1.
John William Waterhouse
–
John William Waterhouse RA was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had out of fashion in the British art scene several decades before. The exact date of his birth is unknown, though he was baptised on 6 April, and his early life in Italy has been cited as one of the reasons why many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology. In 1854, the Waterhouses returned to England and moved to a newly built house in South Kensington, London, in 1871 he entered the Royal Academy of Art school, initially to study sculpture, before moving on to painting. Waterhouses early works were not Pre-Raphaelite in nature, but were of classical themes in the spirit of Alma-Tadema, the painting was a success and Waterhouse would exhibit at the annual exhibition every year until 1916, with the exception of 1890 and 1915. He then went from strength to strength in the London art scene, perhaps due to his success, his paintings typically became larger and larger in size. In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and they had two children, but both died in early childhood. In 1895 Waterhouse was elected to the status of full Academician and he taught at the St. Johns Wood Art School, joined the St Johns Wood Arts Club, and served on the Royal Academy Council. One of Waterhouses most famous paintings is The Lady of Shalott, a study of Elaine of Astolat and he actually painted three different versions of this character, in 1888,1894, and 1916. Like The Lady of Shalott and other Waterhouse paintings, it deals with a woman dying in or near water and he also may have been inspired by paintings of Ophelia by Dante Gabriel Rossetti and John Everett Millais. He submitted his Ophelia painting of 1888 in order to receive his diploma from the Royal Academy, after this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber. Waterhouse would paint Ophelia again in 1894 and 1909 or 1910, Waterhouse could not finish the series of Ophelia paintings because he was gravely ill with cancer by 1915. He died two years later, and his grave can be found at Kensal Green Cemetery in London, in total he produced 118 paintings. List of paintings by John William Waterhouse Moyle, Franny, Pre-Raphaelite art, simpson, Eileen, Pre-Raphaelites for a new generation, Letters,17 June, Pre-Raphaelite revival, The Daily Telegraph. Dorment, Richard, Waterhouse, The modern Pre-Raphaelite, at the Royal Academy – review, The Daily Telegraph
John William Waterhouse
–
Waterhouse, circa 1886.
John William Waterhouse
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Sleep and his Half-brother Death, 1874
John William Waterhouse
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Undine 1872
John William Waterhouse
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Gone, But Not Forgotten 1873
2.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
3.
Titan (mythology)
–
In Greek mythology, the Titans and Titanesses were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympian deities. Based on Mount Othrys, the Titans most famously included the first twelve children of the primordial Gaia and they were giant deities of incredible strength, who ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities. The first twelve Titans comprised the females Mnemosyne, Tethys, Theia, Phoebe, Rhea, and Themis and the males Oceanus, Hyperion, Coeus, Cronus, Crius, like Cronus overthrowing his father Uranus, the Titans were overthrown by Cronus children, in the Titanomachy. The Greeks may have borrowed this mytheme from the Ancient Near East, Greeks of the classical age knew of several poems about the war between the Olympians and Titans. The dominant one, and the one that has survived, was in the Theogony attributed to Hesiod. A lost epic, Titanomachia was mentioned in passing in an essay On Music that was attributed to Plutarch. The Titans also played a prominent role in the poems attributed to Orpheus, although only scraps of the Orphic narratives survive, they show interesting differences with the Hesiodic tradition. Sometimes the elders are supplanted, and sometimes the rebels lose and are either cast out of power entirely or incorporated into the pantheon, the Titanomachy lasted for ten years. The Titans were imprisoned in Tartarus after the war had ended, Tartarus is the deepest spot known in the Underworld, where the most evil beings would be cast into to be tortured for all eternity. Hesiod does not have the last word on the Titans, surviving fragments of poetry ascribed to Orpheus preserve some variations on the myth. In such text, Zeus does not simply set upon his father violently, instead, Rhea spreads out a banquet for Cronus so that he becomes drunk upon fermented honey. Rather than being consigned to Tartarus, Cronus is dragged—still drunk—to the cave of Nyx, another myth concerning the Titans that is not in Hesiod revolves around Dionysus. At some point in his reign, Zeus decides to give up the throne in favor of the infant Dionysus, who like the infant Zeus, is guarded by the Kouretes. The Titans decide to slay the child and claim the throne for themselves, they paint their faces white with gypsum, distract Dionysus with toys, then him and boil. Zeus, enraged, slays the Titans with his thunderbolt, Athena preserves the heart in a gypsum doll and this story is told by the poets Callimachus and Nonnus, who call this Dionysus Zagreus, and in a number of Orphic texts, which do not. Pindar, Plato, and Oppian refer offhandedly to the Titanic nature of humans, according to them, the body is the titanic part, while soul is the divine part of humans. Other early writers imply that humanity was born out of the malevolent blood shed by the Titans in their war against Zeus, Martin Litchfield West also asserts this in relation to shamanistic initiatory rites of early Greek religious practices. Beekes connects the word with τιτώ, burket, Walter, The Orientalizing Revolution, Near Eastern Influence on Greek Culture in the Early Archaic Age, Harvard University Press,1995
Titan (mythology)
–
Rhea, a Titan daughter of the earth goddess
Gaia, was both sister and wife to
Cronus.
4.
Twelve Olympians
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Hades and Persephone were sometimes included as part of the twelve Olympians, although in general Hades was excluded, because he resided permanently in the underworld and never visited Olympus. The Twelve Olympians, also known as the Dodekatheon, were the deities of the Greek pantheon. The Olympians gained their supremacy in a war of gods in which Zeus led his siblings to victory over their predecessor gods. The concept of the Twelve Gods is older than any extant Greek or Roman source, the gods meet in council in the Homeric epics, but the first ancient reference to religious ceremonies for the Olympians collectively is found in the Homeric Hymn to Hermes. The Greek cult of the Twelve Olympians can be traced to 6th-century BC Athens, the Altar of the Twelve Gods at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. In ancient Greek religion, the Olympian Gods and the Cults of Twelve Gods were often relatively distinct concepts, while the number was fixed at twelve, there was considerable variation as to which deities were included. However, the twelve as most commonly portrayed in art and poetry were Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes and either Hestia, or Dionysus. Hades, known in the Eleusinian tradition as Pluto, was not usually included among the Olympians because his realm was the underworld. Plato connected the Twelve Olympians with the months, and implies that he considered Pluto one of the twelve in proposing that the final month be devoted to him. In Phaedrus, Plato seems to exclude Hestia from the rank of the great gods. At Olympia there were six altars dedicated to six pairs of gods, Zeus and Poseidon, Hera and Athena, Hermes and Apollo, the Charites and Dionysus, Artemis and Alpheus, the historian Herodotus states that Heracles was included as one of the Twelve by some. At Kos, Heracles and Dionysus are added to the Twelve, for Pindar, the Bibliotheca, and Herodorus of Heraclea, Heracles is not one of the Twelve Gods, but the one who established their cult. Lucian includes Heracles and Asclepius as members of the Twelve, without explaining which two had to give way for them, hebe, Helios, Selene, Eos, Eros and Persephone are other important gods and goddesses who are sometimes included in a group of twelve. Eros is often depicted alongside the twelve, especially his mother Aphrodite. Notes ^ Romans also associated Phoebus with Helios and the sun itself, however, ^ According to an alternate version of her birth, Aphrodite was born of Uranus, Zeus grandfather, after Cronus threw his castrated genitals into the sea. This supports the etymology of her name, foam-born, as such, Aphrodite would belong to the same generation as Cronus, Zeus father, and would be Zeus aunt. See the birth of Aphrodite The following gods and goddess are sometimes included as one of the twelve Olympians, the following gods and goddesses were not usually counted as Olympians, although they had close ties to them. Aeolus – King of the winds, keeper of the Anemoi, Alpheus – God of the River Alpheus
Twelve Olympians
Twelve Olympians
–
Zeus
Twelve Olympians
–
Hera
Twelve Olympians
–
Poseidon
5.
Nymph
–
A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. They are beloved by many and dwell in mountainous regions and forests by lakes, charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, nymphs were the frequent target of satyrs. The Greek word νύμφη has bride and veiled among its meanings, other readers refer the word to a root expressing the idea of swelling. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by people in the springs. Among the Roman literate class, their sphere of influence was restricted, the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as nereids. At that time, John Cuthbert Lawson wrote and they might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, when parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Due to widespread use of the term among lay persons and stereotypes attached, professionals nowadays prefer the term hypersexuality, the word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov, the main character, Humbert Humbert, uses the term many times, usually in reference to the title character. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification, rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically. She is the consort of Acheron, and the mother of Ascalaphus, leuce, lover of Hades Minthe, lover of Hades, rival of Persephone Melinoe Orphic nymph, daughter of Persephone and Zeus disguised as Pluto. Her name is an epithet of Hecate. Nymphs in such groupings could belong to any of the mentioned above. For lists of Naiads, Oceanids, Dryades etc and this motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube
Nymph
–
In this 1896 painting by
John William Waterhouse,
Hylas is abducted by the
Naiads, i.e. fresh water nymphs
Nymph
–
Nymph with morning glory flowers
Nymph
–
Nymphe by Gaston Bussière
Nymph
–
Cave of the Storm Nymphs by
Sir Edward John Poynter
6.
Chthonic
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The translation of meaning discusses deities or spirits of the underworld, especially in Greek religion. The Greek word khthon is one of several for earth, it refers to the interior of the soil, rather than the living surface of the land. These include, but are not strictly limited to, Demeter. Nocturnal ritual sacrifice was a practice in many chthonic cults. When the sacrifice was a creature, the animal was placed in a bothros or megaron. In some Greek chthonic cults, the animal was sacrificed on a raised bomos, offerings were usually burned whole or buried rather than being cooked and shared among the worshippers. C. He does, however, note that this may be somewhat of an overgeneralization, the myths associating the underworld chthonic deities and fertility were not exclusive. Myths about the later Olympian deities also described an association with the fertility, thus Demeter and Persephone both watched over aspects of the fertility of land, yet Demeter had a typically Olympian cult while Persephone had a chthonic one. Also, Demeter was worshiped alongside Persephone with identical rites, and yet occasionally was classified as an Olympian in late poetry, the absorption of some earlier cults into the newer pantheon versus those that resisted being absorbed is suggested as providing the later myths. The categories Olympian and chthonic were not, however, completely separate, some Olympian deities, such as Hermes and Zeus, also received chthonic sacrifices and tithes in certain locations. The deified heroes Heracles and Asclepius might be worshipped as gods or chthonic heroes, depending on the site, moreover, a few deities are not easily classifiable under these terms. Hecate, for instance, was typically offered puppies at crossroads—a practice neither typical of an Olympian sacrifice nor of a sacrifice to Persephone or the heroes. Because of her roles, Hecate is generally classed as chthonic. As well, the chthonic has connotations with regard to gender, in cultural anthropology, men associated with the above, the sky, and women associated with the below, with the earth, water of the underground, and the chthonic deities. This was by no means universal, in Ancient Egypt the main deity of the earth was the male god Geb, his consort was Nut. The term allochthon in structural geology is used to describe a large block of rock which has moved from its original site of formation. From the Greek allo meaning other and chthon designating the process of the mass being moved under the earth. Chthonic law Earth mother Geomancy Life-death-rebirth deities Sky father The dictionary definition of chthonic at Wiktionary
Chthonic
–
Greek Mythology
7.
Heracles
–
Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
Heracles
–
One of the most famous depictions of Heracles, originally by
Lysippos (Marble, Roman copy called Hercules Farnese, 216 CE)
Heracles
–
Greek Mythology
Heracles
–
Heracles capturing the
Cretan bull.
Heracles
–
The Origin of the Milky Way by
Jacopo Tintoretto
8.
Labours of Hercules
–
The twelve labours of Heracles or Hercules are a series of episodes concerning a penance carried out by Heracles, the greatest of the Greek heroes, whose name was later Romanised as Hercules. They were accomplished over 12 years at the service of King Eurystheus, the episodes were later connected by a continuous narrative. The establishment of a cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander. After Hercules killed his wife and children, he went to the oracle at Delphi and he prayed to the god Apollo for guidance. Hercules was told to serve the king of Mycenae, Eurystheus, during these 12 years, Hercules is sent to perform twelve difficult feats, called labours. Driven mad by Hera, Hercules slew his son, daughter, after recovering his sanity, Hercules deeply regretted his actions, he was purified by King Thespius, then traveled to Delphi to inquire how he could atone for his actions. Hercules despaired at this, loathing to serve a man whom he knew to be far inferior to himself, eventually, he placed himself at Eurystheuss disposal. Eurystheus originally ordered Hercules to perform ten labours, Eurystheus set two more tasks, which Hercules also performed, bringing the total number of tasks to twelve. As they survive, the labours of Hercules are not recounted in any single place, Ruck and Staples assert that there is no one way to interpret the labours, but that six were located in the Peloponnese, culminating with the rededication of Olympia. Six others took the hero farther afield, to places that were, per Ruck, in each case, the pattern was the same, Hercules was sent to kill or subdue, or to fetch back for Eurystheus a magical animal or plant. A famous depiction of the labours in Greek sculpture is found on the metopes of the Temple of Zeus at Olympia, in his labours, Hercules was sometimes accompanied by a male companion, according to Licymnius and others, such as Iolaus, his nephew. Several of the labours involved the offspring of Typhon and his mate Echidna, a traditional order of the labours found in the Bibliotheca is, Slay the Nemean Lion. Clean the Augean stables in a single day, obtain the girdle of Hippolyta, Queen of the Amazons. Obtain the cattle of the monster Geryon, steal the apples of the Hesperides. The first labour was to slay the Nemean lion, according to one version of the myth, the Nemean lion took women as hostages to its lair in a cave near Nemea, luring warriors from nearby towns to save the damsel in distress. After entering the cave, the warrior would see the woman, once he was close, the woman would turn into a lion and kill the warrior, devouring his remains and giving the bones to Hades. Hercules wandered the area until he came to the town of Cleonae, another version claims that he met Molorchos, a shepherd who had lost his son to the lion, saying that if he came back within thirty days, a ram would be sacrificed to Zeus. If he did not return within thirty days, it would be sacrificed to the dead Hercules as a mourning offering, while searching for the lion, Hercules fletched some arrows to use against it, not knowing that its golden fur was impenetrable
Labours of Hercules
–
Roman relief (3rd century AD) depicting a sequence of the Labours of Hercules, representing from left to right the
Nemean lion, the
Lernaean Hydra, the
Erymanthian Boar, the
Ceryneian Hind, the
Stymphalian birds, the
Girdle of Hippolyta, the
Augean stables, the
Cretan Bull and the
Mares of Diomedes
Labours of Hercules
–
Hercules and the Nemean lion (
oinochoe, 520-500 BC, from
Vulci)
Labours of Hercules
–
The
Heracles Papyrus, a fragment of a 3rd-century Greek manuscript of a poem about the Labours of Hercules (
Oxyrhynchus Papyrus 2331)
Labours of Hercules
–
Heracles's first six labours were located in the
Peloponnese.
9.
Achilles
–
In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
Achilles
–
Achilles and the
Nereid Cymothoe: Attic red-figure
kantharos from
Volci (
Cabinet des Médailles, Bibliothèque nationale, Paris)
Achilles
–
Head of Achilles depicted on a 4th-century BC coin from
Kremaste,
Phthia. Reverse:
Thetis, wearing
chiton and holding shield of Achilles with his AX monogram.
Achilles
–
Greek Mythology
Achilles
–
Thetis Dipping the Infant Achilles into the River Styx (ca. 1625),
Peter Paul Rubens
10.
Hector
–
In Greek mythology and Roman Mythology, Hector was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and he was married to Andromache, with whom he had an infant son, Scamandrius. He acted as leader of the Trojans and their allies in the defense of Troy, during the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed, Homer places Hector as peace-loving, thoughtful as well as bold, a son, husband and father. James Redfield writes of Hector as a martyr to loyalties, a witness to the things of this world, in Greek, Héktōr is a derivative of the verb ἔχειν ékhein, archaic form *ἕχειν hékhein, to have or to hold from Proto-Indo-European *seǵh- to hold. Héktōr, or Éktōr as found in Aeolic poetry, is also an epithet of Zeus in his capacity as he who holds, Hectors name could thus be taken to mean holding fast. According to the Iliad, Hector does not approve of war between the Greeks and the Trojans, for ten years, the Achaeans besieged Troy and their allies in the east. Hector commanded the Trojan army, with a number of subordinates including Polydamas, and his brothers Deiphobus, Helenus, and Paris. By all accounts, Hector was the best warrior the Trojans and all their allies could field, diomedes and Odysseus, when faced with his attack, described him as what Robert Fagles translated as an incredible dynamite, and a maniac. In the Iliad, Hectors exploits in the war prior to the events of the book are recapitulated and he had fought the Greek champion Protesilaus in single combat at the start of the war and killed him. A prophecy had stated that the first Greek to land on Trojan soil would die, thus, Protesilaus, Ajax, and Odysseus would not land. Finally, Odysseus threw his shield out and landed on that, in the ensuing fight, Hector killed him, fulfilling the prophecy. The Argives were initially reluctant to accept the challenge, however, after Nestors chiding, nine Greek heroes stepped up to the challenge and drew by lot to see who was to face Hector. Ajax wins and fights Hector to a stalemate for the entire day, with neither able to achieve victory, they express admiration for each others courage, skill, and strength. Hector gave Ajax his sword, which Ajax later uses to kill himself, Ajax gives Hector his girdle, which later was used to attach Hectors corpse to Achilles chariot by which he is dragged around the walls of Troy. The Greek and the Trojans make a truce to bury the dead, in the early dawn the next day the Greeks take advantage of it to build a wall and ditch around the ships. Zeus is watching in a distance, another mention of Hectors exploits in the early years of war was given in the Iliad book 9. During the embassy to Achilles, Odysseus, Phoenix and Ajax all try to persuade Achilles to rejoin the fight and he then claims, There he stood up to me alone one day, and he barely escaped my onslaught
Hector
–
Hector brought back to
Troy. From a
Roman sarcophagus of ca. 180–200 AD.
Hector
–
Coin from
Troy, 177-192 AD. Obverse: Bust of
Commodus. Reverse: Hector, brandishing shield and spear, on a two-horse chariot. Inscription EKTΩP (Hektor) above, IΛIEΩN (Ilion meaning Troy) in exergue.
Hector
–
Hector Admonishes Paris for His Softness and Exhorts Him to Go to War by
J.H.W. Tischbein (1751–1828)
Hector
–
Ajax and Hector exchange gifts (
woodcut in
Andreas Alciatus, Emblematum libellus, 1591)
11.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
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Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
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The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
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The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
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Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
12.
Odysseus
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Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries
Odysseus
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Head of Odysseus from a
Roman period Hellenistic marble group representing Odysseus blinding
Polyphemus, found at the villa of
Tiberius at
Sperlonga
Odysseus
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Head of Odysseus wearing
pileus depicted on a 3rd-century BC coin from
Ithaca
Odysseus
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Greek Mythology
Odysseus
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This is a painting of Odysseus's boat passing between the six-headed monster Scylla and the whirlpool Charybdis. Scylla has plucked six of Odysseus's men from the boat. The painting is an Italian fresco dating to 1560 C.E.
13.
Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
Odyssey
–
Charles Gleyre,
Odysseus and
Nausicaä
Odyssey
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Greek text of the Odyssey' s opening passage
Odyssey
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Odysseus Overcome by
Demodocus ' Song, by
Francesco Hayez, 1813–15
Odyssey
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Odysseus and the Sirens, eponymous vase of the
Siren Painter, ca. 480-470 BC, (
British Museum)
14.
Argonauts
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The Argonauts were a band of heroes in Greek mythology, who in the years before the Trojan War, around 1300 BC, accompanied Jason to Colchis in his quest to find the Golden Fleece. Their name comes from their ship, Argo, named after its builder and they were sometimes called Minyans, after a prehistoric tribe in the area. After the death of King Cretheus, the Aeolian Pelias usurped the Iolcan throne from his half-brother Aeson, because of this unlawful act, an oracle warned him that a descendant of Aeolus would seek revenge. Pelias put to death every prominent descendant of Aeolus he could, instead, Pelias kept Aeson prisoner and forced him to renounce his inheritance. Aeson married Alcimede, who bore him a son named Jason, Pelias intended to kill the baby at once, but Alcimede summoned her kinswomen to weep over him as if he were stillborn. She faked a burial and smuggled the baby to Mount Pelion and he was raised by the centaur Chiron, the trainer of heroes. When Jason was 20 years old, an oracle ordered him to dress as a Magnesian, while traveling Jason lost his sandal crossing the muddy Anavros river while helping an old woman. The goddess was angry with King Pelias for killing his stepmother Sidero after she had sought refuge in Heras temple, another oracle warned Pelias to be on his guard against a man with one shoe. Pelias was presiding over a sacrifice to Poseidon with several neighboring kings in attendance, among the crowd stood a tall youth in leopard skin with only one sandal. Pelias recognized that Jason was his nephew and he could not kill him because prominent kings of the Aeolian family were present. Instead, he asked Jason, What would you do if an oracle announced that one of your fellow-citizens were destined to kill you, Jason replied that he would send him to go and fetch the Golden Fleece, not knowing that Hera had put those words in his mouth. Jason learned later that Pelias was being haunted by the ghost of Phrixus, Phrixus had fled from Orchomenus riding on a divine ram to avoid being sacrificed and took refuge in Colchis where he was later denied proper burial. According to an oracle, Iolcus would never prosper unless his ghost was taken back in a ship and this fleece now hung from a tree in the grove of the Colchian Ares, guarded night and day by a dragon that never slept. Pelias swore before Zeus that he would give up the throne at Jasons return while expecting that Jasons attempt to steal the Golden Fleece would be a fatal enterprise, however, Hera acted in Jasons favour during the perilous journey. There is no definite list of the Argonauts, H. J. Rose explains this was because an Argonautic ancestor was an addition to even the proudest of pedigrees. The following list is collated from several lists given in ancient sources, several more names are discoverable from other sources. Amyrus, eponym of a Thessalian city, is given by Stephanus of Byzantium as one of the Argonauts, he is said to have been a son of Poseidon. Azorus was the helmsman of Argo according to Hesychius of Alexandria, atalanta is included on the list by Pseudo-Apollodorus, but Apollonius claims that Jason forbade her because she was a woman and could cause strife in the otherwise all-male crew
Argonauts
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Gathering of the Argonauts,
Attic red-figure
krater, 460–450 BC,
Louvre (G 341).
Argonauts
–
The Argo, by
Konstantinos Volanakis (1837–1907).
15.
Golden Fleece
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In Greek mythology, the Golden Fleece is the fleece of the gold-haired winged ram, which was held in Colchis. The fleece is a symbol of authority and kingship, through the help of Medea, they acquire the Golden Fleece. The story is of great antiquity and was current in the time of Homer and it survives in various forms, among which the details vary. Athamas the Minyan, a founder of Halos in Thessaly but also king of the city of Orchomenus in Boeotia and they had two children, the boy Phrixus and the girl Helle. Later Athamas became enamored of and married Ino, the daughter of Cadmus, when Nephele left in anger, drought came upon the land. Ino was jealous of her stepchildren and plotted their deaths, in some versions, Nephele, or her spirit, appeared to the children with a winged ram whose fleece was of gold. The ram had been sired by Poseidon in his primitive ram-form upon Theophane, a nymph and the granddaughter of Helios, the sun-god. According to Hyginus, Poseidon carried Theophane to an island where he made her into a ewe, there Theophanes other suitors could not distinguish the ram-god and his consort. Nepheles children escaped on the yellow ram over the sea, but Helle fell off and drowned in the now named after her. The ram spoke to Phrixus, encouraging him, and took the boy safely to Colchis, there Phrixus sacrificed the winged ram to Poseidon, essentially returning him to the god. The ram became the constellation Aries, Phrixus settled in the house of Aeetes, son of Helios the sun god. He hung the Golden Fleece preserved from the sacrifice of the ram on an oak in a sacred to Ares. The golden fleece was defended by bulls with hoofs of brass and it was also guarded by a never sleeping dragon with teeth which could become soldiers when planted in the ground. The dragon was at the foot of the tree on which the fleece was placed, pindar employed the quest for the Golden Fleece in his Fourth Pythian Ode, though the fleece is not in the foreground. When Aeetes challenges Jason to yoke the fire-breathing bulls, the fleece is the prize, Let the King do this, Let him do this, I say, and have for his own the immortal coverlet, the fleece, glowing with matted skeins of gold. In later versions of the story, the ram is said to have been the offspring of the sea god Poseidon, the classic telling is the Argonautica of Apollonius of Rhodes, composed in mid-third century BC Alexandria, recasting early sources that have not survived. Another, much less-known Argonautica, using the body of myth, was composed in Latin by Valerius Flaccus during the time of Vespasian. Where the written sources fail, through accidents of history, sometimes the continuity of a mythic tradition can be found among the vase-painters, jasons helper in the Athenian vase-paintings is not Medea— who had a history in Athens as the opponent of Theseus— but Athena
Golden Fleece
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Jason returns with the Golden Fleece, shown on an
Apulian red-figure calyx krater, ca. 340–330 BC
Golden Fleece
–
Greek Mythology
Golden Fleece
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A sluice box used in placer mining.
Golden Fleece
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The Douris cup, depicting Jason being regurgitated by the dragon protecting the fleece
16.
Perseus
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Perseus beheaded the Gorgon Medusa and saved Andromeda from the sea monster Cetus. Perseus was the son of the mortal Danaë and the god Zeus and he was also the half-brother and great grandfather of Heracles. There is some prospect that it descended into Greek from the Proto-Indo-European language, in that regard Robert Graves has espoused the only Greek derivation available. Perseus might be from the Greek verb, πέρθειν, “to waste, ravage, sack, destroy”, according to Carl Darling Buck, the –eus suffix is typically used to form an agent noun, in this case from the aorist stem, pers-. Pers-eus therefore is a sacker of cities, that is, a soldier by occupation, the origin of perth- is more obscure. J. B. Hofmann lists the possible root as *bher-, from which Latin ferio and this corresponds to Julius Pokorny’s *bher-, “scrape, cut. ”Ordinarily *bh- descends to Greek as ph-. This difficulty can be overcome by presuming a dissimilation from the –th– in perthein, that is, Graves carries the meaning still further, to the perse- in Persephone, goddess of death. the classical Perse. daughter of Oceanus. Whether it may be identified with the first element of Persephone is only speculative. ”A Greek folk etymology connected the name of the Persian people. The native name, however, has always had an -a- in Persian, herodotus recounts this story, devising a foreign son, Perses, from whom the Persians took the name. Apparently the Persians themselves knew the story, as Xerxes tried to use it to suborn the Argives during his invasion of Greece, Perseus was the son of Zeus and Danaë, the daughter of Acrisius, King of Argos. Disappointed by his lack of luck in having a son, Acrisius consulted the oracle at Delphi, who warned him that he would one day be killed by his daughters son. In order to keep Danaë childless, Acrisius imprisoned her in a chamber, open to the sky, in the courtyard of his palace, This mytheme is also connected to Ares, Oenopion, Eurystheus. Zeus came to her in the form of a shower of gold, soon after, their child was born, Perseus—Perseus Eurymedon, for his mother gave him this name as well. Fearful for his future, but unwilling to provoke the wrath of the gods by killing the offspring of Zeus and his daughter, danaës fearful prayer, made while afloat in the darkness, has been expressed by the poet Simonides of Ceos. Mother and child washed ashore on the island of Serifos, where they were taken in by the fisherman Dictys, the brother of Dictys was Polydectes, the king of the island. When Perseus was grown, Polydectes came to fall in love with the beautiful Danaë, Perseus believed Polydectes was less than honourable, and protected his mother from him, then Polydectes plotted to send Perseus away in disgrace. He held a banquet where each guest was expected to bring a gift. Polydectes requested that the guests bring horses, under the pretense that he was collecting contributions for the hand of Hippodamia, Perseus had no horse to give, so he asked Polydectes to name the gift, he would not refuse it
Perseus
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Perseus
Perseus
–
Greek Mythology
Perseus
–
"
Perseus with the Head of Medusa '" is a common subject for sculpture, here in an 1801 example by
Antonio Canova
17.
Medusa
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In Greek mythology Medusa was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Gazers upon her hideous face would turn to stone, most sources describe her as the daughter of Phorcys and Ceto, though the author Hyginus makes her the daughter of Gorgon and Ceto. According to Hesiod and Aeschylus, she lived and died on an island named Sarpedon, the 2nd-century BCE novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth, as part of their religion. In classical antiquity the image of the head of Medusa appeared in the device known as the Gorgoneion. The three Gorgon sisters—Medusa, Stheno, and Euryale—were all children of the ancient marine deities Phorcys and his sister Ceto, in an ode written in 490 BC Pindar already speaks of fair-cheeked Medusa. In Ovids telling, Perseus describes Medusas punishment by Minerva as just, in most versions of the story, she was beheaded by the hero Perseus, who was sent to fetch her head by King Polydectes of Seriphus because Polydectes wanted to marry his mother. The gods were well aware of this, and Perseus received help and he received a mirrored shield from Athena, gold, winged sandals from Hermes, a sword from Hephaestus and Hadess helm of invisibility. Since Medusa was the one of the three Gorgons who was mortal, Perseus was able to slay her while looking at the reflection from the mirrored shield he received from Athena. During that time, Medusa was pregnant by Poseidon, when Perseus beheaded her, Pegasus, a winged horse, and Chrysaor, a giant wielding a golden sword, sprang from her body. Jane Ellen Harrison argues that her potency only begins when her head is severed, the basis of the Gorgoneion is a cultus object, a ritual mask misunderstood. In the Odyssey xi, Homer does not specifically mention the Gorgon Medusa, Lest for my daring Persephone the dread, harrisons translation states the Gorgon was made out of the terror, not the terror out of the Gorgon. According to Ovid, in northwest Africa, Perseus flew past the Titan Atlas, who stood holding the sky aloft, and transformed him into stone when he tried to attack him. Furthermore, the poisonous vipers of the Sahara, in the Argonautica 4.1515, Ovids Metamorphoses 4.770, the blood of Medusa also spawned the Amphisbaena. Perseus then flew to Seriphos, where his mother was about to be forced into marriage with the king, King Polydectes was turned into stone by the gaze of Medusas head. It is immediately obvious that the Gorgons are not really three but one + two, the two unslain sisters are mere appendages due to custom, the real Gorgon is Medusa. A number of early scholars interpreted the myth of the Medusa as a quasi-historical. According to Joseph Campbell, In 1940, Sigmund Freuds Das Medusenhaupt was published posthumously and this article laid the framework for his significant contribution to a body of criticism surrounding the monster. Medusa is presented by Freud as the supreme talisman who provides the image of castration — associated in the mind with the discovery of maternal sexuality —
Medusa
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Medusa, by
Caravaggio (1595)
Medusa
–
Greek Mythology
Medusa
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An
archaic Medusa wearing the belt of the intertwined snakes, a fertility symbol, as depicted on the west
pediment of the
Artemis Temple in Corfu, exhibited at the
Archaeological Museum of Corfu
Medusa
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Coins of the reign of
Seleucus I Nicator of Syria, (312-280 BC.)
18.
Gorgon
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In Greek mythology, a Gorgon is a female creature. Traditionally, while two of the Gorgons were immortal, Stheno and Euryale, their sister Medusa was not, and she was slain by the demigod and hero Perseus. Gorgons were an image in Greek mythology, appearing in the earliest of written records of Ancient Greek religious beliefs such as those of Homer. Because of their legendary and powerful gaze that could turn one to stone, images of the Gorgons were put upon objects and buildings for protection. An image of a Gorgon holds the location at the pediment of the temple at Corfu, which is the oldest stone pediment in Greece. The concept of the Gorgon is at least as old in classical Greek mythology as Perseus and Zeus, the name is Greek, being derived from gorgos and translating as terrible or dreadful. Gorgoneia first appear in Greek art at the turn of the eighth century BC, one of the earliest representations is on an electrum stater discovered during excavations at Parium. Other early eighth-century examples were found at Tiryns, going even further back into history, there is a similar image from the Knossos palace, datable to the fifteenth century BC. Marija Gimbutas even argues that the Gorgon extends back to at least 6000 BC, in her book, Language of the Goddess, she also identifies the prototype of the Gorgoneion in Neolithic art motifs, especially in anthropomorphic vases and terracotta masks inlaid with gold. The large Gorgon eyes, as well as Athenas flashing eyes, are termed the divine eyes by Gimbutas, they appear also in Athenas sacred bird. They may be represented by spirals, wheels, concentric circles, swastikas, firewheels, the awkward stance of the gorgon, with arms and legs at angles is closely associated with these symbols as well. Possibly related, a figure, probably a sea-goddess is depicted on a Minoan gold ring from the island Mochlos in Crete. The goddess has a head and she is sitting in a boat. A holy tree is depicted, probably related to the Minoan cult of the tree, some Gorgons are shown with fangs, consisting of wild boar tusks, while other representations lack fangs and show a forced smile displaying large teeth and sometimes a protruding tongue. In some cruder representations, stylized hair or blood flowing under the head of the Gorgon has been mistaken for a beard or wings. The skin of the dragon was said to be made of impenetrable scales, while seeking origins others have suggested examination of some similarities to the Babylonian creature, Humbaba, in the Gilgamesh epic. A number of early scholars interpreted the myth of the Medusa as a quasi-historical, or sublimated. Transitions in religious traditions over such periods of time may make some strange turns
Gorgon
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A Gorgon head on the outside of each of the Vix-krater's three handles, from the grave of the
Celtic Lady of Vix, 510 BC
Gorgon
–
Greek Mythology
Gorgon
–
An
Amazon with her shield bearing the Gorgon head image, Tondo of an Attic red-figure kylix, 510–500 BC
Gorgon
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An archaic Gorgon (around 580 BC), as depicted on a
pediment from the
temple of Artemis in
Corfu, on display at the
Archaeological Museum of Corfu
19.
Oedipus
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Oedipus was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family. The story of Oedipus is the subject of Sophocles tragedy Oedipus Rex, together, these plays make up Sophocles three Theban plays. Oedipus represents two enduring themes of Greek myth and drama, the nature of humanity and an individuals role in the course of destiny in a harsh universe. In the most well-known version of the myth, Oedipus was born to King Laius, Laius wished to thwart a prophecy, so he left Oedipus to die on a mountainside. However, the baby was found by shepherds and raised by King Polybus, on his way he met an older man and quarrelled, and Oedipus killed the stranger. Continuing on to Thebes, he found that the king of the city had recently killed. Oedipus answered the monsters riddle correctly, defeating it and winning the throne of the dead king - and the hand in marriage of the kings widow, and his mother Jocasta. Years later, to end a plague on Thebes, Oedipus searched to find who had killed Laius, Jocasta, upon realizing that she had married both her own son, and her husbands murderer, hanged herself. Oedipus then seized two pins from her dress and blinded himself with them, the legend of Oedipus has been retold in many versions, and was used by Sigmund Freud to name and give mythic precedent to the Oedipus complex. Variations on the legend of Oedipus are mentioned in fragments by several ancient Greek poets including Homer, Hesiod, Pindar, Aeschylus and Euripides. However, the most popular version of the legend comes from the set of Theban plays by Sophocles, Oedipus Rex, Oedipus at Colonus, Oedipus was the son of Laius and Jocasta, king and queen of Thebes. Having been childless for some time, Laius consulted the Oracle of Apollo at Delphi, the Oracle prophesied that any son born to Laius would kill him. However, rather than leave the child to die of exposure, as Laius intended, the servant passed the baby on to a shepherd from Corinth and who then gave the child to another shepherd. The infant Oedipus eventually came to the house of Polybus, king of Corinth and his queen, Merope, little Oedipus/Oidipous was named after the swelling from the injuries to his feet and ankles. The word oedema or edema is from this same Greek word for swelling, οἴδημα, after many years, Oedipus was told by a drunk that he was a bastard, meaning at that time that he was not of the same blood to them. Oedipus confronted his parents with the news, but they denied this, Oedipus went to the same oracle in Delphi that his birth parents had consulted. The oracle informed him he was destined to murder his father, in an attempt to avoid such a fate, he decided to not return home to Corinth, but to travel to Thebes, as it was near Delphi
Oedipus
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Oedipus explains the riddle of the Sphinx, by
Jean Auguste Dominique Ingres, c. 1805
Oedipus
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Greek Mythology
Oedipus
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Oedipus slaying the sphinx
Oedipus
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Oedipus at Colonus
20.
Sphinx
–
A sphinx is a mythical creature with the head of a human and the body of a lion. In Greek tradition, it has the head of a human, the haunches of a lion and it is mythicised as treacherous and merciless. Those who cannot answer its riddle suffer a fate typical in such stories, as they are killed. This deadly version of a sphinx appears in the myth and drama of Oedipus, unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man. In European decorative art, the sphinx enjoyed a revival during the Renaissance. Sphinxes are generally associated with structures such as royal tombs or religious temples. The oldest known sphinx was found near Gobekli Tepe at another site, Nevali Çori, or possibly 120 miles to the east at Kortik Tepe, Turkey, and was dated to 9,500 BCE. The largest and most famous sphinx is the Great Sphinx of Giza, situated on the Giza Plateau adjacent to the Great Pyramids of Giza on the west bank of the Nile River, the sphinx is located southeast of the pyramids. Although the date of its construction is uncertain, the head of the Great Sphinx now is believed to be that of the pharaoh Khafra, what names their builders gave to these statues is not known. At the Great Sphinx site, a 1400 BCE inscription on a stele belonging to the 18th dynasty pharaoh Thutmose IV lists the names of three aspects of the sun deity of that period, Khepera–Rê–Atum. The theme was expanded to form great avenues of guardian sphinxes lining the approaches to tombs, nine hundred with ram heads, representing Amon, were built in Thebes, where his cult was strongest. Perhaps the first sphinx in Egypt was one depicting Queen Hetepheres II and she was one of the longest-lived members of the royal family of that dynasty. The Great Sphinx has become an emblem of Egypt, frequently appearing on its stamps, coins, from the Bronze Age, the Hellenes had trade and cultural contacts with Egypt. Before the time that Alexander the Great occupied Egypt, the Greek name, the historians and geographers of Greece wrote extensively about Egyptian culture. Herodotus called the ram-headed sphinxes Criosphinxes and called the hawk-headed ones Hieracosphinxes, the word sphinx comes from the Greek Σφίγξ, apparently from the verb σφίγγω, meaning to squeeze, to tighten up. This name may be derived from the fact that the hunters for a pride of lions are the lionesses, There was a single sphinx in Greek mythology, a unique demon of destruction and bad luck. According to Hesiod, she was a daughter of Orthrus and either Echidna or the Chimera, or perhaps even Ceto, according to others, she was a daughter of Echidna and Typhon. All of these are figures from the earliest of Greek myths
Sphinx
–
The
Great Sphinx of Giza, with the
Pyramid of Khufu in the background
Sphinx
–
Perhaps the first Egyptian sphinx, Queen
Hetepheres II from the fourth dynasty (Cairo Museum).
Sphinx
–
Views, Objects: Egypt. Gizeh [selected images]. View 01: Great Sphinx Before Clearance. Giza. 4th Dynasty., n.d. Brooklyn Museum Archives
Sphinx
–
Back of Sphinx, Giza Egypt
21.
Orpheus
–
Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. For the Greeks, Orpheus was a founder and prophet of the so-called Orphic mysteries and he was credited with the composition of the Orphic Hymns, a collection of which only two have survived. Shrines containing purported relics of Orpheus were regarded as oracles, some ancient Greek sources note Orpheus Thracian origins. The earliest literary reference to Orpheus is a fragment of the sixth-century BC lyric poet Ibycus. He is not mentioned in Homer or Hesiod, most ancient sources accept his historical existence, Aristotle is an exception. Pindar calls Orpheus the father of songs and identifies him as a son of the Thracian king Oeagrus, Greeks of the Classical age venerated Orpheus as the greatest of all poets and musicians, it was said that while Hermes had invented the lyre, Orpheus had perfected it. Poets such as Simonides of Ceos said that Orpheus music and singing could charm the birds, fish and wild beasts, coax the trees and rocks into dance, and divert the course of rivers. Orpheus was one of the handful of Greek heroes to visit the Underworld and return, his music, Orpheus was an augur and seer, he practiced magical arts and astrology, founded cults to Apollo and Dionysus and prescribed the mystery rites preserved in Orphic texts. Pindar and Apollonius of Rhodes place Orpheus as the harpist and companion of Jason, Orpheus had a brother named Linus, who went to Thebes and became a Theban. He is claimed by Aristophanes and Horace to have taught cannibals to subsist on fruit, Horace believed, however, that Orpheus had only introduced order and civilization to savages. Bertrand Russell noted, The Orphics were a sect, wine, to them, was only a symbol, as, later. The intoxication that they sought was that of enthusiasm, of union with the god and they believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus, from Pythagoras Orphic elements entered into the philosophy of Plato, and from Plato into most later philosophy that was in any degree religious. Strabo presents Orpheus as a mortal, who lived and died in a close to Olympus. Some, of course, received him willingly, but others, since they suspected a plot and violence, combined against him and killed him. He made money as a musician and wizard – Strabo uses agurteúonta, agúrtēs most often meant charlatan and always had a negative connotation. Pausanias writes of an unnamed Egyptian who considered Orpheus a mágeuse, according to Apollodorus and a fragment of Pindar, Orpheus father was Oeagrus, a Thracian king, or, according to another version of the story, the god Apollo. His mother was the muse Calliope, or, a daughter of Pierus and his birthplace and place of residence was in Pimpleia, Olympus
Orpheus
–
Roman mosaic depicting Orpheus, wearing a
Phrygian cap and surrounded by the beasts charmed by the music of his
lyre
Orpheus
–
Orpheus (left, with lyre) among the Thracians, from an
Attic red-figure bell-krater (ca. 440 BC)
Orpheus
–
Orpheus with the lyre and surrounded by beasts (
Byzantine & Christian Museum, Athens)
Orpheus
–
Thracian Girl Carrying the Head of Orpheus on His Lyre by
Gustave Moreau (1865)
22.
Orphism (religion)
–
Orphics also revered Persephone and Dionysus or Bacchus. Orpheus was said to have invented the Mysteries of Dionysus, poetry containing distinctly Orphic beliefs has been traced back to the 6th century BC or at least 5th century BC, and graffiti of the 5th century BC apparently refers to Orphics. Classical sources, such as Plato, refer to Orpheus-initiators, and associated rites, as in the Eleusinian mysteries, initiation into Orphic mysteries promised advantages in the afterlife. Distinctively Orphic views and practices are attested as early as Herodotus, Euripides, the recently published Derveni papyrus allows Orphic mythology to be dated back to the end of the 5th century BC, and it is probably even older. Other inscriptions found in parts of the Greek world testify to the early existence of a movement with the same core beliefs that were later associated with the name of Orphism. The Orphic theogonies are genealogical works similar to the Theogony of Hesiod and they are possibly influenced by Near Eastern models. Athena saves the heart and tells Zeus of the crime who in turn hurls a thunderbolt on the Titans, the resulting soot, from which sinful mankind is born, contains the bodies of the Titans and Dionysus. The soul of man is divine, but the body holds the soul in bondage. Thus, it was declared that the returns to a host ten times. Many of these differ from accounts in the classical authors. Firmicus Maternus, a Christian author, gives a different account with the book On the Error of Profane Religions and he says that Jupiter originally was a king of Crete—a concept of Euhemerus—and Dionysos was his son. Only his heart was salvaged by Athena, a statue of gypsum was then made to look like Dionysos, and the heart is placed within. The Protogonos Theogony, lost, composed c.500 BC which is known through the commentary in the Derveni papyrus, the Eudemian Theogony, lost, composed in the 5th century BC. It is the product of a syncretic Bacchic-Kouretic cult, the Rhapsodic Theogony, lost, composed in the Hellenistic age, incorporating earlier works. It is known through summaries in later neo-Platonist authors,87 hexametric poems of a shorter length composed in the late Hellenistic or early Roman Imperial age. Surviving written fragments show a number of beliefs about the similar to those in the Orphic mythology about Dionysus death. Bone tablets found in Olbia carry short and enigmatic inscriptions like, the function of these bone tablets is unknown. Gold-leaf tablets found in graves from Thurii, Hipponium, Thessaly, although these thin tablets are often highly fragmentary, collectively they present a shared scenario of the passage into the afterlife
Orphism (religion)
–
Orphic mosaics were found in many late-Roman villas
Orphism (religion)
–
Gold orphic tablet and case found in
Petelia, southern Italy (
British Museum)
23.
Theseus
–
Theseus was a founder-hero, like Perseus, Cadmus, or Heracles, all of whom battled and overcame foes that were identified with an archaic religious and social order. As Heracles was the Dorian hero, Theseus was a hero, considered by Athenians as their own great reformer, his name comes from the same root as θεσμός. The myths surrounding Theseus—his journeys, exploits, and family—have provided material for fiction throughout the ages, Theseus was responsible for the synoikismos —the political unification of Attica under Athens, represented emblematically in his journey of labours, subduing ogres and monstrous beasts. Because he was the king, Theseus built and occupied a palace on the fortress of the Acropolis that may have been similar to the palace that was excavated in Mycenae. Pausanias reports that after the synoikismos, Theseus established a cult of Aphrodite Pandemos, Plutarchs vita of Theseus makes use of varying accounts of the death of the Minotaur, Theseus escape, and the love of Ariadne for Theseus. Plutarchs sources, not all of whose texts have survived independently, included Pherecydes, Demon, Philochorus, Aegeus, one of the primordial kings of Athens, was childless. Desiring an heir, he asked the oracle at Delphi for advice and her cryptic words were Do not loosen the bulging mouth of the wineskin until you have reached the height of Athens, lest you die of grief. Aegeus did not understand the prophecy and was disappointed and he asked the advice of his host Pittheus, king of Troezen. Pittheus understood the prophecy, got Aegeus drunk, and gave Aegeus his daughter Aethra, but following the instructions of Athena in a dream, Aethra left the sleeping Aegeus and waded across to the island of Sphairia that lay close to Troezens shore. There she poured a libation to Sphairos and Poseidon, and was possessed by the sea god in the night. The mix gave Theseus a combination of divine as well as mortal characteristics in his nature, such double paternity, with one immortal, after Aethra became pregnant, Aegeus decided to return to Athens. In Athens, Aegeus was joined by Medea, who had left Corinth after slaughtering the children she had borne, priestess and consort together represented the old order in Athens. Thus Theseus was raised in his mothers land, when Theseus grew up and became a brave young man, he moved the rock and recovered his fathers tokens. His mother then told him the truth about his fathers identity, young, brave, and ambitious, Theseus decided to go alone by the land route and defeated a great many bandits along the way. At the Isthmian entrance to the Underworld was a robber named Sinis and he would capture travelers, tie them between two pine trees that were bent down to the ground, and then let the trees go, tearing his victims apart. Theseus killed him by his own method and he then became intimate with Siniss daughter, Perigune, fathering the child Melanippus. In another deed north of the Isthmus, at a place called Crommyon, he killed an enormous pig, some versions name the sow herself as Phaea. The Bibliotheca described the Crommyonian Sow as an offspring of Typhon, near Megara, an elderly robber named Sciron forced travellers along the narrow cliff-face pathway to wash his feet
Theseus
–
Greek Mythology
Theseus
–
Theseus Slaying Minotaur (1843), bronze sculpture by
Antoine-Louis Barye
Theseus
–
Theseus and Aethra, by
Laurent de La Hyre
Theseus
–
The deeds of Theseus, on an
Attic red-figured kylix, c. 440–430 BCE (
British Museum)
24.
Minotaur
–
In Greek mythology, the Minotaur was a creature with the head of a bull and the body of a man or, as described by Roman poet Ovid, a being part man and part bull. The Minotaur dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, the Minotaur was eventually killed by the Athenian hero Theseus. The term Minotaur derives from the Ancient Greek Μῑνώταυρος, a compound of the name Μίνως, in Crete, the Minotaur was known by the name Asterion, a name shared with Minos foster-father. Minotaur was originally a noun in reference to this mythical figure. The use of minotaur as a noun to refer to members of a generic species of bull-headed creatures developed much later. After he ascended the throne of the island of Crete, Minos competed with his brothers to rule, Minos prayed to Poseidon, the sea god, to send him a snow-white bull, as a sign of support. He was to kill the bull to show honor to the deity and he thought Poseidon would not care if he kept the white bull and sacrificed one of his own. To punish Minos, Poseidon made Pasiphaë, Minoss wife, fall deeply in love with the bull, Pasiphaë had craftsman Daedalus make a hollow wooden cow, and climbed inside it in order to mate with the white bull. The offspring was the monstrous Minotaur, Pasiphaë nursed him, but he grew and became ferocious, being the unnatural offspring of a woman and a beast, he had no natural source of nourishment and thus devoured humans for sustenance. Minos, after getting advice from the oracle at Delphi, had Daedalus construct a labyrinth to hold the Minotaur. Its location was near Minos palace in Knossos, the Minotaur is commonly represented in Classical art with the body of a man and the head and tail of a bull. One of the figurations assumed by the river spirit Achelous in seducing Deianira is as a man with the head of a bull, from Classical times through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. This alternative tradition survived into the Renaissance, and still figures in modern depictions. Androgeus, son of Minos, had killed by the Athenians. Others say he was killed at Marathon by the Cretan bull, his mothers former taurine lover, the common tradition is that Minos waged war to avenge the death of his son and won. Catullus, in his account of the Minotaurs birth, refers to another version in which Athens was compelled by the plague to pay penalties for the killing of Androgeos. Aegeus had to avert the plague caused by his crime by sending young men at the time as the best of unwed girls as a feast to the Minotaur. Minos required that seven Athenian youths and seven maidens, drawn by lots, when the third sacrifice approached, Theseus volunteered to slay the monster
Minotaur
–
Minotaur bust, (
National Archaeological Museum of Athens)
Minotaur
–
The bronze "Horned God" from
Enkomi, Cyprus
Minotaur
–
Rhyton in the shape of a bull's head,
Heraklion Archaeological Museum; shown here at the Greek pavilion at
Expo '88
Minotaur
–
Pasiphaë and the Minotaur,
Attic red-figure
kylix found at Etruscan
Vulci (
Cabinet des Médailles,
Paris)
25.
Bellerophon
–
Bellerophon or Bellerophontes is a hero of Greek mythology. Bellerophon was born at Corinth and was the son of the mortal Eurynome by either her husband Glaucus, one possible etymology that has been suggested is, Βελλεροφόντης from βέλεμνον, βελόνη, βέλος and -φόντης from φονεύω. However, Geoffrey Kirk says that Βελλεροφόντης means slayer of Belleros, Belleros could have been a Lycian, a local daimon or a Corinthian nobleman—Bellerophons name clearly invited all sorts of speculation. The Iliad vi. 155–203 contains a narrative told by Bellerophons grandson Glaucus, named for his great-grandfather. Bellerophons father was Glaucus, who was the king of Corinth, Bellerophons grandsons Sarpedon and the younger Glaucus fought in the Trojan War. In the Epitome of pseudo-Apollodorus, a genealogy is given for Chrysaor that would make him a double of Bellerophon, he too is called the son of Glaucus the son of Sisyphus. Chrysaor has no myth save that of his birth, from the neck of Medusa. From this moment we hear no more of Chrysaor, the rest of the tale concerning the stallion only, perhaps also for his brothers sake, by whom in the end he let himself be caught, the immortal horse by his mortal brother. Proetus, by virtue of his kingship, cleansed Bellerophon of his crime, the wife of the king, whether named Anteia or Stheneboea, took a fancy to him, but when he rejected her, she accused Bellerophon of attempting to ravish her. Before opening the tablets, Iobates feasted with Bellerophon for nine days, the Chimera was a fire-breathing monster whose make-up comprised the body of a goat, the head of a lion and the tail being a serpent. This monster had terrorized the nearby countryside, on his way he encountered the famous Corinthian seer Polyeidos who gave him advice about his oncoming battle. Polyeidos told Bellerophon that he would have need of Pegasus, to obtain the services of the untamed winged horse, Polyeidos told Bellerophon to sleep in the temple of Athena. While Bellerophon slept, he dreamed that Athena set a golden bridle beside him, saying Sleepest thou, come, take this charm for the steed and show it to the Tamer thy father as thou makest sacrifice to him of a white bull. It was there when he awoke, Bellerophon had to approach Pegasus while it drank from a well, Polyeidos told him which well—the never-failing Pirene on the citadel of Corinth, the city of Bellerophons birth. Other accounts say that Athena brought Pegasus already tamed and bridled, or that Poseidon the horse-tamer, secretly the father of Bellerophon, brought Pegasus, Bellerophon mounted his steed and flew off to where the Chimera was said to dwell. When he arrived in Lycia, the Chimera was truly ferocious and he felt the heat of the breath the Chimera expelled, and was struck with an idea. He got a block of lead and mounted it on his spear. Then he flew head-on towards the Chimera, holding out the spear as far as he could, before he broke off his attack, he managed to lodge the block of lead inside the Chimeras throat
Bellerophon
–
Bellerophon on
Pegasus spears the
Chimera, on an
Attic red-figure epinetron, 425–420 BC
Bellerophon
–
The eternal fires of
Chimera in
Lycia (modern-day
Turkey) where the
Chimera myth takes place.
Bellerophon
–
Veroli Casket panel detail showing Bellerophon with Pegasus, dating from 900–1000 AD.
Bellerophon
–
Bellerophon riding Pegasus (1914)
26.
Pegasus
–
Pegasus is one of the best known creatures in Greek mythology. He is a winged divine stallion usually depicted as white in color. He was sired by Poseidon, in his role as horse-god and he was the brother of Chrysaor, born at a single birthing when his mother was decapitated by Perseus. Greco-Roman poets write about his ascent to heaven after his birth and his obeisance to Zeus, king of the gods, friend of the Muses, Pegasus is the creator of Hippocrene, the fountain on Mt. Helicon. He was captured by the Greek hero Bellerophon near the fountain Peirene with the help of Athena, Pegasus allows the hero to ride him to defeat a monster, the Chimera, before realizing many other exploits. His rider, however, falls off his back trying to reach Mount Olympus, Zeus transformed him into the constellation Pegasus and placed him up in the sky. Hypotheses have been proposed regarding its relationship with the Muses, the gods Athena, Poseidon, Zeus, Apollo, the symbolism of Pegasus varies with time. Pegasus is the subject of a rich iconography, especially through the ancient Greek pottery and paintings. The poet Hesiod presents an etymology of the name Pegasus as derived from πηγή pēgē spring, well, the pegai of Okeanos. A proposed etymology of the name is Luwian pihassas, meaning lightning, and Pihassassi, the proponents of this etymology adduce Pegasus role, reported as early as Hesiod, as bringer of thunderbolts to Zeus. It was first suggested in 1952 and remains widely accepted, according to legend, everywhere the winged horse struck his hoof to the earth, an inspiring spring burst forth. Hesiod relates how Pegasus was peacefully drinking from a spring when the hero Bellerophon captured him, Hesiod also says Pegasus carried thunderbolts for Zeus. In another version, when Perseus beheaded Medusa, they were born of the Earth, a variation of this story holds that they were formed from the mingling of Medusas blood, pain and sea foam, implying that Poseidon had involvement in their making. The last version bears resemblance to Hesiods account of the birth of Aphrodite from the foam created when Uranuss severed genitals were cast into the sea by Cronus, Pegasus aided the hero Bellerophon in his fight against both the Chimera. The next morning, still clutching the bridle, he found Pegasus drinking at the Pierian spring and caught Pegasus, michauds Biographie universelle relates that when Pegasus was born, he flew to where thunder and lightning are released. Then, according to versions of the myth, Athena tamed him and gave him to Perseus. In fact Pegasus is an addition to the story of Perseus. Pegasus and Athena left Bellerophon and continued to Olympus where he was stabled with Zeus other steeds, because of his faithful service to Zeus, he was honoured with transformation into a constellation
Pegasus
–
Bellerophon riding Pegasus (1914)
Pegasus
–
Pegasus, as the horse of Muses, was put on the roof of
Poznań Opera House (
Max Littmann, 1910)
Pegasus
–
Bronze figurine (Greece, 6th century BC)
Pegasus
–
Parthian era bronze plate depicting Pegasus (Pegaz in Persian), excavated in
Masjed Soleyman,
Khūzestān,
Iran.
27.
Chimera (mythology)
–
The Chimera was, according to Greek mythology, a monstrous fire-breathing hybrid creature of Lycia in Asia Minor, composed of the parts of more than one animal. The seeing of a Chimera was an omen for disaster, elsewhere in the Iliad, Homer attributes the rearing of Chimera to Amisodorus. Her did Pegasus and noble Bellerophon slay, the author of the Bibliotheca concurs, descriptions agree that she breathed fire. The Chimera is generally considered to have been female despite the mane adorning her head, the inclusion of a close mane often was depicted on lionesses, sighting the Chimera was an omen of storms, shipwrecks, and natural disasters. While there are different genealogies, in one version the Chimera mated with her brother Orthrus and was the mother of the Sphinx, the Chimera finally was defeated by Bellerophon with the help of Pegasus, at the command of King Iobates of Lycia. Since Pegasus could fly, Bellerophon shot the Chimera from the air, safe from her heads, robert Graves suggests, The Chimera was, apparently, a calendar-symbol of the tripartite year, of which the seasonal emblems were lion, goat, and serpent. The Chimera was situated in foreign Lycia, but her representation in the arts was wholly Greek, an autonomous tradition, one that did not rely on the written word, was represented in the visual repertory of the Greek vase-painters. The Corinthian type is fixed, after some hesitation, in the 670s BC. The fascination with the monstrous devolved by the end of the century into a decorative Chimera-motif in Corinth. Two vase-painters employed the motif so consistently they are given the pseudonyms the Bellerophon Painter, a fire-breathing lioness was one of the earliest of solar and war deities in Ancient Egypt and influences are feasible. The lioness represented the war goddess and protector of both cultures that would unite as Ancient Egypt, sekhmet was one of the dominant deities in upper Egypt and Bast in lower Egypt. As divine mother, and more especially as protector, for Lower Egypt, Bast became strongly associated with Wadjet, in Etruscan civilization, the Chimera appears in the Orientalizing period that precedes Etruscan Archaic art, that is to say, very early indeed. The Chimera appears in Etruscan wall-paintings of the fourth century BC, in Medieval art, although the Chimera of antiquity was forgotten, chimerical figures appear as embodiments of the deceptive, even satanic forces of raw nature. Provided with a face and a scaly tail, as in Dantes vision of Geryon in Inferno xvii. The myths of the Chimera may be found in the Bibliotheca of Pseudo-Apollodorus, the Iliad by Homer, the Fabulae 57 and 151 by Hyginus, the Metamorphoses, and the Theogony 319ff by Hesiod. Virgil, in the Aeneid employs Chimaera for the name of ship of Gyas in the ship-race. Pliny the Elder cited Ctesias and quoted Photius identifying the Chimera with an area of permanent gas vents that still may be found by hikers on the Lycian Way in southwest Turkey, the vents emit burning methane thought to be of metamorphic origin. The fires of these were landmarks in ancient times and used for navigation by sailors, the Neo-Hittite Chimera from Carchemish, dated to 850–750 BC, which is now housed in the Museum of Anatolian Civilizations, is believed to be a basis for the Greek legend
Chimera (mythology)
–
The Chimera on a red-figure
Apulian plate, c. 350–340 BC (
Musée du Louvre)
Chimera (mythology)
–
"
Chimera of Arezzo ": an
Etruscan bronze
Chimera (mythology)
–
Gold reel, possibly an ear-stud, with
winged Pegasus (outer band) and the Chimera (inner band),
Magna Graecia or
Etruria, fourth century BC (
Louvre)
Chimera (mythology)
–
Pebble mosaic depicting Bellerophon killing the Chimera, from
Rhodes archaeological museum
28.
Daedalus
–
In Greek mythology, Daedalus was a skillful craftsman and artist. He is the father of Icarus, the uncle of Perdix and possibly also the father of Iapyx, although this is unclear. His parentage was supplied as an addition to the mythos, providing him with a father in Metion, Eupalamus, or Palamaon. Daedalus had two sons, Icarus and Iapyx, along with a nephew either Talus or Perdix, athenians transferred Cretan Daedalus to make him Athenian-born, the grandson of the ancient king Erechtheus, who fled to Crete, having killed his nephew, Talos. Over time, other stories were told of Daedalus, Daedalus is first mentioned by Homer as the creator of a wide dancing-ground for Ariadne. He also created the Labyrinth on Crete, in which the Minotaur was kept, in the story of the labyrinth as told by the Hellenes, the Athenian hero Theseus is challenged to kill the Minotaur, finding his way with the help of Ariadnes thread. In Bronze Age Crete, an inscription da-da-re-jo-de has been read as referring to a place at Knossos, in Homers language, daidala refers to finely crafted objects. Ovid, in his Metamorphoses, suggests that Daedalus constructed the Labyrinth so cunningly that he himself could escape it after he built it. Daedalus built the labyrinth for King Minos, who needed it to imprison his wifes son the Minotaur, the story is told that Poseidon had given a white bull to Minos so that he might use it as a sacrifice. Instead, Minos kept it for himself, and in revenge and this story thus encourages others to consider the long-term consequences of their own inventions with great care, lest those inventions do more harm than good. He could not leave Crete by sea, as the king kept strict watch on all vessels, since Minos controlled the land and sea routes, Daedalus set to work to fabricate wings for himself and his young son Icarus. He tied feathers together, from smallest to largest so as to form an increasing surface and he secured the feathers at their midpoints with string and at their bases with wax, and gave the whole a gentle curvature like the wings of a bird. When the work was done, the artist, waving his wings, found himself buoyed upward and hung suspended and he next equipped his son in the same manner, and taught him how to fly. When both were prepared for flight, Daedalus warned Icarus not to fly too high, because the heat of the sun would melt the wax, nor too low, because the sea foam would soak the feathers. They had passed Samos, Delos and Lebynthos by the time the boy, forgetting himself, the blazing sun softened the wax that held the feathers together and they came off. Icarus quickly fell in the sea and drowned and his father cried, bitterly lamenting his own arts, and called the land near the place where Icarus fell into the ocean Icaria in memory of his child. Some time later, the goddess Athena visited Daedalus and gave him wings, magically, Daedalus could fly, and magically Medea was able to rejuvenate the old. The image of Daedalus demonstrates that he was well known in the West
Daedalus
–
Daedalus and Icarus, c. 1645, by
Charles Le Brun (1619–1690)
Daedalus
–
Daedalus constructs wings for his son, Icarus, after a Roman relief in the
Villa Albani, Rome (
Meyers Konversationslexikon, 1888).
Daedalus
–
Daedalus and Icarus, by
Frederick Leighton, ca 1869.
Daedalus
–
Small bronze sculpture of Daedalus, 3rd century BC; found on
Plaoshnik,
Republic of Macedonia.
29.
Labyrinth
–
In Greek mythology, the labyrinth was an elaborate structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur eventually killed by the hero Theseus, Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal, branching mazes were reintroduced only when garden mazes became popular during the Renaissance. In English, the labyrinth is generally synonymous with maze. As a result of the history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars. In this specialized usage refers to a complex branching multicursal puzzle with choices of path and direction. A labyrinth in this sense has a route to the center and back. Unicursal labyrinths appeared as designs on pottery or basketry, as body art, the Romans created many primarily decorative unicursal designs on walls and floors in tile or mosaic. Many labyrinths set in floors or on the ground are large enough that the path can be walked, unicursal patterns have been used historically both in group ritual and for private meditation, and are increasingly found for therapeutic use in hospitals and hospices. Labyrinth is a word of Pre-Greek origin, which the Greeks associated with the palace of Knossos in Crete and this designation may not have been limited to Knossos, because the same symbols were discovered in other palaces in Crete. Labrys was a cult-word that was introduced from Anatolia, where such symbols have been found in Çatal Höyük from the Neolithic age. In Labraunda of Caria the double-axe accompanies the storm-god Zeus Labraundos and it also accompanies the Hurrian god of sky and storm Teshub. Labrys, however, comes from Lydian, not Minoan, the Linear B inscription
Labyrinth
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Silver coin from
Knossos representing the labyrinth, 400 BC.
Labyrinth
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Labyrinth at
Meis,
Galicia, possibly from the
Atlantic Bronze Age
Labyrinth
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Roman mosaic picturing
Theseus and the
Minotaur.
Rhaetia,
Switzerland.
Labyrinth
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Labyrinth among
rock drawings in Valcamonica,
Italy
30.
Atalanta
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Atalanta is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager. Atalanta was the daughter of Iasus, a Boeotian, or an Arcadian princess, the Bibliotheca is the only one who gives an account of Atalanta’s birth and upbringing. King Iasus wanted a son, when Atalanta was born, he left her on a mountaintop to die, some stories say that a she-bear suckled and cared for Atalanta until hunters found and raised her, and she learned to fight and hunt as a bear would. She was later reunited with her father, having grown up in the wilderness, Atalanta became a fierce hunter and was always happy. She took an oath of virginity to the goddess Artemis, when Artemis was forgotten at a sacrifice by King Oineus, she was angered and sent the Calydonian Boar, a wild boar that ravaged the land, men, and cattle and prevented crops from being sown. Atalanta joined Meleager and many other heroes on a hunt for the boar. Many of the men were angry that a woman was joining them, but Meleager, though married, lusted for Atalanta, several of the men were killed before Atalanta became the first to hit the boar and draw blood. After Meleager finally killed the boar with his spear, he awarded the hide to Atalanta, meleager’s uncles, Plexippus and Toxeus, were angry and tried to take the skin from her. In revenge, Meleager killed his uncles, wild with grief, Meleagers mother Althaea threw a charmed log on the fire, which consumed Meleagers life as it burned. Then she died when a new boar came out of the woods, after the Calydonian boar hunt, Atalanta was rediscovered by her father. He wanted her to be married, but Atalanta, uninterested in marriage and those who lost would be killed. King Schoeneus agreed, and many men died in the attempt until Hippomenes came along. Hippomenes asked the goddess Aphrodite for help, and she gave him three golden apples in order to slow Atalanta down, the apples were irresistible, so every time Atalanta got ahead of Hippomenes, he rolled an apple ahead of her, and she would run after it. In this way, Hippomenes won the footrace and came to marry Atalanta, eventually they had a son Parthenopaios, who was one of the Seven against Thebes. Zeus or his mother Rhea turned Atalanta and Hippomenes into lions after they made together in one of his temples. Other accounts say that Aphrodite changed them into lions because they did not give her proper honor, the belief at the time was that lions could not mate with their own species, only with leopards, thus Atalanta and Hippomenes would never be able to remain with one another. In many versions of the quest for the Golden Fleece, for instance that published by Robert Graves in 1944 and she jumped aboard the ship soon after the expedition set out, invoking the protection of Artemis, whose virgin priestess she was. She was following Meleager, who had put away his wife for Atalantas sake
Atalanta
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The "Barberini Atalanta", formerly in the
Barberini Palace, Rome, now in the
Vatican, inv. 2784. Either Greek original, 1st century BC or Roman copy, 2nd century AD
Atalanta
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Peleus and Atalanta wrestling, black-figured
hydria, c. 550 BC,
Staatliche Antikensammlungen (Inv. 596).
Atalanta
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The Race between Atalanta and
Hippomenes, by
Nicolas Colombel (1644-1717),
Liechtenstein Museum, Vienna. Atalanta is slowed as she picks up the golden apples rolled down by her rival
Atalanta
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Meleager, assisted by
Cupid, presents Atalanta with the head of the Calydonian Boar. Oil on panel, studio of
Rubens, Rothschild collection, Château de Ferrières. Another large version by Rubens c.1635 is at the Alte Pinakothek, Munich, and a smaller version at the Walker Art Gallery, Liverpool
Greek mythology portal
Media related to Jason at Wikimedia Commons
