1.
England
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England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west, the Irish Sea lies northwest of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east, the country covers five-eighths of the island of Great Britain in its centre and south, and includes over 100 smaller islands such as the Isles of Scilly, and the Isle of Wight. England became a state in the 10th century, and since the Age of Discovery. The Industrial Revolution began in 18th-century England, transforming its society into the worlds first industrialised nation, Englands terrain mostly comprises low hills and plains, especially in central and southern England. However, there are uplands in the north and in the southwest, the capital is London, which is the largest metropolitan area in both the United Kingdom and the European Union. In 1801, Great Britain was united with the Kingdom of Ireland through another Act of Union to become the United Kingdom of Great Britain and Ireland. In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain, the name England is derived from the Old English name Englaland, which means land of the Angles. The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages, the Angles came from the Angeln peninsula in the Bay of Kiel area of the Baltic Sea. The earliest recorded use of the term, as Engla londe, is in the ninth century translation into Old English of Bedes Ecclesiastical History of the English People. According to the Oxford English Dictionary, its spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, the etymology of the tribal name itself is disputed by scholars, it has been suggested that it derives from the shape of the Angeln peninsula, an angular shape. An alternative name for England is Albion, the name Albion originally referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus, specifically the 4th century BC De Mundo, in it are two very large islands called Britannia, these are Albion and Ierne. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, the word Albion or insula Albionum has two possible origins. Albion is now applied to England in a poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England, Lloegr, the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximately 780,000 years ago. The oldest proto-human bones discovered in England date from 500,000 years ago, Modern humans are known to have inhabited the area during the Upper Paleolithic period, though permanent settlements were only established within the last 6,000 years
2.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
3.
John Keats
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John Keats was an English Romantic poet. He had a significant influence on a range of poets. Jorge Luis Borges stated that his first encounter with Keatss work was the most significant literary experience of his life, the poetry of Keats is characterised by sensual imagery, most notably in the series of odes. This is typical of poets, as they aimed to accentuate extreme emotion through the emphasis of natural imagery. Today his poems and letters are some of the most popular, John Keats was born in Moorgate, London, on 31 October 1795 to Thomas Keats and his wife, born Frances Jennings. There is no evidence of his exact birthplace. Although Keats and his family seem to have marked his birthday on 29 October and he was the eldest of four surviving children, his younger siblings were George, Thomas, and Frances Mary Fanny who eventually married Spanish author Valentín Llanos Gutiérrez. Another son was lost in infancy and his father first worked as a hostler at the stables attached to the Swan and Hoop Inn, an establishment he later managed, and where the growing family lived for some years. Keats believed that he was born at the inn, a birthplace of humble origins, the Globe pub now occupies the site, a few yards from the modern-day Moorgate station. He was baptised at St Botolph-without-Bishopsgate, and sent to a dame school as a child. His parents were unable to afford Eton or Harrow, so in the summer of 1803, he was sent to board at John Clarkes school in Enfield, the small school had a liberal outlook and a progressive curriculum more modern than the larger, more prestigious schools. In the family atmosphere at Clarkes, Keats developed an interest in classics and history, the headmasters son, Charles Cowden Clarke, also became an important mentor and friend, introducing Keats to Renaissance literature, including Tasso, Spenser, and Chapmans translations. The young Keats was described by his friend Edward Holmes as a character, always in extremes, given to indolence. However, at 13 he began focusing his energy on reading and study, in April 1804, when Keats was eight, his father died. The cause of death was a fracture, suffered when he fell from his horse while returning from a visit to Keats. Frances remarried two months later, but left her new husband soon afterwards, and the four went to live with their grandmother, Alice Jennings. In March 1810 when Keats was 14, his mother died of tuberculosis and she appointed two guardians, Richard Abbey and John Sandell, to take care of them. That autumn, Keats left Clarkes school to apprentice with Thomas Hammond, a surgeon and apothecary who was a neighbour, Keats lodged in the attic above the surgery at 7 Church Street until 1813
4.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
5.
National Portrait Gallery, London
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The National Portrait Gallery is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856, the gallery moved in 1896 to its current site at St Martins Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then, the National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, the gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport. The gallery houses portraits of important and famous British people, selected on the basis of the significance of the sitter. The collection includes photographs and caricatures as well as paintings, drawings, one of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare although there is some uncertainty about whether the painting actually is of the playwright. Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds, some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Portraits of living figures were allowed from 1969, the three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 5th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay and it was Stanhope who, in 1846 as a Member of Parliament, first proposed the idea of a National Portrait Gallery. It was not until his attempt, in 1856, this time from the House of Lords. With Queen Victorias approval, the House of Commons set aside a sum of £2000 to establish the gallery, as well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallerys first portrait, Carlyle became a trustee after the death of Ellesmere in 1857. For the first 40 years, the gallery was housed in locations in London. The first 13 years were spent at 29 Great George Street, there, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in buildings, the collection was moved in 1885. This location was unsuitable due to its distance from the West End, condensation. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander, Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian
6.
Victoria and Albert Museum
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The Victoria and Albert Museum, London, is the worlds largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert and these include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a public body sponsored by the Department for Culture, Media. Like other national British museums, entrance to the museum has been free since 2001, the V&A covers 12.5 acres and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The museum owns the worlds largest collection of sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea, the East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world, New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815, at this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection, by February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House, this was extended including the first refreshment rooms opened in 1857, the official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting, in these early years the practical use of the collection was very much emphasised as opposed to that of High Art at the National Gallery and scholarship at the British Museum. George Wallis, the first Keeper of Fine Art Collection, passionately promoted the idea of art education through the museum collections. From the 1860s to the 1880s the scientific collections had been moved from the museum site to various improvised galleries to the west of Exhibition Road. In 1893 the Science Museum had effectively come into existence when a director was appointed. The laying of the stone of the Aston Webb building on 17 May 1899 was the last official public appearance by Queen Victoria. It was during this ceremony that the change of name from the South Kensington Museum to the Victoria, the exhibition which the museum organised to celebrate the centennial of the 1899 renaming, A Grand Design, first toured in North America from 1997, returning to London in 1999
7.
Tate Britain
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Tate Britain is an art museum on Millbank in the City of Westminster in London. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and it is the oldest gallery in the network, having opened in 1897. It is one of the largest museums in the country, the gallery is situated on Millbank, on the site of the former Millbank Prison. Construction, undertaken by Higgs and Hill, commenced in 1893, however, from the start it was commonly known as the Tate Gallery, after its founder Sir Henry Tate, and in 1932 it officially adopted that name. As a consequence, it was renamed Tate Britain in March 2000, the front part of the building was designed by Sidney R. J. Smith with a classical portico and dome behind, and the central sculpture gallery was designed by John Russell Pope. Tate Britain includes the Clore Gallery of 1987, designed by James Stirling, crises during its existence include flood damage to work from the River Thames, and bomb damage during World War II. However, most of the collection was in storage elsewhere during the war. In 1970, the building was given Grade II* listed status, the museum stayed open throughout the three phases of renovation. Completed in 2013, the newly designed sections were conceived by the architects Caruso St John and included a total of nine new galleries, with reinforced flooring to accommodate heavy sculptures. A second part was unveiled later that year, the centrepiece being the reopening of the buildings Thames-facing entrance as well as a new spiral staircase beneath its rotunda, the circular balcony of the rotundas domed atrium, closed to visitors since the 1920s, was reopened. The gallery also now has a dedicated entrance and reception beneath its entrance steps on Millbank. The front entrance is accessible by steps, a side entrance at a lower level has a ramp for wheelchair access. The gallery provides a restaurant and a café, as well as a Friends room and this membership is open to the public on payment of an annual subscription. As well as offices the building complex houses the Prints and Drawings Rooms, as well as the Library. The restaurant features a mural by Rex Whistler, Tate Britain and Tate Modern are now connected by a high speed boat along the River Thames, which runs from Millbank Millennium Pier immediately outside Tate Britain. The boat is decorated with spots, based on paintings of similar appearance by Damien Hirst, the lighting artwork incorporated in the piers structure is by Angela Bulloch. The main display spaces show the permanent collection of historic British art, the gallery also organises career retrospectives of British artists and temporary major exhibitions of British Art. Every three years the gallery stages a Triennial exhibition in which a guest curator provides an overview of contemporary British Art, the 2003 Tate Triennial was called Days Like These
8.
Apprenticeship
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An apprenticeship is a system of training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study. Apprenticeship also enables practitioners to gain a license to practice in a regulated profession, Apprenticeships typically last 3 to 7 years. People who successfully complete an apprenticeship reach the journeyman or professional level of competence. In early modern usage, the clipped form prentice was common, the system of apprenticeship first developed in the later Middle Ages and came to be supervised by craft guilds and town governments. A master craftsman was entitled to employ young people as a form of labour in exchange for providing food, lodging. Most apprentices were males, but female apprentices were found in such as seamstress, tailor. Apprentices usually began at ten to fifteen years of age, in Coventry those completing seven-year apprenticeships with stuff merchants were entitled to become freemen of the city. Subsequently, governmental regulation and the licensing of technical colleges and vocational education formalized and bureaucratized the details of apprenticeship, Australian Apprenticeships encompass all apprenticeships and traineeships. They cover all sectors in Australia and are used to achieve both entry-level and career upskilling objectives. There were 470,000 Australian Apprentices in-training as at 31 March 2012, Australian Government employer and employee incentives may be applicable, while State and Territory Governments may provide public funding support for the training element of the initiative. Australian Apprenticeships combine time at work with formal training and can be full-time, part-time or school-based, Australian Apprentice and Traineeship services are dedicated to promoting retention, therefore much effort is made to match applicants with the right apprenticeship or traineeship. This is done with the aid of aptitude tests, tips, information and resources on potential apprenticeship and traineeship occupations are available in over sixty industries. The distinction between the terms apprentices and trainees lies mainly around traditional trades and the time it takes to gain a qualification, Australia also has a fairly unusual safety net in place for businesses and Australian Apprentices with its Group Training scheme. It is a safety net, because the Group Training Organisation is the employer and provides continuity of employment and it lasts two to four years – the duration varies among the 250 legally recognized apprenticeship trades. About 40 percent of all Austrian teenagers enter apprenticeship training upon completion of compulsory education and this number has been stable since the 1950s. The five most popular trades are, Retail Salesperson, Clerk, Car Mechanic, Hairdresser, there are many smaller trades with small numbers of apprentices, like EDV-Systemtechniker which is completed by fewer than 100 people a year. The Apprenticeship Leave Certificate provides the apprentice with access to two different vocational careers, the person responsible for overseeing the training inside the company is called Lehrherr or Ausbilder. An Ausbilder must prove he has the qualifications needed to educate another person
9.
Engraving
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Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it. Wood engraving is a form of printing and is not covered in this article. Engraving was an important method of producing images on paper in artistic printmaking, in mapmaking. Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving, hand engraving is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also engraved, using just the same techniques to make the lines in the plate. Each graver is different and has its own use, engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes, dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system, there are versions for the insides of rings and also the outsides of larger pieces. Such machines are used for inscriptions on rings, lockets. Gravers come in a variety of shapes and sizes that yield different line types, the burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for work on letters, as well as wriggle cuts on most musical instrument engraving work, remove background. Knife gravers are for line engraving and very deep cuts, round gravers, and flat gravers with a radius, are commonly used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are typically square or elongated diamond-shaped and used for cutting straight lines, V-point can be anywhere from 60 to 130 degrees, depending on purpose and effect. These gravers have very small cutting points, other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects. Burnishing tools can also be used for stone setting techniques
10.
Oil painting
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Oil painting is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, the choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are visible in the sheen of the paints. An artist might use different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium, the oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss. Its practice may have migrated westward during the Middle Ages, Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. In recent years, water miscible oil paint has come to prominence and, to some extent, water-soluble paints contain an emulsifier that allows them to be thinned with water rather than paint thinner, and allows very fast drying times when compared with traditional oils. Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint, Oil paint is usually mixed with linseed oil, artist grade mineral spirits, or other solvents to make the paint thinner, faster or slower-drying. A basic rule of oil paint application is fat over lean and this means that each additional layer of paint should contain more oil than the layer below to allow proper drying. If each additional layer contains less oil, the painting will crack. This rule does not ensure permanence, it is the quality and type of oil leads to a strong. There are many media that can be used with the oil, including cold wax, resins. These aspects of the paint are closely related to the capacity of oil paint. Traditionally, paint was transferred to the surface using paintbrushes. Oil paint remains wet longer than other types of artists materials, enabling the artist to change the color. At times, the painter might even remove a layer of paint. This can be done with a rag and some turpentine for a time while the paint is wet, Oil paint dries by oxidation, not evaporation, and is usually dry to the touch within a span of two weeks. It is generally dry enough to be varnished in six months to a year, art conservators do not consider an oil painting completely dry until it is 60 to 80 years old
11.
A Midsummer Night's Dream
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A Midsummer Nights Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six actors who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeares most popular works for the stage and is performed across the world. The play opens with Hermia, who is in love with Lysander, resistant to her father Egeus demand that she wed Demetrius, Helena meanwhile pines unrequitedly for Demetrius. Enraged, Egeus invokes an ancient Athenian law before Duke Theseus, whereby a daughter must marry the suitor chosen by her father, Theseus offers her another choice, lifelong chastity while worshipping the goddess Artemis as a nun. Quince reads the names of characters and bestows them to the players, nick Bottom, who is playing the main role of Pyramus, is over-enthusiastic and wants to dominate others by suggesting himself for the characters of Thisbe, the Lion, and Pyramus at the same time. He would also rather be a tyrant and recites some lines of Ercles, Bottom is told by Quince that he would do the Lion so terribly as to frighten the duchess and ladies enough for the Duke and Lords to have the players hanged. Quince ends the meeting with at the Dukes oak we meet, in a parallel plot line, Oberon, king of the fairies, and Titania, his queen, have come to the forest outside Athens. Titania tells Oberon that she plans to stay there until she has attended Theseus, Oberon and Titania are estranged because Titania refuses to give her Indian changeling to Oberon for use as his knight or henchman, since the childs mother was one of Titanias worshippers. Oberon seeks to punish Titanias disobedience, when the concoction is applied to the eyelids of a sleeping person, that person, upon waking, falls in love with the first living thing they perceive. He instructs Puck to retrieve the flower with the hope that he might make Titania fall in love with an animal of the forest and thereby shame her into giving up the little Indian boy. He says, And ere I take this charm from off her sight, /As I can take it with another herb, Hermia and Lysander have escaped to the same forest in hopes of eloping. Helena, desperate to reclaim Demetriuss love, tells Demetrius about the plan, Helena continually makes advances towards Demetrius, promising to love him more than Hermia. However, he rebuffs her with cruel insults against her, observing this, Oberon orders Puck to spread some of the magical juice from the flower on the eyelids of the young Athenian man. Instead, Puck mistakes Lysander for Demetrius, not having seen either before. Helena, coming across him, wakes him while attempting to determine whether he is dead or asleep, upon this happening, Lysander immediately falls in love with Helena. Oberon sees Demetrius still following Hermia and is enraged, when Demetrius goes to sleep, Oberon sends Puck to get Helena while he charms Demetrius eyes
12.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
13.
The Faerie Queene
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The Faerie Queene is an incomplete English epic poem by Edmund Spenser. Books I to III were first published in 1590, and then republished in 1596 together with books IV to VI. The Faerie Queene is notable for its form, it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza. The Faerie Queene found such favor with Elizabeth I that Spenser was granted a pension for life amounting to £50 a year and this royal patronage helped the poem to such a level of success that it became Spensers defining work. Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight and he and his lady Una travel together as he fights the dragon Errour, then separate as the wizard Archimago tricks the Redcrosse Knight in a dream to think that Una is unchaste. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him, Duessa leads the Redcrosse Knight to captivity by the giant Orgoglio. Meanwhile, Una overcomes peril, meets Arthur, and finally finds and rescues the Redcrosse Knight from his capture, from Duessa, Una and Arthur help the Redcrosse Knight recover in the House of Holiness, there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents castle, rescues them from a dragon, Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archimago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia, Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, finally, they come to Acrasias Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart and they separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegal because she is destined to marry him, the Redcrosse Knight defends Artegal and they meet Merlin, who explains more carefully Britomarts destiny to found the English monarchy. Britomart leaves and fights Sir Marinell, Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates from them and meets Sir Scudamore, looking for his captured lady Amoret, Britomart alone is able to rescue Amoret from the wizard Busirane and reunite the lovers. Book IV is centred on the virtue of Friendship as embodied in Sir Cambell, Book V is centred on the virtue of Justice as embodied in Sir Artegal. Book VI is centred on the virtue of Courtesy as embodied in Sir Calidore, Spenser names Aristotle as his source for these virtues, though the influences of Thomas Aquinas and the traditions of medieval allegory can be observed as well. The unfinished seventh book appears to have represented the virtue of constancy, the Faerie Queene was written during the Reformation, a time of religious and political controversy
14.
Edmund Spenser
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Edmund Spenser was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the craftsmen of nascent Modern English verse. He was deeply affected by Irish faerie mythology, which he knew from his home at Kilcolman and his genocidal tracts against Gaelic culture were war propaganda. His house was burned to the ground during the war, causing him to flee Ireland, Edmund Spenser was born in East Smithfield, London, around the year 1552, though there is some ambiguity as to the exact date of his birth. As a young boy, he was educated in London at the Merchant Taylors School, while at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a time secretary to John Young. In 1579, he published The Shepheardes Calender and around the time married his first wife. They had two children, Sylvanus and Katherine, in July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Gray with Walter Raleigh at the Siege of Smerwick massacre, when Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion, some time between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie and its ruins are still visible today. A short distance away grew a tree, locally known as Spensers Oak until it was destroyed in a strike in the 1960s. Local legend has it that he penned some of The Faerie Queene under this tree. In 1590, Spenser brought out the first three books of his most famous work, The Faerie Queene, having travelled to London to publish and promote the work and he was successful enough to obtain a life pension of £50 a year from the Queen. By 1594, Spensers first wife had died, and in that year he married Elizabeth Boyle, the marriage itself was celebrated in Epithalamion. They had a son named Peregrine, in 1596, Spenser wrote a prose pamphlet titled A View of the Present State of Ireland. This piece, in the form of a dialogue, circulated in manuscript and it is probable that it was kept out of print during the authors lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally pacified by the English until its indigenous language and customs had been destroyed, in 1598, during the Nine Years War, Spenser was driven from his home by the native Irish forces of Aodh Ó Néill
15.
Legitimacy (family law)
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Legitimacy, in traditional Western common law, is the status of a child born to parents who are legally married to each other, and of a child conceived before the parents obtain a legal divorce. Conversely, illegitimacy is the status of a child born outside marriage, depending on the cultural context, legitimacy can affect a childs rights of inheritance to the putative fathers estate and the childs right to bear the fathers surname or title. Illegitimacy has also had consequences for the mothers and childs right to support from the putative father, in medieval Wales, a bastard was defined simply as a child not acknowledged by its father. All children, whether born in or out of wedlock, that were acknowledged by the father enjoyed the legal rights. Englands Statute of Merton stated, regarding illegitimacy, He is a bastard that is born before the marriage of his parents and this definition also applied to situations when a childs parents could not marry, as when one or both were already married or when the relationship was incestuous. The Poor Law of 1576 formed the basis of English bastardy law and its purpose was to punish a bastard childs mother and putative father, and to relieve the parish from the cost of supporting mother and child. By an act of 1576, it was ordered that bastards should be supported by their putative fathers, if the genitor could be found, then he was put under very great pressure to accept responsibility and to maintain the child. Under English law, a bastard was unable to be an heir to real property, in contrast to the situation under civil law, a younger non-bastard brother would have no claim to the land. The Legitimacy Act 1926 of England and Wales legitimized the birth of a if the parents subsequently married each other. The Legitimacy Act 1959 extended the legitimization even if the parents had married others in the meantime, neither the 1926 nor 1959 Acts changed the laws of succession to the British throne and succession to peerage titles. The Family Law Reform Act 1969 allowed a bastard to inherit on the intestacy of his parents, in canon and in civil law, the offspring of putative marriages have also been considered legitimate. Since 2003 in England and Wales,2002 in Northern Ireland and 2006 in Scotland, still, children born out of wedlock may not be eligible for certain federal benefits unless the child has been legitimized in the appropriate jurisdiction. Many other countries have abolished by any legal disabilities of a child born out of wedlock. In France, legal reforms regarding illegitimacy began in the 1970s, the European Convention on the Legal Status of Children Born out of Wedlock came into force in 1978. Countries which ratify it must ensure that children born outside marriage are provided with legal rights as stipulated in the text of this Convention, the Convention was ratified by the UK in 1981 and by Ireland in 1988. Use of the illegitimate child is now rare, even in legal contexts. It has been stricken from passports and legal documents as needlessly insulting and stigmatizing to the child, terms such as extra-marital child, love child and child born out of wedlock are more commonly used. Also used in Britain and other English-speaking countries is bastard, though such as natural child are preferred in polite society
16.
Percy Bysshe Shelley
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Percy Bysshe Shelley was one of the major English Romantic poets, and is regarded by some as among the finest lyric, as well as most influential, poets in the English language. A radical in his poetry as well as in his political and social views, Shelley did not see fame during his lifetime, but recognition for his poetry grew steadily following his death. Shelley was a key member of a circle of visionary poets and writers that included Lord Byron, Leigh Hunt, Thomas Love Peacock, and his own second wife, Mary Shelley. Shelley is perhaps best known for such poems as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud. Shelleys close circle of friends included some of the most important progressive thinkers of the day, including his father-in-law, the philosopher William Godwin and Leigh Hunt. Though Shelleys poetry and prose output remained steady throughout his life, most publishers, Shelley became a lodestone to the subsequent three or four generations of poets, including important Victorian and Pre-Raphaelite poets such as Robert Browning and Dante Gabriel Rossetti. He was admired by Oscar Wilde, Thomas Hardy, George Bernard Shaw, Bertrand Russell, yeats, Upton Sinclair and Isadora Duncan. Henry David Thoreaus civil disobedience was apparently influenced by Shelleys non-violence in protest, Shelleys popularity and influence has continued to grow in contemporary poetry circles. Shelley was born on 4 August 1792 at Field Place, Broadbridge Heath, near Horsham, West Sussex, England. He was the eldest legitimate son of Sir Timothy Shelley, a Whig Member of Parliament for Horsham from 1790–92 and he had four younger sisters and one much younger brother. He received his education at home, tutored by the Reverend Evan Edwards of nearby Warnham. His cousin and lifelong friend Thomas Medwin, who lived nearby and it was a happy and contented childhood spent largely in country pursuits such as fishing and hunting. In 1802, he entered the Syon House Academy of Brentford, in 1804, Shelley entered Eton College, where he fared poorly, and was subjected to an almost daily mob torment at around noon by older boys, who aptly called these incidents Shelley-baits. Surrounded, the young Shelley would have his books torn from his hands and his clothes pulled at and this daily misery could be attributed to Shelleys refusal to take part in fagging and his indifference towards games and other youthful activities. Because of these peculiarities he acquired the nickname Mad Shelley, Shelley possessed a keen interest in science at Eton, which he would often apply to cause a surprising amount of mischief for a boy considered to be so sensible. Shelley would often use an electric machine to charge the door handle of his room. His friends were particularly amused when his tutor, Mr Bethell, in attempting to enter his room, was alarmed at the noise of the electric shocks. His mischievous side was again demonstrated by his last bit of naughtiness at school, despite these jocular incidents, a contemporary of Shelley, W. H. Merie, recalled that Shelley made no friends at Eton, although he did seek a kindred spirit without success
17.
Prometheus Unbound (Shelley)
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Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is inspired by the classical Prometheia, a trilogy of plays attributed to Aeschylus, Shelleys play concerns Prometheus release from captivity, but unlike Aeschylus version, there is no reconciliation between Prometheus and Jupiter. Instead, Jupiter is abandoned by his supportive elements and falls from power, Shelleys play is a closet drama, meaning it was not intended to be produced on the stage. In the tradition of Romantic poetry, Shelley wrote for the imagination, however, the play is filled with suspense, mystery and other dramatic effects that make it, in theory, performable. Mary Shelley, in a letter on 5 September 1818, was the first to describe her husband Percy Shelleys writing of Prometheus Unbound, Shelley stopped working on the poem following the death of his daughter Clara Everina Shelley on 24 September 1818. After her death, Shelley began to travel across Italy, by April, the majority of the play was completed, and Shelley wrote to Peacock on 6 April 1819, My Prometheus Unbound is just finished, and in a month or two I shall send it. Shelley also wrote to Leigh Hunt to tell him that the play was finished, however, the play was not yet published, Shelley would be delayed in editing and finishing the work by another death, that of his son William Shelley, who died on 7 June 1819. On 6 September 1819, Shelley wrote to Charles and James Ollier to say, My Prometheus, which has long finished, is now being transcribed. The play was delayed in publication, because John Gisborne, whom Shelley trusted to go to England with the text and it was not until December 1819 that the manuscript with the first three acts of Prometheus Unbound was sent to England. While in Italy, Shelley became concerned about the progress of publishing Prometheus Unbound and he wrote many letters to Charles Ollier from March until April asking about the dramas progress and wanted to know if the text was accurate because he was unable to check the proofs himself. Both Percy and Mary Shelley were eager to hear when the book was published, and inquired Gisbornes wife, Thomas Medwin and it was not until late August that they received word that the book was published. They were eager to read the published version and obtained one by November 1820, after they procured a copy, Shelley wrote to the Olliers on 10 November 1820, Mr. Gisborne has sent me a copy of the Prometheus, which is certainly most beautifully printed. A corrected edition was sent on 20 January 1821 along with a letter from Shelley that explains the Errata of Prometheus, Shelley did not forget the printing errors, and even criticised Charles Ollier later when Shelley sent Adonais to be published. Thetis, according to this view of the subject, was given in marriage to Peleus, but, in truth, I was averse from a catastrophe so feeble as that of reconciling the Champion with the Oppressor of mankind. When Shelley wrote Prometheus Unbound, the authorship of the Prometheia and it is this assumed trilogy, including Prometheus reconciliation with Zeus, thought to occur in the final part of the cycle, which Shelley considers in the introduction. Act I begins in the Indian Caucasus where the Titan Prometheus is bound to a face and he is surrounded by the Oceanides Panthea. As morning breaks, Prometheus cries out against the Monarch of Gods and Daemons, Jupiter, from his bound position, Prometheus claims to be greater than Jupiter before relating his suffering to the conditions of nature, including the Earth, Heaven, Sun, Sea, and Shadow. He turns to how nature has aided in his torture along with the constant tearing at his flesh by Heavens winged hound, as he accounts his sufferings more and more, he reaches a peak of declaring that he would recall The curse / Once breathed on thee
18.
Spanish Steps
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The Spanish Steps are a set of steps in Rome, Italy, climbing a steep slope between the Piazza di Spagna at the base and Piazza Trinità dei Monti, dominated by the Trinità dei Monti church at the top. The stairway was designed by architects Francesco de Sanctis and Alessandro Specchi, following a competition in 1717 the steps were designed by the little-known Francesco de Sanctis, though Alessandro Specchi was long thought to have produced the winning entry. Generations of heated discussion over how the steep slope to the church on a shoulder of the Pincio should be urbanised preceded the final execution, archival drawings from the 1580s show that Pope Gregory XIII was interested in constructing a stair to the recently completed façade of the French church. Gaspar van Wittels view of the slope in 1683, before the Scalinata was built, is conserved in the Galleria Nazionale. Mazarin died in 1661, the pope in 1667, and Gueffiers will was contested by a nephew who claimed half. The Bourbon fleur-de-lys and Innocent XIIIs eagle and crown are carefully balanced in the sculptural details, the solution is a gigantic inflation of some conventions of terraced garden stairs. The Spanish Steps, which Joseph de Lalande and Charles de Brosses noted were already in poor condition, have restored several times. A new renovation commenced on May 30,2016 and the steps reopened on September 21,2016, the elder Bernini had been the popes architect for the Acqua Vergine, since 1623. According to a legend, Pope Urban VIII had the fountain installed after he had been impressed by a boat brought here by a flood of the Tiber river, at the top the stairway ramp up the Pincio which is the Pincian Hill. From the top of the steps the Villa Medici can be reached, during Christmas time a 19th-century criba manger is displayed on the first landing of the staircase. During Springtime, just before the anniversary of the foundation of Rome, April 21st, part of the steps are covered by pots of azaleas, in modern times the Spanish Steps have included a small cut-flower market. The steps are not a place for eating lunch, being forbidden by Roman urban regulations, the 1953 film Roman Holiday, starring Audrey Hepburn and Gregory Peck, made the Spanish Steps famous to an American audience. The apartment that was the setting for The Roman Spring of Mrs. Stone is halfway up on the right, bernardo Bertoluccis Besieged is also set in a house next to the Steps. The Steps were featured prominently in the version of The Talented Mr. Ripley starring Matt Damon in the title role. Norwegian singer/songwriter Morten Harket, from A-ha, released a song called Spanish Steps on his album Wild Seed in 1995. Marc Cohns song Walk Through the World, released in 1993 on the album The Rainy Season, includes the lyric From the Spanish Steps to the Liberty Bell, I know the angels have seen us. The title song from Guy Clarks Dublin Blues album contains the lyric, north American & Japanese versions of the Mindfields album released in 1999 by American rock band Toto include the song Spanish Steps of Rome as a bonus track. The song describes a femme fatale romance that takes place on, in an episode of Everybody Loves Raymond which aired on October 2,2000, Ray, Debra, Frank, and Marie climb the Spanish Steps during a family vacation in Rome
19.
Charles Armitage Brown
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He was the father of Charles Brown, a pioneer and politician of New Plymouth, New Zealand. He had very little education and to a large extent was self-taught. He began a career as a merchant, starting as a clerk at the age of fourteen, earning £40 per year. At eighteen he joined his brother in St. Petersburg, Russia in a business where they were to accumulate the sum of £20,000. Brown is best known for his friendship with the poet John Keats. When Charles Brown first met Keats in the summer of 1817, Keats was twenty-one. Shortly after their meeting, Keats and Brown were planning to see Scotland together and their famous tour was described in their letters and in “Walks in the North”. During this time Brown collaborated with Keats on a play, Otho the Great, around 1890 Browns son, Charles Brown said that Brown married Abigail ODonohue in a Roman Catholic ceremony in Ireland in August 1819, after Brown had left Keats at Winchester. Also there is evidence that Brown was in Chichester while Keats was in Winchester, after a severe haemorrhage in February 1820, Keats developed tuberculosis and Brown took care of him. This included handling all his affairs, paying his bills, writing his letters, even lending him money, although Keats appeared to recover from the initial attack and the medical advice was that his lungs were sound, Keatss health fluctuated from that time on, gradually deteriorating. On medical advice that he could not survive the cold of another English winter, Keats travelled to Rome, Italy on 17 September 1820. Ironically, Browns and Keatss ships were moored at Gravesend on the same night as Brown returned to London and Keats departed to Italy, literally ships that passed in the night. Brown remained at Wentworth Place in Hampstead, London during Keatss final illness and he shared some of the contents of those letters with Keatss fiancee Fanny Brawne, but did not disclose any information that he thought might upset her too much. Severn nursed Keats through his illness until the poets death in Rome on 23 February 1821. In July 1822, Charles Armitage Brown travelled to Italy with his son Carlino and it is not clear what became of Carlinos mother Abigail. Brown lived in Pisa from 1822 to around 1824, after which he moved to Florence and he published many articles in English periodicals, the best-known being Shakespeares Fools in 1823. For many years he worked on his own novel, Walter Hazlebourn. In Italy he moved in with Joseph Severn and his friend Leigh Hunt was there as well, and through him Brown was introduced to Lord Byron, John Taaffe, Jr. Seymour Kirkup, Thomas Jefferson Hogg, Walter Savage Landor, and many others
20.
Fanny Brawne
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Frances Brawne Lindon is best known for her betrothal to English Romantic poet John Keats, a fact largely unknown until 1878, when Keatss letters to her were published. Their engagement, lasting from December 1818 until Keatss death in February 1821, Frances Brawne was born 9 August 1800 to Samuel and Frances at the Brawnes’ farm near the hamlet of West End, close to Hampstead, England. She was the eldest of three surviving children, her brother Samuel was born July 1804, and her sister Margaret was born April 1809. By 1810, her family was in Kentish Town, and on 11 April of that year her father died, at age thirty-five, subsequently, Mrs. Brawne moved the family to Hampstead Heath. Fanny was introduced to a society which was “varied and attractive, young officers from the Peninsular Wars, perhaps from Waterloo. Exotic French and Spanish émigrés. from their lodgings round Oriel House in Church Row and the chapel in Holly Place. ”After living at Wentworth Place for a brief time the Brawnes became friends with the Dilkes. At eighteen, Fanny Brawne “was small, her eyes were blue and often enhanced by blue ribbons in her hair, her mouth expressed determination. She was not conventionally beautiful, her nose was a little too aquiline, her face too pale and she could answer, at a moment’s notice, any question on historical costume. She was a politician, fiery in discussion, she was a voluminous reader. Indeed, books were her favourite topic of conversation” and it was through the Dilkes that Fanny Brawne met John Keats in November 1818 at Wentworth Place, where Keats had been living for some time with Charles Brown in the companion house to the Dilkes. Their initial meeting was cordial and expected—the Dilkes were fond of Keats, Keats’s grief was deep, as “Some years before, Keats had written that his love for his brothers was “an affection ‘passing the Love of Women’”. Fanny showed him the depth of her understanding and she gave him invigorating sympathy, keeping his mind from the past and from introspection, she encouraged his love of life by her obvious interest in him, and by her vivacity. Remarkably soon his own gaiety returned. ”In a letter begun 16 December 1818 to his brother George, in America, the first, Mrs. Brawn who took Browns house for the summer still resides in Hampstead. She is a nice woman and her daughter senior is I think beautiful, elegant, graceful, silly, fashionable. We have a tiff now and then—and she behaves a little better, or I must have sheered off. I am however tired of such style and shall decline any more of it It was not long before Keats fell completely in love with Fanny. “He had transfigured Fanny in his imagination, his passion creating in her the beauty which for him became the truth, and so she had come to be. The fulfilment of Endymion, the symbol of beauty, the reconciliation between real life and his poetic quest. ”On 18 October 1819, Keats proposed to Fanny Brawne
21.
John Gibson (sculptor)
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John Gibson RA was a Welsh Neoclassical sculptor who studied in Rome under Canova. Gibson was elected a Royal Academician in 1836, and left the contents of his studio to the Royal Academy, Gibson was born near Conwy, Wales, where his father was a market gardener. He became fascinated by the displays in the windows of the print shops. The painter and printseller John Turmeau lent him some drawings and plaster casts to copy, at the age of fourteen, Gibson was apprenticed to a firm of cabinet-makers. He soon took a violent dislike to this work, however and it was while apprenticed to the Franceys brothers that Gibson came to the attention of the historian William Roscoe, for whom he executed a terracotta bas-relief now in the Liverpool museum. Roscoe gave Gibson access to his library at Allerton, by which means he became acquainted with the designs of the great Italian masters, a cartoon of The Fall of the Angels marked this period. He studied anatomy, his lessons provided gratuitously by a medical man, Roscoe was an excellent guide to the his protegée, pointing to the Greeks as the only examples for a sculptor. Gibson here found his true vocation, a basso rilievo of Psyche carried by the Zephyrs was the result. He sent it to the Royal Academy, where John Flaxman, recognizing its merits and he arrived in Rome in October 1817, at a comparatively late age for a first visit. There he was received by Antonio Canova, to whom he had introductions. Up to this time, though his designs show a fire and power of imagination in which no teaching is missed, Gibson had had no instruction, in Rome he first became acquainted with the rules and technicalities of art. Canova introduced him into the Academy supported by Austria, and the first sense of his deficiencies in common matters of practice was depressing to him and he saw Italian youths already excelling in the drawing of the figure. But the tables were soon turned and his first work in marble, Sleeping Shepherd Boy, was completed in 1824. Gibson was soon launched, and distinguished patrons, initially sent by Canova and his aim was always purity of character and beauty of form. He rarely declined into the prettiness of Canova, and if he did not often approach the strength of Bertel Thorvaldsen. He was essentially classic in feeling and aim, but here his habit of observation enabled him to achieve a grace beyond the reach of a mere imitator. His subjects were gleaned from the actions of the Italian people noticed on his walks. Gibson was elected R. A. in 1836, and bequeathed all his property and the contents of his studio to the Royal Academy and he died at Rome on 7 January 1866 and was buried in the Protestant Cemetery there
22.
Antonio Canova
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Antonio Canova was an Italian neoclassical sculptor, famous for his marble sculptures. In 1757, Antonio Canova was born in Possagno to Pietro Canova, a year later, his mother remarried. He led Antonio into the art of sculpting, before the age of ten, Canova began making models in clay, and carving marble. Indeed, at the age of nine, he executed two small shrines of Carrara marble, which are still extant, after these works, he appears to have been constantly employed under his grandfather. In 1770, he was an apprentice for two years to Giuseppe Bernardi, who was known as Torretto. Afterwards, he was under the tutelage of Giovanni Ferrari until he began his studies at the Accademia di Belle Arti di Venezia, at the Academy, he won several prizes. During this time, he was given his first workshop within a monastery by some local monks, the Senator Giovanni Falier commissioned Canova to produce statues of Orpheus and Eurydice for his garden – the Villa Falier at Asolo. The statues were begun in 1775, and both were completed by 1777, the pieces explify the late Rococo style. On the year of its completion, both works were exhibited for the Feast of the Ascension in Piazza S. Marco, widely praised, the works won Canova his first renown among the Venetian elite. In 1779, he opened his own studio at Calle Del Traghetto at S. Maurizio, at this time, Procurator Pietro Vettor Pisani commissioned Canovas first marble statue, a depiction of Daedalus and Icarus. The statue inspired great admiration for his work at the art fair. At the base of the statue, Daedalus tools are scattered about, with such an intention, there is suggestion that Daedalus is a portrait of Canovas grandfather Pasino. Canova arrived in Rome, on 28 December 1780, prior to his departure, his friends had applied to the Venetian senate for a pension. Successful in the application, the stipend allotted amounted to three hundred ducats, limited to three years, while in Rome, Canova spent time studying and sketching the works of Michelangelo. In 1781, Girolamo Zulian – the Venetian ambassador to Rome – hired Canova to sculpt Theseus, the statue depicts the victorious Theseus seated on the lifeless body of a Minotaur. The initial spectators were certain that the work was a copy of a Greek original, the highly regarded work is now in the collection of the Victoria & Albert Museum, in London. Between 1783 –1785, Canova arranged, composed, and designed a monument dedicated to Clement XIV for the Church of Santi Apostoli. After another two years, the work met completion in 1787, the monument secured Canovas reputation as the pre-eminent living artist
23.
Lord Byron
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George Gordon Byron, 6th Baron Byron, FRS, commonly known simply as Lord Byron, was a British poet, peer, politician, and a leading figure in the Romantic movement. Among his best-known works are the narrative poems, Don Juan and Childe Harolds Pilgrimage. Byron is regarded as one of the greatest British poets and remains widely read and influential and he travelled extensively across Europe, especially in Italy, where he lived for seven years with the struggling poet Percy Bysshe Shelley. Later in his life, Byron joined the Greek War of Independence fighting the Ottoman Empire. He died in 1824 at the age of 36 from a fever contracted while in Missolonghi, ethel Colburn Mayne states that George Gordon Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, Robert Charles Dallas in his Recollections states that Byron was born in Dover and he was the son of Captain John Mad Jack Byron and his second wife, the former Catherine Gordon, a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byrons father had seduced the married Marchioness of Carmarthen and, after she divorced her husband. His treatment of her was described as brutal and vicious, in order to claim his second wifes estate in Scotland, Byrons father took the additional surname Gordon, becoming John Byron Gordon, and he was occasionally styled John Byron Gordon of Gight. Byron himself used this surname for a time and was registered at school in Aberdeen as George Byron Gordon, at the age of 10, he inherited the English Barony of Byron of Rochdale, becoming Lord Byron, and eventually dropped the double surname. Byrons paternal grandparents were Vice-Admiral the Hon. John Foulweather Jack Byron, vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as the Wicked Lord. He was christened, at St Marylebone Parish Church, George Gordon Byron after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, Mad Jack Byron married his second wife for the same reason that he married his first, her fortune. In a move to avoid his creditors, Catherine accompanied her husband to France in 1786. He was born on 22 January in lodgings at Holles Street in London, Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husbands continuing to borrow money from her. As a result, she fell even further into debt to support his demands and it was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791. When Byrons great-uncle, the wicked Lord Byron, died on 21 May 1798, described as a woman without judgment or self-command, Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent and she once retaliated and, in a fit of temper, referred to him as a lame brat. Langley-Moore questions the Galt claim that she over-indulged in alcohol, upon the death of Byrons mother-in-law Judith Noel, the Hon
24.
Edward John Trelawny
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Edward John Trelawny was a biographer, novelist and adventurer who is best known for his friendship with the Romantic poets Percy Bysshe Shelley and Lord Byron. Trelawny was born in England to a family of modest income, though his father became wealthy while he was a child, Edward had an antagonistic relationship with him. After an unhappy childhood, he was sent away to a school and he was assigned as a volunteer in the Royal Navy shortly before he turned thirteen. Trelawny served on ships as a naval volunteer while in his teen years. He traveled to India and saw combat during engagements with the French Navy and he did not care for the naval lifestyle, however, and left at nineteen years of age without becoming a commissioned officer. After retiring from the navy, he had a brief and unhappy marriage in England and he then moved to Switzerland and later Italy where he met Shelley and Byron. He became friends with the two poets, and helped teach them about sailing and he enjoyed inventing elaborate stories about his time in the navy, and in one he claimed to have deserted and become a pirate in India. After Shelleys death, Trelawny identified his body and arranged the funeral and burial, Trelawny then travelled to Greece with Lord Byron in order to fight in the Greek War of Independence. Byron and Trelawny split up near Greece and Trelawny travelled into Greece to act as the agent of Lord Byron, after Byron died, Trelawny oversaw the preparations for the funeral and the return of his body to England. Trelawny joined the cause of the Greek Warlord Odysseas Androutsos and helped to provide him with additional arms and he also married Odysseas sister Teritza. After Odysseas fell out of favour with the Greek government and was arrested, during this time, Trelawny survived an assassination attempt. After leaving Greece, he divorced Teritza and returned to England, in England he was well received by members of London society. He then wrote a memoir titled Adventures of a Younger Son, after the book was published he travelled to America for two years before returning to England. He then became politically active but soon remarried and moved to the English countryside and he then lived the life of a country squire for 12 years and raised a family with his third wife. They eventually separated and he moved back to London with a mistress and he then wrote a well received book about Shelley and Byron. He soon became friends with prominent artists and writers in London. He was able to share his experience with Romantic Era writers with the leading Victorian writers of the day. He later retired to Sompting, where he led an ascetic lifestyle and he died in Sompting at the age of 88, having outlived almost all of his friends from the Romantic era
25.
John Flaxman
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John Flaxman R. A. was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career he worked as a modeller for Josiah Wedgwoods pottery and he spent several years in Rome, where he produced his first book illustrations. He was a maker of funerary monuments. His father, also named John, was known as a moulder and seller of plaster casts at the sign of the Golden Head, New Street, Covent Garden. His wifes maiden name was Lee, and they had two children, William and John, within six months of Johns birth the family returned to London. He was a child, high-shouldered, with a head too large for his body. His mother died when he was nine, and his father remarried and he had little schooling, and was largely self-educated. He took delight in drawing and modelling from his fathers stock-in-trade and his fathers customers helped him with books, advice, and later with commissions. Particularly significant were the painter George Romney, and a clergyman, Anthony Stephen Mathew. In the same year,1770, he entered the Academy as a student, in the competition for the gold medal of the Academy in 1772, however, Flaxman was defeated, the prize being awarded by the president, Sir Joshua Reynolds, to a competitor named Engleheart. This episode seemed to help cure Flaxman of a tendency to conceit which led Thomas Wedgwood V to say of him in 1775, It is and he continued to work diligently, both as a student and as an exhibitor at the Academy, with occasional attempts at painting. To the Academy he contributed a wax model of Neptune, four models in wax, a terracotta bust, a wax figure of a child, an historical figure, a figure of Comedy. During this period he received a commission from a friend of the Mathew family for a statue of Alexander the Great, but he was unable to obtain a regular income from private contracts. From 1775 he was employed by the potter Josiah Wedgwood and his partner Bentley, for whom his father had also some work. The usual procedure was to model the reliefs in wax on slate or glass grounds before they cast for production, dHancarvilles engravings of Sir William Hamiltons collection of ancient Greek vases were an important influence on his work. By 1780 Flaxman had also begun to earn money by sculpting grave monuments, during the rest of Flaxmans career memorial bas-reliefs of this type made up the bulk of his output, and are to be found in many churches throughout England. One example, the monument to George Steevens, originally in St Matthais Old Church, is now in the Fitzwilliam Museum, in 1782, aged 27, Flaxman married Anne Denman, who was to assist him throughout his career. She was well-educated, and a devoted companion and they set up house in Wardour Street, and usually spent their summer holidays as guests of the poet William Hayley, at Eartham in Sussex
26.
Thomas Lawrence
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Sir Thomas Lawrence PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper, at the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a painter in oils, receiving his first royal commission. He stayed at the top of his profession until his death, aged 60, self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a member in 1794. Lawrences love affairs were not happy and, in spite of his success, at his death, Lawrence was the most fashionable portrait painter in Europe. His reputation waned during Victorian times, but has since been partially restored, Thomas Lawrence was born at 6 Redcross Street, Bristol, the youngest surviving child of Thomas Lawrence, a supervisor of excise, and Lucy Read, the daughter of a clergyman. The couple had 16 children but only five survived infancy, Lawrences brother Andrew became a clergyman, William had a career in the army, sisters Lucy and Anne married a solicitor and a clergyman. Soon after Thomas was born his father decided to become an innkeeper and took over the White Lion Inn and next-door American Coffee House in Broad Street, Bristol. It was during the familys stay at the Black Bear Inn that Lawrence senior began to make use of his sons precocious talents for drawing and reciting poetry. Visitors would be greeted with the words Gentlemen, heres my son – will you have him recite from the poets, among those who listened to a recitation from Tom, or Tommy as he was called, was the actor David Garrick. Lawrences formal schooling was limited to two years at The Fort, a school in Bristol, when he was aged six to eight, and he also became accomplished in dancing, fencing, boxing and billiards. But once again Lawrence senior failed as a landlord and, in 1779, he was declared bankrupt, from now on, Lawrence was to support his parents with the money he earned from his portraits. The family settled at 2 Alfred Street in Bath, and the young Lawrence established himself as a portraitist in pastels, the oval portraits, for which he was soon charging three guineas, were about 12 inches by 10 inches, and usually portrayed a half-length. His sitters included the Duchess of Devonshire, Sarah Siddons, Sir Henry Harpur, Warren Hastings, sometime before his eighteenth birthday in 1787 Lawrence arrived in London, taking lodgings in Leicester Square, near to Joshua Reynolds studio. He was introduced to Reynolds, who advised him to study nature, Lawrence set up a studio at 41 Jermyn Street and installed his parents in a house in Greek Street. In the Royal Academy exhibition of 1788 Lawrence was represented by five portraits in pastels and one in oils, a medium he quickly mastered. Between 1787 and his death in 1830 he would miss two of the annual exhibitions, once,1809, in protest about the way his paintings had been displayed and once, in 1819
27.
Thomas Uwins
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Thomas Uwins was an English portrait, subject, genre and landscape painter, and a book illustrator. Uwins was born at Hermes Hill, Pentonville in London, the youngest of the four children of Thomas Uwins, David Uwins, physician and medical writer, was his elder brother. Thomas showed talent as an artist from an age, and had some instruction from the drawing-master at his sisters school. He was a day scholar at Mr. Croles school in Queens Head Lane, Islington, for 6 years, in 1798, Uwins entered the schools of the Royal Academy, London, and joined Sir Charles Bells anatomical class, supporting himself mainly by painting portrait miniature. He exhibited a portrait of a Mr. G. Meyers at the academy in 1799, one of his drawings exhibited at the academy in 1808 was a portrait of Charles Warrens daughter, Mrs. Luke Clennell, as Belphoebe in Spensers Faerie Queene. In 1809 Uwins joined the Old Watercolour Society as associate exhibitor and he served as secretary of the society in 1813-14 and 1816-17. In 1811 he stayed at Farnham, Surrey, studying the hopfields, and in 1815 visited the Lake District, in 1817, after the Napoleonic wars, he went to France to paint vintage scenes. The result was seen in two drawings sent to the Old Watercolour Societys exhibition of 1818, in 1824 Uwins travelled to Italy for his health. There he settled for the winter in Rome where he met a number of English artists, including Charles Eastlake, the following spring he visited Naples and met Richard Acton who commissioned him to paint a number of Italian scenes. He remained in Naples for several years painting portraits of British, while in Italy he kept up a correspondence with his two brothers Zechariah and David, which was published after his death in A memoir of Thomas Uwins. From 1829–30 Uwins sent his pictures of Italian subjects to the exhibitions of the British Institution, in 1830 he exhibited Neapolitans dancing the Tarantella, and, in 1832, The Neapolitan Saint Manufactury proved a great success in the RA exhibition. At about this time he returned to England and became more involved in arts administration. He was elected an associate of the Royal Academy in 1833, in 1839 he exhibited one of his best pictures, Le Chapeau de Brigand. The little girl depicted was a daughter of a friend named Joseph, in 1843 he painted a fresco of the lady in John Miltons Comus for the Queens Pavilion in Buckingham Palace Gardens. In 1844 he was librarian of the Royal Academy, and Surveyor of pictures to Queen Victoria. In 1850 he married Sarah Kirby, and though without issue, in 1854 he had a serious illness, and in 1855 gave up his various offices and retired to Staines, in Middlesex, an invalid. He carried on painting, however, until his death on 26 August 1857, a Memoir of Thomas Uwins, Volume 1, Volume 2. Thomas Uwins online An Italian Mother Teaching her Child the Tarantella A Neapolitan boy decorating the head of his inamorata Returning from school Portraits of Thomas Uwins
28.
William Ewart Gladstone
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William Ewart Gladstone, FRS, FSS was a British Liberal and earlier conservative politician. In a career lasting over sixty years, he served as Prime Minister four separate times, more than any other person, Gladstone was also Britains oldest Prime Minister, he resigned for the final time when he was 84 years old. Gladstone first entered Parliament in 1832, beginning as a High Tory, Gladstone served in the Cabinet of Sir Robert Peel. After the split of the Conservatives Gladstone was a Peelite – in 1859 the Peelites merged with the Whigs, as Chancellor Gladstone became committed to low public spending and to electoral reform, earning him the sobriquet The Peoples William. Gladstones first ministry saw many reforms including the disestablishment of the Church of Ireland, after his electoral defeat in 1874, Gladstone resigned as leader of the Liberal Party, but from 1876 began a comeback based on opposition to Turkeys reaction to the Bulgarian April Uprising. Gladstones Midlothian Campaign of 1879–80 was an example of many modern political campaigning techniques. The government also passed the Third Reform Act, Back in office in early 1886, Gladstone proposed Irish home rule but this was defeated in the House of Commons in July. The resulting split in the Liberal Party helped keep out of office, with one short break. In 1892 Gladstone formed his last government at the age of 82, the Second Home Rule Bill passed the Commons but was defeated in the Lords in 1893. Gladstone resigned in March 1894, in opposition to increased naval expenditure and he left Parliament in 1895 and died three years later aged 88. Gladstone was known affectionately by his supporters as The Peoples William or the G. O. M, Gladstone is consistently ranked as one of Britains greatest Prime Ministers. Born in 1809 in Liverpool, at 62 Rodney Street, William Ewart Gladstone was the son of the slave-owning merchant Sir John Gladstone. Although born and brought up in Liverpool, William Gladstone was of purely Scottish ancestry, in 1814 young Willy visited Scotland for the first time, as he and his brother John travelled with their father to Edinburgh, Biggar and Dingwall to visit their relatives. William and his brother were both made freemen of the burgh of Dingwall, in 1815 Gladstone also travelled to London and Cambridge for the first time with his parents. In London he attended a service of thanksgiving with his family at St Pauls Cathedral following the Battle of Waterloo, William Gladstone was educated from 1816 to 1821 at a preparatory school at the vicarage of St Thomass Church at Seaforth, close to his familys residence, Seaforth House. In December 1831 he achieved the double first-class degree he had long desired, Gladstone served as President of the Oxford Union debating society, where he developed a reputation as an orator, which followed him into the House of Commons. At university Gladstone was a Tory and denounced Whig proposals for parliamentary reform, following the success of his double first, William travelled with his brother John on a Grand Tour of Europe, visiting Belgium, France, Germany and Italy. On his return to England, William was elected to Parliament in 1832 as Tory Member of Parliament for Newark, partly through the influence of the local patron, the Duke of Newcastle
29.
Consul (representative)
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A consul is distinguished from an ambassador, the latter being a representative from one head of state to another. In Classical Greece, some of the functions of the modern consul were fulfilled by a proxenos, unlike the modern position, this was a citizen of the host polity. The proxenos was usually a rich merchant who had ties with another city. The position of proxenos was often hereditary in a particular family, modern honorary consuls fulfil a function that is to a degree similar to that of the ancient Greek institution. Consuls were the highest magistrates of the Roman Republic and Roman Empire, the term was revived by the Republic of Genoa, which, unlike Rome, bestowed it on various state officials, not necessarily restricted to the highest. The Consolat de mar was an institution established under the reign of Peter IV of Aragon in the fourteenth century and it was primarily a judicial body, administering maritime and commercial law as Lex Mercatoria. Although the Consolat de mar was established by the Corts General of the Crown of Aragon and this distinction between consular and diplomatic functions remains to this day. Modern consuls retain limited powers to settle disputes on ships from their country. The Consulado de mercaderes was set up in 1543 in Seville as a merchant guild to control trade with Latin America, as such, it had branches in the principal cities of the Spanish colonies. The connection of consul with trade and commercial law is retained in French, in francophone countries, a juge consulaire is a non-professional judge elected by the chamber of commerce to settle commercial disputes in the first instance. Like the term embassy, the consulate may refer not only to the office of consul. The consulate may share premises with the embassy itself, a consul of the highest rank is termed a consul-general, and his or her office a consulate-general. He or she typically has one or several deputy consuls-general, consuls, vice-consuls, consulates-general need not have their offices in the capital city, but rather could have them in the most important/appropriate cities in terms of bilateral relations. In the United States, for example, most countries have a consulate-general in New York City, consuls of various ranks may have specific legal authority for certain activities, such as notarizing documents. As such, diplomatic personnel with other responsibilities may receive consular letters patent, aside from those outlined in the Vienna Convention on Diplomatic Relations, there are few formal requirements outlining what a consular official must do. Nonetheless, consulates proper will be headed by consuls of various ranks, and although it is never admitted publicly, consulates, like embassies, may also gather intelligence information from the assigned country. Contrary to popular belief, although many of the staff of consulates may be career diplomats, in practice, the extension and application of consular privileges and immunities can be subject to wide discrepancies from country to country. Consulates are more numerous than diplomatic missions, such as embassies, ambassadors are posted only in a foreign nations capital
30.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
31.
Garibaldi
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Giuseppe Garibaldi was an Italian general, politician and nationalist who played a large role in the history of Italy. He is considered, with Camillo Benso, Count of Cavour, Victor Emmanuel II of Italy and Giuseppe Mazzini, Garibaldi personally commanded and fought in many military campaigns that led eventually to the Italian unification. He has been called the Hero of Two Worlds because of his enterprises in Brazil, Uruguay. These earned him a reputation in Italy and abroad, aided by exceptional international media coverage at the time. Many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, the United Kingdom and the United States helped him a great deal, offering him financial and military support in difficult circumstances. In the popular telling of his story, he is associated with the red worn by his volunteers in lieu of a uniform. In 1814, the Congress of Vienna returned Nice to Victor Emmanuel I of Sardinia, Garibaldis familys involvement in coastal trade drew him to a life at sea. He participated actively in the Niçois community and was certified in 1832 as a merchant navy captain, in April 1833 he travelled to Taganrog, Russia, in the schooner Clorinda with a shipment of oranges. During ten days in port he met Giovanni Battista Cuneo from Oneglia, Mazzini was an impassioned proponent of Italian unification as a liberal republic through political and social reform. Garibaldi joined the society and took an oath dedicating himself to the struggle to liberate, in Geneva during November 1833, Garibaldi met Mazzini, starting a long relationship that later became troublesome. He joined the Carbonari revolutionary association, and in February 1834 participated in a failed Mazzinian insurrection in Piedmont, a Genoese court sentenced him to death in absentia, and he fled across the border to Marseille. Garibaldi first sailed to Tunisia before eventually finding his way to the Empire of Brazil, once there he took up the cause of Republic of Rio Grande do Sul in its attempt to separate from Brazil, joining the rebels known as the Ragamuffins in the Ragamuffin War. During this war he met Ana Ribeiro da Silva, commonly known as Anita, in 1841, Garibaldi and Anita moved to Montevideo, Uruguay, where Garibaldi worked as a trader and schoolmaster. The couple married in Montevideo the following year and they had four children – Menotti, Rosita, Teresita, and Ricciotti. A skilled horsewoman, Anita is said to have taught Giuseppe about the culture of southern Brazil. Around this time, he adopted his trademark clothing, which consisted of the red shirt, poncho, and sombrero commonly worn by the gauchos. In 1842 Garibaldi took command of the Uruguayan fleet and raised an Italian Legion, of known as Redshirts. He aligned his forces with a composed of the Uruguayan Colorados led by Fructuoso Rivera
32.
Victor Emmanuel II of Italy
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The Italians gave him the epithet Father of the Fatherland. Victor Emmanuel was born the eldest son of Charles Albert, Prince of Carignano and his father succeeded a distant cousin as King of Sardinia-Piedmont in 1831. He lived for years of his youth in Florence and showed an early interest in politics, the military. In 1842, he married his cousin Adelaide of Austria and he was styled as the Duke of Savoy prior to becoming King of Sardinia-Piedmont. He took part in the First Italian War of Independence under his father King Charles Albert, fighting in the front line at the battles of Pastrengo, Santa Lucia, Goito and Custoza. He became King of Sardinia-Piedmont in 1849 when his father abdicated the throne after a military defeat by the Austrians at the Battle of Novara. Victor Emmanuel was immediately able to obtain a rather favorable armistice at Vignale by the Austrian imperial army commander Radetzky, after new elections, the peace with Austria was accepted by the new Chamber of Deputies. In 1849 Victor Emmanuel also fiercely suppressed a revolt in Genoa, defining the rebels as a vile, in 1852, he appointed Count Camillo Benso of Cavour as Prime Minister of Piedmont-Sardinia. This turned out to be a choice, since Cavour was a political mastermind. Victor Emmanuel II soon became the symbol of the Risorgimento, the Italian unification movement of the 1850s and he was especially popular in the Kingdom of Sardinia-Piedmont because of his respect for the new constitution and his liberal reforms. Following Victor Emmanuels advice, Cavour joined Britain and France in the Crimean War against Russia, Cavour was reluctant to go to war due to the power of Russia at the time and the expense of doing so. Victor Emmanuel, however, was convinced of the rewards to be gained from the alliance created with Britain and, more importantly, the Italo-French campaign against Austria in 1859 started successfully. After several quarrels about the outcome of the war, Cavour resigned, later that same year, Victor Emmanuel II sent his forces to fight the papal army at Castelfidardo and drove the Pope into Vatican City. His success at these goals led him to be excommunicated from the Catholic Church, then, Giuseppe Garibaldi conquered Sicily and Naples, and Sardinia-Piedmont grew even larger. On 17 March 1861 the Kingdom of Italy was officially established, Victor Emmanuel supported Giuseppe Garibaldis Expedition of the Thousand, which resulted in the rapid fall of the Kingdom of the Two Sicilies in southern Italy. However, the king halted Garibaldi when he appeared ready to attack Rome, still under the Papal States, in 1860, through local plebiscites, Tuscany, Modena, Parma and Romagna decided to side with Sardinia-Piedmont. Victor Emmanuel then marched victoriously in the Marche and Umbria after the battle of Castelfidardo over the Papal forces. The king subsequently met with Garibaldi at Teano, receiving from him the control of southern Italy, another series of plebiscites in the occupied lands resulted in the proclamation of Victor Emmanuel as the first King of Italy by the new Parliament of unified Italy, on 17 March 1861
33.
Pope Pius IX
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Pope Pius IX, born Giovanni Maria Mastai-Ferretti, reigned as Pope from 16 June 1846 to his death in 1878. He was the elected pope in the history of the Catholic Church. During his pontificate Pius IX convened the First Vatican Council, which decreed papal infallibility and he was also the last pope to rule as the Sovereign of the Papal States, which fell completely to the Italian Army in 1870 and were incorporated into the Kingdom of Italy. After this, he was referred to—chiefly by himself—as the Prisoner of the Vatican, after his death in 1878, his canonization process was opened on 11 February 1907 by Pope Pius X and it drew considerable controversy over the years. It was closed on several occasions during the pontificates of Pope Benedict XV, Pope Pius XII re-opened the cause on 7 December 1954, and Pope John Paul II proclaimed him Venerable on 6 July 1985. Together with Pope John XXIII, he was beatified on 3 September 2000 after the recognition of a miracle, Pius IX was assigned the liturgical feast day of February 7, the date of his death. Europe, including the Italian peninsula, was in the midst of political ferment when the bishop of Spoleto. He took the name Pius, after his generous patron and the prisoner of Napoleon Bonaparte. Through the 1850s and 1860s, Italian nationalists made military gains against the Papal States, however, concordats were concluded with numerous states such as Austria-Hungary, Portugal, Spain, Canada, Tuscany, Ecuador, Venezuela, Honduras, El Salvador and Haiti. Many contemporary Church historians and journalists question his approaches, in his Syllabus of Errors, still highly controversial, Pius IX condemned the heresies of secular society, especially modernism. He was a Marian pope, who in his encyclical Ubi primum described Mary as a Mediatrix of salvation, in 1854, he promulgated the dogma of the Immaculate Conception, articulating a long-held Catholic belief that Mary, the Mother of God, was conceived without original sin. In 1862, he convened 300 bishops to the Vatican for the canonization of Twenty-six Martyrs of Japan and his most important legacy is the First Vatican Council, which convened in 1869. The council is considered to have contributed to a centralization of the Church in the Vatican, Pius IX was beatified by Pope John Paul II on 3 September 2000. His Feast Day is 7 February, Giovanni Maria Mastai-Ferretti was born on May 13,1792. He was educated at the Piarist College in Volterra and in Rome, as a theology student in his hometown Sinigaglia, in 1814 he met Pope Pius VII, who had returned from French captivity. In 1815, he entered the Papal Noble Guard but was dismissed after an epileptic seizure. He threw himself at the feet of Pius VII, who elevated him, the pope originally insisted that another priest should assist Mastai during Holy Mass, a stipulation that was later rescinded, after the seizure attacks became less frequent. Mastai was ordained priest on April 10,1819 and he initially worked as the rector of the Tata Giovanni Institute in Rome
34.
Priscilla Fane, Countess of Westmorland
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Priscilla Anne Fane, Countess of Westmorland, styled Lady Burghersh between 1811 and 1841, was a British linguist and artist. Arthur Wellesley, 1st Duke of Wellington, was her uncle, in 1811 she married John Fane, Lord Burghersh, son of John Fane, 10th Earl of Westmorland. She became known as the Countess of Westmorland when her husband succeeded as tenth Earl of Westmorland in 1841 and she was an accomplished linguist and a distinguished artist. When Lady Burghersh she exhibited six figure pieces in the Suffolk Street Exhibition between 1833 and 1841, and afterwards in 1843 and 1857 sent two scriptural subjects to the British Institution. Her picture of Anne, Countess of Mornington, surrounded by her three distinguished sons, Lord Wellesley, the Duke of Wellington and Lord Cowley, has been engraved and she received art lessons from William Salter and was his indulgent patron. When Salter was on his horse in Hyde Park, he happened to hear, berghersh persuaded the Duke and Salters masterpiece was created with 83 included portraits. She died at 29 Portman Square, London,18 February 1879 and her daughter, Lady Rose Weigall, edited two volumes of selections from her correspondence. The letters of Lady Burghersh from Germany and France during the campaign of 1813-14, ISBN 1-112-58028-X Correspondence of Lady Burgersh with the Duke of Wellington. This article incorporates text from a now in the public domain, Fane
35.
Ann Mary Newton
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Ann Mary Newton, née Severn, was an English painter. She specialized in portraits of children and worked in crayon, chalk, pastel, Newton studied in England under George Richmond and in Paris under Ary Scheffer. Her works were exhibited at the Royal Academy of Art between 1852 and 1865, ann Mary Newton was born in Rome, where her father Joseph Severn was the British Consul. Joseph Severn was an artist and a friend of the poet Keats, Newton was taught to draw by her father, and then on the Severn familys return to England in 1841, studied with George Richmond, who employed her to produce copies of portraits he had painted. In 1857 she received lessons from Ary Scheffer in Paris, in Paris she painted a portrait of Mary Bruce, Countess of Elgin which was well reviewed and led to further society commissions in Britain. She specialised in portraits of children and worked in crayon, chalk, pastel, in the mid-1850s she supported her family with a number of commissions, travelling to the homes of wealthy patrons. Her first picture to be exhibited at the Royal Academy of Arts was The Twins in 1852, during this time she also painted portraits of Queen Victorias nephew and children. In 1861 she married the archaeologist Charles Thomas Newton, who became Keeper of Greek, in the 1860s she began to work in oils and exhibited a number of pictures in the Royal Academy exhibitions, most notably a self-portrait and an Arthurian subject from Tennyson, Elaine. She died of measles in 1866 at her home,74 Gower Street, at the age of thirty-three, having had no children. English women painters from the early 19th century who exhibited at the Royal Academy of Art Oxford Dictionary of National Biography, against Oblivion, The Life of Joseph Severn, by Sheila Birkenhead,1943 London. Illustrious Friends, The Story of Joseph Severn and His Son Arthur, by Sheila Birkenhead,1965 New York
36.
Charles Thomas Newton
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Sir Charles Thomas Newton KCB was a British archaeologist. He was born in 1816, the son of Newton Dickinson Hand Newton, vicar of Clungunford, Shropshire. He was educated at Shrewsbury School, and at Christ Church, Oxford, in 1840, contrary to the wishes of his family, he entered the British Museum as assistant in the department of antiquities. In 1856-1857, he achieved the great archaeological exploit of his life by the discovery of the remains of the mausoleum of Halicarnassus and he was greatly assisted by Murdoch Smith, afterwards celebrated in connection with Persian telegraphs. The results were described by Newton in his History of Discoveries at Halicarnassus, written in conjunction with R. P. Pullan, and in his Travels and Discoveries in the Levant. In 1860, he was named consul at Rome, but was the following year recalled to take up the newly created post of keeper of Greek and Roman antiquities at the British Museum. Newtons keepership at the museum was marked by a wealth of important acquisitions. Of his own work as a scholar in elucidating and editing the remains of antiquity, the salary, however, was only nominal, and Newton was obliged to decline the post, which was then offered to and accepted by Benjamin Jowett. As antiquary to the Royal Academy he lectured frequently, in 1885, he resigned the museum and academy appointments, and in 1888 he was compelled by increasing infirmity to give up the Yates professorship. On 28 November 1894 he died at Margate, whither he had gone from his residence,2 Montague Place and he was correspondent of the Institute of France, honorary director of the Archaeological Institute of Berlin, and honorary member of the Accademia dei Lincei of Rome. Attribution This article incorporates text from a now in the public domain, Smith. Dictionary of National Biography,1901 supplement
37.
John Ruskin
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John Ruskin was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and his writing styles and literary forms were equally varied. Ruskin also penned essays and treatises, poetry and lectures, travel guides and manuals, letters, the elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society and he also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. He was hugely influential in the half of the 19th century. After a period of decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability, from the 1850s he championed the Pre-Raphaelites who were influenced by his ideas. His work increasingly focused on social and political issues, Unto This Last marked the shift in emphasis. In 1869, Ruskin became the first Slade Professor of Fine Art at the University of Oxford, in 1871, he began his monthly letters to the workmen and labourers of Great Britain, published under the title Fors Clavigera. In the course of this complex and deeply personal work, he developed the principles underlying his ideal society, as a result, he founded the Guild of St George, an organisation that endures today. Ruskin was the child of first cousins. His father, John James Ruskin, was a sherry and wine importer founding partner and de facto manager of Ruskin, Telford. John James was born and brought up in Edinburgh, Scotland, to a mother from Glenluce and his wife, Margaret Cox, née Cock, was the daughter of an aunt on the English side of the family and a publican in Croydon. She had joined the Ruskin household when she became companion to John Jamess mother, John James had hoped to practice law, but was instead articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer, was an inadequate businessman, to save the family from bankruptcy, John James, whose prudence and success were in stark contrast to his father, took on all debts, settling the last of them in 1832. John James and Margaret were engaged in 1809, but opposition to the union from John Thomas, Ruskin was born at 54 Hunter Street, Brunswick Square, London, south of St Pancras railway station. His childhood was characterised by the influences of his father and mother. John James Ruskin helped to develop his sons Romanticism and they shared a passion for the works of Byron, Shakespeare and especially Walter Scott
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Protestant Cemetery, Rome
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The Cimitero Acattolico of Rome, often referred to as the Cimitero dei protestanti or Cimitero degli Inglesi, is a public cemetery in the rione of Testaccio in Rome. It has Mediterranean cypress, pomegranate and other trees, and a grassy meadow and it is the final resting place of non-Catholics including but not exclusive to Protestants or British people. The earliest known burial is that of a University of Oxford student named Langton in 1738, the English poets John Keats and Percy Bysshe Shelley are buried there. Keats died in Rome of tuberculosis at the age of 25, Shelley, who did not know how to swim, drowned in 1822 while sailing in his yacht off the Italian Riviera. When his body washed up upon the shore, a copy of Keats poetry was discovered in his pocket - doubled back - as though it had put away in a hurry. He was cremated on the beach near Viareggio by his friends, the poet Lord Byron and his ashes were sent to the British consulate in Rome, who had them interred in the Protestant Cemetery some months later. Shelleys heart supposedly survived cremation and was snatched out of the flames by Trelawny, Shelley and Marys three-year-old son William was also buried in the Protestant Cemetery. American author of Two Years Before the Mast Luce dEramo, Italian writer Frances Minto Elliot, English writer Robert K. Herbert Norman, Canadian diplomat and historian. Frederick Reinhardt, U. S. Ambassador to Italy 1961–1968, Administrator of this Cemetery 1961–1968 Heinrich Reinhold, German painter, draughtsman, engraver. Elihu Vedder, American painter, sculptor, graphic artist Shefqet Vërlaci, Prime Minister of Albania Wilhelm Friedrich Waiblinger, German poet, the Non-Catholic Cemetery in Rome, its history, its people and its survival for 300 years. Antonio Menniti Ippolito, Il Cimitero acattolico di Roma, a Cemetery of Poets Is in Crisis in Rome, International Herald Tribune,8 February 2006
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Palette (painting)
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A palette /ˈpælᵻt/, in the original sense of the word, is a rigid, flat surface on which a painter arranges and mixes paints. A palette is made of wood, plastic, ceramic, or other hard, inert, nonporous material. The most commonly known type of painters palette is made of a wood board designed to be held in the artists hand. Watercolor palettes are made of plastic or porcelain with rectangular or wheel format with built in wells. From the original, literal sense above came a sense by extension, referring to a selection of colors. This second, figurative sense is the one extended in the era to the computing senses of palette. A wet palette is a container with a layer of absorbent material that can be soaked with water. The paint sits on the membrane and is wet by osmosis. The main purpose of the wet palette is to keep acrylic paint, wet palettes are easily made, but can be bought. Color scheme Palette knife Palette, Online Etymology Dictionary Colorpalettes. net, Color Palette Ideas, Color Selection
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Lyre
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The lyre is a string instrument known for its use in Greek classical antiquity and later periods. The lyre is similar in appearance to a small harp but with distinct differences, the word comes via Latin from the Greek, the earliest reference to the word is the Mycenaean Greek ru-ra-ta-e, meaning lyrists and written in the Linear B script. The lyres of Ur, excavated in ancient Mesopotamia, date to 2500 BC, the earliest picture of a lyre with seven strings appears in the famous sarcophagus of Hagia Triada. The sarcophagus was used during the Mycenaean occupation of Crete, the recitations of the Ancient Greeks were accompanied by lyre playing. The lyre of classical antiquity was ordinarily played by being strummed with a plectrum, the fingers of the free hand silenced the unwanted strings in the chord. However, later lyres were played with a bow in Europe, one example from Wales that has been resurrected recently is the crwth. In organology, lyres are defined as yoke lutes, being lutes in which the strings are attached to a yoke which lies in the plane as the sound-table. A classical lyre has a body or sound-chest, which. Extending from this sound-chest are two raised arms, which are hollow, and are curved both outward and forward. They are connected near the top by a crossbar or yoke, an additional crossbar, fixed to the sound-chest, makes the bridge which transmits the vibrations of the strings. They were stretched between the yoke and bridge, or to a tailpiece below the bridge, according to ancient Greek mythology, the young god Hermes stole a herd of sacred cows from Apollo. In order not to be followed, he made shoes for the cows which forced them to walk backwards, Apollo, following the trails, could not follow where the cows were going. Along the way, Hermes slaughtered one of the cows and offered all, from the entrails and a tortoise/turtle shell, he created the Lyre. Apollo, figuring out it was Hermes who had his cows, Apollo was furious, but after hearing the sound of the lyre, his anger faded. Apollo offered to trade the herd of cattle for the lyre, hence, the creation of the lyre is attributed to Hermes. Other sources credit it to Apollo himself, locales in southern Europe, western Asia, or north Africa have been proposed as the historic birthplace of the genus. The instrument is played in north-eastern parts of Africa. Some of the cultures using and developing the lyre were the Aeolian and Ionian Greek colonies on the coasts of Asia bordering the Lydian empire, some mythic masters like Musaeus, and Thamyris were believed to have been born in Thrace, another place of extensive Greek colonization
41.
Leopold I of Belgium
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Leopold I was a German prince who became the first King of the Belgians following Belgian independence in 1830. He reigned between July 1831 and December 1865, Charlotte died in 1817, but Leopold continued to enjoy considerable status in Britain. After the Greek War of Independence, LeopoId was offered the position of King of Greece but turned it down, instead, Leopold accepted the kingship of the newly established Kingdom of Belgium in 1831. The Belgian government offered the position to Leopold because of his connections with royal houses across Europe. Leopold took his oath as King of the Belgians on 21 July 1831 and his reign was marked by attempts by the Dutch to recapture Belgium and, later, by internal political division between liberals and Catholics. As a result of the ambiguities in the Belgian Constitution, Leopold was able to expand the monarchs powers during his reign. He also played an important role in stopping the spread of the Revolutions of 1848 into Belgium and he died in 1865 and was succeeded by his son, Leopold II. Leopold was born in Coburg in the tiny German duchy of Saxe-Coburg-Saalfeld in modern-day Bavaria on 16 December 1790 and he was the youngest son of Francis, Duke of Saxe-Coburg-Saalfeld, and Countess Augusta Reuss-Ebersdorf. In 1826, Saxe-Coburg acquired the city of Gotha from the neighboring Duchy of Saxe-Gotha-Altenburg and gave up Saalfeld to Saxe-Meiningen, becoming Saxe-Coburg-Gotha. Ln 1795, at just five years old, Leopold was given a commission of the rank of colonel in the Izmaylovsky Regiment, part of the Imperial Guard. Seven years later, he received a promotion to the rank of Major General, when French troops occupied the Duchy of Saxe-Coburg in 1806 during the Napoleonic Wars, Leopold went to Paris where he became part of the Imperial Court of Napoleon. Napoleon offered him the position of adjutant, but Leopold refused, instead, he went to Russia to take up a military career in the Imperial Russian cavalry, which was at war with France at the time. He campaigned against Napoleon and distinguished himself at the Battle of Kulm at the head of his cuirassier division, in 1815, by the time of the final defeat of Napoleon and, aged 25, reached the rank of lieutenant general. Leopold received British citizenship in 1815, on 2 May 1816, Leopold married Princess Charlotte of Wales at Carlton House in London. Charlotte was the legitimate child of the Prince Regent George. The same year he received a commission to the rank of Field Marshal. On 5 November 1817, Princess Charlotte gave birth to a stillborn son and she herself died the next day following complications. Despite Charlottes death, the Prince Regent granted Prince Leopold the British style of Royal Highness by Order in Council on 6 April 1818, from 1828 to 1829, Leopold had several-months long affair with the actress Caroline Bauer, who bore a striking resemblance to Charlotte
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J. M. W. Turner
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Joseph Mallord William Turner, RA was an English Romanticist landscape painter. Turner was considered a figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting and he is commonly known as the painter of light. Joseph Mallord William Turner was baptised on 14 May 1775, and it is generally believed he was born between late April and early May. Turner himself claimed he was born on 23 April, but there is no proof and he was born in Maiden Lane, Covent Garden, in London, England. His father, William Turner, was a barber and wig maker and his mother, Mary Marshall, came from a family of butchers. A younger sister, Mary Ann, was born in September 1778, the earliest known artistic exercise by Turner is from this period—a series of simple colourings of engraved plates from Henry Boswells Picturesque View of the Antiquities of England and Wales. Around 1786, Turner was sent to Margate on the north-east Kent coast, here he produced a series of drawings of the town and surrounding area foreshadowing his later work. Turner returned to Margate many times in later life, by this time, Turners drawings were being exhibited in his fathers shop window and sold for a few shillings. His father boasted to the artist Thomas Stothard that, My son, in 1789, Turner again stayed with his uncle who had retired to Sunningwell in Berkshire. A whole sketchbook of work from time in Berkshire survives as well as a watercolour of Oxford. The use of sketches on location, as the foundation for later finished paintings. By the end of 1789, he had begun to study under the topographical draughtsman Thomas Malton. Turner learned from him the tricks of the trade, copying and colouring outline prints of British castles. He would later call Malton My real master, topography was a thriving industry by which a young artist could pay for his studies. In the same year of 1789 he entered the Royal Academy of Art schools, when he was 14 years old, Sir Joshua Reynolds, president of the Royal Academy, chaired the panel that admitted him. At first Turner showed a keen interest in architecture, but was advised by the architect Thomas Hardwick to continue painting and his first watercolour painting A View of the Archbishops Palace, Lambeth was accepted for the Royal Academy summer exhibition of 1790 when Turner was 15. As a probationer in the academy, he was drawing from plaster casts of antique sculptures
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Samuel Taylor Coleridge
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Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan and his critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many words and phrases, including suspension of disbelief. He was an influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life Coleridge had crippling bouts of anxiety and depression, it has been speculated that he had bipolar disorder and he was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction, Coleridge was born on 21 October 1772 in the town of Ottery St Mary in Devon, England. He had previously been Master of Hugh Squiers School in South Molton, Devon, John Coleridge had three children by his first wife. Samuel was the youngest of ten by the Reverend Mr. Coleridges second wife, Anne Bowden, probably the daughter of John Bowden, Mayor of South Molton, Devon, Coleridge suggests that he took no pleasure in boyish sports but instead read incessantly and played by himself. At that school Coleridge became friends with Charles Lamb, a schoolmate, in fancy I can almost hear him now, exclaiming Harp. Pen and ink, boy, you mean, oh aye. the cloister-pump, I suppose. Be this as it may, there was one custom of our masters and he would often permit our theme exercises. To accumulate, till each lad had four or five to be looked over, throughout his life, Coleridge idealised his father as pious and innocent, while his relationship with his mother was more problematic. His childhood was characterised by attention seeking, which has linked to his dependent personality as an adult. He was rarely allowed to return home during the term. He later wrote of his loneliness at school in the poem Frost at Midnight, With unclosed lids, from 1791 until 1794, Coleridge attended Jesus College, Cambridge. In 1792, he won the Browne Gold Medal for an ode that he wrote on the slave trade, afterwards, he was rumoured to have had a bout of severe depression. His brothers arranged for his discharge a few months later under the reason of insanity and he was readmitted to Jesus College, at Jesus College, Coleridge was introduced to political and theological ideas then considered radical, including those of the poet Robert Southey. Coleridge joined Southey in a plan, soon abandoned, to found a utopian society, called Pantisocracy
