1.
Nicolas Poussin
–
Nicolas Poussin was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. His work is characterized by clarity, logic, and order, until the 20th century he remained a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. He worked in Rome for a circle of leading collectors from there and elsewhere, most of his works are history paintings of religious or mythological subjects that very often have a large landscape element. Early sketches attracted the notice of Quentin Varin, a painter, whose pupil Poussin became. There he entered the studios of the Flemish painter Ferdinand Elle and then of Georges Lallemand and he found French art in a stage of transition, the old apprenticeship system was disturbed, and the academic training destined to supplant it was not yet established by Simon Vouet. In Paris, Poussin was impressed by Italian art he viewed in the royal collection and he attempted to travel to Rome, but after reaching Florence he was forced, perhaps by ill health, to return to Paris. In 1622 he met Giambattista Marino, the poet to Marie de Medici. Marino employed him on illustrations for an edition of Ovids Metamorphoses. These Marino drawings preserved at Windsor Castle are among the few identifiable works of Poussin executed before his arrival in Rome. Marino took him into his household, and in 1624 enabled Poussin to rejoin him at Rome, Poussin was thirty when he arrived in Rome in 1624. At first he lodged with Simon Vouet, through Marino, he had been introduced to Marcello Sacchetti who in turn introduced him to another of his early patrons, Cardinal Francesco Barberini. However, their return from Spain in 1626 stabilized Poussin’s position, with renewed patronage by the Barberini and their circle. He fell ill at this time and was taken into the house of his compatriot Jacques Dughet, where he was nursed by Dughet’s daughter, Anna Maria and his two brothers-in-law were artists and Gaspard Dughet later took Poussin’s surname. During the late 1620s and 1630s, he experimented and formulated his own style and he studied the Antique as well as works such as Titian’s Bacchanals at the Casino Ludovisi and the paintings of Domenichino and Guido Reni. Peter’s, and an ingenious architectural imagination was emerging in works by Borromini, at the time the papacy was Rome’s foremost patron of the arts. Poussin’s Martyrdom of St. Erasmus for St and his subsequent career depended on private patronage. Louis XIII conferred on him the title of First Painter in Ordinary, in 1642, disgusted by the intrigues of Simon Vouet, Fouquières and the architect Jacques Lemercier, Poussin withdrew to Rome. There, in 1648, he finished for de Chantelou the second series of the Seven Sacraments and this painting shows the philosopher discarding his last worldly possession, his cup, after watching a man drink water by cupping his hands
2.
Armida
–
The story of Armida, a Saracen sorceress and Rinaldo, a soldier in the First Crusade, was created by the Italian poet Torquato Tasso. In his epic Gerusalemme liberata, Rinaldo is a fierce and determined warrior who is also honorable, Armida has been sent to stop the Christians from completing their mission and is about to murder the sleeping soldier, but instead she falls in love. She creates a garden where she holds him a lovesick prisoner. Eventually Charles and Ubaldo, two of his fellow Crusaders, find him and hold a shield to his face, so he can see his image, Rinaldo barely can resist Armida’s pleadings, but his comrades insist that he return to his Christian duties. She gives in at this, and like the other Saracen warrior woman, Clorinda, earlier in the piece, becomes a Christian, many painters and composers were inspired by Tassos tale. The works that resulted often added or subtracted an element, Tasso himself continued to edit the story for years, in some versions, Armida is converted to Christianity, in others, she rages and destroys her own enchanted garden. Johannes Brahms composed a cantata entitled Rinaldo based on the story, First performed by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre, St. Petersburg on 20 November 1855. First performed by the Imperial Ballet at the Imperial Mariinsky Theatre, second premiere given by the Ballets Russes at the Théâtre du Châtelet, Paris on 19 May 1909. First performed by the Sadlers Wells Ballet at the Royal Opera House, Covent Garden and this article incorporates text from a publication now in the public domain, Wood, James, ed. article name needed. London and New York, Frederick Warne
3.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
4.
Epic poetry
–
An epic poem, epic, epos, or epopee is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Milman Parry and Albert Lord have argued that the Homeric epics and these works form the basis of the epic genre in Western literature. Nearly all Western epic self-consciously presents itself as a continuation of the tradition begun by these poems, classical epic employs dactylic hexameter and recounts a journey, either physical or mental or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, another type of epic poetry is epyllion, which is a brief narrative poem with a romantic or mythological theme. The term, which means little epic, came into use in the nineteenth century, the most famous example of classical epyllion is perhaps Catullus 64. The first epics were products of preliterate societies and oral history poetic traditions, in these traditions, poetry is transmitted to the audience and from performer to performer by purely oral means. Early twentieth-century study of living oral traditions in the Balkans by Milman Parry. What they demonstrated was that oral epics tend to be constructed in short episodes, each of equal status, interest and this facilitates memorization, as the poet is recalling each episode in turn and using the completed episodes to recreate the entire epic as he performs it. Parry and Lord also contend that the most likely source for written texts of the epics of Homer was dictation from an oral performance, poets in literate societies have sometimes copied the epic format. The earliest surviving European examples are the Argonautica of Apollonius of Rhodes and Virgils Aeneid, other obvious examples are Nonnus Dionysiaca, Tulsidas Sri Ramacharit Manas. In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry, an attempt to delineate ten main characteristics of an epic, Begins in medias res. The setting is vast, covering many nations, the world or the universe, Begins with an invocation to a muse. Begins with a statement of the theme, contains long lists, called an epic catalogue. Shows divine intervention on human affairs, features heroes that embody the values of the civilization. Often features the tragic heros descent into the Underworld or hell, the hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from, many epic heroes are recurring characters in the legends of their native culture. Conventions of epics, Preposition, Opens by stating the theme or cause of the epic and this may take the form of a purpose, of a question, or of a situation. Invocation, Writer invokes a Muse, one of the nine daughters of Zeus, the poet prays to the Muses to provide him with divine inspiration to tell the story of a great hero
5.
Italian literature
–
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in Italy in other languages spoken in Italy, an early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School is notable for being the first style in standard Italian, Dante Alighieri, one of the greatest of Italian poets, is notable for his Divine Comedy. Petrarch did classical research and wrote lyric poetry, Renaissance humanism developed during the 14th and the beginning of the 15th centuries. Humanists sought to create a citizenry able to speak and write with eloquence, early humanists, such as Petrarch, were great collectors of antique manuscripts. Lorenzo de Medici shows the influence of Florence on the Renaissance, Leonardo da Vinci wrote a treatise on painting. The development of the drama in the 15th century was very great, the fundamental characteristic of the era following Renaissance is that it perfected the Italian character of its language. Niccolò Machiavelli and Francesco Guicciardini were the originators of the science of history. Pietro Bembo was a figure in the development of the Italian language. In 1690 the Academy of Arcadia was instituted with the goal of restoring literature by imitating the simplicity of the ancient shepherds with sonnets, madrigals, canzonette and blank verse. In the 18th century, the condition of Italy began to improve. Apostolo Zeno and Metastasio are two of the figures of the age. Carlo Goldoni, a Venetian, created the comedy of character, the leading figure of the literary revival of the 18th century was Giuseppe Parini. The ideas behind the French Revolution of 1789 gave a direction to Italian literature in the second half of the 18th century. Love of liberty and desire for equality created a literature aimed at national object, patriotism and classicism were the two principles that inspired the literature that began with Vittorio Alfieri. Other patriots included Vincenzo Monti and Ugo Foscolo, the romantic school had as its organ the Conciliatore established in 1818 at Milan. The main instigator of the reform was Manzoni, the great poet of the age was Giacomo Leopardi. History returned to its spirit of learned research, after the Risorgimento, political literature becomes less important
6.
Torquato Tasso
–
He suffered from mental illness and died a few days before he was due to be crowned as the king of poets by the Pope. Until the beginning of the 20th century, Tasso remained one of the most widely read poets in Europe. Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman from Naples. His father had for years been secretary in the service of Ferrante Sanseverino, Prince of Salerno. When the prince of Salerno came into collision with the Spanish government of Naples, being subsequently outlawed and deprived of his hereditary fiefs and he was proclaimed a rebel to the state, together with his son Torquato, and his patrimony was sequestered. These things happened during the boys childhood, in 1552 Torquato was living with his mother and his only sister Cornelia at Naples, pursuing his education under the Jesuits, who had recently opened a school there. The precocity of intellect and the fervour of the boy attracted general admiration. At the age of eight he was already famous, soon after this date he was allowed to join his father, who then resided in great poverty and without occupation in exile in Rome. News reached them in 1556 that Porzia Tasso had died suddenly and mysteriously at Naples and her husband was firmly convinced that she had been poisoned by her brother with the object of getting control over her property. As it subsequently happened, Porzias estate never descended to her son, Tassos father was a poet by predilection and a professional courtier. Therefore, when an opening at the court of Urbino was offered in 1557, the young Torquato, a handsome and brilliant lad, became the companion in sports and studies of Francesco Maria della Rovere, heir to the duke of Urbino. At Urbino a society of cultivated men pursued the aesthetic and literary studies which were then in vogue. Bernardo Tasso read cantos of his poem LAmadigi to the duchess and her ladies, or discussed the merits of Homer and Virgil, Trissino and Ariosto, with the dukes librarians and secretaries. Torquato grew up in an atmosphere of refined luxury and somewhat pedantic criticism, at Venice, where his father went to superintend the printing of his own epic, Amadigi, these influences continued. He found himself the pet and prodigy of a literary circle. But Bernardo had suffered in his own career so seriously from dependence on the Muses and the nobility, Torquato was sent to study law at Padua. Instead of applying himself to law, the young man bestowed all his attention upon philosophy, before the end of 1562, he had produced a twelve-canto epic poem called Rinaldo, which was meant to combine the regularity of the Virgilian with the attractions of the romantic epic. Nevertheless, its author was recognized as the most promising young poet of his time, the flattered father allowed the work to be printed, and, after a short period of study at Bologna, he consented to his sons entering the service of Cardinal Luigi dEste
7.
First Crusade
–
The First Crusade was the first of a number of crusades that attempted to capture the Holy Land, called by Pope Urban II in 1095. An additional goal became the principal objective—the Christian reconquest of the sacred city of Jerusalem and the Holy Land. During the crusades, nobility, knights, peasants and serfs from many regions of Western Europe travelled over land and by sea, first to Constantinople and then on towards Jerusalem. The Crusaders arrived at Jerusalem, launched an assault on the city and they also established the crusader states of the Kingdom of Jerusalem, the County of Tripoli, the Principality of Antioch, and the County of Edessa. The First Crusade was followed by the Second to the Ninth Crusades and it was also the first major step towards reopening international trade in the West since the fall of the Western Roman Empire. The majority view is that it had elements of both in its nature, the origin of the Crusades in general, and particularly that of the First Crusade, is widely debated among historians. The confusion is due to the numerous armies in the first crusade. The similar ideologies held the armies to similar goals, but the connections were rarely strong, the Umayyad Caliphate had conquered Syria, Egypt, and North Africa from the predominantly Christian Byzantine Empire, and Hispania from the Visigothic Kingdom. In North Africa, the Umayyad empire eventually collapsed and a number of smaller Muslim kingdoms emerged, such as the Aghlabids, who attacked Italy in the 9th century. Pisa, Genoa, and the Principality of Catalonia began to battle various Muslim kingdoms for control of the Mediterranean Basin, exemplified by the Mahdia campaign and battles at Majorca and Sardinia. Essentially, between the years 1096 and 1101 the Byzantine Greeks experienced the crusade as it arrived at Constantinople in three separate waves, in the early summer of 1096, the first large unruly group arrived on the outskirts of Constantinople. This wave was reported to be undisciplined and ill-equipped as an army and this first group is often called the Peasants’ or People’s Crusade. It was led by Peter the Hermit and Walter Sans Avoir and had no knowledge of or respect for the wishes of Byzantine Emperor Alexios I Komnenos. The second wave was not under the command of the Emperor and was made up of a number of armies with their own commanders. Together, this group and the first wave numbered an estimated 60,000, the second wave was led by Hugh I, Count of Vermandois, the brother of King Philip I of France. Also among the wave were Raymond IV, Count of Toulouse. It was this wave of crusaders which later passed through Asia Minor, captured Antioch in 1098 and finally took Jerusalem 15 July 1099. ”The third wave, composed of contingents from Lombardy, France. At the western edge of Europe and of Islamic expansion, the Reconquista in the Iberian Peninsula was well underway by the 11th century and it was intermittently ideological, as evidenced by the Codex Vigilanus compiled in 881
8.
Godfrey of Bouillon
–
Godfrey of Bouillon was a Frankish knight, and one of the leaders of the First Crusade from 1096 until its conclusion in 1099. He was the Lord of Bouillon, from which he took his byname, from 1076, after the successful siege of Jerusalem in 1099, Godfrey became the first ruler of the Kingdom of Jerusalem. He refused the title of King, however, as he believed that the true King of Jerusalem was Christ and he is also known as the Baron of the Holy Sepulchre and the Crusader King. Godfrey of Bouillon was born around 1060 as the son of Eustace II, Count of Boulogne. His birthplace was probably Boulogne-sur-Mer, although one 13th-century chronicler cites Baisy, as second son, he had fewer opportunities than his older brother and seemed destined to become just one more minor knight in service to a rich landed nobleman. However his maternal uncle, Godfrey the Hunchback, died childless and named his nephew, Godfrey of Bouillon, as his heir and this duchy was an important one at the time, serving as a buffer between the kingdom of France and the German lands. Godfrey served Henry IV loyally, supporting him even when Pope Gregory VII was battling the German king in the Investiture Controversy. Godfrey fought alongside Henry and his forces against the forces of Rudolf of Swabia. A major test of Godfrey’s leadership skills was shown in his battles to defend his inheritance against a significant array of enemies, claims were raised by his uncles estranged wife, Mathilda of Tuscany, Albert III, Count of Namur, and Theoderic Flamens, Count of Veluwe. This coalition was joined by Theoderic, Bishop of Verdun, and two minor counts attempting to share in the spoils, Waleran, Count of Arlon and Limburg, and Arnold I, Count of Chiny. As these enemies outside the family tried to take portions of his land, Godfreys brothers, Eustace and Baldwin. Following these long struggles and proving that he was a subject to Henry IV. Still, Godfreys influence in the German kingdom would have been if it had not been for his major role in the First Crusade. In 1095 Urban II, the new Pope, called for a Crusade to liberate Jerusalem from Muslim forces, Godfrey took out loans on most of his lands, or sold them, to the bishop of Liège and the bishop of Verdun. With this money he gathered thousands of knights to fight in the Holy Land as the Crusader Army of Godfrey of Bouillon, in this he was joined by his older brother, Eustace, and his younger brother, Baldwin, who had no lands in Europe. He was not the only major nobleman to gather such an army, Raymond IV, Count of Toulouse, also known as Raymond of Saint-Gilles, created the largest army. At age 55, Raymond was also the oldest and perhaps the best known of the Crusader nobles, because of his age and fame, Raymond expected to be the leader of the entire First Crusade. Adhemar, the legate and bishop of Le Puy, travelled with him
9.
Muslim
–
A Muslim is someone who follows or practices Islam, a monotheistic Abrahamic religion. Muslims consider the Quran, their book, to be the verbatim word of God as revealed to the Islamic prophet. They also follow the teachings and practices of Muhammad as recorded in traditional accounts, Muslim is an Arabic word meaning one who submits. Most Muslims will accept anyone who has publicly pronounced Shahadah as a Muslim, the shahadah states, There is no god but the God and Muhammad is the last messenger of the God. The testimony authorized by God in the Quran that can found in Surah 3,18 states, There is no god except God, which in Arabic, is the exact testimony which God Himself utters, as well as the angels and those who possess knowledge utter. The word muslim is the active participle of the verb of which islām is a verbal noun, based on the triliteral S-L-M to be whole. A female adherent is a muslima, the plural form in Arabic is muslimūn or muslimīn, and its feminine equivalent is muslimāt. The Arabic form muslimun is the stem IV participle of the triliteral S-L-M, the ordinary word in English is Muslim. It is sometimes transliterated as Moslem, which is an older spelling, the word Mosalman is a common equivalent for Muslim used in Central Asia. Until at least the mid-1960s, many English-language writers used the term Mohammedans or Mahometans, although such terms were not necessarily intended to be pejorative, Muslims argue that the terms are offensive because they allegedly imply that Muslims worship Muhammad rather than God. Other obsolete terms include Muslimite and Muslimist, musulmán/Mosalmán is a synonym for Muslim and is modified from Arabic. In English it was sometimes spelled Mussulman and has become archaic in usage, the Muslim philosopher Ibn Arabi said, A Muslim is a person who has dedicated his worship exclusively to God. Islam means making ones religion and faith Gods alone. The Quran states that men were Muslims because they submitted to God, preached His message and upheld His values. Thus, in Surah 3,52 of the Quran, Jesus disciples tell him, We believe in God, and you be our witness that we are Muslims. In Muslim belief, before the Quran, God had given the Tawrat to Moses, the Zabur to David and the Injil to Jesus, who are all considered important Muslim prophets. The most populous Muslim-majority country is Indonesia, home to 12. 7% of the worlds Muslims, followed by Pakistan, Bangladesh, and Egypt. About 20% of the worlds Muslims lives in the Middle East and North Africa, Sizable minorities are found in India, China, Russia, Ethiopia. The country with the highest proportion of self-described Muslims as a proportion of its population is Morocco
10.
Siege of Jerusalem (1099)
–
The Siege of Jerusalem took place from June 7 to July 15,1099, during the First Crusade. The climax of the First Crusade, the siege saw the Crusaders seize Jerusalem from the Fatimid Caliphate. After the successful siege of Antioch in June 1098, the Crusaders remained in the area for the rest of the year, the papal legate Adhemar of Le Puy had died, and Bohemond of Taranto had claimed Antioch for himself. Baldwin of Boulogne remained in Edessa, captured earlier in 1098, there was dissent among the princes over what to do next, Raymond of Toulouse, frustrated, left Antioch to capture the fortress at Maarrat al-Numan in the Siege of Maarat. By the end of the year the minor knights and infantry were threatening to march to Jerusalem without them. Eventually, on January 13,1099 Raymond began the south, down the coast of the Mediterranean, followed by Robert of Normandy and Bohemonds nephew Tancred. On their way the Crusaders besieged Arqa but failed to capture it, therefore, he expelled all of Jerusalems Christian inhabitants. Further march towards Jerusalem met no resistance, on 7 June, the crusaders reached Jerusalem, which had been recaptured from the Seljuqs by the Fatimids only the year before. Many Crusaders wept upon seeing the city they had journeyed so long to reach. As with Antioch the crusaders put the city to a siege, in which the crusaders themselves probably suffered more than the citizens of the city, due to the lack of food and water around Jerusalem. The city was well-prepared for the siege, and the Fatimid governor Iftikhar ad-Daula had expelled most of the Christians, of the estimated 5,000 knights who took part in the Princes Crusade, only about 1,500 remained, along with another 12,000 healthy foot-soldiers. Early in the siege, some low-class knights claimed to have been visited by Adhemar, the papal regate for the crusade and they claimed that this was a Battle of Jericho situation, and that he instructed them to march around the city walls barefoot. They did so for a few days, singing holy chants, after which, Peter the Hermit held religious sermons in the Valley of Jehoshaphat, in the Garden of Gethsemane, and on the Mount of Olives, sending the crusading knights lost into religious zeal. It was at time that they were ready for a siege. A direct assault on the walls on June 13 was a failure, without water or food, both men and animals were quickly dying of thirst and starvation and the crusaders knew time was not on their side. Coincidentally, soon after the first assault, two Genoese galleys sailed into the port at Jaffa, the crusaders also began to gather wood from Samaria in order to build siege engines. They were still short on food and water, and by the end of June there was news that a Fatimid army was marching north from Egypt, the prime need of the crusaders was for ladders and siege towers to scale the walls of Jerusalem. The Egyptian Fatimid garrison had cleared the area of trees
11.
Italian Renaissance
–
The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
12.
Ludovico Ariosto
–
Ludovico Ariosto was an Italian poet. He is best known as the author of the romance epic Orlando Furioso, Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term humanism for choosing to focus upon the strengths and potential of humanity, Ariosto was born in Reggio nell’Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the position of his family. From his earliest years, Ludovico was very interested in poetry, after five years of law, Ariosto was allowed to read classics under Gregorio da Spoleto. Ariostos studies of Greek and Latin literature were cut short by Spoletos move to France to tutor Francesco Sforza, shortly after this, Ariostos father died. After the death of his father, Ludovico Ariosto was compelled to forgo his literary occupations and take care of his family, despite his family obligations, Ariosto managed to write some comedies in prose as well as lyrical pieces. Some of these attracted the notice of Cardinal Ippolito dEste, who took the poet under his patronage. Este compensated Ariosto poorly for his efforts, the reward he gave the poet for Orlando Furioso, dedicated to him, was the question, Where did you find so many stories. Ludovico Ariosto and Leonardo da Vinci shared a patron in Cardinal Ippolito dEstes older sister the Marchioness Isabella d’Este, Isabella d’Este appears in Ludovico’s masterpiece, Orlando Furioso. She also appears in Leonardo’s, “Sketch for a Portrait of Isabella d’Este, “A statue no less jocund, no less bright, / Succeeds, and on the writing is impressed, / Lo. ”The cardinal went to Hungary in 1518, and wished Ariosto to accompany him. The poet excused himself, pleading ill health, his love of study, and his excuses were not well-received, and he was denied even an interview. Ariosto and dEste got into an argument, and Ariosto was promptly dismissed from service. The cardinals brother, Alfonso, duke of Ferrara, now took Ariosto under his patronage, by then, Ariosto had already distinguished himself as a diplomat, chiefly on the occasion of two visits to Rome as ambassador to Pope Julius II. On account of the war, his salary of 84 crowns a year was suspended, because of this, Ariosto asked the duke either to provide for him, or to allow him to seek employment elsewhere. He was appointed to the province of Garfagnana, then without a governor, situated on the Apennines, the province was distracted by factions and bandits, the governor had not the requisite means to enforce his authority and the duke did little to support his minister. In 1508 Ariostos play Cassaria appeared, and the next year I suppositi was first acted in Ferrara, a prose edition was published in Rome in 1524, and the first verse edition was published at Venice in 1551. The play was translated by George Gascoigne and acted at Grays Inn in London in 1566 and published in 1573, in 1516, the first version of the Orlando Furioso in 40 cantos, was published at Ferrara
13.
Orlando Furioso
–
Orlando Furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its form until 1532. Orlando Furioso is a continuation of Matteo Maria Boiardos unfinished romance Orlando Innamorato, in its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century. Orlando is the Christian knight known in French as Roland, the action takes place against the background of the war between Charlemagnes Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the ideal of chivalry. It mixes realism and fantasy, humor and tragedy, the stage is the entire world, plus a trip to the moon. The poem is divided into forty-six cantos, each containing a number of eight-line stanzas in ottava rima. Ottava rima had been used in previous Italian romantic epics, including Luigi Pulcis Morgante, Ariostos work is 38,736 lines long in total, making it one of the longest poems in European literature. Ariosto began working on the poem around 1506, when he was 32, the first edition of the poem, in 40 cantos, was published in Ferrara in April 1516 and dedicated to the poets patron Ippolito dEste. A second edition appeared in 1521 with minor revisions, Ariosto continued to write more material for the poem and in the 1520s he produced five more cantos, marking a further development of his poetry, which he decided not to include in the final edition. They were published after his death by his illegitimate son Virginio under the title Cinque canti and are regarded by some modern critics. The third and final version of Orlando Furioso, containing 46 cantos, Ariosto had sought stylistic advice from the humanist Pietro Bembo to give his verse the last degree of polish and this is the version known to posterity. The first English translation by John Harington was published in 1591 at the behest of Queen Elizabeth I, Ariostos poem is a sequel to Matteo Maria Boiardos Orlando Innamorato. The name Orlando is a translation of Roland from the 12th-century Song of Roland, the latter contained the magical elements and love interest that were generally lacking in the more austere and warlike poems about Carolingian heroes. Ariosto continued to mix these elements in his poem as well as adding material derived from Classical sources, however, Ariosto has an ironic tone rarely present in Boiardo, who treated the ideals of chivalry much more seriously. In Orlando Furioso, instead of chivalric ideals, no longer alive in the 16th century, Agramante and his allies – who include Marsilio, the King of Spain, and the boastful warrior Rodomonte – besiege Charlemagne in Paris. Meanwhile, Orlando, Charlemagnes most famous paladin, has been tempted to forget his duty to protect the emperor through his love for the pagan princess Angelica
14.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
15.
Virgil
–
Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
16.
Ottoman Empire
–
After 1354, the Ottomans crossed into Europe, and with the conquest of the Balkans the Ottoman Beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the 1453 conquest of Constantinople by Mehmed the Conqueror, at the beginning of the 17th century the empire contained 32 provinces and numerous vassal states. Some of these were later absorbed into the Ottoman Empire, while others were granted various types of autonomy during the course of centuries. With Constantinople as its capital and control of lands around the Mediterranean basin, while the empire was once thought to have entered a period of decline following the death of Suleiman the Magnificent, this view is no longer supported by the majority of academic historians. The empire continued to maintain a flexible and strong economy, society, however, during a long period of peace from 1740 to 1768, the Ottoman military system fell behind that of their European rivals, the Habsburg and Russian Empires. While the Empire was able to hold its own during the conflict, it was struggling with internal dissent. Starting before World War I, but growing increasingly common and violent during it, major atrocities were committed by the Ottoman government against the Armenians, Assyrians and Pontic Greeks. The word Ottoman is an anglicisation of the name of Osman I. Osmans name in turn was the Turkish form of the Arabic name ʿUthmān, in Ottoman Turkish, the empire was referred to as Devlet-i ʿAlīye-yi ʿOsmānīye, or alternatively ʿOsmānlı Devleti. In Modern Turkish, it is known as Osmanlı İmparatorluğu or Osmanlı Devleti, the Turkish word for Ottoman originally referred to the tribal followers of Osman in the fourteenth century, and subsequently came to be used to refer to the empires military-administrative elite. In contrast, the term Turk was used to refer to the Anatolian peasant and tribal population, the term Rūmī was also used to refer to Turkish-speakers by the other Muslim peoples of the empire and beyond. In Western Europe, the two names Ottoman Empire and Turkey were often used interchangeably, with Turkey being increasingly favored both in formal and informal situations and this dichotomy was officially ended in 1920–23, when the newly established Ankara-based Turkish government chose Turkey as the sole official name. Most scholarly historians avoid the terms Turkey, Turks, and Turkish when referring to the Ottomans, as the power of the Seljuk Sultanate of Rum declined in the 13th century, Anatolia was divided into a patchwork of independent Turkish principalities known as the Anatolian Beyliks. One of these beyliks, in the region of Bithynia on the frontier of the Byzantine Empire, was led by the Turkish tribal leader Osman, osmans early followers consisted both of Turkish tribal groups and Byzantine renegades, many but not all converts to Islam. Osman extended the control of his principality by conquering Byzantine towns along the Sakarya River and it is not well understood how the early Ottomans came to dominate their neighbours, due to the scarcity of the sources which survive from this period. One school of thought which was popular during the twentieth century argued that the Ottomans achieved success by rallying religious warriors to fight for them in the name of Islam, in the century after the death of Osman I, Ottoman rule began to extend over Anatolia and the Balkans. Osmans son, Orhan, captured the northwestern Anatolian city of Bursa in 1326 and this conquest meant the loss of Byzantine control over northwestern Anatolia. The important city of Thessaloniki was captured from the Venetians in 1387, the Ottoman victory at Kosovo in 1389 effectively marked the end of Serbian power in the region, paving the way for Ottoman expansion into Europe
17.
Guercino
–
Giovanni Francesco Barbieri, best known as Guercino, or Il Guercino, was an Italian Baroque painter and draftsman from the region of Emilia, and active in Rome and Bologna. The vigorous naturalism of his manner is in contrast to the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style and he was born in Cento, a village between Bologna and Ferrara. At an early age he acquired the nickname Guercino because he was cross-eyed, mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. By 1615, he moved to Bologna, where his work was praised by Ludovico Carracci, Guercino painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, for Cardinal Serra, a Papal Legate to Ferrara. These paintings have a stark naturalist Caravaggesque style, although it is unlikely that Guercino saw any of the Roman Caravaggios first-hand, the Arcadian Shepherds was painted in 1618 at the same time of The Flaying of Marsyas by Apollo in Palazzo Pitti. Its dramatic composition is typical of Guercinos early works, which are often tumultuous and he often claimed that his early style was influenced by a canvas of Ludovico Carracci that he saw in the Capuchin church in Cento. Some of his works are closer to the style of his contemporary Guido Reni. He was recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV, the years he spent in Rome, 1621–23, were very productive. Petronilla Altarpiece for the Vatican, which is considered his masterpiece, after the death of Gregory XV, Guercino returned to his hometown. In 1626, he began his frescoes in the Duomo of Piacenza, between 1618 and 1631, Giovanni Battista Pasqualini produced 67 engravings that document the early production of Guercino, which is not included in the Libro dei Conti. In 1642, following the death of Guido Reni, Guercino moved his workshop to Bologna. In 1655, the Franciscan Order of Reggio paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna, the Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657. Guercino was remarkable for the rapidity of his executions, he completed no fewer than 106 large altarpieces for churches. He was also a prolific draftsman and his production includes many drawings, usually in ink, washed ink, or red chalk. Most of them were made as preparatory studies for his paintings, but he also drew landscapes, genre subjects, Guercinos drawings are known for their fluent style in which rapid, calligraphic pen strokes combined with dots, dashes, and parallel hatching lines describe the forms. Guercino continued to paint and teach until his death in 1666, as he never married, his estate passed to his nephews and pupils, Benedetto Gennari II and Cesare Gennari. Benedetto Zallone of Cento, and Matteo Loves, masterpieces of Cento, Rome and Polish collections, displayed at the National Museum in Warsaw from September 2013 to February 2014
18.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
19.
Romantic movement
–
Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography, education. It elevated folk art and ancient custom to something noble, Romanticism assigned a high value to the achievements of heroic individualists and artists, whose examples, it maintained, would raise the quality of society. It also promoted the individual imagination as a critical authority allowed of freedom from classical notions of form in art, there was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism, the decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Defining the nature of Romanticism may be approached from the point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich that the feeling is his law. Samuel Taylor Coleridge and others believed there were laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. As well as rules, the influence of models from other works was considered to impede the creators own imagination, so that originality was essential. The concept of the genius, or artist who was able to produce his own work through this process of creation from nothingness, is key to Romanticism. This idea is called romantic originality. Not essential to Romanticism, but so widespread as to be normative, was a strong belief, however, this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. Romantic art addressed its audiences with what was intended to be felt as the voice of the artist. So, in literature, much of romantic poetry invited the reader to identify the protagonists with the poets themselves. In both French and German the closeness of the adjective to roman, meaning the new literary form of the novel, had some effect on the sense of the word in those languages. It is only from the 1820s that Romanticism certainly knew itself by its name, the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place roughly between 1770 and 1848, and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter a very typical view, and about 1830, however, in most fields the Romantic Period is said to be over by about 1850, or earlier
20.
Alfonso II d'Este, Duke of Ferrara
–
Alfonso II dEste was Duke of Ferrara from 1559 to 1597. He was a member of the House of Este and he was the elder son of Ercole II dEste and Renée de France, the daughter of Louis XII of France and Anne of Brittany and was the fifth and last Duke of Ferrara. As a young man, he fought in the service of Henry II of France against the Habsburgs, soon after his accession, he was forced by Pope Pius IV to send back his mother to France due to her Calvinist creed. The 1570 Ferrara earthquake fell into his reign, in 1583 he allied with Emperor Rudolf II in the war against the Turks in Hungary. He married three times, On 3 July 1558, Alfonso married his first wife Lucrezia di Cosimo de Medici and she died two years afterwards, poisoning has been suspected, although it is now thought that she died of tuberculosis. On 5 December 1565, Alfonso married his second wife Barbara of Austria, eighth daughter of Ferdinand I, Holy Roman Emperor and Anna of Bohemia, on 24 February 1579, Alfonso married his third wife Margherita Gonzaga. She was the eldest daughter of William I, Duke of Mantua, Margherita was the niece of his second wife Barbara. He had no children, legitimate or otherwise. The legitimate line ended in 1597 with him, Rudolf II, Holy Roman Emperor recognized as heir his cousin Cesare dEste, member of a cadet branch, who continued to rule in the imperial duchies and carried on the family name. The succession, however, was recognized only by the Emperor, in 1598 Ferrara was therefore incorporated into the Papal States by Pope Clement VIII, on grounds of doubtful legitimacy. As a result of Alfonso death Cesare dEste and his family were obliged to leave the city, besides being fluent in Italian he was also proficient in Latin and French. Luzzasco Luzzaschi served as his court organist, in addition, he was the sponsor of the Concerto delle donne, a type of group which was to be copied all over Italy. He also restored the Castello Estense, damaged by an earthquake in 1570 and his expenses, however, went at damage of the public treasure. Alfonso II is the duke upon whom Robert Browning based his poem My Last Duchess
21.
Parma
–
Parma listen is a city in the northern Italian region of Emilia-Romagna famous for its prosciutto, cheese, architecture, music and surrounding countryside. It is home to the University of Parma, one of the oldest universities in the world, Parma is divided into two parts by the stream of the same name. The district on the far side of the river is Oltretorrente, Parmas Etruscan name was adapted by Romans to describe the round shield called Parma. The Italian poet Attilio Bertolucci wrote, As a capital city it had to have a river, as a little capital it received a stream, which is often dry. Parma was already an area in the Bronze Age. In the current position of the city rose a terramare, the terramare were ancient villages built of wood on piles according to a defined scheme and squared form, constructed on dry land and generally in proximity to the rivers. During this age the first necropolis were constructed, diodorus Siculus reported that the Romans had changed their rectangular shields for round ones, imitating the Etruscans. Whether the Etruscan encampment was so named because it was round, like a shield, the Roman colony was founded in 183 BC, together with Mutina,2,000 families were settled. Parma had an importance as a road hub over the Via Aemilia. It had a forum, in what is today the central Garibaldi Square, in 44 BC, the city was destroyed, and Augustus rebuilt it. During the Roman Empire, it gained the title of Julia for its loyalty to the imperial house, the city was subsequently sacked by Attila, and later given by the Germanic king Odoacer to his followers. During the Gothic War, however, Totila destroyed it and it was then part of the Byzantine Exarchate of Ravenna and, from 569, of the Lombard Kingdom of Italy. Under Frankish rule, Parma became the capital of a county, like most northern Italian cities, it was nominally a part of the Holy Roman Empire created by Charlemagne, but locally ruled by its bishops, the first being Guibodus. In the subsequent struggles between the Papacy and the Empire, Parma was usually a member of the Imperial party, two of its bishops became antipopes, Càdalo, founder of the cathedral, as Honorius II, and Guibert, as Clement III. An almost independent commune was created around 1140, a treaty between Parma and Piacenza of 1149 is the earliest document of a comune headed by consuls, the struggle between Guelphs and Ghibellines was a feature of Parma too. In 1213, her podestà was the Guelph Rambertino Buvalelli, then, after a long stance alongside the emperors, the Papist families of the city gained control in 1248. The city was besieged in 1247–48 by Emperor Frederick II, who was crushed in the battle that ensued. Parma fell under the control of Milan in 1341, after a short-lived period of independence under the Terzi family, the Sforza imposed their rule through their associated families of Pallavicino, Rossi, Sanvitale and Da Correggio
22.
Ferrara
–
Ferrara is a city and comune in Emilia-Romagna, northern Italy, capital city of the Province of Ferrara. It is situated 50 kilometres north-northeast of Bologna, on the Po di Volano, the town has broad streets and numerous palaces dating from the 14th and 15th centuries, when it hosted the court of the House of Este. For its beauty and cultural importance it has qualified by UNESCO as a World Heritage Site. Modern times have brought a renewal of industrial activity, Ferrara is on the main rail line from Bologna to Padua and Venice, and has branches to Ravenna, Poggio Rusco and Codigoro. Ferrara appears first in a document of the Lombard king Desiderius of 753 AD, Desiderius pledged a Lombard ducatus ferrariae in 757 to Pope Stephen II. Obizzo II dEste was proclaimed ruler of Ferrara five hundred years later. He also became seignior of nearby Modena in 1288 and of Reggio in 1289, in 1452 the Este rulers were created Dukes of Modena and Reggio, and in 1471 Ferrara also became a duchy. In 1597, when Alfonso II died without heirs, the House of Este lost Ferrara to the Papal States. Ferrara remained a part of the Papal States from 1598 to 1859, with an interruption during the Napoleonic period, in 1859 it became part of the Kingdom of Italy. A fortress was constructed by Pope Paul V on the site of the castle called Castel Tedaldo, at the south-west angle of the town, all of the fortress was dismantled following the birth of the Kingdom of Italy and the bricks used for new constructions all over the town. On August 23,1944, the Ferrara synthetic rubber plant was a target of Strategic bombing during World War II, the town is still surrounded by more than 9 kilometres of ancient walls, mainly built in the 15th and 16th-centuries. Along with those of Lucca, they are the best preserved Renaissance walls in Italy, the imposing brick Castello Estense sited in the very centre of the town is iconic of Ferrara. The castle, erected in 1385, is surrounded by a moat, the pavilions on the top of the towers date from the 16th-century refurbishment. The City Hall, renovated in the 18th century, was the residence of the Este family. Close by it is the former Cathedral of San Giorgio, The Romanesque lower part of the main façade, according to a now lost inscription the church had been commissioned by Guglielmo I of Adelardi. The sculpture of the portal was signed by a Nicholaus. The upper part of the main façade, with arcades of pointed arches, dates from the 13th century, the recumbent lions guarding the entrance are copies of the originals, now in the narthex of the church. An elaborate 13th-century relief depicting the Last Judgement is found in the story of the porch
23.
Tancred, Prince of Galilee
–
Tancred was an Italo-Norman leader of the First Crusade who later became Prince of Galilee and regent of the Principality of Antioch. Tancred had a great-grandfather with the name, Tancred of Hauteville. Tancred was a son of Emma of Hauteville and Odo the Good Marquis and his maternal grandparents were Robert Guiscard and Guiscards first wife Alberada of Buonalbergo. Emma was also a sister of Bohemond of Taranto, in 1096, Tancred joined his maternal uncle Bohemund on the First Crusade, and the two made their way to Constantinople. There, he was pressured to swear an oath to Byzantine Emperor Alexius I Comnenus, although the other leaders did not intend to keep their oaths, Tancred refused to swear the oath altogether. He participated in the siege of Nicaea in 1097, but the city was taken by Alexius army after secret negotiations with the Seljuk Turks, because of this, Tancred was very distrustful of the Byzantines. In 1097 the Crusaders divided their forces at Heraclea and Tancred entered the Levant by passing south through the Cilician Gates, the last three settlements were annexed to the Principality of Antioch. During their fourteen-year occupation of Anazarbus the Crusaders built the magnificent donjon atop the center of the fortified outcrop, at Sarvandikar, which controlled the strategic Amanus Pass, Tancred imprisoned Raymond of Saint-Gilles in 1101/02. He assisted in the siege of Antioch in 1098, one year later, during the assault on Jerusalem, Tancred, along with Gaston IV of Béarn, claimed to have been the first Crusader to enter the city on July 15. However, the first crusader to enter Jerusalem was Ludolf of Tournai, when the city fell, Tancred gave his banner to a group of the citizens who had fled to the roof of the Temple of Solomon. This should have assured their safety, but they were massacred, along many others. The author of the Gesta Francorum records that, when Tancred realised this, when the Kingdom of Jerusalem was established, Tancred became Prince of Galilee. In 1100, Tancred became regent of Antioch when Bohemund was taken prisoner by the Danishmends at the Battle of Melitene. He expanded the territory of the Latin principality by capturing land from the Byzantines, although, over the decade, Alexius attempted, unsuccessfully. In 1104, he took control of the County of Edessa when Baldwin II was taken captive after the Battle of Harran. After Baldwins release in late 1108, he had to fight Tancred to regain control of the county, after Harran, Bohemond returned to Europe to recruit more Crusaders, again leaving his nephew as regent in Antioch. Tancreds victory over Radwan of Aleppo at the Battle of Artah in 1105 allowed the Latin principality to recover some its territories east of the Orontes River. In 1108, Tancred refused to honour the Treaty of Devol, in which Bohemund swore an oath of fealty to Alexius, in 1110, he brought Krak des Chevaliers under his control, which would later become an important castle in the County of Tripoli
24.
Paolo Domenico Finoglia
–
Paolo Domenico Finoglia, or Finoglio, was an Italian painter of the early-Baroque period, active mainly in South Italy, including Naples and towns in Apulia. Finoglia was born in Orta di Atella, near Naples, and he likely apprenticed with Ippolito Borghese, but derived from Battistello Caracciolo a tenebrist style, similar to that of Caravaggio. He painted extensively in 1620–1626 in the Certosa di San Martino in Naples and he painted a Baptism of St Celsus for the Pozzuoli Cathedral. Finoglia first started working for the Count in 1622, when he decorated the ceilings with scenes from the story of Jacob. He later decorated the church of Santi Cosma e Damiano in Conversano, the decoration of Tassos work began in 1640, and continued until Finoglias death in Conversano in 1645. Among his pupils were Carlo Rosa and Nicola Gliri, commune of Conversano entry of Finoglia
25.
Clorinda (Jerusalem Delivered)
–
Clorinda is a character from Torquato Tassos La Gerusalemme liberata. She is a woman of the Saracen army. First introduced in the canto of the poem, when she rescues Sofronia and Olindo. She is next discovered under the command of the King of Jerusalem, Aladine, aiding that citys defences, tancred saw her on the field and fell in love with her, thus refusing to do battle with her. Because of this, a champion was sent out from the Christian hosts
26.
Camilla (mythology)
–
In Virgils Aeneid, Camilla of the Volsci is the daughter of King Metabus and Casmilla. Driven from his throne, Metabus is chased into the wilderness by armed Volsci, the river Amasenus blocked his path, and, fearing for the childs welfare, Metabus bound her to a spear. He promised Diana that Camilla would be her servant, a warrior virgin and he then safely threw her to the other side, and swam across to retrieve her. The baby Camilla was suckled by a mare, and once her first firm steps had taken and she was raised in her childhood to be a huntress and kept the companionship of her father and the shepherds in the hills and woods. In his book Virgils Aeneid, Semantic Relations and Proper Names, in the Aeneid, she helped her ally, King Turnus of the Rutuli, fight Aeneas and the Trojans in the war sparked by the courting of Princess Lavinia. Arruns, a Trojan ally, stalked Camilla on the battlefield, and, dianas attendant, Opis, at her mistress behest, avenged Camillas death by slaying Arruns. Virgil says that Camilla was so fast on her feet that she could run over a field of wheat without breaking the tops of the plants, giovanni Boccaccios De mulieribus claris includes a segment on Camilla. Camilla is similar to Penthesilea of Greek mythology
27.
Bradamante
–
Bradamante is a fictional knight heroine in two epic poems of the Renaissance, Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Since the poems exerted an influence on later culture, she became a recurring character in Western art. Bradamante, a female Christian knight, is the sister of Rinaldo and falls in love with a Saracen warrior named Ruggiero, an expert in combat, she wields a magical lance that unhorses anyone it touches, and rescues Ruggiero from being imprisoned by the wizard Atlante. The two lovers are separated many times in the story, and her parents reject the suitor even after Ruggiero converts to Christianity and she decides to marry whoever withstands her in combat and Ruggiero overcomes the challenge. At the end, their marriage give rise to the noble House of Este, the poems drew from legends of Charlemagne, chansons de geste, and blended recurring motifs found in the Matter of France and the Matter of Britain. In 1582, French dramatist Robert Garnier wrote a tragicomedy named Bradamante that further develops the story between the heroine and Roger. Bradamante, composed by Louis Lacoste with a written by Pierre-Charles Roy, was first performed at the Académie Royale de Musique on 2 May 1707. Bradamante, written by Heinrich Joseph von Collin with music composed by Johann Friedrich Reichardt, was first performed in Vienna on 3 February 1809, Bradamante, composed by Eduard Tauwitz, was first performed in Riga in 1844. Bradamante appears as one of the characters in several novels. For example, in Italo Calvinos surrealistic, highly ironic 1959 novel Il Cavaliere inesistente, in cinema, she is depicted by Barbara De Rossi in the 1983 Italian film Paladini-storia darmi e damori – a film based on the legends surrounding the Peers of Charlemagne. List of woman warriors in legend and mythology Media related to Bradamante at Wikimedia Commons
28.
Enchanted forest
–
In literature, an enchanted forest is a forest under, or containing, enchantments. Such forests are described in the oldest folklore from regions where forests are common and they represent places unknown to the characters, and situations of liminality and transformation. The forest can feature as a place of threatening danger, or one of refuge, peasants who seldom if ever traveled far from their villages could not conclusively say that it was impossible that an ogre could live an hour away. Hence, in fairy tales, Hansel and Gretel found a witch in the forest, Vasilissa the Beautiful encountered Baba Yaga herself, Molly Whuppie. In Beauty and the Beast, Belles father is lost in the forest when he finds the Beasts castle, the evil cat-spirits of Schippeitaro live in the forest. Indeed, in Grimms Fairy Tales, the hero goes into the forest. It is not itself enchanted, but it contains enchantments and, being normal human experience. The German fairy tale has a tendency to take place in the forest. Even in folklore, forests can also be places of magical refuge, even Brother and Sister hid in the forest after their stepmother turned the brother into a deer. At other times, the marvels they meet are beneficial, in the forest, the hero of a fairy tale can meet and have mercy on talking animals that aid him. It is in the forest that the dwarf of Rumpelstiltskin and the fairy of Whuppity Stoorie reveal their true names, in Schippeitaro, the cats reveal their fear of the dog Schippeitaro when the hero of the tale spends the night in the forest. The creatures of the forest need not be magical to have much the same effect, Robin Hood, living in the greenwood, has affinities to the enchanted forest. Even in fairy tales, robbers may serve the roles of magical beings, in an Italian variant of Snow White, Bella Venezia, the danger of the folkloric forest is an opportunity for the heroes of legend. In Norse myth and legend, Myrkviðr was dark and dangerous forest that separated various lands, heroes, the figure of an enchanted forest was taken up into chivalric romances, the knight-errant would wander in a trackless forest in search of adventure. As in the tales, he could easily find marvels that would be disbelieved closer to home. Huon of Bordeaux met the fairy king Oberon in the forest, guillaume de Palerme hid there with the princess he loved, and found a werewolf who would aid him. In the Dolopathos variant of the Swan Children, a lord finds a mysterious woman – clearly a swan maiden or fairy – in an enchanted forest, genevieve of Brabant, having rebuffed a would-be lover and found herself accused of adultery by him, escaped to the forest. This forest could easily bewilder the knights, despite many references to its pathlessness, the forest repeatedly confronts knights with forks and crossroads, of a labyrinthine complexity
29.
Antioch
–
Antioch on the Orontes was an ancient Greco-Roman city on the eastern side of the Orontes River. Its ruins lie near the city of Antakya, Turkey. Antioch was founded near the end of the 4th century BC by Seleucus I Nicator, the citys geographical, military, and economic location benefited its occupants, particularly such features as the spice trade, the Silk Road, and the Persian Royal Road. It eventually rivaled Alexandria as the city of the Near East. It was also the center of Hellenistic Judaism at the end of the Second Temple period. Most of the development of Antioch was done during the Roman Empire. Antioch was called the cradle of Christianity as a result of its longevity, the Christian New Testament asserts that the name Christian first emerged in Antioch. It was one of the four cities of the Syrian tetrapolis, a single route proceeds south in the Orontes valley. The settlement of Meroe pre-dated Antioch, a shrine of the Semitic goddess Anat, called by Herodotus the Persian Artemis, was located here. This site was included in the suburbs of Antioch. There was a village on the spur of Mount Silpius named Io and this name was always adduced as evidence by Antiochenes anxious to affiliate themselves to the Attic Ionians—an eagerness which is illustrated by the Athenian types used on the citys coins. Io may have been an early colony of trading Greeks. John Malalas also mentions a village, Bottia, in the plain by the river. Macedonian ruler Alexander the Great is said to have camped on the site of Antioch and this account is found only in the writings of Libanius, a 4th-century orator from Antioch, and may be legend intended to enhance Antiochs status. But the story is not unlikely in itself, after Alexanders death in 323 BC, his generals divided up the territory he had conquered. Seleucus I Nicator won the territory of Syria, and he proceeded to found four sister cities in northwestern Syria, one of which was Antioch and he is reputed to have built sixteen Antiochs. Seleucus founded Antioch on a site chosen through ritual means, an eagle, the bird of Zeus, had been given a piece of sacrificial meat and the city was founded on the site to which the eagle carried the offering. Seleucus did this on the 22nd day of the month of Artemisios in the year of his reign
30.
Circe
–
Circe (/ˈsɜːrsiː/, is a goddess of magic or sometimes a nymph, witch, enchantress or sorceress in Greek mythology. By most accounts, she was the daughter of the sungod Helios, and Perse and her brothers were Aeetes, keeper of the Golden Fleece, and Perses. Her sister was Pasiphaë, the wife of King Minos and mother of the Minotaur, other accounts make her the daughter of Hecate, the goddess of witchcraft. Circe was renowned for her vast knowledge of potions and herbs, through the use of these and a magic wand or staff, she transformed her enemies, or those who offended her, into animals. Some say she was exiled to the island of Aeaea by her subjects and her father Helios for killing her husband. Later traditions tell of her leaving or even destroying the island and moving to Italy, in Homers Odyssey, Circe is described as living in a mansion that stands in the middle of a clearing in a dense wood. Around the house prowled strangely docile lions and wolves, the victims of her magic, they were not dangerous. Circe worked at a huge loom, thus so she turned them all into swine with her magic wand or staff after they gorged themselves on it. Only drunken Eurylochus, suspecting treachery from the outset, escaped to warn Odysseus, Odysseus set out to rescue his men, but was intercepted by the messenger god, Hermes, who had been sent by Athena. Hermes told Odysseus to use the holy herb moly to protect himself from Circes wizardry and, having resisted it, to draw his sword, from there, Circe would ask him to bed, but Hermes advised caution, for even there the goddess would be treacherous. She would take his manhood unless he had her swear by the names of the gods that she would not, Odysseus followed Hermes advice, freeing his men and then remained on the island for one year, feasting and drinking wine. She also advised Odysseus to go to the Underworld and gave him directions, towards the end of Hesiods Theogony, it is stated that Circe bore Odysseus three sons, Ardeas or Agrius, Latinus, and Telegonus, who ruled over the Tyrsenoi, that is the Etruscans. The Telegony, a now lost, relates the later history of the last of these. Circe eventually informed him who his absent father was and, when he set out to find Odysseus, with this he killed his father unknowingly. Telegonus then brought back his fathers corpse, together with Penelope and Odysseus other son Telemachus, after burying Odysseus, Circe made the others immortal. According to Lycophrons Alexandra and John Tzetzes scholia on the poem, however, Odysseus then gave Telemachus to Circes daughter Cassiphone in marriage. Some time later, Telemachus had a quarrel with his mother-in-law and killed her, on hearing of this, Odysseus died of grief. In a very late Alexandrian epic from the 5th century AD, in the 3rd century BC epic, the Argonautica, Apollonius Rhodius relates that Circe purified the Argonauts for the death of Absyrtus, maybe reflecting an early tradition
31.
Alcina
–
Alcina is an opera seria by George Frideric Handel. Handel used the libretto of Lisola di Alcina, an opera that was set in 1728 in Rome by Riccardo Broschi, partly altered for better conformity, the story was originally taken from Ludovico Ariostos Orlando furioso, an epic poem. The opera contains several musical sequences with opportunity for dance, these were composed for dancer Marie Sallé, Alcina was composed for Handels first season at the Theatre Royal, Covent Garden in London. It premiered on 16 April 1735, like the composers other works in the opera seria genre, Alcina fell into obscurity, after a revival in Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian soprano Joan Sutherland sang the role in a production by Franco Zeffirelli in which she made her debut at La Fenice in February 1960 and she performed in the same production at the Royal Opera House, Covent Garden, in 1962. It was given as part of the Ledlanet Nights festival in Scotland in 1969, a major production was the one directed by Robert Carsen and originally staged for the Opéra de Paris in 1999 and repeated at the Lyric Opera of Chicago. Both stagings featured Renée Fleming in the title role, the opera was given a concert performance on 10 October 2014 at the Barbican Centre in London. Joyce DiDonato sang the role under Harry Bicket with The English Concert. Alice Coote, Christine Rice and Anna Christy sang other significant roles, the group toured to the European continent with performances in Pamplona, Madrid, Vienna, and Paris and then to Carnegie Hall in New York on 26 October. The background of the opera comes from the poem Orlando Furioso, the heroic knight Ruggiero is destined to a short but glorious life, and a benevolent magician is always whisking him away from the arms of his fiancée, Bradamante. Bradamante is not the type to put up with the constant disappearance of her lover, just before the opera begins she has rescued him from an enchanted castle, only to have her flying horse take a fancy to Ruggiero and fly off with him. Ruggiero and the land on an island in the middle of the ocean. As the hippogriff begins to eat the leaves of a myrtle bush, the bush reveals that it was once a living soul named Sir Astolfo, and the island belongs to the sister sorceresses Alcina and Morgana. The beautiful Alcina seduces every knight that lands on her isle, despite Astolfos warning, Ruggiero strides off to meet this sorceress – and falls under her spell. Bradamante, again searching for her lover, arrives on Alcinas island with Ruggieros former tutor, dressed in armor, Bradamante looks like a young man and goes by the name of her own brother, Ricciardo. She and Melisso possess a magic ring which enables the wearer to see through illusion, the first person they meet is the sorceress Morgana. Barely human and with no understanding of love, she immediately abandons her own lover Oronte for the handsome Ricciardo. Morgana conveys the visitors to Alcinas court, where Bradamante is dismayed to discover that Ruggiero is besotted with Alcina, also at Alcinas court is a boy, Oberto, who is looking for his father, Astolfo, who was last seen heading toward this island
32.
Renaud de Montauban
–
Renaud de Montauban, was a fictional hero and knight who was introduced to literature in a 12th-century Old French chanson de geste known as Les Quatre Fils Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard, and Guiscard, Renaud possess a magical horse Bayard and the sword Froberge. The story of Renaud had a European success, Renaud, as Rinaldo, is an important character in Italian Renaissance epics, including Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. It is one of the longest of all the chansons de geste, other versions range from 14,300 to 28,000 verses. The tale was the basis of other versions in Italian, German, Dutch. The plot of the French chanson is as follows, Renaud and they flee from the court of Charlemagne after Renaud kills one of Charlemagnes nephews in a brawl. A long war follows, during which Renaud and his brothers remain faithful to the code of honor despite their sufferings. Charlemagne orders that the horse be drowned by chaining it to a stone and throwing it in a river. Renaud, after further adventures on the Crusades, returns home and he eventually abandons his home and goes to Cologne, where he becomes a builder on a shrine to Saint Peter. In the end, he is murdered by resentful workers, but his body is saved from the river. Bulfinch relates that the cart magically moved to Dortmund, where Renaud is made patron saint of a new church and these poems are, Maugis dAigremont, Mort de Maugis, Vivien de Monbranc, Bueve dAigremont. Maugis dAigremont was a chanson de geste most likely composed in the early 13th century and it exists in a few extant versions, the latest version comprises 9,078 rhymed alexandrines. It tells of the youth of Maugris, the story is, briefly, as follows, the twin sons of Beuve dAigremont are Maugis and Vivien. Taken away at birth, Maugis is raised by the fairy Oriande while Vivien is raised by Esclarmonde, Maugis conquers the horse Bayard and gains the sword Froberge, participates in various battles, and kills Sorgolant. Discovering his identity, he battles to save his maternal grandfather, Vivien also discovers his identity and converts to Christianity. At the end, Maugis gives Bayard and Froberge to his cousin Renaud, Mort de Maugis is a short work of 1,250 verses. It tells a different version of the death of Maugis than the one given in Quatre fils Aymon, Vivien de Monbranc has come down to us in only one version, a short work of 1,100 alexandrine verses composed in the 13th century. It constitutes a continuation of Maugis dAigremont, and is most likely a version of what was originally a longer work
33.
House of Este
–
The House of Este is a European princely dynasty. The elder branch of the House of Este included the dukes of Brunswick and Lüneburg and produced Britains Hanoverian monarchs, the younger branch of the House of Este included rulers of Ferrara, and of Modena and Reggio. According to Edward Gibbon the family originated from the Roman Attii family, however, there is little evidence to support this hypothesis. The names of the members of the family indicate that a Frankish origin is much more likely. The first known member of the house was Margrave Adalbert of Mainz, known only as the father of Oberto I, Count palatine of Italy, who died around 975. Obertos grandson, Albert Azzo II, Margrave of Milan built a castle at Este, near Padua, and named himself after the location. He had three sons from two marriages, two of whom became the ancestors of the two branches of the family, Welf IV, the eldest, was the son of Kunigunde, the last of the Elder Welfs. He inherited the property of his uncle, Welf, Duke of Carinthia, became duke of Bavaria in 1070, and is the ancestor of the elder branch. Hugh, issue of Azzos second marriage to Garsend of Maine, inherited the French County of Maine, a legacy of his mothers dowry, Fulco I, Margrave of Milan, the third son, is the ancestor of the younger Italian line of Este. Este itself was taken over in 1275 by Padua and in 1405, after the peace ending the Napoleonic wars reshaped Europe, ushering in the Modern era, the Electorate of Hanover, was dissolved by treaty. Its lands were enlarged and the state was promoted to a kingdom, the House of Este gave Great Britain and the United Kingdom the Hanoverian monarchs. All later generations of the Italian branch are descendants of Fulco dEste, from 1171 on, his descendants were titled Margraves of Este. Obizzo I, the first margrave, battled against Emperor Frederick I Barbarossa and his nephew Azzo dEste VI became podestà of Mantua and Verona. As the dowry of his niece the Marchesella, Ferrara passed to Azzo VI dEste In 1146, in 1242 Azzo VII Novello was nominated podestà for his lifetime. The lordship of Ferrara was made hereditary by Obizzo II, who was proclaimed Lord of Ferrara in 1264, Lord of Modena in 1288, Ferrara was a papal fief and the Este family were given the position of hereditary papal vicars in 1332. Ferrara became a significant center of culture under Niccolò dEste III and he held a Council in Ferrara in 1438, later known as the Council of Florence. His successors were his brothers Leonello and Borso, who was elevated to Duke of Modena and Reggio by Emperor Frederick III in 1452, receiving these duchies as imperial fiefs. In 1471, he received the duchy of Ferrara as papal fief from Pope Paul II, Borso was succeded by a half-brother, Ercole, who was one of the most significant patrons of the arts in late 15th and early 16th century Italy
34.
Ashkelon
–
Ashkelon is a coastal city in the Southern District of Israel on the Mediterranean coast,50 kilometres south of Tel Aviv, and 13 kilometres north of the border with the Gaza Strip. The ancient seaport of Ashkelon dates back to the Neolithic Age, the Arab village of al-Majdal or al-Majdal Asqalan, was established a few kilometres inland from the ancient site by the late 15th century, under Ottoman rule. In 1918, it part of the British Occupied Enemy Territory Administration. Al-Majdal on the eve of the 1948 Arab–Israeli War had 10,000 Arab inhabitants and in October 1948, al-Majdal was the forward position of the Egyptian Expeditionary Force based in Gaza. The town was initially named Migdal Gaza, Migdal Gad and Migdal Ashkelon by the new Jewish inhabitants, most of the remaining Arabs were evicted by 1950. In 1953, the neighborhood of Afridar was incorporated and the name Ashkelon was readopted to the town. By 1961, Ashkelon was ranked 18th among Israeli urban centers with a population of 24,000, in 2015 the population of Ashkelon was 130,660. The name Ashkelon is probably western Semitic, and might be connected to the root š-q-l perhaps attesting to its importance as a center for mercantile activities, scallion and shallot are derived from Ascalonia, the Latin name for Ashkelon. Ashkelon was the oldest and largest seaport in Canaan, one of the five cities of the Philistines, north of Gaza, the Neolithic site of Ashkelon is located on the Mediterranean coast,1.5 km north of Tel Ashkelon. It is dated by Radiocarbon dating to ca.7900 bp and it was discovered and excavated in 1954 by French archaeologist Jean Perrot. In 1997–1998, a large scale salvage project was conducted at the site by Yosef Garfinkel on behalf of the Hebrew University of Jerusalem, a final excavation report was published in 2008. In the site over a hundred fireplaces and hearths were found and numerous pits, various phases of occupation were found, one atop the other, with sterile layers of sea sand between them. This indicates that the site was occupied on a seasonal basis, the main finds were enormous quantities of animal bones and 20,000 flint artifacts. Usually at Neolithic sites flints far outnumber animal bones, the bones belong to domesticated and non-domesticated animals. When all aspects of this site are taken into account, it appears to have used by pastoral nomads for meat processing. The nearby sea could supply necessary for the conservation of meat. The city was built on a sandstone outcropping and has a good underground water supply. It was relatively large as an ancient city with as many as 15,000 people living inside the walls, Ashkelon was a thriving Middle Bronze Age city of more than 150 acres
35.
Giovanni Battista Tiepolo
–
Giovanni Battista Tiepolo, also known as Gianbattista or Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice. He was prolific, and worked not only in Italy, but also in Germany, Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi and Francesco Guardi forms the traditional great Old Masters of that period. Successful from the beginning of his career, he has described by Michael Levey as the greatest decorative painter of eighteenth-century Europe. Born in Venice, he was the youngest of six children of Domenico and his father was a small shipping merchant who belonged to a family that bore the prestigious patrician name of Tiepolo without claiming any noble descent. Some of the children acquired noble godparents, and Giambattista was originally named after his godfather and he was baptised on 16 April 1696 in the local church, San Pietro di Castello. His father died about a later, leaving his mother to bring up a family of young children. In 1710 he became a pupil of Gregorio Lazzarini, a painter with an eclectic style. A biography of his teacher, published in 1732, says that Tiepolo departed from studied manner of painting and his earliest known works are depictions of the apostles, painted in spandrels as part of the decoration of the church of the Ospedoletto in Venice in 1715–6. He painted his first fresco in 1716, on the ceiling of a church at Biadene and he probably left Lazzarinis studio in 1717, the year he was received into the Fraglia or guild of painters. In around 1719–20 he painted a scheme of frescoes for the wealthy, Tiepolo depicted the Triumph of Aurora on the ceiling, and the Myth of Phaethon on the walls, creating the kind of fluid spatial illusion which was to become a recurring theme in his work. In 1722 he was one of twelve artists commissioned to contribute a painting on canvas of one of the apostles as part of a scheme for the nave of San Stae in Venice. The other artists involved included Ricci, Piazetta, and Pellegrini, in 1719, Tiepolo married noblewoman Maria Cecilia Guardi, sister of two contemporary Venetian painters Francesco and Giovanni Antonio Guardi. Together, Tiepolo and his wife had nine children, four daughters and three sons survived childhood. Two of his sons, Domenico and Lorenzo, painted with him as his assistants and his children painted figures with a design similar to that of their father, but with distinctive, including genre, styles. His third son became a priest, fabio Canal, Francesco Lorenzi, Domenico Pasquini were among his pupils. Some major commissions came from the patrician Dolfin family, Tiepolo used a much cooler palette than previous Venetian painters, in order to create a convincing effect of daylight. These early masterpieces, innovative amongst Venetian frescoes for their luminosity, dominic Instituting the Rosary, Palazzo Clerici, Milan, decorations for Villa Cordellini at Montecchio Maggiore and for the ballroom of the Palazzo Labia in Venice, showing the Story of Cleopatra. Tiepolo produced two sets of etchings, the Capricci and the Scherzi di fantasia, the ten capricci were first published by Anton Maria Zanetti, incorporated into the third edition of a compilation of woodcuts after Parmigiano
36.
Ruggiero (character)
–
Ruggiero is a leading character in the Italian romantic epics Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic, Aspremont, in Boiardo and Ariostos works, he is supposed to be the ancestor of Boiardo and Ariostos patrons, the Este family of Ferrara, and he plays a major role in the two poems. He is the son of a Christian knight and a Saracen lady, when Ruggieros father is betrayed and murdered, his mother escapes to the sea by boat, lands on the shores of Libya and dies after giving birth to twins. Ruggerio is raised since infancy by the wizard Atlante in Africa as a Saracen warrior, Ruggiero is the subject of two possible prophecies. His second possible fate is to remain a Saracen and be the cause of the downfall of the Frankish Empire, Atlante is fiercely protective of Ruggiero and keeps him hidden in an invisible castle on the top of Mount Carena in Africa. King Agramante of Africa proposes invading France and gathers his war council together at his palace in Biserta, the king from Garamanta rose and prophesied that such an invasion was doomed unless they had the youth Ruggiero on their side. He was the key to their victory, Agramante sent search parties looking for Ruggiero, but could not find him due to Atlantes sorcery. The thief Brunello was sent east to the kingdom of Cathay to steal a ring from Angelica that would remove all enchantments from the wearers eyes. Once Brunello returned with the ring, Agramante found the hidden castle. A tournament was held at the base of Mount Carena and Ruggiero was lured outside, after Ruggiero was given a sword, armor, and a horse by Brunello, he entered a melee and became the tournament champion. Later he was knighted by Agramante and joined the Saracen army in its invasion of Europe, agramantes army joins Rodomontes forces who are fighting the Franks at the border war at Montalbano Ruggiero shows his military prowess in the battle and has duels with Orlando and Rinaldo. After the battle is over for the day, Ruggiero meets and she is attacked and wounded by Saracen patrols and Ruggiero defends her honor. During the fight Bradamante and Ruggiero are separated for the first of many times, Atlante then takes Ruggiero hostage and holds him in an enchanted castle with lords and ladies to keep him company. Bradamante rescues Ruggiero, but he is tricked into climbing on the back of a hippogriff. The hippogriff flies him to an island east of India and he is held there by the enchantress Alcina on her magic island. Ruggiero forgets about his love for Bradamante and falls for the charms of Alcina and he is there until he is helped by the good sorceress Melissa. He rescues the princess Angelica, who has been offered as a sacrifice to a water-dwelling orc, finally, he is baptised into Christianity, and marries Bradamante. Rodomonte appears at the wedding feast and accuses Ruggiero of betraying the Saracen cause, the two knights duel, ending in Rodomontes death
37.
Calypso (mythology)
–
Calypso was a nymph in Greek mythology, who lived on the island of Ogygia, where she detained Odysseus for several years. She is generally said to be the daughter of the Titan Atlas, Hesiod, and the Homeric Hymn to Demeter, mention either a different Calypso or possibly the same Calypso as one of the Oceanid daughters of Tethys and Oceanus. Apollodorus includes the name Calypso in his list of Nereids, the daughters of Nereus, Calypso is remembered most for her role in Homers Odyssey, in which she attempts to keep the fabled Greek hero Odysseus on her island to make him her immortal husband. According to Homer, Calypso kept Odysseus prisoner at Ogygia for seven years, while Apollodorus says five years, Calypso enchants Odysseus with her singing as she moves to and from, weaving on her loom with a golden shuttle. During this time they sleep together, although Odysseus soon comes to wish for circumstances to change, Odysseus can no longer bear being separated from his wife Penelope and wants to go to Calypso to tell her. Homer does not mention any children by Calypso, by some accounts, which come after the Odyssey, Calypso bore Odysseus a son, Latinus, though Circe is usually given as Latinus mother. In other accounts Calypso bore Odysseus two children, Nausithous and Nausinous, the etymology of Calypsos name is from καλύπτω, meaning to cover, to conceal, to hide, or to deceive. καλύπτω is derived from Proto-Indo-European *ḱel-, making it cognate with the English word Hell, Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F. B. A. Cambridge, MA, Harvard University Press, London, William Heinemann Ltd.1921, online version at the Perseus Digital Library. Caldwell, Richard, Hesiods Theogony, Focus Publishing/R, grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell,1996, ISBN 978-0-631-20102-1. Calypso p.86 Hard, Robin, The Routledge Handbook of Greek Mythology, Based on H. J. Roses Handbook of Greek Mythology, Psychology Press,2004, ISBN9780415186360. Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, Harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, Homer, The Odyssey with an English Translation by A. T. Harvard University Press, London, William Heinemann, Ltd.1919, online version at the Perseus Digital Library. Homeric Hymn to Demeter, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, Harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, smith, William, Dictionary of Greek and Roman Biography and Mythology, London. Calypso West, M. L. Hesiod, Theogony, Oxford University Press
38.
Odysseus
–
Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries
39.
Ogygia
–
Ogygia is an island mentioned in Homers Odyssey, Book V, as the home of the nymph Calypso, the daughter of the Titan Atlas, also known as Atlantis in ancient Greek. In Homers Odyssey Calypso detained Odysseus on Ogygia for 7 years and kept him from returning to his home of Ithaca, athena complained about Calypsos actions to Zeus, who sent the messenger Hermes to Ogygia to order Calypso to release Odysseus. Hermes is Odysseuss great grandfather on his mothers side, through Autolycos, Calypso finally, though reluctantly, instructed Odysseus to build a small raft, gave him food and wine, and let him depart the island. The Odyssey describes Ogygia as follows. and he found her within, a great fire was burning in the hearth, and from afar over the isle there was a fragrance of cleft cedar and juniper as they burned. But she within was singing with a voice as she went to and fro before the loom. And right there about the cave ran trailing a garden vine, in pride of its prime. And fountains four in a row were flowing with bright water hard by one another, turned one this way, and round about soft meadows of violets and parsley were blooming. Ogygia or Phaeacia have been associated with the putative sunken Atlantis, aeschylus calls the Nile Ogygian, and Eustathius the Byzantine grammarian said that Ogygia was the earliest name for Egypt, while other locations for Ogygia include the Ionian Sea. Approximately seven centuries after Homer, the Alexandrian geographer Strabo criticized Polybius on the geography of the Odyssey, Strabo proposed that Scheria and Ogygia were located in the middle of the Atlantic Ocean. At another instance he Polybius suppresses statements, all these clearly suggest that he composed them to take place in the Atlantic Ocean. The passage of Plutarch has created some controversy, W. Hamilton indicated the similarities of Plutarchs account on the great continent and Platos location of Atlantis in Timaeus 24E – 25A. Kepler in his Kepleri Astronomi Opera Omnia estimated that “the great continent” was America and attempted to locate Ogygia, ruaidhrí Ó Flaithbheartaigh used Ogygia as a synonym for Ireland in the title of his Irish history, Ogygia, Seu Rerum Hibernicarum Chronologia,1685. However, Ogyges as a primeval, aboriginal ruler was usually sited in Boeotia, in another account of Ogyges, he brought his people to the area first known as Acte. That land was subsequently called Ogygia in his honor but ultimately known as Attica
40.
Morgan le Fay
–
Early works featuring Morgan do not elaborate her character beyond her role as a fay or sorceress. To the former, in early chivalric romances by Chrétien de Troyes and her character may be partially derived from that of the Welsh goddess Modron and other myths. She is often said to be the daughter of Arthurs mother Lady Igraine and her first husband Gorlois, so that Arthur, the son of Igraine and Uther Pendragon, is her half-brother. She becomes an apprentice of Merlin and an adversary of Arthur. In Thomas Malorys Le Morte dArthur and elsewhere, she is married to King Urien, with whom she has the son Ywain. She is also wanton and sexually aggressive, with many lovers including Merlin and Accolon, the earliest spelling of the name is Morgen, which is likely derived from Old Welsh or Old Breton Morgen, meaning Sea-born. The name is not to be confused with the Modern Welsh masculine name Morgan, while later works make her specifically human, she retains her magical powers. Inspiration for her character came from earlier Welsh mythology and literature. Additional speculation sometimes connects Morgan with the Irish goddess Morrígan, though there are few similarities between the two beyond the spelling of their names. Morgan has been more substantially linked with the goddess Modron, a derived from the continental Dea Matrona. Arthurian legends version of Urien is Morgan le Fays husband in the continental romances, the hystorical Urien had a treacherous ally named Morcant Bulc who plotted to assassinate him, similar to how Morgan attempts to kill Urien in the later version of Arthurian myth. This is similar to Avalon, the Isle of Apples with which Morgan le Fay has been associated since her earliest appearances. According to the chronicler Gerald of Wales, Morganis was a cousin of King Arthur who carried him to her island of Avalon. Writing in his Latin encyclopedic work Otia Imperialia, around the time and with similar derision for this belief. Morgan first appears by name in Vita Merlini, written by Norman-Welsh cleric Geoffrey of Monmouth about 1150, purportedly an account of the wizard Merlins later adventures, it elaborates some episodes from Geoffreys more famous earlier work, Historia Regum Britanniae. In Historia, Geoffrey relates how King Arthur, seriously wounded by Mordred at the Battle of Camlann, is taken off to the blessed Isle of Apple Trees, Avalon and her sisters names are Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten and Thiton. Prior to the cyclical Old French prose, the appearances of Morgan are few, the 12th-century French poet Chrétien de Troyes mentions her in his first romance Erec and Enide, completed around 1170. In it, a love of Morgan is Guinguemar, the Lord of the Isle of Avalon and a nephew of King Arthur and she is later mentioned in the same poem when Arthur provides the wounded hero Erec with a healing balm made by his sister Morgan
41.
Ogier the Dane
–
Ogier the Dane is a legendary character who first appears in an Old French chanson de geste, in the cycle of poems Geste de Doon de Mayence. The 12th-century Danish chronicler Saxo Grammaticus was not familiar with the character, a chronicle from St Martins monastery in Cologne claims that the monastery had been pillaged by the Saxons in 778, but that it was rebuilt by Olgerus, dux Daniæ, with the help of Charlemagne. Ogier the Dane first appears as one of Charlemagnes knights, in Chanson de Roland and he plays only a minor part in this poem, and his only link to Denmark seems to be his name, Ogier le Danois. Ogier becomes the character in the poem La Chevalerie Ogier de Danemarche. Here he is the son of the Danish king Geoffrey, who is the enemy of Charlemagne, Ogier grows into a heroic character, who begets a son who was slain by Charlot, son of Charlemagne. Seeking revenge, Ogier kills Charlot and is prevented from killing Charlemagne. They eventually make peace and Ogier goes to fight at Charlemagnes side against the Saracens, after this poem was written Ogier becomes increasingly popular in European literature. Ogier the Dane had a sword named Cortana or Curtana, according to the legend, the weapon bore the inscription, My name is Cortana, of the same steel and temper as Joyeuse and Durendal. The 13th-century Prose Tristan states that Ogier inherited the sword of the Arthurian knight Tristan, shortening it and this suggests a connection to Henry III of Englands coronation sword Curtana, which was said to have been Tristans sword, and which had its end cut off. The sword remains in use in the coronation of the British monarchs, in 1515, Kristiern Pedersen was living in Paris, and there he translated a prose novel based on the rhyming chronicles into the Danish Olger Danskes krönike, which was printed in 1534. Pedersen made Ogier into the son of a Danish king named Godfred who leaves Ogier as hostage to Charlemagne and this translation quickly became popular in Denmark. Like Frederick Barbarossa, Saint Wenceslas and King Arthur, in Danish legend Ogier becomes a king in the mountain, he is said to dwell in the castle of Kronborg, his beard grown down to the floor. He will sleep there until some day when the country of Denmark is in peril, at time he will rise up. The largest World War II Danish resistance group, Holger Danske, was named after the legend, in some versions, Morgue le Faye takes him to Avalon, from where he returns after two hundred years to save France. According to the guides of Kronborg Castle, legend has it that Holger sat down in his present location after walking all the way from his complete battles in France. On Rönneberga slopes, outside Landskrona in south Sweden, there is a burial mound named Holger Danske mound, the 1789 opera Holger Danske, composed by F. L. Æ. Kunzen with a libretto by Jens Baggesen, had a impact on Danish nationalism in the late 18th century. It spawned the literary Holger feud, which revealed the increasing dissatisfaction among the native Danish population with the German influence on Danish society, amongst others, the Danish intellectual Peter Andreas Heiberg joined the feud by writing a satirical version entitled Holger Tyske ridiculing Baggesens lyrics
42.
Temple Mount
–
The Temple Mount, known to Muslims as the Haram esh-Sharif, a hill located in the Old City of Jerusalem, is one of the most important religious sites in the world. It has been venerated as a site for thousands of years by Judaism, Christianity. The present site is dominated by three monumental structures from the early Umayyad period, the al-Aqsa Mosque, the Dome of the Rock, Herodian walls and gates with additions dating back to the late Byzantine and early Islamic periods cut through the flanks of the Mount. Currently it can be reached through eleven gates, ten reserved for Muslims and one for non-Muslims, the Temple Mount is the holiest site in Judaism, which regards it as the place where Gods divine presence is manifested more than in any other place. According to the rabbinic sages whose debates produced the Talmud, it was here the world expanded into its present form. Several passages in the Hebrew Bible indicate that during the time when they were written, the Temple Mount was identified as Mount Zion. The Mount Zion mentioned in the parts of the Book of Isaiah, in the Book of Psalms. The name later migrated for a last time, this time to Jerusalems Western Hill, according to the Bible, both Jewish Temples stood at the Temple Mount, though archaeological evidence only exists for the Second Temple. However, the identification of Solomons Temple with the area of the Temple Mount is widespread, according to the Bible the site should function as the center of all national life—a governmental, judicial and religious center. During the Second Temple period it functioned also as an economic center, according to Jewish tradition and scripture, the First Temple was built by King Solomon the son of King David in 957 BCE and destroyed by the Babylonians in 586 BCE. The second was constructed under the auspices of Zerubbabel in 516 BCE, in the 2nd century, the site was used for a temple to Jupiter Capitolinus. It was redeveloped following the Arab conquest, Jewish tradition maintains it is here a Third and final Temple will also be built. The location is the holiest site in Judaism and is the place Jews turn towards during prayer and it was from the Holy of Holies that the High Priest communicated directly with God. The Temple was of importance in Jewish worship, in the Tanakh. In the New Testament it remains the site of events in the life of Jesus. It was to end, proof of a biblical prophecy fulfilled and of Christianitys victory over Judaism with the New Covenant. Among Sunni Muslims, the Mount is widely considered the third holiest site in Islam, revered as the Noble Sanctuary, the location of Muhammads journey to Jerusalem and ascent to heaven, the site is also associated with Jewish biblical prophets who are also venerated in Islam. Muslims preferred to the esplanade as the heart for the Muslim quarter since it had abandoned by Christians
