1.
Prussia
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Prussia was a historic state originating out of the Duchy of Prussia and the Margraviate of Brandenburg, and centred on the region of Prussia. For centuries, the House of Hohenzollern ruled Prussia, successfully expanding its size by way of an unusually well-organised, Prussia, with its capital in Königsberg and from 1701 in Berlin, shaped the history of Germany. In 1871, German states united to create the German Empire under Prussian leadership, in November 1918, the monarchies were abolished and the nobility lost its political power during the German Revolution of 1918–19. The Kingdom of Prussia was thus abolished in favour of a republic—the Free State of Prussia, from 1933, Prussia lost its independence as a result of the Prussian coup, when the Nazi regime was successfully establishing its Gleichschaltung laws in pursuit of a unitary state. Prussia existed de jure until its liquidation by the Allied Control Council Enactment No.46 of 25 February 1947. The name Prussia derives from the Old Prussians, in the 13th century, the Teutonic Knights—an organized Catholic medieval military order of German crusaders—conquered the lands inhabited by them. In 1308, the Teutonic Knights conquered the region of Pomerelia with Gdańsk and their monastic state was mostly Germanised through immigration from central and western Germany and in the south, it was Polonised by settlers from Masovia. The Second Peace of Thorn split Prussia into the western Royal Prussia, a province of Poland, and the part, from 1525 called the Duchy of Prussia. The union of Brandenburg and the Duchy of Prussia in 1618 led to the proclamation of the Kingdom of Prussia in 1701, Prussia entered the ranks of the great powers shortly after becoming a kingdom, and exercised most influence in the 18th and 19th centuries. During the 18th century it had a say in many international affairs under the reign of Frederick the Great. During the 19th century, Chancellor Otto von Bismarck united the German principalities into a Lesser Germany which excluded the Austrian Empire. At the Congress of Vienna, which redrew the map of Europe following Napoleons defeat, Prussia acquired a section of north western Germany. The country then grew rapidly in influence economically and politically, and became the core of the North German Confederation in 1867, and then of the German Empire in 1871. The Kingdom of Prussia was now so large and so dominant in the new Germany that Junkers and other Prussian élites identified more and more as Germans and less as Prussians. In the Weimar Republic, the state of Prussia lost nearly all of its legal and political importance following the 1932 coup led by Franz von Papen. East Prussia lost all of its German population after 1945, as Poland, the main coat of arms of Prussia, as well as the flag of Prussia, depicted a black eagle on a white background. The black and white colours were already used by the Teutonic Knights. The Teutonic Order wore a white coat embroidered with a cross with gold insert
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Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
3.
Gothic Revival architecture
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Gothic Revival is an architectural movement that began in the late 1740s in England. Gothic Revival draws features from the original Gothic style, including decorative patterns, finials, scalloping, lancet windows, hood mouldings, the Gothic Revival movement emerged in 19th-century England. Its roots were intertwined with deeply philosophical movements associated with a re-awakening of High Church or Anglo-Catholic belief concerned by the growth of religious nonconformism, ultimately, the Anglo-Catholicism tradition of religious belief and style became widespread for its intrinsic appeal in the third quarter of the 19th century. The Gothic Revival was paralleled and supported by medievalism, which had its roots in antiquarian concerns with survivals, as industrialisation progressed, a reaction against machine production and the appearance of factories also grew. Proponents of the such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation, poems such as Idylls of the King by Alfred Tennyson, 1st Baron Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature, the Gothic Revival also had a grounding in literary fashions, guarino Guarini, a 17th-century Theatine monk active primarily in Turin, recognized the Gothic order as one of the primary systems of architecture and made use of it in his practice. Some of the earliest evidence of a revival in Gothic architecture is from Scotland, inveraray Castle, constructed from 1746, with design input from William Adam, displays the incorporation of turrets. These were largely conventional Palladian style houses that incorporated some features of the Scots baronial style. The eccentric landscape designer Batty Langley even attempted to improve Gothic forms by giving them classical proportions, a younger generation, taking Gothic architecture more seriously, provided the readership for J. Brittens series of Cathedral Antiquities, which began appearing in 1814. In 1817, Thomas Rickman wrote an Attempt. to name and define the sequence of Gothic styles in English ecclesiastical architecture, the categories he used were Norman, Early English, Decorated, and Perpendicular. It went through numerous editions and was still being republished by 1881. The largest and most famous Gothic cathedrals in the U. S. A. are St. Patricks Cathedral in New York City and Washington National Cathedral on Mount St. Alban in northwest Washington, D. C. One of the biggest churches in Gothic Revival style in Canada is Basilica of Our Lady Immaculate in Ontario, Gothic Revival architecture was to remain one of the most popular and long-lived of the Gothic Revival styles of architecture. The revived Gothic style was not limited to architecture, classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace ant lattice work were applied to a range of Gothic Revival objects. Sir Walter Scotts Abbotsford exemplifies in its furnishings the Regency Gothic style, parties in medieval historical dress and entertainment were popular among the wealthy in the 1800s but has spread in the late 20th century to the well-educated middle class as well. By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper, the illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery
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Berlin
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Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
5.
Franz Ludwig Catel
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Franz Ludwig Catel was a German painter. He spent most of his career in Rome, Catel was born at Berlin in 1778. He began his career by carving in wood, and then designed book illustrations, including, in 1799, ten plates for Goethes Hermann. He then worked in Indian ink and water-colours, producing in 1806 a large piece in the medium, representing The Death of Nicholas of Bernau. In 1807 he went to Paris, where he studied oil painting, the year 1812 found him at Rome, where his education as an artist was much advanced by his connection with Koch, Overbeck, Schadow, and Cornelius. His inclination led him more especially in the direction of painting landscapes with prominent architectural details or figures in the foreground often moving into the territory of genre painting. He attached himself to the new school of landscape, labouring especially to make his perspective tell effectively. His ideas gained much in point of breadth from a visit to Sicily and he settled at Macerata in 1830, but returned home on a visit in 1840, on which occasion a professorship was bestowed on him by the King of Prussia. Catels landscape subjects included The Moonlight View of the Colonnade of St. Peters, in the Berlin Gallery are two Neapolitan views, both painted in 1822, and in the New Pinakothek, Munich, are eight works by him, views in Italy. The success of his paintings made him enough to be able to set up. Media related to Franz Ludwig Catel at Wikimedia Commons Works in the Metropolitan Museum of Art
6.
Neuruppin
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Neuruppin is a town in Brandenburg, Germany, the administrative seat of Ostprignitz-Ruppin district. It is the birthplace of the novelist Theodor Fontane and therefore referred to as Fontanestadt. A garrison town since 1688 and largely rebuilt in a Neoclassical style after a fire in 1787. The town is located on the shore of the Ruppiner See, in the north, the hilly landscape of Ruppin Switzerland stretches up to the Rheinsberg Lake Region and the border with Mecklenburg-Vorpommern. It is part of the Stechlin-Ruppiner Land Nature Park, after several incorporations in 1993, Neuruppin today is one of Germanys largest municipalities by area. The shores of Ruppiner See were settled since the Stone Age, in the 9th century AD, Poggenwerder Island was the site of a Slavic gord and their lordship remained an immediate Imperial estate until its final incorporation into the neighbouring Margraviate of Brandenburg in 1524. The name Neuruppin means New Ruppin, as the settlement of Ruppin was located around the castle on the north-eastern shore of the Ruppiner See. In the early 13th century, when the settlement became too small for the growing population, Neuruppin on the western shore of the lake was established by the Lords of Lindow-Ruppin. First mentioned in a 1238 deed, it became the first establishment of the Dominican Order between the Elbe and Oder rivers, when the local noble Wichmann von Arnstein founded Neuruppin Abbey in 1246, today only the monastery church is still standing. Since the Protestant Reformation it is called St Trinitatis, Neuruppin received town privileges on 9 March 1256, town walls were erected and completed until the 15th century. In 1524 Ruppin Land was finally seized as a fief by the Hohenzollern Elector Joachim I Nestor of Brandenburg. The monastery was secularised in the course of the Reformation and its premises ceded to the Neuruppin citizens, the town was ravaged by the Thirty Years War, from about 1685 French Huguenot refugees settled here. In 1688 Neuruppin became a Brandenburg-Prussian garrison town, after a disastrous fire in 1787 the Neo-Classicism of the rebuilt towns buildings characterise its townscape to the present day. It remained a town until the late 20th century, since Soviet troops were stationed here until 1993. 1810–1816, Dr. Braun 1816–1822, Balthasar Friedrich Knoevenvogel 1822–1851, Ernst Adolph Bienengräber 1851–1888, Ch. L. G. Schulz 1949–1951, Joseph Robiné 1951–1953, the architect Joachim Ludwig Schultheiss von Unfriedt was possibly from Altruppin. Prussian general and military strategist Carl Phillip Gottlieb von Clausewitz, also resided in Neuruppin for a few years, media related to Neuruppin at Wikimedia Commons
7.
Margraviate of Brandenburg
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The Margraviate of Brandenburg was a major principality of the Holy Roman Empire from 1157 to 1806. Also known as the March of Brandenburg, it played a role in the history of Germany. Brandenburg developed out of the Northern March founded in the territory of the Slavic Wends and its ruling margraves were established as prestigious prince-electors in the Golden Bull of 1356, allowing them to vote in the election of the Holy Roman Emperor. The state thus became known as Electoral Brandenburg or the Electorate of Brandenburg. The House of Hohenzollern came to the throne of Brandenburg in 1415, under Hohenzollern leadership, Brandenburg grew rapidly in power during the 17th century and inherited the Duchy of Prussia. The resulting Brandenburg-Prussia was the predecessor of the Kingdom of Prussia, although the electors highest title was King in/of Prussia, their power base remained in Brandenburg and its capital Berlin. Although the Margraviate of Brandenburg ended with the dissolution of the Holy Roman Empire in 1806, despite its meager beginnings in the Holy Roman Empire, the Hohenzollern Kingdom of Prussia achieved the unification of Germany and the creation of the German Empire in 1871. The Mark Brandenburg is still used today to refer to the federal state of Brandenburg in the Federal Republic of Germany. The territory of the margraviate, commonly known as the Mark Brandenburg, lies in present-day eastern Germany. Geographically it encompassed the majority of the present-day German states Brandenburg and Berlin, the Altmark, parts of the present-day federal state Brandenburg, such as Lower Lusatia and territory which had been Saxon until 1815, were not parts of the Mark. Colloquially but not accurately, the federal state Brandenburg is sometimes identified as the Mark or Mark Brandenburg, the region was formed during the ice age and characterized by moraines, glacial valleys, and numerous lakes. The territory is known as a Mark or march because it was a county of the Holy Roman Empire. The Mark is defined by two uplands and two depressions, the depressions are taken up by rivers and chains of lakes with marsh and boggy soil along the shores, once used for peat collection, the riverbanks are now mostly drained and dry. The Northern or Baltic Uplands of the Mecklenburg Lake Plateau have only minor extensions into Brandenburg, the southern depression is generally to the north of this ridge and appears strikingly in the Spreewald. Between these two depressions is a low plateau that extends from the Poznań area westward to Brandenburg through Torzym, the Spree plateau, the region is predominantly marked by dry, sandy soil, wide stretches of which have pine trees and erica plants, or heath. However, the soil is loamy in the uplands and plateaus and, Mark Brandenburg has a cool, continental climate, with temperatures averaging near 0 °C in January and February and near 18 °C in July and August. Precipitation averages between 500 mm and 600 mm annually, with a modest summer maximum, by the 8th century, Slavic Wends, such as the Sprevjane and Hevelli, started to move into the Brandenburg area. They intermarried with Saxons and Bohemians, the Bishoprics of Brandenburg and Havelberg were established at the beginning of the 10th century
8.
Friedrich Gilly
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Friedrich David Gilly was a German architect and the son of the architect David Gilly. Born in Altdamm, Pomerania, Gilly was known as a prodigy, in 1788 he enrolled at the Akademie der Bildenden Künste in Berlin. His teachers there included Carl Gotthard Langhans and Johann Gottfried Schadow, in 1797 Gilly travelled extensively in France, England, and Austria. The drawings he made in France reveal his interests in architecture, beginning in 1799 Schinkel lived in the Gilly household at Berlin and was taught by Friedrich and Friedrichs architect father David Gilly. Gilly was appointed professor at the Berlin Bauakademie at the age of 26, of his built designs, only one survives, the ruinous Greek Revival mausoleum at Dyhernfurth near Breslau, in the form of a prostyle Greek temple. Gilly died from tuberculosis at the age of 28 in Karlsbad, Friedrich Gillys works Fritz Neumeyer Introduction to Friedrich Gilly, Essays on Architecture 1796-17991994 Bust of Gilly
9.
Caspar David Friedrich
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Caspar David Friedrich was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic or megalithic ruins. His primary interest as an artist was the contemplation of nature, Friedrich was born in the Pomeranian town of Greifswald at the Baltic Sea, where he began his studies in art as a young man. He studied in Copenhagen until 1798, before settling in Dresden and he came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. Friedrichs work brought him early in his career, and contemporaries such as the French sculptor David dAngers spoke of him as a man who had discovered the tragedy of landscape. Nevertheless, his work fell from favour during his years, and he died in obscurity. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his paintings and sculptures in Berlin. By the 1920s his paintings had been discovered by the Expressionists and it was not until the late 1970s that Friedrich regained his reputation as an icon of the German Romantic movement and a painter of international importance. Caspar David Friedrich was born on 5 September 1774, in Greifswald, Swedish Pomerania, the sixth of ten children, he was brought up in the strict Lutheran creed of his father Adolf Gottlieb Friedrich, a candle-maker and soap boiler. Records of the financial circumstances are contradictory, while some sources indicate the children were privately tutored. Caspar David was familiar with death from an early age and his mother, Sophie Dorothea Bechly, died in 1781 when he was just seven. A year later, his sister Elisabeth died, while a sister, Maria. Some accounts suggest that Johann Christoffer perished while trying to rescue Caspar David, Quistorp took his students on outdoor drawing excursions, as a result, Friedrich was encouraged to sketch from life at an early age. Through Quistorp, Friedrich met and was influenced by the theologian Ludwig Gotthard Kosegarten. Quistorp introduced Friedrich to the work of the German 17th-century artist Adam Elsheimer, whose works often included religious subjects dominated by landscape, during this period he also studied literature and aesthetics with Swedish professor Thomas Thorild. Four years later Friedrich entered the prestigious Academy of Copenhagen, where he began his education by making copies of casts from antique sculptures before proceeding to drawing from life, living in Copenhagen afforded the young painter access to the Royal Picture Gallerys collection of 17th-century Dutch landscape painting. At the Academy he studied under such as Christian August Lorentzen. Mood was paramount, and influence was drawn from sources as the Icelandic legend of Edda
10.
Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood, already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, while visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame, during his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his death have been much mythologized. He was survived by his wife Constanze and two sons and he composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote, posterity will not see such a talent again in 100 years. Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart and Anna Maria, née Pertl and this was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy and his elder sister was Maria Anna Mozart, nicknamed Nannerl. Mozart was baptized the day after his birth, at St. Ruperts Cathedral in Salzburg, the baptismal record gives his name in Latinized form, as Joannes Chrysostomus Wolfgangus Theophilus Mozart. He generally called himself Wolfgang Amadè Mozart as an adult, Leopold Mozart, a native of Augsburg, Germany, was a minor composer and an experienced teacher. In 1743, he was appointed as fourth violinist in the establishment of Count Leopold Anton von Firmian. Four years later, he married Anna Maria in Salzburg, Leopold became the orchestras deputy Kapellmeister in 1763. During the year of his sons birth, Leopold published a textbook, Versuch einer gründlichen Violinschule. When Nannerl was 7, she began lessons with her father. Years later, after her brothers death, she reminisced, He often spent much time at the clavier, picking out thirds, which he was ever striking, and his pleasure showed that it sounded good. In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and he could play it faultlessly and with the greatest delicacy, and keeping exactly in time. At the age of five, he was composing little pieces
Chisholm, Hugh, ed. (1911). "Schinkel, Karl Friedrich". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Chisholm, Hugh, ed. (1911). "