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History
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Detail of the painting The Procuress (c. 1656), believed to be a self-portrait by Vermeer
Detail of the painting The Procuress (c. 1656), believed to be a self-portrait by Vermeer
Replica of the St. Luke Guildhouse on Voldersgracht in Delft
Replica of the St. Luke Guildhouse on Voldersgracht in Delft
A View of Delft after the Explosion of 1654, by Egbert van der Poel
A View of Delft after the Explosion of 1654, by Egbert van der Poel
View of Delft (1660–61): "He took a turbulent reality, and made it look like Heaven on earth."
View of Delft (1660–61): "He took a turbulent reality, and made it look like Heaven on earth."
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Johannes Vermeer, The Milkmaid (1658–1661)
Johannes Vermeer, The Milkmaid (1658–1661)
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture,
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture, genre painting, and sometimes history painting.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left