explanatory text and watercolors with a system of overlays to show before and after views
31.
Parterre
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A parterre is a formal garden constructed on a level substrate, consisting of plant beds, typically in symmetrical patterns, which are separated and connected by paths. The borders of the plant beds may be formed with stone or tightly pruned hedging, the paths are constituted with gravel or turf grass. French parterres originated in the gardens of the French Renaissance of the 15th century, later, during the 17th century Baroque era, they became more elaborate and stylised. The French parterre reached its greatest development at the Palace of Versailles, claude Mollet, the founder of a dynasty of nurserymen-designers that lasted into the 18th century, developed the parterre in France. His inspiration in developing the 16th-century patterned compartimens, i. e. C, clipped boxwood met with resistance from horticultural patrons for its naughtie smell as the herbalist Gervase Markham described it. By the 1630s, elaborate parterres de broderie appeared at Wilton House in Wilton, England that were so magnificent that they were engraved, which engraving is the only remaining trace of them. Parterres de pelouse or parterres de gazon denominate cutwork parterres of low growing herbs, e. g. camomile, the separation of plant beds of a pareterre is denominated an alley of compartiment. Parterre gardens lost favour in the 18th century and were superseded by naturalistic English landscape gardens, level substrates and a raised vantage point from which to view the design were required, and so the parterre was revived in a modified style. At Kensington Palace the planting of the parterres was by Henry Wise, whose nursery was nearby at Brompton, subsidiary wings have subsidiary parterres, with no attempt at overall integration. To either side, walls with busts on herm pedestals backed by young trees screen the parterre from the garden spaces. Formal baroque patterns have given way to symmetrical paired free scrolling rococo arabesques, little attempt seems to have been made to fit the framework to the shape of the parterre. Beyond paired basins have central jets of water, in the UK, modern parterres exist at Trereife Park in Penzance, at Drumlanrig Castle in Dumfriesshire and at Bodysgallen Hall near Llandudno. Examples can also be found in the Republic of Ireland, such as at Birr Castle, sentinel pyramids of yew stand at the corners. Some early knot gardens have been covered over by lawn or other landscaping, an example of this phenomenon is the early 17th-century garden of Muchalls Castle in Scotland. At Charlecote Park in Warwickshire the original parterre from the 1700s has been recreated on the terrace overlooking the river, making of a modern parterre This article incorporates text from a publication now in the public domain, Chambers, Ephraim, ed. article name needed. Cyclopædia, or an Universal Dictionary of Arts and Sciences, james and John Knapton, et al
32.
Baluster
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Multiplied in this way, they form a balustrade. Individually, a baluster shaft may describe the form taken by a brass or silver candlestick. According to OED, baluster is derived through the French, balustre, from Italian, balaustro, from balaustra, pomegranate flower, from Latin balaustium, from Greek βαλαύστιον. The earliest examples are shown in the bas-reliefs representing the Assyrian palaces. The application to architecture was a feature of the early Renaissance, late fifteenth-century examples are found in the balconies of palaces at Venice and these quattrocento balustrades are likely to be following yet-unidentified Gothic precedents. They form balustrades of colonnettes as an alternative to miniature arcading, sangallo passed the motif to Bramante and Michelangelo, through whom balustrades gained wide currency in the 16th century. Because of its low center of gravity, this vase-baluster may be given the modern term dropped baluster. The baluster, being a structure, tends to follow design precedents that were set in woodworking and ceramic practices, where the turners lathe. The profile a baluster takes is often diagnostic of a style of architecture or furniture. Some complicated Mannerist baluster forms can be read as a vase set upon another vase, modern baluster design is also in use for example in designs influenced by the Arts and Crafts movement in a 1905 row of houses in Etchingham Park Road Finchley London England. The modern term baluster shaft is applied to the shaft dividing a window in Saxon architecture, in the south transept of the Abbey in St Albans, England, are some of these shafts, supposed to have been taken from the old Saxon church. Norman bases and capitals have been added, together with plain cylindrical Norman shafts, balusters are normally separated by at least the same measurement as the size of the square bottom section. Placing balusters too far apart diminishes their aesthetic appeal, balustrades normally terminate in columns, building walls or more properly in heavy newel posts because otherwise they will not be structurally strong enough. Balusters may be formed in several ways, wood and stone can be shaped on the lathe, wood can be cut from square or rectangular section boards, while concrete, plaster, iron, and plastics are usually formed by molding and casting. Turned patterns or old examples are used for the molds, Cast iron Cast stone Hardwoods and softwoods Plaster Polymer stone Polyurethane/polystyrene Wrought iron The word banister refers to the balusters of a stairway. According to many dictionaries - a, a handrail, especially on a staircase. Such a handrail together with its supporting structures, the Renaissance baluster and Palladio in Palladio and English Palladianism
33.
Terrace garden
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In gardening, a terrace is an element where a raised flat paved or gravelled section overlooks a prospect. A raised terrace keeps a house dry and provides a transition between the materials of the architecture and softer ones of the garden. Such a terrace had its origins in the far older practice of terracing a sloping site. The Hanging Gardens of Babylon must have built on an artificial mountain with stepped terraces. At Praeneste during the early Imperial period, the sanctuary of Fortuna was enlarged and elaborated, the imperial villas at Capri were built to take advantage of varied terraces. At the seaside Villa of the Papyri in Herculaneum, the gardens of Julius Caesars father-in-law fell away in a series of terraces, giving pleasant. Only some of them have been excavated, at Villa of Livia, probably part of Livia Drusillas dowry brought to the Julio-Claudian dynasty, rooms in the cryptoporticus beneath terracing were frescoed with trees in bloom and fruit. At the influential Cortile del Belvedere at the Vatican Palace, perfected under a series of popes from the earliest 16th century, the view in this case was from the Stanze of Raphael on an upper floor of the Palace. They are often discussed in conjunction with roof gardens, although they are not always true roof gardens, instead being balconies and these outdoor spaces can become lush gardens through the use of container gardening, automated drip irrigation and low-flow irrigation systems, and outdoor furnishings
34.
Roman sculpture
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The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere, examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. Most statues were actually far more lifelike and often brightly colored when originally created, early Roman art was influenced by the art of Greece and that of the neighbouring Etruscans, themselves greatly influenced by their Greek trading partners. An Etruscan speciality was near life size tomb effigies in terracotta, vast numbers of Greek statues were imported to Rome, whether as booty or the result of extortion or commerce, and temples were often decorated with re-used Greek works. A native Italian style can be seen in the monuments of prosperous middle-class Romans, which very often featured portrait busts. The Tomb of Eurysaces the Baker, a successful freedman has a frieze that is a large example of the plebeian style. For a much wider section of the population, moulded relief decoration of vessels and small figurines were produced in great quantity. Even the most important imperial monuments now showed stumpy, large-eyed figures in a harsh frontal style, the hallmark of the style wherever it appears consists of an emphatic hardness, heaviness and angularity — in short, an almost complete rejection of the classical tradition. During the Imperial era, more idealized statues of Roman emperors became ubiquitous, tombstones of even the modestly rich middle class sometimes exhibit portraits of the otherwise unknown deceased carved in relief. Among the many museums with examples of Roman portrait sculpture, the collections of the Metropolitan Museum of Art in New York, religious art was also a major form of Roman sculpture. A central feature of a Roman temple was the statue of the deity. Although images of deities were also displayed in gardens and parks. These typically show more variation in style than large and more official works. Elsewhere the stela gravestone remained more common, Sarcophagi divide into a number of styles, by the producing area. The time taken to make them encouraged the use of standard subjects, to which inscriptions might be added to personalize them, the sarcophagi offer examples of intricate reliefs that depict scenes often based on Greek and Roman mythology or mystery religions that offered personal salvation, and allegorical representations. Roman funerary art also offers a variety of scenes from life, such as game-playing, hunting. The Sarcophagus of Junius Bassus is of type, asnd the earlier Dogmatic Sarcophagus rather simpler
35.
Puppetry
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Such a performance is also known as a puppet play. The puppeteer uses movements of her hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, the actions, gestures and spoken parts acted out by the puppets are typically used in storytelling. There are many different varieties of puppets, and they are made of a range of materials, depending on their form. They can be complex or very simple in their construction. A hand puppet is controlled by one hand which occupies the interior of the puppet, a live-hand puppet is similar to a hand puppet but is larger and requires two puppeteers for each puppet. Marionettes are suspended and controlled by a number of strings, plus sometimes a central rod attached to a bar held from above by the puppeteer. Puppetry is an ancient form of theatre which was first recorded in the 5th century BC in Ancient Greece. Some forms of puppetry may have originated as long ago as 3000 years BC, Puppetry takes many forms, but they all share the process of animating inanimate performing objects to tell a story. Puppetry is used in almost all human societies both as entertainment – in performance – and ceremonially in rituals and celebrations such as carnivals, Puppetry is a very ancient art form, thought to have originated about 3000 years ago. Puppets have been used since the earliest times to animate and communicate the ideas, some historians claim that they pre-date actors in theatre. There is evidence that they were used in Egypt as early as 2000 BC when string-operated figures of wood were manipulated to perform the action of kneading bread, wire controlled, articulated puppets made of clay and ivory have also been found in Egyptian tombs. Hieroglyphs also describe walking statues being used in Ancient Egyptian religious dramas, Puppetry was practiced in Ancient Greece and the oldest written records of puppetry can be found in the works of Herodotus and Xenophon, dating from the 5th century BC. Sub-Saharan Africa may have inherited some of the traditions of Ancient Egypt. Certainly, secret societies in many African ethnic groups still use puppets in ritual dramas as well as in their healing and hunting ceremonies. Today, puppetry continues as a form, often within a ceremonial context, and as part of a wide range of folk forms including dance, storytelling. There is slight evidence for puppetry in the Indus Valley Civilization, archaeologists have unearthed one terracotta doll with a detachable head capable of manipulation by a string dating to 2500 BC. Another figure is a monkey which could be manipulated up and down a stick
36.
Carousel
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A carousel, roundabout, or merry-go-round, is an amusement ride consisting of a rotating circular platform with seats for riders. This leads to one of the alternative American names, the galloper, other popular names are jumper, horseabout and flying horses. Sometimes, chairlike or bench seats are used and occasionally mounts can be shaped like aeroplanes or cars. The modern carousel emerged from early jousting traditions in Europe and the Middle East, knights would gallop in a circle while tossing balls from one to another, an activity that required great skill and horsemanship. This game was introduced to Europe at the time of the Crusades from earlier Byzantine, the word carousel originated from the Italian garosello and Spanish carosella. This early device was essentially a cavalry training mechanism, it prepared and strengthened the riders for actual combat as they wielded their swords at the mock enemies. By the 17th century, the balls had been dispensed with, cavalry spectacles that replaced medieval jousting, such as the ring-tilt, were popular in Italy and France. The game began to be played by commoners, and carousels soon sprung up at fairgrounds across Europe, at the Place du Carrousel in Paris, an early make believe carousel was set up with wooden horses for the children. By the early 18th century carousels were being built and operated at various fairs and gatherings in central Europe, makers included Heyn in Germany and Bayol in France. These early carousels had no platforms, the animals would hang from chains and they were often powered by animals walking in a circle or people pulling a rope or cranking. In the United Kingdom, merry-go-rounds usually turn clockwise, while in North America and Mainland Europe, by the mid-19th century the platform carousel was developed, the animals and chariots were fixed to a circular floor that would suspend from a centre pole and rotate around. These carousels were called dobbies and were operated manually by the operator or by ponies, in mid-19th century England, the carousel became a popular fixture at fairs. The first steam-powered mechanical roundabout, invented by Thomas Bradshaw, appeared at the Aylsham Fair in about 1861, the platform served as a position guide for the bottom of the pole and as a place for people to walk or other stationary animals or chariots to be placed. He called this ride the Platform Gallopers and he also developed the platform-slide which allowed the mounts to swing out concentrically as the carousel built up speed. Fairground organs were often present when these machines operated, eventually electric motors were installed and electric lights added, giving the carousel its classic look. These mechanical innovations came at a time, when increased prosperity meant that more people had time for leisure and spare money to spend on entertainment. It was in this context that the modern fairground ride was born. In his 1902 Catalogue for Roundabouts he claimed to have. patented and placed upon the all the principal novelties that have delighted the many thousands of pleasure seekers at home
37.
Mines ParisTech
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MINES ParisTech, created in 1783 by King Louis XVI, is a most prominent and prestigious French engineering schools in France and a member of ParisTech and PSL*. Created by decree of the French Kings Counsel on March 19,1783, the school disappeared at the beginning of the French Revolution but was re-established by decree of the Committee of Public Safety in 1794, the 13th Messidor Year II. It moved to Savoie, after a decree of the consuls the 23rd Pluviôse Year X, after the Bourbon Restoration in 1814, the school moved to the Hôtel de Vendôme. From the 1960s onwards, it created research laboratories in Fontainebleau, Évry, the initial aim of the Ecole des mines de Paris, namely to train high-level mining engineers, evolved with time to adapt to the technological and structural transformations undergone by society. Mines ParisTech has now become one of the most prestigious French engineering schools with a variety of subjects. Its students are trained to have management positions, work in research and development departments, or as operations officers, the Corps of Mines, one of the greatest technical corps of the French state. It is a third degree, lasting for three years, consisting in two long-term internships both in public and private economical institutions and courses in economics and public institutions. Every year, ten applications are accepted from students around the world according to their academic achievements. Admission in third year is open to one Ph. D graduate. mines-paristech. ensmp. fr ISIGE-MINES ParisTech
38.
Fontaine de l'Observatoire
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The Fontaine de lObservatoire is a monumental fountain located in the Jardin Marco Polo, south of the Jardin du Luxembourg in the 6th arrondissement of Paris, with sculpture by Jean-Baptiste Carpeaux. It is also known as the Fontaine des Quatre-Parties-du-Monde, for the four parts of the world embodied by its female figures, or simply the Fontaine Carpeaux. The fountain was first proposed in 1866 as part of the creation of the new grand avenue du Luxembourg, the project was under the direction of Gabriel Davioud, the director of the Service of Parks and Plantations of the Prefecture of Paris. The avenue du Luxembourg project called for the creation of two new squares, with lamps and columns, statues, and a fountain. The fountain was located on the axis between the Observatoire de Paris and the Palais du Luxembourg. The sculpture of the fountain was supposed to be related to the observatory, the sculptor chosen, Jean-Baptiste Carpeaux, had been a pupil of François Rude, the sculptor who had made the most famous group of sculptures on the Arc de Triomphe. Carpeaux won the Prix de Rome in 1854, louis Villeminot created the garlands of seashells and aquatic plants which decorated the basin, and Legrain designed the zodiac band around the sphere. The work on the project was interrupted by the Franco-Prussian War of 1870, and it was resumed in 1872, when plaster models were shown at the Paris Salon, the first since the fall of the Commune, and finished in 1874. Carpeaux was in health, and watched from a distance as the statues were installed in the fountain. The first critical reaction to the sculpture, based on the models presented in the Salon, was hostile. Ten years later, however, after Carpeaux was dead, clarétie reversed his judgement and praised the fountain as one of the masterpieces of Carpeaux. Paris et ses fontaines - de la Renaissance a nos jours, 3D representation of the fountain via Sketchfab
39.
Jean-Baptiste Carpeaux
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Jean-Baptiste Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III. Born in Valenciennes, Nord, son of a mason, his studies were under François Rude. Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition, Carpeaux debuted at the Salon in 1853 exhibiting La Soumission dAbd-el-Kader alEmperuer, a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléons official trip through the north of France, Carpeaux soon grew tired of academicism and became a wanderer on the streets of Rome. He spent free time admiring the frescoes of Michelangelo at the Sistine Chapel, Carpeaux said, When an artist feels pale and cold, he runs to Michelangelo in order to warm himself, as with the rays of the sun. While a student in Rome, Carpeaux submitted a version of Pêcheur napolitain à la coquille. He carved the marble version several years later, showing it in the Salon exhibition of 1863 and it was purchased for Napoleon IIIs empress, Eugénie. The statue of the smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington, some years later, he carved the Girl with a Shell, a very similar study. In 1861, he made a bust of Princess Mathilde, then in 1866, he established his own atelier in order to reproduce and make work on a grander scale. In 1866, he was awarded the chevalier of the Legion of Honour and he employed his brother as the sales manager and made a calculated effort to produce work that would appeal to a larger audience. On 12 October 1875, he died at the Chateau de Bécon, among his students were Jules Dalou, Jean-Louis Forain and the American sculptor Olin Levi Warner. Carpeaux died at age 48 in Courbevoie, ugolin et ses fils with versions in other museums including the Musée dOrsay, Paris. Partly complete at his death, Carpeaux finished the terrestrial globe with the points represented by the four figures of Asia, Europe. LAmour à la folie, part of a group La danse for the facade of the Opera Garnier A page from insecula
40.
Armillary sphere
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As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations. It was invented separately in ancient Greece and ancient China, with use in the Islamic world. With the Earth as center, a sphere is known as Ptolemaic. With the sun as center, it is known as Copernican, the flag of Portugal features an armillary sphere. The armillary sphere is also featured in Portuguese heraldry, associated with the Portuguese discoveries during the Age of Exploration and this section refers to labels in the diagram below. The exterior parts of machine are a compages of brass rings. The equinoctial A, which is divided into 360 degrees for showing the right ascension in degrees. The Arctic Circle E, and the Antarctic Circle F, each 23½ degrees from its respective pole at N and S.5. The equinoctial colure G, passing through the north and south poles of the heaven at N and S, the solstitial colure H, passing through the poles of the heaven, and through the solstitial points Cancer and Capricorn, in the ecliptic. Within these circular rings is a terrestrial globe J, fixed on an axis K. On this axis is fixed the flat celestial meridian L L and this flat meridian is graduated the same way as the brass meridian of the common globe, and its use is much the same. The globe may be turned by hand within this ring, so as to any given meridian upon it. The horizon is divided into 360 degrees all around its outermost edge, within which are the points of the compass, for showing the amplitude of the sun and the moon, both in degrees and points. The celestial meridian L passes through two notches in the north and south points of the horizon, as in a common globe, both here, if the globe be turned round, the horizon and meridian turn with it. At the south pole of the sphere is a circle of 25 hours, fixed to the rings, in the box T are two wheels and two pinions, whose axes come out at V and U, either of which may be turned by the small winch W. If the earthly globe be turned, the hour-index goes round its hour-circle, but if the sphere be turned, and so, by this construction, the machine is equally fitted to show either the real motion of the earth, or the apparent motion of the heaven. — Then turn the winch, and observe when the sun or moon rise and set in the horizon, throughout Chinese history, astronomers have created celestial globes to assist the observation of the stars. The Chinese also used the sphere in aiding calendrical computations and calculations
41.
Animalier
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An animalier is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. Animal painter is the general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters, by the mid-century, a taste for animal subjects was very widespread among all sections of the middle-classes. In French, a parc animalier is a zoo, richard Ansdell Rosa Bonheur Jacques Raymond Brascassat Alexandre-François Desportes Melchior dHondecoeter Charles Jacque Paul Jouve Edwin Landseer Examples Link
42.
Four continents
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Europeans in the 16th century divided the world into four continents, Africa, America, Asia and Europe. Each of the four continents was seen to represent its quadrant of the world—Europe in the north, Asia in the east, Africa in the south, and America in the west. This division fit the Renaissance sensibilities of the time, which divided the world into four seasons, four classical elements, four cardinal directions, four classical virtues. The four parts of the world or the four corners of the world refers to the Americas, Europe, Asia, instead, the division between these continents in the European-centered picture was the Hellespont, which neatly separated Europe from Asia. In the sixteenth century America too was full of exotic promise, in 1603, Cesare Ripa published a book of emblems for the use of artists and artisans who might be called upon to depict allegorical figures. He covered a wide variety of fields, and his work was reprinted many times. It was still being brought up-to-date in the 18th century, the illustrations reveal fixed Eurocentric perceptions of the nature of the four corners of the world. Ripas Europe is the land of abundance of kings and the pope, whose crowns and the papal tiara lie at her feet, Africa, by contrast wears the elephant headdress and is accompanied by a lion, the scorpion of the desert sands and Cleopatras asps. Asia, the seat of Religion, carries a smoking censer as a camel takes its ease, and the iconic image of America shows a Native American maiden in a feathered headdress, with bow and arrow. Perhaps she represents a fabled Amazon from the river that carried the name. The Renaissance associated one major river to each of the continents, the Four Rivers theme appears for example in the Fontana dei Quattro Fiumi in the Piazza Navona in Rome. With the confirmed discovery that Australia was a continent, the theme of the Four Continents lost much of its drive, long before a sixth continent. The iconography survived as the Four Corners of the World, however, generally in self-consciously classicizing contexts, for instance, in New York, custom House, four sculptural groups by Daniel Chester French symbolize the Four Corners of the World. Continent Four Corners Four Seas Seven Seas Roof of the World Honour, Hugh, The New Golden Land, an exhibition based on the books premise was curated by Honour at the Cleveland Museum of Art, 1975-77. Le Corbeiller, Clare, Miss America and Her Sisters, Personifications of the Four Parts of the World, Bulletin of the Metropolitan Museum of Art, fleming, E. McClung, The American Image as Indian Princess, 1765-1783, Winterthur Portfolio 2, 65-81. Fleming, E. McClung, From Indian Princess to Greek Goddess, The American Image, 1783-1815, Winterthur Portfolio 3, hyde Collection of Allegorical Prints of the Four Continents
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Reines de France et Femmes illustres
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The Queens of France and Famous Women is a group of sculptures in the Jardin du Luxembourg in Paris. It consists of 20 marble sculptures arranged around a pond in front of the Palais du Luxembourg. Louis-Philippe I chose the women to be portrayed and most of the sculptures were commissioned around 1843, for around 12,000 francs each, and generally exhibited in the Paris Salons of 1847 or 1848. The series originally included an 1852 statue of Joan of Arc by François Rude, the French government commissioned a substitute of Margaret of Anjou for 7,000 francs from Taluet, who completed it in 1877. It was exhibited at the 1895 Salon, clockwise starting at the northeast, the figures are
