1.
Tudela, Navarre
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Tudela is a municipality in Spain, the second largest city of the autonomous community of Navarre and twice a former Latin bishopric. The city is sited in the Ebro valley, fast trains running on two-track electrified railways serve the city and two freeways join close to it. Tudela is the capital of the Ribera Navarra, the region of lower Navarre. The poet Al-Tutili, the 12th-century traveler Benjamin of Tudela, the 13th century writer William of Tudela, the city hosts an annual festival in honor of Santa Ana which begin on 24 July at noon and continue for approximately a week. Street music, bullfights and the running of the bulls are typical events of the festival, archeological excavations have shown that the area of Tudela has been populated since the lower paleolithic era. The town of Tudela was founded by the Romans on Celt-Iberian settlements, since then the town has been inhabited continuously. The Roman poet Marcus Valerius Martialis recalls in grateful verse the town of Tutela compared to his native Bilbilis, the city was later taken by the Arabs during the Umayyad conquest of Hispania and became the Muslim emirate of Al-Hakam I in 802 under Amrus ibn Yusuf al-Muwalad. At the beginning of the 9th century, the importance of Tudela as a site on the river Ebro was enhanced by historical and political circumstances. The town was used by Muslims as a bridge-head to fight against the expanding Kingdom of Navarre, the co-existence of different cultures is reflected in Tudelas reputation for producing important medieval writers such as Al-Tutili. In 1157 the English scholar Robert of Ketton, first translator of the Koran to a Western tongue, the Jews were banished in 1498. Muslims and Moriscos were expelled in 1516 and 1610 respectively, later Tudela became an important defensive point for the Kingdom of Navarre in battles with Castile and Aragon. At the end of the 17th century, a new square was built, called Plaza Nueva or Plaza de los Fueros. In 1783 the Diocese of Tudela was created, split off from Pamplona, on 23 November 1808, Napoleon Bonapartes Marshal Lannes won the Battle of Tudela in the Peninsular War. The train station was built in 1861, which, together with the agricultural revolution, the bishopric was merged back into Pamplona-Tudela in 1851, restored in 1889 and ultimately suppressed in 1984. The Cathedral of Our Lady of Solitude and it includes examples of Romanesque architecture, such as the Puerta del Juicio, or Door of the Judgement, some Gothic influences and Baroque additions to the building. Another traditional dessert is manjar blanco, new York, Funk & Wagnalls Company. Ayuntamiento de Tudela Medieval History of Navarre Spanish) City of Tudela GCatholic - Tudela diocese GCatholic - Tudela cathedral Town Festivals Tudela, euskomedia. org, accessed 23 November 2016
2.
Gaetano Donizetti
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Domenico Gaetano Maria Donizetti was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a composer of the bel canto opera style during the first half of the nineteenth century. Donizettis close association with the bel canto style was undoubtedly an influence on composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy, there he received detailed training in the arts of fugue and counterpoint. Over the course of his career, Donizetti wrote almost 70 operas, in all, Naples presented 51 of Donizettis operas. Before 1830, success came primarily with his operas, the serious ones failing to attract significant audiences. However, his first notable success came with an opera seria, Zoraida di Granata, significant historical dramas did appear and became successful, they included Lucia di Lammermoor given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti, Donizetti found himself increasingly chafing against the censorial limitations which existed in Italy. From about 1836, he interested in working in Paris. The first opera was a French version of the then-unperformed Poliuto which, two new operas were also given in Paris at that time. As the 1840s progressed, Donizetti moved regularly between Naples, Rome, Paris, and Vienna continuing to compose and stage his own operas as well as those of other composers, but from around 1843, severe illness began to take hold and to limit his activities. Eventually, by early 1846 he was obliged to be confined to an institution for the ill and, by late 1847, friends had him moved back to Bergamo. The youngest of three sons, Donizetti was born in 1797 in Bergamos Borgo Canale quarter located just outside the city walls and his family was very poor and had no tradition of music, his father Andrea being the caretaker of the town pawnshop. Simone Mayr, a German composer of internationally successful operas, had become maestro di cappella at Bergamos principal church in 1802, in 1807, Andrea Donizetti attempted to enroll both his sons, but the elder, Giuseppe, was considered too old. He remained there for nine years, until 1815, however, as Donizetti scholar William Ashbrook notes, in 1809 he was threatened with having to leave because his voice was changing. In 1810 he applied for and was accepted by the art school, the Academia Carrara. Then, in 1811, Mayr once again intervened, as Ashbrook states, this was nothing less than Mayrs argument that Donizetti be allowed to continue his musical studies. The piece was performed on 13 September 1811 and included the character stating the following, Ah, by Bacchus
3.
Choir
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A choir is a musical ensemble of singers. Choral music, in turn, is the music specifically for such an ensemble to perform. Choirs may perform music from the classical repertoire, which spans from the Medieval era to the present. Most choirs are led by a conductor, who leads the performances with arm, a body of singers who perform together as a group is called a choir or chorus. The former term is often applied to groups affiliated with a church and the second to groups that perform in theatres or concert halls. Choirs may sing without instrumental accompaniment, with the accompaniment of a piano or pipe organ, with a small ensemble, choirs are often led by a conductor or choirmaster. Other than four, the most common number of parts are three, five, six, and eight, choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing, many choirs perform in one or many locations such as a church, opera house, or school hall. In some cases choirs join up to become one mass choir that performs for a special concert, in this case they provide a series of songs or musical works to celebrate and provide entertainment to others. Conducting is the art of directing a musical performance, such as a concert, by way of visible gestures with the hands, arms, face. The primary duties of the conductor or choirmaster are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble. The conductor or choral director typically stands on a raised platform, many choral conductors use their hands to conduct. In the 2010s, most conductors do not play an instrument when conducting, although in earlier periods of music history. In Baroque music from the 1600s to the 1750s, conductors performing in the 2010s may lead an ensemble while playing a harpsichord or the violin, conducting while playing a piano may also be done with musical theatre pit orchestras. Communication is typically non-verbal during a performance, however, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be sung. Conductors act as guides to the choirs they conduct and they choose the works to be performed and study their scores, to which they may make certain adjustments, work out their interpretation, and relay their vision to the singers. Choral conductors may also have to conduct instrumental ensembles such as if the choir is singing a piece for choir. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions
4.
Richard Wagner
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Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
5.
Pamplona
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Pamplona or Iruña is the historical capital city of Navarre, in Spain, and of the former Kingdom of Navarre. The city is famous worldwide for the running of the bulls during the San Fermín festival and this festival was brought to literary renown with the 1926 publication of Ernest Hemingways novel The Sun Also Rises. Pamplona is located in the middle of Navarre in a valley, known as the Basin of Pamplona. It is 92 km from the city of San Sebastián,117 km from Bilbao,735 km from Paris and 407 km from Madrid, the climate and landscape of the basin is a transition between those two main Navarrese geographical regions. Its central position at crossroads has served as a link between those very different natural parts of Navarre. The historical centre of Angelo is on the bank of the Arga. The city has developed on both sides of the river, the climate of Pamplona is normally classified as oceanic with influences of a semi-continental mediterranean climate. In the winter of 75–74 BC, the served as a camp for the Roman general Pompey in the war against Sertorius. He is considered to be the founder of Pompaelo, which became Pamplona, actually it was the chief town of the Vascones, and they called it Iruña, the city. During the Visigothic period, Pamplona alternated between self-rule, Visigoth domination or Frankish suzerainty in the Duchy of Vasconia. During the beginning of the 6th century, Pamplona probably stuck to an unstable self-rule, circa 581, the Visigoth king Liuvigild overcame the Basques, seized Pamplona, and founded in the town of Victoriacum. After 684 and 693, a bishop called Opilano is mentioned again in 829, followed by Wiliesind, even in the 10th century, important gaps are found in bishop succession, which is recorded unbroken only after 1005. At the time of the Umayyad invasion in 711, the Visigothic king Roderic was fighting the Basques in Pamplona and had to turn his attention to the new enemy coming from the south. By 714-16, the Umayyad troops had reached the Basque-held Pamplona, the position was then garrisoned by Berbers, who were stationed on the outside of the actual fortress, and established the cemetery unearthed not long ago at the Castle Square. In 740, the Wali Uqba ibn al-Hayyay imposed direct central Cordovan discipline on the city, however, in 755 the last governor of Al-Andalus, Yusuf al Fihri, sent an expedition north to quash Basque unrest near Pamplona, resulting in the defeat of the Arab army. From 755 until 781, Pamplona remained autonomous, probably relying on regional alliances, to a considerable extent, that alternation reflected the internal struggles of the Basque warrior nobility. After the Frankish defeat at Roncevaux, Pamplona switched again to Cordovan rule, a Wali or governor was imposed, Mutarrif ibn-Musa up to the 799 rebellion. In that year, the Pamplonese-—possibly led by a certain Velasko-—stirred against their governor, following a failed expedition to the town led by Louis the Pious around 812, allegiance to the Franks collapsed after Enecco Arista rose to prominence
6.
OCLC
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The Online Computer Library Center is a US-based nonprofit cooperative organization dedicated to the public purposes of furthering access to the worlds information and reducing information costs. It was founded in 1967 as the Ohio College Library Center, OCLC and its member libraries cooperatively produce and maintain WorldCat, the largest online public access catalog in the world. OCLC is funded mainly by the fees that libraries have to pay for its services, the group first met on July 5,1967 on the campus of the Ohio State University to sign the articles of incorporation for the nonprofit organization. The group hired Frederick G. Kilgour, a former Yale University medical school librarian, Kilgour wished to merge the latest information storage and retrieval system of the time, the computer, with the oldest, the library. The goal of network and database was to bring libraries together to cooperatively keep track of the worlds information in order to best serve researchers and scholars. The first library to do online cataloging through OCLC was the Alden Library at Ohio University on August 26,1971 and this was the first occurrence of online cataloging by any library worldwide. Membership in OCLC is based on use of services and contribution of data, between 1967 and 1977, OCLC membership was limited to institutions in Ohio, but in 1978, a new governance structure was established that allowed institutions from other states to join. In 2002, the structure was again modified to accommodate participation from outside the United States. As OCLC expanded services in the United States outside of Ohio, it relied on establishing strategic partnerships with networks, organizations that provided training, support, by 2008, there were 15 independent United States regional service providers. OCLC networks played a key role in OCLC governance, with networks electing delegates to serve on OCLC Members Council, in early 2009, OCLC negotiated new contracts with the former networks and opened a centralized support center. OCLC provides bibliographic, abstract and full-text information to anyone, OCLC and its member libraries cooperatively produce and maintain WorldCat—the OCLC Online Union Catalog, the largest online public access catalog in the world. WorldCat has holding records from public and private libraries worldwide. org, in October 2005, the OCLC technical staff began a wiki project, WikiD, allowing readers to add commentary and structured-field information associated with any WorldCat record. The Online Computer Library Center acquired the trademark and copyrights associated with the Dewey Decimal Classification System when it bought Forest Press in 1988, a browser for books with their Dewey Decimal Classifications was available until July 2013, it was replaced by the Classify Service. S. The reference management service QuestionPoint provides libraries with tools to communicate with users and this around-the-clock reference service is provided by a cooperative of participating global libraries. OCLC has produced cards for members since 1971 with its shared online catalog. OCLC commercially sells software, e. g. CONTENTdm for managing digital collections, OCLC has been conducting research for the library community for more than 30 years. In accordance with its mission, OCLC makes its research outcomes known through various publications and these publications, including journal articles, reports, newsletters, and presentations, are available through the organizations website. The most recent publications are displayed first, and all archived resources, membership Reports – A number of significant reports on topics ranging from virtual reference in libraries to perceptions about library funding
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Zarzuela
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Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. The palace was named after the place called La Zarzuela because of the profusion of brambles that grew there, there are two main forms of zarzuela, Baroque zarzuela, the earliest style, and Romantic zarzuela, which can be further divided into two. Main subgenres are género grande and género chico, although other sub-divisions exist, Zarzuela spread to the Spanish colonies, and many Hispanic countries – notably Cuba – developed their own traditions. There is also a tradition in the Philippines where it is also known as sarswela/sarsuela. Other regional and linguistic variants in Spain include the Basque zartzuela, a masque-like musical theatre had existed in Spain since the time of Juan del Encina. The zarzuela genre was innovative in giving a dramatic function to the musical numbers, dances and choruses were incorporated as well as solo and ensemble numbers, all to orchestral accompaniment. El Laurel de Apolo traditionally symbolises the birth of a new genre that had become known as La Zarzuela. Like Calderón de la Barcas earlier El golfo de las sirenas, El Laurel de Apolo mixed mythological verse drama with operatic solos, popular songs, unlike some other operatic forms, there were spoken interludes, often in verse. In 18th-century Bourbon Spain, Italian artistic style dominated in the arts, Zarzuela, though still written to Spanish texts, changed to accommodate the Italian vogue. During the reign of King Charles III, political problems provoked a series of revolts against his Italian ministers, these were echoed in theatrical presentations. Musicians such as Antonio Rodríguez de Hita were proficient in the style of works. José Castel was one of composers to write for the Teatro del Príncipe. The elements of the continue to be the same, sung solos and choruses, spiced with spoken scenes. Costume dramas and regional variations abound, and the librettos are rich in Spanish idioms, the zarzuelas of the day included in their librettos various regionalisms and popular slang, such as that of Madrid castizos. Often, the success of a work was due to one or more songs that the public came to know, despite some modifications the basic structure of the zarzuela remained the same, dialogue scenes, songs, choruses, and comic scenes generally performed by two actor-singers. The culminating masterpieces from this period were Barbieris Pan y toros, another notable composer from this period was Emilio Arrieta. After the Glorious Revolution of 1868, the country entered a deep crisis, the public could not afford high-priced theatre tickets for grandiose productions, which led to the rise of the Teatros Variedades in Madrid, with cheap tickets for one-act plays. This theatre of an hour had great success and zarzuela composers took to the new formula with alacrity, single-act zarzuelas were classified as género chico whilst the longer zarzuelas of three acts, lasting up to four hours, were called género grande
