Josef Jindřich Šechtl was a Czech photographer who specialized in photojournalism and portrait photography. On the death of his father, photographer Ignác Šechtl, Josef inherited the photographic studios of Šechtl & Voseček.
Josef Jindřich Šechtl and wife Anna, 1911
Contemporary advertisement picturing the new studio and reading "The largest art studio of photographers Šechtl and Voseček in Tábor". The studio was often described as the largest in South Bohemia or the Czech countryside.
Live statue of poetry, 1911, arranged for the Czech Sokol movement with sculptor Jan Vítězslav Dušek.
Bromoil, 1920s
The oil print process is a photographic printmaking process that dates to the mid-19th century. Oil prints are made on paper on which a thick gelatin layer has been sensitized to light using dichromate salts. After the paper is exposed to light through a negative, the gelatin emulsion is treated in such a way that highly exposed areas take up an oil-based paint, forming the photographic image.
Oil print by Robert Demachy – A Crowd, 1910
Bromoil portrait of the Norwegian painter Andreas Jacobsen. Made by Erik Hattrem from 4x5" Kodak plus-x on Fomabrom IV123 paper
Bromoil print by Josef Jindřich Šechtl, 1920s
Goldbandlilie, 1932, a 4-color bromoil-transfer by F. Rontag