1.
Mycenae
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Mycenae is an archaeological site in Greece, located about 90 kilometres southwest of Athens, in the north-eastern Peloponnese. Argos is 11 kilometres to the south, Corinth,48 kilometres to the north, from the hill on which the palace was located, one can see across the Argolid to the Saronic Gulf. In the second millennium BC, Mycenae was one of the centres of Greek civilization. The period of Greek history from about 1600 BC to about 1100 BC is called Mycenaean in reference to Mycenae, at its peak in 1350 BC, the citadel and lower town had a population of 30,000 and an area of 32 hectares. Although the citadel was built by Greeks, the name Mukanai is thought not to be Greek, legend has it that the name was connected to the Greek word mycēs. Thus, Pausanias ascribes the name to the legendary founder Perseus, the earliest written form of the name is Mykēnē, which is found in Homer. The reconstructed Mycenaean Greek name of the site is Mukānai, which has the form of a plural like Athānai, the change of ā to ē in more recent versions of the name is the result of a well-known sound change in later Attic-Ionic. An EH–MH settlement was discovered near a well on top of the Kalkani hill southwest of the acropolis. The first burials in pits or cist graves manifest in the MH period on the west slope of the acropolis, during the Bronze Age, the pattern of settlement at Mycenae was a fortified hill surrounded by hamlets and estates, in contrast to the dense urbanity on the coast. Richer grave goods mark the burials as possibly regal, mounds over the top contained broken drinking vessels and bones from a repast, testifying to a more than ordinary farewell. A walled enclosure, Grave Circle A, included six more shaft graves, with nine female, eight male, Grave goods were more costly than in Circle B. The presence of engraved and inlaid swords and daggers, with points and arrowheads, leave little doubt that warrior chieftains. Some art objects obtained from the graves are the Silver Siege Rhyton, the Mask of Agamemnon, the Cup of Nestor, Alan Wace divided the nine tholos tombs of Mycenae into three groups of three, each based on architecture. His earliest – the Cyclopean Tomb, Epano Phournos, and the Tomb of Aegisthus – are dated to LHIIA, burial in tholoi is seen as replacing burial in shaft graves. The care taken to preserve the shaft graves testifies that they were by then part of the royal heritage, being more visible, the tholoi all had been plundered either in antiquity, or in later historic times. Within these walls, much of which can still be seen, the final palace, remains of which are currently visible on the acropolis of Mycenae, dates to the start of LHIIIA,2. Earlier palaces must have existed, but they had cleared away or built over. The construction of palaces at that time with an architecture was general throughout southern Greece
2.
National Archaeological Museum, Athens
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The National Archaeological Museum in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world, the first national archaeological museum in Greece was established by prime minister of Greece Ioannis Kapodistrias in Aigina in 1829. The initial name for the museum was The Central Museum and it was renamed to its current name in 1881 by Prime Minister of Greece Charilaos Trikoupis. In 1887 the important archaeologist Valerios Stais became the museums curator, during World War II the museum was closed and the antiquities were sealed in special protective boxes and buried, in order to avoid their destruction and looting. In 1945 exhibits were displayed under the direction of Christos Karouzos. The south wing of the houses the Epigraphic Museum with the richest collection of inscriptions in the world. The inscriptions museum expanded between 1953 and 1960 with the designs of Patroklos Karantinos. The museum has an imposing neo-classical design which was popular in Europe at the time and is in accordance with the classical style artifacts that it houses. The initial plan was conceived by the architect Ludwig Lange and it was modified by Panagis Kalkos who was the main architect, Armodios Vlachos. At the front of the museum there is a large neo-classic design garden which is decorated with sculptures, the building has undergone many expansions. These expansions were necessary to accommodate the growing collection of artifacts. The most recent refurbishment of the museum more than 1.5 years to complete. The Minoan frescoes rooms opened to the public in 2005, on May 2008 the Culture Minister Mihalis Liapis inaugurated the much anticipated collection of Egyptian antiquities and the collection of Eleni and Antonis Stathatos. Today, there is a discussion regarding the need to further expand the museum to adjacent areas. A new plan has made for a subterranean expansion at the front of the museum. The museums collections are organised in sections, The prehistoric collection displays objects from the Neolithic era, Early and Mid-Bronze age, objects classified as Cycladic and Mycenaean art. There are ceramic finds from various important Neolithic sites such as Dimini and Sesclo from middle Helladic ceramics from Boeotia, Attica, some objects from Heinrich Schliemann excavations in Troy are also on display. Cycladic collection features the famous marble figurines from the Aegean islands of Delos and Keros including the Lutist, of great interest are the two golden cups from Vafeio showing a scene of the capture of a bull
3.
Iron Age
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The Iron Age is an archaeological era, referring to a period of time in the prehistory and protohistory of the Old World when the dominant toolmaking material was iron. It is commonly preceded by the Bronze Age in Europe and Asia with exceptions, meteoric iron has been used by humans since at least 3200 BC. Ancient iron production did not become widespread until the ability to smelt ore, remove impurities. The start of the Iron Age proper is considered by many to fall between around 1200 BC and 600 BC, depending on the region, the earliest known iron artifacts are nine small beads dated to 3200 BC, which were found in burials at Gerzeh, Lower Egypt. They have been identified as meteoric iron shaped by careful hammering, meteoric iron, a characteristic iron–nickel alloy, was used by various ancient peoples thousands of years before the Iron Age. Such iron, being in its metallic state, required no smelting of ores. Smelted iron appears sporadically in the record from the middle Bronze Age. While terrestrial iron is abundant, its high melting point of 1,538 °C placed it out of reach of common use until the end of the second millennium BC. Tins low melting point of 231, similarly, recent archaeological remains of iron working in the Ganges Valley in India have been tentatively dated to 1800 BC. By the Middle Bronze Age, increasing numbers of smelted iron objects appeared in the Middle East, Southeast Asia, African sites are turning up dates as early as 1200 BC. Modern archaeological evidence identifies the start of iron production in around 1200 BC. Between 1200 BC and 1000 BC, diffusion in the understanding of iron metallurgy and use of objects was fast. As evidence, many bronze implements were recycled into weapons during this time, more widespread use of iron led to improved steel-making technology at lower cost. Thus, even when tin became available again, iron was cheaper, stronger, and lighter, and forged iron implements superseded cast bronze tools permanently. Increasingly, the Iron Age in Europe is being seen as a part of the Bronze Age collapse in the ancient Near East, in ancient India, ancient Iran, and ancient Greece. In other regions of Europe, the Iron Age began in the 8th century BC in Central Europe, the Near Eastern Iron Age is divided into two subsections, Iron I and Iron II. Iron I illustrates both continuity and discontinuity with the previous Late Bronze Age, during the Iron Age, the best tools and weapons were made from steel, particularly alloys which were produced with a carbon content between approximately 0. 30% and 1. 2% by weight. Steel weapons and tools were nearly the same weight as those of bronze, however, steel was difficult to produce with the methods available, and alloys that were easier to make, such as wrought iron, were more common in lower-priced goods
4.
Vase
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A vase is an open container, today often used to hold cut flowers. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminum, brass, bronze or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, vases generally have a similar shape. Lowest is the foot, a base to the piece. The design of the base may be bulbous, flat, carinate, next, is the body, which forms the main portion of the piece. Resting atop the body is the shoulder, where the body curves inward, then the neck, where the vase is given more height. Lastly, the lip, where the vase flares back out at the top, all these attributes can be seen in the picture at right. Some vases are also given handles, in the pottery of ancient Greece vase-painting is the traditional term covering the famous fine painted pottery, often with many figures in scenes from Greek mythology. Such pieces may be referred to as vases regardless of their shape, most were in used for holding or serving liquids. Various styles developed around the world in different time periods, such as Chinese ceramics, in 2003, Grayson Perry won the Turner Prize for his ceramics, typically in vase form. Ceramic art Corning Museum of Glass Pottery Urn
5.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
6.
Wine
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Wine is an alcoholic beverage made from fermented grapes. These grapes are generally Vitis vinifera, or a hybrid with Vitis labrusca or Vitis rupestris, grapes are fermented without the addition of sugars, acids, enzymes, water, or other nutrients. Yeast consumes the sugar in the grapes and converts it to ethanol, different varieties of grapes and strains of yeasts produce different styles of wine. These variations result from the interactions between the biochemical development of the grape, the reactions involved in fermentation, the terroir. Many countries enact legal appellations intended to define styles and qualities of wine and these typically restrict the geographical origin and permitted varieties of grapes, as well as other aspects of wine production. There are also made from fermenting other fruits or cereals. Wines made from other than grapes include rice wine and various fruit wines such as those made from plums or cherries. Some well known examples are hard cider from apples, perry from pears, pomegranate wine, Wine has been produced for thousands of years. The earliest known traces of wine from Georgia in Eurasia where 8000-year-old wine jars were found and in Iran with 7, the earliest known winery is the 6, 100-year-old Areni-1 winery Armenia. Wine reached the Balkans by 4500 BC and was consumed and celebrated in ancient Greece, Thrace, throughout history, wine has been consumed for its intoxicating effects, which are evident after the normal serving size of five ounces. Wine has long played an important role in religion, the earliest chemically attested grape wine was discovered at Hajji Firuz in the northwestern Zagros Mountains dating back to 5400 BC. The earliest evidence of a fermented drink was found in Georgia, where wine residue inside ceramic jars dates from 6000 BC. The earliest evidence of a production facility is the Areni-1 winery in Armenia and is at least 6100 years old, presumably. A2003 report by archaeologists indicates a possibility that grapes were mixed with rice to produce mixed fermented beverages in China in the years of the seventh millennium BC. Pottery jars from the Neolithic site of Jiahu, Henan, contained traces of tartaric acid, however, other fruits indigenous to the region, such as hawthorn, cannot be ruled out. The spread of wine culture westwards was most probably due to the Phoenicians who spread outward from a base of city-states along the Lebanese, Syrian, the wines of Byblos were exported to Egypt during the Old Kingdom and then throughout the Mediterranean. Evidence includes two Phoenician shipwrecks from 750 BC discovered by Robert Ballard, whose cargo of wine was still intact. As the first great traders in wine, the Phoenicians seem to have protected it from oxidation with a layer of oil, followed by a seal of pinewood and resin
7.
Pottery of ancient Greece
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The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were various specific regional varieties, such as the South Italian ancient Greek pottery, throughout these places, various types and shapes of vases were used. Some were highly decorative and meant for consumption and domestic beautification as much as serving a storage or other function. As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, the rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, the pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique. Styles such as West Slope Ware were characteristic of the subsequent Hellenistic period, interest in Greek art lagged behind the revival of classical scholarship during the Renaissance and revived in the academic circle round Nicholas Poussin in Rome in the 1630s. Though modest collections of vases recovered from ancient tombs in Italy were made in the 15th and 16th centuries these were regarded as Etruscan. It is possible that Lorenzo de Medici bought several Attic vases directly from Greece and it was Gerhard who first outlined the chronology we now use, namely, Orientalizing, Black Figure, Red Figure, Polychromatic. Where the 19th century was a period of discovery and the out of first principles the 20th century has been one of consolidation. Efforts to record and publish the totality of public collections of vases began with the creation of the Corpus vasorum antiquorum under Edmond Pottier, Beazley and others following him have also studied fragments of Greek pottery in institutional collections, and have attributed many painted pieces to individual artists. Scholars have called these fragments disjecta membra and in a number of instances have been able to identify fragments now in different collections that belong to the same vase, some vase shapes were especially associated with rituals, others with athletics and the gymnasium. Within each category the forms are roughly the same in scale and whether open or closed, some have a purely ritual function, for example white ground lekythoi contained the oil used as funerary offerings and appear to have been made solely with that object in mind. Many examples have a second cup inside them to give the impression of being full of oil. There was a market for Greek pottery since the 8th century BC. An idea of the extent of trade can be gleaned from plotting the find maps of these vases outside of Greece. Only the existence of a second hand market could account for the number of found in Etruscan tombs. South Italian wares came to dominate the trade in the Western Mediterranean as Athens declined in political importance during the Hellenistic period. The process of making a pot and firing it is fairly simple, the first thing a potter needs is clay
8.
Symposium
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In ancient Greece, the symposium was a drinking party. Symposia are depicted in Greek and Etruscan art that shows similar scenes, the equivalent in Roman society is the Latin convivium. In modern usage it has come to mean an academic conference or meeting such as a scientific conference, the Greek symposium was a key Hellenic social institution. It was a forum for men of respected families to debate, plot, boast and they were frequently held to celebrate the introduction of young men into aristocratic society. Symposia were also held by aristocrats to celebrate special occasions. They were a source of pride for them, symposia were usually held in the andrōn, the mens quarters of the household. The participants, or symposiasts, would recline on pillowed couches arrayed against the three walls of the room away from the door, due to space limitations the couches would number between seven and nine, limiting the total number of participants to somewhere between fourteen and twenty seven. If any young men took part they did not recline but sat up, however, in Macedonian symposia the focus was not only on drinking but hunting, and young men were allowed to recline only after they had killed their first wild boar. Entertainment was provided, and depending on the occasion could include games, songs, flute-girls or boys, slaves performing various acts, symposia often were held for specific occasions. The most famous symposium of all, described in Platos dialogue of that name was hosted by the poet Agathon on the occasion of his first victory at the theater contest of the 416 BC Dionysia. The men at the symposium would discuss a multitude of philosophical, such as love. A symposium would be overseen by a symposiarch who would decide how strong the wine for the evening would be, the Greeks and Romans customarily served their wine mixed with water, as the drinking of pure wine was considered a habit of uncivilized peoples. However, there were differences between the Roman and Greek symposiums. A Roman symposium served wine before, with and after food, in a Greek symposium, wine was only drunk after dinner, and women were not allowed to attend. The wine was drawn from a krater, a large jar designed to be carried by two men, and served from pitchers. Certain formalities were observed, most important among which were libations, in a fragment from his c. After the third one is drained, wise men go home, symposiums are often featured on Attic pottery and Richard Neer has argued that the chief function of Attic pottery was for use in the symposium. Poetry and music were central to the pleasures of the symposium, although free women of status did not attend symposia, high-class female prostitutes and entertainers were hired to perform, consort, and converse with the guests
9.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
10.
Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
11.
Ceramic glaze
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Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a ceramic body through firing. Glaze can serve to color, decorate or waterproof an item, glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of terracotta, the term we now use for basic unglazed earthenware. It also gives a tougher surface, glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of finishes, including degrees of glossy or matte finish. Glazes may also enhance the design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, tiles are almost always glazed, and modern architectural terracotta is very often glazed architectural terra-cotta. Domestic sanitary ware is invariably glazed, as are many used in industry. The most important groups of traditional glazes, named after their main ceramic fluxing agent, are, Lead-glazed earthenware, is shiny and transparent after firing, used for about 2,000 years around the Mediterranean, in Europe and China. Tin-glazed pottery, which coats the ware with a white glaze. Known in the Ancient Near East and then important in Islamic pottery, includes faience, maiolica, majolica and Delftware. Ash glaze, important in East Asia, simply made from wood or plant ash, modern materials technology has invented new vitreous glazes that do not fall into these traditional categories. Glazes need to include a ceramic flux which functions by promoting partial liquefaction in the clay bodies, fluxes lower the high melting point of the glass formers silica, and sometimes boron trioxide. These glass former may be included in the materials, or may be drawn from the clay beneath. Raw materials of ceramic glazes generally include silica, which will be the glass former. Various metal oxides, such as sodium, potassium and calcium, alumina, often derived from clay, stiffens the molten glaze to prevent it from running off the piece. Colorants, such as oxide, copper carbonate or cobalt carbonate. Most commonly, glazes in aqueous suspension of various powdered minerals, other techniques include pouring the glaze over the piece, spraying it onto the piece with an airbrush or similar tool, or applying it directly with a brush or other tool. Small marks left by these spurs are sometimes visible on finished ware, decoration applied under the glaze on pottery is generally referred to as underglaze
12.
Ancient Agora of Athens
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Some of these included, The Middle stoa which was the most extensive monument built during the 100s B. C. E. A small Roman temple was added in front of the Middle stoa, an Altar of Zeus Agoraios was added just to the east of the Monument to the Eponymous Heroes. The Temple of Ares, dedicated to Ares, the god of war, was added in the north half agora, the Odeon of Agrippa and accompanying gymnasium were added in the centre of the agora. The substantial Stoa of Attalos was built along the edge of the agora. A collection of buildings were added to the south-east corner, the East stoa, the Library of Pantainos, the Nymphaeum, there is evidence of a Synagogue in the Agora of Athens in the 3rd century. A statue of the Roman emperor Hadrian was located near the metroon, the Temple of Zeus Phratrios and Athena Phratria dated to the 300s B. C. E. and is located near the Temple of Apollo Patroos. The south end of what is believed to be a Basilica has been uncovered near Hadrian Street and is dated to the mid 100s C. E, the Monopteros was located south of the Basilica and also dated to the mid 100s C. E. It had no walls, was a dome supported by columns and was about 8 meters in diameter, the Bema was a speakers platform and was located near the Stoa of Attalos. The ancient Athenian agora has been excavated by the American School of Classical Studies at Athens since 1931 under the direction of T and they continue to the present day, now under the direction of John McK Camp. The museum is housed in the Stoa of Attalos, and its exhibits are connected with the Athenian democracy. Ecclesia Roman Agora Church of the Holy Apostles Hellenic Ministry of Culture, The Ancient Agora of Athens – official site with a schedule of its hours, tickets. Agora Excavations – American School of Classical Studies Agora excavation project, map of the Agora of Athens in Socrates and Platos time Agora of Athens in 421 BC The Athenian Agora, A Short Guide in Color The Athenian Agora
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