1.
Oracle bone script
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The vast majority were found at the Yinxu site. They record pyromantic divinations of the last nine kings of the Shang dynasty, beginning with Wu Ding, whose accession is dated by different scholars at 1250 BCE or 1200 BCE. After the Shang were overthrown by the Zhou dynasty in c.1046 BCE, divining with milfoil became more common and it is also the oldest known member and ancestor of the Chinese family of scripts, preceding the bronzeware script. The term oracle bone was first coined by the American missionary Frank H. Chalfant in his 1906 book Early Chinese Writing, because turtle shells as well as bones were used, the oracle bone script is also sometimes called shell and bone script. As the majority of oracle bones bearing writing date to the late Shang dynasty and it is certain that Shang-lineage writing underwent a period of development before the Anyang oracle bone script, because of its mature nature. However, no significant quantity of clearly identifiable writing from before or during the early to middle Shang cultural period has been discovered, the oracle bone script of the late Shang appears pictographic, as does its contemporary, the Shang writing on bronzes. The earliest oracle bone script appears even more so than examples from late in the period, additionally, the writing of characters in vertical columns, from top to bottom, is for the most part carried over from the bamboo books to oracle bone inscriptions. The vertical columns of text in Chinese writing are traditionally ordered from right to left and this level of maturity clearly implies an earlier period of development of at least several hundred years. Compare, for instance, the third and fourth graphs in the row below, without careful research to compare these to later forms, one would probably not know that these represented 豕 shĭ swine and 犬 quǎn dog respectively. By the late Shang oracle bone script, the graphs had already evolved into a variety of mostly non-pictographic functions, phonetic loan graphs, semantic-phonetic compounds, and associative compounds were already common. Although it was a fully functional writing system, the oracle bone script was not fully standardized, a graph when inverted horizontally generally refers to the same word, and additional components are sometimes present without changing the meaning. These irregularities persisted until the standardization of the script in the Qin dynasty. Of the thousands of characters found from all the fragments so far. One reason for this is that components of certain oracle bone script characters may differ in later script forms, such differences may be accounted for by character simplification and/or by later generations misunderstanding the original graph, which had evolved beyond recognition. Another reason is that some characters exist only in oracle bone script, in such cases, context - when available - may be used to determine the possible meaning of the character. One good example is shown in the fragment below, labeled oracle bone script for Spring, the top left character in this image has no known modern Chinese counterpart. One of the better known characters however is shown directly beneath it looking like an isosceles triangle with a line cutting through the upper portion. This is the oracle bone script character for 王 wáng, the numbers of oracle bones with inscriptions contemporaneous with the end of Shang and the beginning of Zhou is relatively few in number compared with the entire corpus of Shang inscriptions
2.
Kanji
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Kanji, or kanji, are the adopted logographic Chinese characters that are used in the modern Japanese writing system along with hiragana and katakana. The Japanese term kanji for the Chinese characters literally means Han characters and is using the same characters as the Chinese word hànzì. Chinese characters first came to Japan on official seals, letters, swords, coins, mirrors, the earliest known instance of such an import was the King of Na gold seal given by Emperor Guangwu of Han to a Yamato emissary in 57 AD. Chinese coins from the first century AD have been found in Yayoi-period archaeological sites, however, the Japanese of that era probably had no comprehension of the script, and would remain illiterate until the fifth century AD. The earliest Japanese documents were written by bilingual Chinese or Korean officials employed at the Yamato court. For example, the correspondence from King Bu of Wa to Emperor Shun of Liu Song in 478 has been praised for its skillful use of allusion. Later, groups of people called fuhito were organized under the monarch to read, during the reign of Empress Suiko, the Yamato court began sending full-scale diplomatic missions to China, which resulted in a large increase in Chinese literacy at the Japanese court. The Japanese language had no form at the time Chinese characters were introduced. Chinese characters also came to be used to write Japanese words, around 650 CE, a writing system called manyōgana evolved that used a number of Chinese characters for their sound, rather than for their meaning. Manyōgana written in cursive style evolved into hiragana, or onna-de, that is, ladies hand, major works of Heian-era literature by women were written in hiragana. Katakana emerged via a path, monastery students simplified manyōgana to a single constituent element. Thus the two writing systems, hiragana and katakana, referred to collectively as kana, are descended from kanji. Katakana are mostly used for representing onomatopoeia, non-Japanese loanwords, the names of plants and animals, and for emphasis on certain words. In 1946, following World War II and under the Allied Occupation of Japan and this was done with the goal of facilitating learning for children and simplifying kanji use in literature and periodicals. The number of characters in circulation was reduced, and formal lists of characters to be learned during each grade of school were established, some characters were given simplified glyphs, called shinjitai. Many variant forms of characters and obscure alternatives for common characters were officially discouraged and these are simply guidelines, so many characters outside these standards are still widely known and commonly used, these are known as hyōgaiji. The kyōiku kanji are 1,006 characters that Japanese children learn in elementary school, originally the list only contained 881 characters. This was expanded to 996 characters in 1977 and it was not until 1982 the list was expanded to its current size
3.
Jurchen people
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The Jurchen established the Jin Dynasty, whose empire conquered the Northern Song in 1127, gaining control of most of North China. Jin control over China lasted until their 1234 conquest by the Mongols, the Manchus would later conquer the Ming and establish the Qing Dynasty, which ruled China until their overthrow in 1911. The obscurity of the origin of the Jurchen is reflected in the confusion surrounding their name and it is recorded variously in different languages and different eras. The apparently cognate ethnonyms Sushen and Jizhen are recorded in ancient Chinese geographical works like the Classic of Mountains and Seas, the present name dates back to at least the 10th century, when Balhae was destroyed by the Khitans. It was the source of Fra Mauros Zorça and Marco Polos Ciorcia, vajda considers that the Jurchens name probably derives from the Tungusic words for reindeer people and is cognate with the names of the Orochs of Khabarovsk Province and the Oroks of Sakhalin. In Manchu, this word was often used to describe the serfs—though not slaves—of the free Manchu people. To describe the people who founded the Jin dynasty, they reborrowed the Mongolian name as Jurcit. The initial Khitan form of the name was said to be Lüzhen, at the same time, the Jurchen were interchangeably known as the Nrjo-drik. Aisin Gioro, however, argues that this was a folk etymology. Under the Liao, a distinction was made between the Charted Jurchens who submitted to their rule and the Uncharted Jurchens who lived beyond their frontier. The former were divided into the Jianzhou and Haixi Jurchens and the latter included the Yeren Jurchens, in earlier records, this area was known as the home of the Sushen, the Yilou, the Wuji, and the Mohe or Malgal. Under the Qing and within modern scholarship, some sources stress the continuity between these peoples with the Jurchen but this remains conjectural. The Tungusic Mohe tribes were subjects of the Korean state of Balhae, the Mohe enjoyed eating pork, practiced pig farming extensively, and were mainly sedentary. They used both pig and dog skins for coats and they were predominantly farmers and grew soybean, wheat, millet, and rice in addition to hunting. By the 11th century, the Jurchens had become vassals of the Khitan rulers of the Liao dynasty, the Jin dynasty captured the Northern Song dynastys capital, Bianjing, in 1127. The name of the Jurchens dynasty—the Chinese word for gold—derived from the Gold River in their ancestral homeland, at first, the Jurchen tribesmen were kept in readiness for warfare, but decades of urban and settled life in China eroded their original warlike lifestyle in Manchurian tundra and marshes. Eventually, intermarriage with other groups in China was permitted. The Jin rulers themselves came to follow Confucian norms, by 1215, after losing much territory to the Mongols, the Jurchens moved their capital south from Zhongdu to Kaifeng
4.
Epitaph
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An epitaph is a short text honouring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in verse, poets have been known to compose their own epitaphs prior to their death. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with an expression of love or respect—for example. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines, it celebrates the virtues of an honored wife, some are quotes from holy texts, or aphorisms. One approach of many epitaphs is to speak to the reader, a wry trick of others is to request the reader to get off their resting place, inasmuch as the reader would have to be standing on the ground above the coffin to read the inscription. Nearly all note name, year or date of birth, many list family members and the relationship of the deceased to them. Heroes and Kings your distance keep, In peace let one poor poet sleep, Who never flattered folks like you, Let Horace blush, — Alexander Pope Wir müssen wissen. — David Hilbert He never killed a man that did not need killing, — Clay Allison Here lies One whose Name was writ in Water — John Keats Undefeated — Hans-Joachim Marseille And the beat goes on. — Sonny Bono Sleep after toyle, port after stormie seas, Ease after warre, death after life, — Joseph Conrad Thats all folks. — Mel Blanc Ive finally stopped getting dumber, — Paul Erdős Go tell the Spartans, stranger passing by that here, obedient to their law, we lie. — Simonidess epigram at Thermopylae I told you I was ill, — Spike Milligan Here sleeps at peace a Hampshire Grenadier Who caught his early death by drinking cold small beer. Soldiers, be wise at his fall, And when youre hot. — Thomas Thetcher tombstone epitaph in Winchester Cathedral To save your world you asked this man to die, Would this man, could he see you now, ask why. — Epitaph for the Unknown Soldier, written by W. H. Auden There is borne an empty hearsecovered over for such as appear not. Heroes have the earth for their tomb. — Unknown Soldiers epitaph, Athens, passages taken from Pericles Funeral Oration Against you I will fling myself, unvanquished and unyielding, O Death. — Virginia Woolf Good frend for Iesvs sake forebeare, To digg the dvst encloased heare. Bleste be man spares thes stones, Good friend for Jesus sake forbear, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he moves my bones
5.
Monument
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The term monument is often applied to buildings or structures that are considered examples of important architectural and/or cultural heritage. Monuments have been created for thousands of years, and they are often the most durable, in more recent times, monumental structures such as the Statue of Liberty and Eiffel Tower have become iconic emblems of modern nation-states. The term monumentality relates to the status and physical presence of a monument. Monuments are frequently used to improve the appearance of a city or location, planned cities such as Washington D. C. New Delhi and Brasília are often built around monuments, for example, the Washington Monuments location was conceived by LEnfant to help organize public space in the city, before it was designed or constructed. Older cities have monuments placed at locations that are important or are sometimes redesigned to focus on one. As Shelley suggested in his famous poem Ozymandias, the purpose of monuments is often to impress or awe. Structures created for purposes that have been made notable by their age. This can happen because of age and size, as in the case of the Great Wall of China. Monuments are also designed to convey historical or political information. They can be used to reinforce the primacy of political power. The social meanings of monuments are rarely fixed and certain and are contested by different social groups. This contention of meaning is a theme of modern post processual archaeological discourse. Until recently, it was customary for archaeologists to study large monuments, New ideas about what constitutes the archaeological record have revealed that certain legislative and theoretical approaches to the subject are too focused on earlier definitions of monuments. An example has been the United Kingdoms Scheduled Ancient Monument laws, recently, more and more monuments are being preserved digitally through organisations as CyArk. Cenotaphs and other memorials to commemorate the dead, usually war casualties, e. g. India Gate and Vimy Ridge Memorial, or disaster casualties, such as the Titanic Memorial, Belfast. Church monuments to commemorate the dead, located above or near their grave, often featuring an effigy, columns, often topped with a statue, e. g. Berlin Victory Column, Nelsons Column in London, and Trajans Column in Rome. Gravestones, small monuments to the deceased, placed at their gravesites, e. g. the tombs and vaults of veterans in Les Invalides, mausoleums and tombs to honor the dead, e. g. the Great Pyramid of Giza and Taj Mahal
6.
Liaoning
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Liaoning is a province of China, located in the northeast of the country. The modern province was established in 1907 as Fengtian or Fengtien province and it was also known as Mukden province at the time, for the Manchu pronunciation of Shengjing, the former name of the provincial capital Shenyang. Under the Japanese-puppet Manchukuo regime, the province reverted to its 1907 name but the name Liaoning was restored in 1945, Liaoning is the southernmost part of Manchuria, the Chinese Northeast. The Yalu River marks its border with North Korea, emptying into the Korea Bay between Dandong in Liaoning and Sinuiju in North Korea, the characters forming the provinces modern Chinese name are 辽 and 宁. They are the forms of the traditional characters 遼 and 寧. The first character literally means far, distant but is actually a reference to the Liao River which flows through the territory. The second literally means peace, calm but in such Chinese place names actually has the sense of pacified, made peaceful, here in reference to the turbulent situation of Manchuria in the late 1920s. In both English and Chinese, however, it is most common to gloss the name as the more literal Peace on the Liao, the provinces one-character abbreviation in Chinese is 辽. Liaoning is located in the part of Northeast China. In the past, it formed part of Korean kingdoms as Gojoseon, Goguryeo, and Balhae, as well as Chinese polities such as the Yan State and it was also inhabited by non-Han peoples such as Xiongnu, Donghu, Xianbei. In addition, the Khitan, Jurchen, Mongol Empire and Northern Yuan ruled Liaoning, the Ming Empire took control of Liaoning in 1371, just three years after the expulsion of the Mongols from Beijing. Around 1442, a wall was constructed to defend the agricultural heartland of the province from a potential threat from the Jurchen-Mongol Oriyanghan from the northwest. Between 1467 and 1468, the wall was expanded to protect the region from the northeast as well, although similar in purpose to the Great Wall of China, this Liaodong Wall was of a lower-cost design. While stones and tiles were used in parts, most of the wall was in fact simply an earth dike with moats on both sides. Despite the Liaodong Wall, the Manchus conquered Liaodong, or eastern Liaoning, in the early 17th century, decades before the rest of China fell to them. The Manchu dynasty, styled Later Jin, established its capital in 1616–1621 in Xingjing and it was moved to Dongjing, and finally in 1625 to Shengjing. Although the main Qing capital was moved from Shengjing to Beijing after it fell to the Qing in 1644, in the Governors words, Tieling and Fushun only have a few vagrants. West of the Liaohe, only Ningyuan, Jinzhou, and Guangning had any significant populations remaining, in the latter half of the seventeenth century, the imperial Qing government recruited migrants from south of the Great Wall to settle the relatively sparsely populated area of Fengtian Province
7.
Stone rubbing
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Stone rubbing is the practice of creating an image of surface features of a stone on paper. The image records features such as textures, inscribed patterns or lettering. By rubbing hard rendering materials over the paper, pigment is deposited over protrusions and on edges, common rendering materials include charcoal, wax, graphite or inksticks. Over time, the practice of stone rubbing can cause permanent damage to cultural monuments due to abrasion, for an artist, stone rubbings can become an entire body of creative work that is framed and displayed. The paper that has been used by Chinese scholars to transfer the calligraphy from stones is made from plant fiber and it can be used in two ways to retrieve the calligraphy. One way requires the paper to be dry and then adhered to the stone through a paste made with water, the paper is then tamped into the engravings on the stone. The other technique requires the paper to be wet and tamped into the engravings without a paste. After doing either of these techniques, an ink, created through grinding an ink stick, the ink is stippled on with a cloth filled with the ink. The ink covers the paper without sinking into the engravings, when the paper is peeled off, the calligraphy engravings come out white, while everything else is black from the ink. More commonly, people use butcher paper to create stone rubbings, the butcher paper is usually taped on to the stone or grave, which contains the inscription desired, with either masking or paint tape. Then, usually, charcoal or crayon is rubbed over the stone or grave, when the butcher paper is removed, the inscriptions should be readable because they are not marked with the crayon. It can be helpful to clean the stone beforehand, to ensure optimum results, a soft brush and water is usually what works best to cleanse the stones. One should not use stiff or hard brushes, as they can scratch the stone, also, one should not use cleaning solutions or mild detergents on the stones, as they can damage the stone. When stone rubbing, one should be careful with stones that are deteriorating, gravestone rubbing also applies this technique to gravestones, often as a method of retrieving and conserving information about genealogy. For a genealogist, a gravestone rubbing may become a permanent record of death when a gravestone is rapidly deteriorating, rubbings are commonly made by visitors to the US Vietnam Veterans Memorial. Visitors use pencil and paper to copy the name of a member or friend who died during the Vietnam War off of the wall. The rubbing forms a type of souvenir, gravestone rubbing can be used to teach about local history. The stone’s condition, art, and inscription can tell what was going on in an area at a specific time, studying multiple gravestones in one specific area can give even more information about history
8.
Codex
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A codex is a book constructed of a number of sheets of paper, vellum, papyrus, or similar materials, with hand-written contents. The book is bound by stacking the pages and fixing one edge. Some codices are continuously folded like a concertina, the alternative to paged codex format for a long document is the continuous scroll. Examples of folded codices include the Maya codices, sometimes people use the term for a book-style format, including modern printed books but excluding folded books. The Romans developed the form from wooden writing tablets, the codexs gradual replacement of the scroll—the dominant book form in the ancient world—has been called the most important advance in book making before the invention of printing. The codex transformed the shape of the book itself, and offered a form that lasted for centuries, the spread of the codex is often associated with the rise of Christianity, which adopted the format for use with the Bible early on. In fact, any combination of codices and scrolls with papyrus and parchment is technically feasible, the codex began to replace the scroll almost as soon as it was invented. In Egypt, by the century, the codex outnumbered the scroll by ten to one based on surviving examples. By the sixth century, the scroll had almost vanished as a medium for literature, technically, even modern paperbacks are codices, but publishers and scholars reserve the term for manuscript books produced from Late antiquity until the Middle Ages. The scholarly study of manuscripts from the point of view of the bookbinding craft is called codicology. The study of ancient documents in general is called paleography, the Romans used precursors made of reusable wax-covered tablets of wood for taking notes and other informal writings. Two ancient polyptychs, a pentatych and octotych, excavated at Herculaneum used a connecting system that presages later sewing on of thongs or cords. Julius Caesar may have been the first Roman to reduce scrolls to pages in the form of a note-book. At the turn of the 1st century AD, a kind of folded parchment notebook called pugillares membranei in Latin became commonly used for writing in the Roman Empire, theodore Cressy Skeat theorized that this form of notebook was invented in Rome and then spread rapidly to the Near East. Codices are described in works by the Classical Latin poet. He wrote a series of five couplets meant to accompany gifts of literature that Romans exchanged during the festival of Saturnalia. ”Early codices of parchment or papyrus appear to have widely used as personal notebooks. The parchment notebook pages were commonly washed or scraped for re-use and consequently, writings in a codex were often considered informal, as early as the early 2nd century, there is evidence that a codex—usually of papyrus—was the preferred format among Christians. In the library of the Villa of the Papyri, Herculaneum, however, in the Nag Hammadi library, hidden about AD390, all texts are codices
9.
Seal (emblem)
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A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, a wrapper for one such as a modern envelope, the seal-making device is also referred to as the seal matrix or die, the imprint it creates as the seal impression. In most traditional forms of dry seal the design on the matrix is in intaglio. The design on the impression will reverse that of the matrix and this will not be the case if paper is embossed from behind, where the matrix and impression read the same way, and both matrix and impression are in relief. However engraved gems were carved in relief, called cameo in this context. The process is essentially that of a mould and these pendent seal impressions dangled below the documents they authenticated, to which the attachment tag was sewn or otherwise attached. Some jurisdictions consider rubber stamps or specified signature-accompanying words such as seal or L. S. to be the equivalent of, i. e. an equally effective substitute for. In Europe, although coats of arms and heraldic badges may well feature in such contexts as well as on seals, the study of seals is known as sigillography or sphragistics. Seals were used in the earliest civilizations and are of importance in archaeology. In ancient Mesopotamia carved or engraved cylinder seals in stone or other materials were used and these could be rolled along to create an impression on clay, and used as labels on consignments of trade goods, or for other purposes. They are normally hollow and it is presumed that they were worn on a string or chain round the neck, many have only images, often very finely carved, with no writing, while others have both. From Ancient Egypt seals in the form of signet-rings, including some with the names of kings, have been found, recently, seals have come to light in South Arabia datable to the Himyarite age. One example shows a name written in Aramaic engraved in reverse so as to read correctly in the impression, from the beginning of the 3rd millennium BC until the Middle Ages, seals of various kinds were in production in the Aegean islands and mainland Greece. In the Early Minoan age these were formed of stone and ivory. By the Middle Minoan age a new set for seal forms, motifs, hard stone requires new rotary carving techniques. The Late Bronze Age is the par excellence of the lens-shaped seal and the seal ring. These were a luxury art form and became keenly collected. His collection fell as booty to Pompey the Great, who deposited it in a temple in Rome, engraved gems continued to be produced and collected until the 19th century
10.
Khitan people
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They spoke the Khitan language, which is related to the Mongolic languages. As the Liao dynasty, they dominated a vast area north of and including parts of China, There is no consensus on the etymology of the name of Khitan. Feng Jiasheng argues that it comes from the Yuwen chieftains names, zhao Zhenji thinks that the term originated from Xianbei and means a place where Xianbei had resided. Japanese people scholar Otagi Matsuo considers Khitans original name is Xidan, various forms of the word Khitan survive in the many languages as the name of China. The use of the name Khitai to mean China or Chinese in such Turkic languages as Uyghur is considered pejorative by the Han Chinese and they have different stories about their origin. According to Khitan records, their ancestor was Qishou Khagan. Qishou Khagan was a man riding a white horse who floated down the Laoha River and met Kedun. At the intersection of the two rivers, at the foot of the holy Muye Mountain, they met and mated, giving birth to eight sons, a temple with portraits of Khitan ancestors was built on Mount Muye their holiest mountain. The Qidan Guozhi records a Khitan legend in its preface, There was a chief called Naihe and this chief was nothing but a skull hidden under a rug in a round felt tent, so that he was invisible. Only when something serious had happened in his state, a horse and a gray ox were sacrificed to him, then he took on a human figure. After the affairs had been settled, he returned to the tent and he disappeared, for his countrymen peeped at him. Then there was another chief called Waihe who was living in a round felt tent. He wore a head and was clad in pigskin. When there was an action he came out, then he retired, later it happened that his wife stole his pigskin, he abandoned her and nobody knew where he went. Then there was one called Zhouli Hunhe. Each day he ate nineteen and had one left. These three chiefs were known for their abilities in running their state. In 630, Tang Taizong received the capitulation in southern Manchuria, from the 5th to the 8th centuries, they were dominated by the steppe power to their West and the Chinese to their south
11.
Liao dynasty
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The Liao dynasty was founded by Abaoji, Khagan of the Khitan people around the time of the collapse of Tang China. It was the first state to all of Manchuria. Almost immediately after its founding, the Liao dynasty began a process of territorial expansion, tension between traditional Khitan social and political practices and Chinese influence and customs was a defining feature of the dynasty. So different were Khitan and Chinese practices that Abaoji set up two parallel governments, Khitan women were taught to hunt, managed family property, and held military posts. Many marriages were not arranged, women were not required to be virgins at their first marriage, the Liao dynasty was destroyed by the Jurchen people of the Jin dynasty in 1125 with the capture of Emperor Tianzuo of Liao. However, the remnant Khitan, led by Yelü Dashi, established the Qara Khitai, the Liao dynasty was officially known as the Khitan（now known as Cathay） or Khitan state in 916. The name Great Liao began to appear as the name between 936 and 947. The dynasty name Liao means iron, but it refers to the Liao River in southern Manchuria. Since 983 the state became known as the Khitan, but Great Liao reappeared as the country name in 1066. Neither the origins, ethnic makeup, nor early history of the Khitans are well documented in historical records, the earliest reference to a Khitan state is found in the Book of Wei, a history of the Northern Wei Dynasty that was completed in 554. Several books written after 554 mention the Khitans as being active during the late third, the Book of Jin, a history of the Jin dynasty, refers to the Khitans in the section covering the reign of Murong Sheng. Samguk Sagi, a history of the Three Kingdoms of Korea, Twitchett and Klaus-Peter Tietze, it is generally held that the Khitans emerged from the Yuwen branch of the Xianbei people. Following a defeat at the hands of another branch of the Xianbei in 345, in 388 the Kumo Xi itself split, with one group remaining under the name Kumo Xi and the other group becoming the Khitans. This view is backed up by the Book of Wei. There are also several competing theories on the origin of the Khitans, beginning in the Song dynasty, some Chinese scholars suggested that the Khitans might have descended from the Xiongnu people. While modern historians have rejected the idea that the Khitan were solely Xiongnu in origin, there is support for the claim that they are of mixed Xianbei. By the time the Book of Wei was written in 554, the Khitans suffered a series of military defeats to other nomadic groups in the region, as well as to the Chinese Northern Qi and Sui Dynasties. Khitan tribes at various times fell under the influence of Turkic tribes such as the Uighurs and Chinese dynasties such as the Sui and this influence would significantly shape Khitan language and culture
