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Hoefler in 2014
Hoefler in 2014
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A drawing and photographed carving by Gill of the "Trajan" capitals on Trajan's Column in Rome, a model for the capitals of Gill Sans and Johnson. Res
A drawing and photographed carving by Gill of the "Trajan" capitals on Trajan's Column in Rome, a model for the capitals of Gill Sans and Johnson. Respected by Arts and Crafts artisans as among the best ever drawn, many signs and lettering projects created with an intentionally artistic design are based on them.
An early version of Johnston on a London Underground metal sign. Johnston's design was rendered variably on some older signs, and this uses a condense
An early version of Johnston on a London Underground metal sign. Johnston's design was rendered variably on some older signs, and this uses a condensed "R" and four-terminal "W".
The gloomy, ultra-bold sans-serifs of the Figgins foundry. Gill and Johnston sought to create sans-serif designs that were modern and not as bold as t
The gloomy, ultra-bold sans-serifs of the Figgins foundry. Gill and Johnston sought to create sans-serif designs that were modern and not as bold as these. Gill argued in his Essay on Typography that such closed-up forms were counterproductively bold, less legible than lighter fonts of normal proportions.
Some of Gill's original art for Gill Sans, showing the original "Q", punctuation and two manicules
Some of Gill's original art for Gill Sans, showing the original "Q", punctuation and two manicules