1.
Laon
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Laon is the capital city of the Aisne department in Hauts-de-France, northern France. As of 2012 its population was of 25,317, the holy district of Laon, which rises a hundred metres above the otherwise flat Picardy plain, has always held strategic importance. In the time of Julius Caesar there was a Gallic village named Bibrax where the Remis had to meet the onset of the confederated Belgae. Whatever may have been the locality of that battlefield, Laon was fortified by the Romans. At that time it was known as Alaudanum or Lugdunum Clavatum, archbishop Remigius of Reims, who baptised Clovis, was born in the Laonnais, and it was he who, at the end of the fifth century, instituted the bishopric of Laon. Thenceforward Laon was one of the towns of the kingdom of the Franks. Charles the Bald had enriched its church with the gift of very numerous domains, in about 847 the Irish philosopher John Scotus Eriugena appeared at the court of Charles the Bald, and was appointed head of the palace school. Eriugena spent the rest of his days in France, probably at Paris, early in the twelfth century the communes of France set about emancipating themselves, and the history of the commune of Laon is one of the richest and most varied. Anselm of Laons school for theology and exegesis rapidly became the most famous in Europe, the consequence was a revolt, in which the episcopal palace was burnt and the bishop and several of his partisans were put to death on 25 April 1112. The fire spread to the cathedral, and reduced it to ashes, uneasy at the result of their victory, the rioters went into hiding outside the town, which was anew pillaged by the people of the neighbourhood, eager to avenge the death of their bishop. The king alternately intervened in favour of the bishop and of the inhabitants till 1239, after that date the liberties of Laon were no more contested till 1331, when the commune was abolished. During the Hundred Years War it was attacked and taken by the Burgundians, under the League, Laon took the part of the Leaguers, and was taken by Henry IV. At the Revolution Laon permanently lost its rank as a bishopric, during the campaign of 1814, Napoleon tried in vain to dislodge Blücher and Bülow from it in the Battle of Laon. In 1870, during the Franco-Prussian War, an engineer blew up the magazine of the citadel at the moment when the German troops were entering the town. Many lives were lost, and the cathedral and the old palace were damaged. It surrendered to a German force on 9 September 1870, in the fall of 1914, during World War I, German forces captured the town and held it until the Allied offensive in the summer of 1918. It is 55 km from Reims,131 km from Amiens, the city contains numerous medieval buildings, including the cathedral Notre-Dame of Laon, dating mostly from the 12th and 13th centuries. The chapter-house and the cloister contain specimens of early 13th century architecture, the old episcopal palace, contiguous to the cathedral, is now used as a court-house
2.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
3.
Geographic coordinate system
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A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
4.
Ancient Diocese of Laon
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The diocese of Laon in the present-day département of Aisne, was a Catholic diocese for around 1300 years, up to the French Revolution. Its seat was in Laon, France, with the Laon Cathedral, from early in the 13th century, the bishop of Laon was a Pair de France, among the elite. Pope Leo XIII further authorized it to use the title of St-Quentin, louis Séguier, nominated by Henry IV of France, Bishop of Laon in 1598, refused the nomination to make room for his young nephew Peter de Bérulle, afterwards cardinal and founder of the Oratorians. Genebald Latro Gondulphe Elinand I. or Ebreling Robert I, cagnoald Attole or Attila Vulfadus Serulphe Peregrin Madalgaire Liutwin Sigoald Bertifrid Madelvin Genebald II Bernicon Gerfrid Wenilon I. or Ganelon Wenilon II. Series episcoporum Ecclesiae catholicae, quotquot innotuerunt a beato Petro apostolo, ratisbon, Typis et Sumptibus Georgii Josephi Manz. Hierarchia catholica medii et recentis aevi V. Patavii, Messagero di S. Antonio, hierarchia catholica medii et recentis aevi VI. Fastes épiscopaux de lancienne Gaule, II, le clergé de France, ou tableau historique et chronologique des archevêques, évêques, abbés, abbesses et chefs des chapitres principaux du royaume, depuis la fondation des églises jusquà nos jours. Les évêques et les archevêques de France depuis 1682 jusquà1801, Catholic Encyclopedia Source This article incorporates text from a publication now in the public domain, Herbermann, Charles, ed. article name needed
5.
Picardy
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Picardy is a historical territory and a former administrative region of France. Since 1 January 2016, it is now part of the new region of Hauts-de-France and it is located in the northern part of France. The historical province of Picardy stretched from north of Noyon to Calais, via the whole of the Somme department, the province of Artois separated Picardy from French Flanders. From the 5th century the area was part of the Frankish Empire, and in the period it encompassed the six countships of Boulogne, Montreuil, Ponthieu, Amiénois, Vermandois. According to the 843 Treaty of Verdun the region part of West Francia. The name Picardy was not used until the 12th or 13th century, during this time, the name applied to all lands where the Picard language was spoken, which included all the territories from Paris to the Netherlands. In the Latin Quarter of Paris, people identified a Picard Nation of students at Sorbonne University, during the Hundred Years War, Picardy was the centre of the Jacquerie peasant revolt in 1358. From 1419 onwards, the Picardy counties were gradually acquired by the Burgundian duke Philip the Good, in 1477, King Louis XI of France led an army and occupied key towns in Picardy. By the end of 1477, Louis would control all of Picardy, in the 16th century, the government of Picardy was created. This became a new region of France, separate from what was historically defined as Picardy. The new Picardy included the Somme département, the half of the Aisne département. In 1557, Picardy was invaded by Habsburg forces under the command of Emmanuel Philibert, after a seventeen-day siege, St. Quentin would be ransacked, while Noyon would be burned by the Habsburg army. In the 17th century, a disease similar to English sweat originated from the region. It was called Suette des picards or Picardy sweat, the sugar industry has continued to play a prominent role in the economy of the region. One of the most significant historical events to occur in Picardy was the series of battles fought along the Somme during World War I. From September 1914 to August 1918, four major battles, including the Battle of the Somme, were fought by British, French, and German forces in the fields of Northern Picardy. In 2009, the Regional Committee for local government reform proposed to reduce the number of French regions, Picardy would have disappeared, and each department would have joined a nearby region. The Oise would have incorporated in the Île-de-France, the Somme would have been incorporated in the Nord-Pas-de-Calais
6.
Cathedral
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A cathedral is a Christian church which contains the seat of a bishop, thus serving as the central church of a diocese, conference, or episcopate. The counterpart term for such a church in German is Dom from Latin domus ecclesiae or domus episcopalis, also Italian Duomo, Dutch Domkerk, when the church at which an archbishop or metropolitan presides is specifically intended, the term kathedrikos naos is used. In addition, both the Catholic Church and Orthodox churches have formed new dioceses within formerly Protestant lands for converts, consequently, it is not uncommon to find Christians in a single city being served by three or more cathedrals of differing denominations. In the Catholic tradition, the term cathedral correctly applies only to a church houses the seat of the bishop of a diocese. The abbey church of a territorial abbacy serves the same function, the Catholic Church also uses the following terms. A pro-cathedral is a parish or other church used temporarily as a cathedral, usually while the cathedral of a diocese is under construction, renovation and this designation applies only as long as the temporary use continues. A co-cathedral is a cathedral in a diocese that has two sees. A proto-cathedral is the cathedral of a transferred see. The cathedral church of a bishop is called the metropolitan cathedral. The term cathedral actually carries no implication as to the size or ornateness of the building, nevertheless, most cathedrals are particularly impressive edifices. The building is now under renovation and restoration for solemn dedication under the title Christ Cathedral in 2018, in the ancient world the chair, on a raised dais, was the distinctive mark of a teacher or rhetor and thus symbolises the bishops role as teacher. A raised throne within a hall was also definitive for a Late Antique presiding magistrate. The history of cathedrals starts in the year 313, when the emperor Constantine the Great personally adopted Christianity, in the third century, the phrase ascending the platform, ad pulpitum venire, becomes the standard term for Christian ordination. During the siege of Dura Europos in 256, a complete Christian house church, or domus ecclesiae was entombed in a bank, surviving when excavated. Otherwise the large room had no decoration or distinctive features at all, in 269, soon after Dura fell to the Persian army, a body of clerics assembled a charge sheet against the bishop of Antioch, Paul of Samosata, in the form of an open letter. Characteristically a Roman magistrate presided from a throne in a large, richly decorated and aisled rectangular hall called a basilica. The earliest of these new basilican cathedrals of which remains are still visible is below the Cathedral of Aquileia on the northern tip of the Adriatic sea. The three halls create a courtyard, in which was originally located a separate baptistery
7.
Church architecture
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Church architecture refers to the architecture of buildings of Christian churches. These large, often ornate and architecturally prestigious buildings were dominant features of the towns, however, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. In the 20th century, the use of new materials, such as steel, the history of church architecture divides itself into periods, and into countries or regions and by religious affiliation. The simplest church building comprises a single meeting space, built of locally available material, such churches are generally rectangular, but in African countries where circular dwellings are the norm, vernacular churches may be circular as well. A simple church may be built of mud brick, wattle and daub and it may be roofed with thatch, shingles, corrugated iron or banana leaves. However, church congregations, from the 4th century onwards, have sought to construct buildings that were both permanent and aesthetically pleasing. This had led to a tradition in which congregations and local leaders have invested time, money and personal prestige into the building, within any parish, the local church is often the oldest building, and is larger than any pre-19th-century structure except perhaps a barn. The church is built of the most durable material available. To the two-room structure is often added aisles, a tower, chapels, in the first three centuries of the Early Christian Church, the practice of Christianity was illegal and few churches were constructed. In the beginning Christians worshipped along with Jews in synagogues and in private houses, after the separation of Jews and Christians the latter continued to worship in peoples houses, known as house churches. These were often the homes of the members of the faith. Saint Paul, in his first letter to the Corinthians writes, aquila and Prisca, together with the church in their house, greet you warmly in the Lord. Some domestic buildings were adapted to function as churches, one of the earliest of adapted residences is at Dura Europos church, built shortly after 200 AD, where two rooms were made into one, by removing a wall, and a dais was set up. To the right of the entrance a small room was made into a baptistry, some church buildings were specifically built as church assemblies, such as that opposite the emperor Diocletians palace in Nicomedia. The books of the Holy Scriptures were found, and they were committed to the flames, the utensils and furniture of the church were abandoned to pillage, all was rapine, confusion, tumult. That church, situated on rising ground, was within view of the palace, and Diocletian and Galerius stood, as if on a watchtower, disputing long whether it ought to be set on fire. The sentiment of Diocletian prevailed, who dreaded lest, so great a fire being once kindled, some part of the city might he burnt, for there were many and large buildings that surrounded the church. Then the Pretorian Guards came in battle array, with axes and other iron instruments, from the first to the early fourth centuries most Christian communities worshipped in private homes, often secretly
8.
Architectural style
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An architectural style is characterized by the features that make a building or other structure notable or historically identifiable. A style may include such elements as form, method of construction, building materials, styles therefore emerge from the history of a society. They are documented in the subject of architectural history, at any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. Styles often spread to places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. A style may also spread through colonialism, either by foreign colonies learning from their home country, one example is the Spanish missions in California, brought by Spanish priests in the late 18th century and built in a unique style. After a style has gone out of fashion, revivals and re-interpretations may occur, for instance, classicism has been revived many times and found new life as neoclassicism. Each time it is revived, it is different, the Spanish mission style was revived 100 years later as the Mission Revival, and that soon evolved into the Spanish Colonial Revival. Vernacular architecture works slightly differently and is listed separately and it is the native method of construction used by local people, usually using labour-intensive methods and local materials, and usually for small structures such as rural cottages. It varies from region to region even within a country, as western society has developed, vernacular styles have mostly become outmoded due to new technology and to national building standards. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and this type of art history is also known as formalism, or the study of forms or shapes in art. Terms originated to describe architectural periods were often applied to other areas of the visual arts, and then more widely still to music, literature. In architecture stylistic change often follows, and is possible by. While many architectural styles explore harmonious ideals, Mannerism wants to take style a step further and explores the aesthetics of hyperbole, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favours compositional tension and instability rather than balance and clarity, the definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. An example of mannerist architecture is the Villa Farnese at Caprarola. in the country side outside of Rome. The proliferation of engravers during the 16th century spread Mannerist styles more quickly than any previous styles, a center of Mannerist design was Antwerp during its 16th-century boom. Through Antwerp, Renaissance and Mannerist styles were introduced in England, Germany. During the Mannerist Renaissance period, architects experimented with using architectural forms to emphasize solid, the Renaissance ideal of harmony gave way to freer and more imaginative rhythms
9.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
10.
French language
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French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
11.
Roman Catholic
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The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
12.
Sens Cathedral
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Sens Cathedral is a Catholic cathedral in Sens in Burgundy, eastern France. It was one of the earliest Gothic buildings in the country, the choir was begun in 1140. As was typical in construction work progressed westwards, building the nave. The structure was completed in the 16th century. The architecture of its choir influenced, through the architect William of Sens, Sens was a place of considerable importance in the 12th century, seat of the Primate of Gaul and superior to the bishopric of Paris. The cathedral church was built on a large scale according to the latest principles. Sens nave is wide, and the church is larger in overall scale than its contemporaries at Saint Denis. As is typical with early gothic architecture, the vaulting is sexpartite, surmounting a modest clerestory, with alternating piers, Sens may have been the first church to be completely vaulted in this manner. A gallery opens into the space between the aisle arcade and the clerestory. The interior elevation resembles that of Le Mans, but with massive walls. Flying buttresses were originally employed on the outside, but were replaced new ones in the thirteenth century. Sens did not initially have transepts, these were completed between 1490 and 1518 by Martin Chambiges in the Flamboyant Gothic style. The west front is pierced by three portals and that in the middle has sculptures representing the Parable of the Ten Virgins and the story of St Stephen. The right-hand portal contains twenty-two statuettes of the prophets, which have suffered considerable damage, above this portal rises the stone tower, decorated with armorial bearings and with statues representing the principal benefactors of the church. The left portal is adorned with two bas-reliefs, Liberality and Avarice, as well as with the story of John the Baptist, the portal on the north side of the cathedral is one of the finest examples of French 16th-century sculpture. That on the side is surmounted by a magnificent stained-glass window. Other have rounded shape design as clock is represented, tiny miniature designs on sculpture had been embedded on metal parts of the church, other windows of the 12th to the 16th century are preserved, some of them representing the legend of Thomas Becket of Canterbury. The mausoleum from which they came was destroyed in the French Revolution, the cathedral treasury, one of the richest in antiquities in France, contains a fragment of the true cross presented by Charlemagne, and the vestments of Thomas Becket
13.
Notre-Dame de Paris
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Notre-Dame de Paris, also known as Notre-Dame Cathedral or simply Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité in the fourth arrondissement of Paris, France. The cathedral is considered to be one of the finest examples of French Gothic architecture. The naturalism of its sculptures and stained glass are in contrast with earlier Romanesque architecture, as the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris, currently Cardinal André Vingt-Trois. The cathedral treasury contains a reliquary, which some of Catholicisms most important relics, including the purported Crown of Thorns, a fragment of the True Cross. In the 1790s, Notre-Dame suffered desecration in the phase of the French Revolution when much of its religious imagery was damaged or destroyed. An extensive restoration supervised by Eugène Viollet-le-Duc began in 1845, a project of further restoration and maintenance began in 1991. The Notre-Dame de Paris was among the first buildings in the world to use the flying buttress, in response, the cathedrals architects built supports around the outside walls, and later additions continued the pattern. The total surface area is 5,500 m², many small individually crafted statues were placed around the outside to serve as column supports and water spouts. Among these are the famous gargoyles, designed for water run-off, the statues were originally colored as was most of the exterior. The cathedral was complete by 1345. It is possible therefore that the faults with the structure were exaggerated by the Bishop to help justify the rebuilding in a newer style. According to legend, Sully had a vision of a new cathedral for Paris. To begin the construction, the bishop had several houses demolished and had a new road built to transport materials for the rest of the cathedral. Construction began in 1163 during the reign of Louis VII, however, both were at the ceremony. Bishop de Sully went on to devote most of his life, construction of the choir took from 1163 until around 1177 and the new High Altar was consecrated in 1182. By this stage, the facade had also been laid out. Numerous architects worked on the site over the period of construction, between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers. Shortly afterwards Pierre de Montreuil executed a similar scheme on the southern transept,1160 Maurice de Sully orders the original cathedral demolished
14.
Monument historique
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The term monument historique is a designation given to some national heritage sites in France. Both public and privately owned structures may be listed in this way, as of 2012 there were 44,236 monuments listed. Buildings may be given the classification for both their exteriors or interiors, including a buildings décor, its furniture, a single room, or even a staircase. An example is the Monument Historique classification of the décor in the café Deux Garçons in Aix-en-Provence whose patrons once included Alphonse de Lamartine, Émile Zola, since the 1990s, a significant number of places have been given the designation because of their historical importance to science. The MH designation traces its roots to the French Revolution when the government appointed Alexandre Lenoir to specify, though the first classifications were given in the 19th century by the writer Prosper Mérimée, inspector-general of historical monuments, by a first list established in 1840. In 1851, Mérimée organized the Missions Héliographiques to document Frances medieval architecture, a monument historique may be marked by the official logo of the Union REMPART, a French historical restoration association. It consists of a representing the labyrinth that used to be in Reims Cathedral. Use of the logo is optional and these two levels of protection are determined after a thorough historical study by the préfet for the région, or by the Minister of Culture for the national level. They are aided by the advice of a commission named Commission régionale du patrimoine et des sites, many of the Châteaux of the Loire Valley carry the MH designation as do the renowned gardens at Château de Villandry. Prosper Mérimée 1803-1870 The monuments historiques inspector Prosper Mérimée established the first list of monuments classés in 1840, rules and regulations on monuments historiques Monumental parks and monuments historiques in need of work Les Monuments Historiques de la France, bulletin trimestriel. Paris, Caisse Nationale des Monuments Historiques
15.
Episcopal polity
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An episcopal polity is a hierarchical form of church governance in which the chief local authorities are called bishops. Churches with an episcopal polity are governed by bishops, practicing their authorities in the dioceses and conferences or synods, bishops are considered to derive their authority from an unbroken, personal apostolic succession from the Twelve Apostles of Jesus. Bishops with such authority are said to represent the historical episcopate or historic episcopate, Churches with this type of government usually believe that the Church requires episcopal government as described in the New Testament. In some systems, bishops may be subject to higher-ranking bishops and they also meet in councils or synods. These gatherings, subject to presidency by higher ranking bishops, usually make important decisions, for much of the written history of institutional Christianity, episcopal government was the only known form of church organization. The definition of the word episcopal has variation among Christian traditions, there are subtle differences in governmental principles among episcopal churches at the present time. To some extent the separation of episcopal churches can be traced to these differences in ecclesiology, for some, episcopal churches are churches that use a hierarchy of bishops that regard themselves as being in an unbroken, personal apostolic succession. Episcopal is also used to distinguish between the various organizational structures of denominations. For instance, the word presbyterian is used to describe a church governed by a hierarchy of assemblies of elected elders, similarly, episcopal is used to describe a church governed by bishops. Self-governed local congregations, governed neither by elders nor bishops, are referred to as Congregational. More specifically, the title Episcopal is applied to several churches historically based within Anglicanism including those still in communion with the Church of England, many Methodist churches retain the form and function of episcopal polity, although in a modified form, called connexionalism. All orthodox Christians were in churches with a government, that is, one Church under local bishops. Writing between ca.85 and 110, St. Ignatius of Antioch, Patriarch of Antioch, was the earliest of the Church fathers to define the importance of episcopal government. Assuming Ignatius view was the Apostolic teaching and practice, the line of succession was unbroken and passed through the four ancient Patriarchal sees, Rome, Jerusalem, Antioch, some organizations, though aloof from the political wranglings of imperial Christianity, nevertheless also practiced episcopal polity. The single Roman Empire was divided between two autonomous administrative centers, Roman and Constantinopolitan, West and East, Latin speaking and Greek speaking. This remained the status quo through the fourth century, a deep chasm developed between the East and West, becoming critical around 350, known as the Aryan, or Nicene controversy. The Eastern Christian Churches were thought by Constantine to believe against the Trinity, Hilary, Bishop of Poitiers, France, believed that the Eastern Church should be given the opportunity to, at least, be educated on the subject. Constantine, in his wisdom, and upset by disagreement, banished Hilary to the East and this truth became known in the West, though some differences lingered
16.
Holy Roman Empire
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The Holy Roman Empire was a multi-ethnic complex of territories in central Europe that developed during the Early Middle Ages and continued until its dissolution in 1806. On 25 December 800, Pope Leo III crowned the Frankish king Charlemagne as Emperor, reviving the title in Western Europe, more than three centuries after the fall of the Western Roman Empire. The title was revived in 962 when Otto I was crowned emperor, fashioning himself as the successor of Charlemagne, some historians refer to the coronation of Charlemagne as the origin of the empire, while others prefer the coronation of Otto I as its beginning. Scholars generally concur, however, in relating an evolution of the institutions and principles constituting the empire, the office of Holy Roman Emperor was traditionally elective, although frequently controlled by dynasties. Emperor Francis II dissolved the empire on 6 August 1806, after the creation of the Confederation of the Rhine by Napoleon, before 1157, the realm was merely referred to as the Roman Empire. In a decree following the 1512 Diet of Cologne, the name was changed to Holy Roman Empire of the German Nation, by the end of the 18th century, the term Holy Roman Empire of the German Nation had fallen out of official use. As Roman power in Gaul declined during the 5th century, local Germanic tribes assumed control, by the middle of the 8th century, however, the Merovingians had been reduced to figureheads, and the Carolingians, led by Charles Martel, had become the de facto rulers. In 751, Martel’s son Pepin became King of the Franks, the Carolingians would maintain a close alliance with the Papacy. In 768 Pepin’s son Charlemagne became King of the Franks and began an expansion of the realm. He eventually incorporated the territories of present-day France, Germany, northern Italy, on Christmas Day of 800, Pope Leo III crowned Charlemagne emperor, restoring the title in the west for the first time in over three centuries. After the death of Charles the Fat in 888, however, the Carolingian Empire broke apart, according to Regino of Prüm, the parts of the realm spewed forth kinglets, and each part elected a kinglet from its own bowels. After the death of Charles the Fat, those crowned emperor by the pope controlled only territories in Italy, the last such emperor was Berengar I of Italy, who died in 924. Around 900, autonomous stem duchies reemerged in East Francia, on his deathbed, Conrad yielded the crown to his main rival, Henry the Fowler of Saxony, who was elected king at the Diet of Fritzlar in 919. Henry reached a truce with the raiding Magyars, and in 933 he won a first victory against them in the Battle of Riade, Henry died in 936, but his descendants, the Liudolfing dynasty, would continue to rule the Eastern kingdom for roughly a century. Upon Henry the Fowlers death, Otto, his son and designated successor, was elected King in Aachen in 936 and he overcame a series of revolts from an elder brother and from several dukes. After that, the managed to control the appointment of dukes. In 951, Otto came to the aid of Adelaide, the queen of Italy, defeating her enemies, marrying her. In 955, Otto won a victory over the Magyars in the Battle of Lechfeld
17.
Charlemagne
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Charlemagne or Charles the Great, numbered Charles I, was the King of the Franks from 768, King of the Lombards from 774 and Emperor of the Romans from 800. He united much of Europe during the early Middle Ages and he was the first recognised emperor in western Europe since the fall of the Western Roman Empire three centuries earlier. The expanded Frankish state which Charlemagne founded was called the Carolingian Empire, Charlemagne was the oldest son of Pepin the Short and Bertrada of Laon. He became king in 768 following his fathers death, initially as co-ruler with his brother Carloman I, carlomans sudden death in 771 in unexplained circumstances left Charlemagne as the undisputed ruler of the Frankish Kingdom. He continued his fathers policy towards the papacy and became its protector, removing the Lombards from power in northern Italy and he campaigned against the Saxons to his east, Christianising them upon penalty of death and leading to events such as the Massacre of Verden. Charlemagne reached the height of his power in 800 when he was crowned Emperor of the Romans by Pope Leo III on Christmas Day at Old St. Peters Basilica. Charlemagne has been called the Father of Europe, as he united most of Western Europe for the first time since the Roman Empire and his rule spurred the Carolingian Renaissance, a period of energetic cultural and intellectual activity within the Western Church. All Holy Roman Emperors considered their kingdoms to be descendants of Charlemagnes empire, up to the last Emperor Francis II and these and other machinations led to the eventual split of Rome and Constantinople in the Great Schism of 1054. Charlemagne died in 814, having ruled as emperor for thirteen years and he was laid to rest in his imperial capital of Aachen in what is today Germany. He married at least four times and had three sons, but only his son Louis the Pious survived to succeed him. By the 6th century, the western Germanic Franks had been Christianised, Francia, ruled by the Merovingians, was the most powerful of the kingdoms that succeeded the Western Roman Empire. Following the Battle of Tertry the Merovingians declined into powerlessness, for which they have dubbed the rois fainéants. Almost all government powers were exercised by their chief officer, the mayor of the palace, in 687, Pepin of Herstal, mayor of the palace of Austrasia, ended the strife between various kings and their mayors with his victory at Tertry. He became the governor of the entire Frankish kingdom. Pepin was the grandson of two important figures of the Austrasian Kingdom, Saint Arnulf of Metz and Pepin of Landen, Pepin of Herstal was eventually succeeded by his illegitimate son Charles, later known as Charles Martel. After 737, Charles governed the Franks in lieu of a king, Charles was succeeded in 741 by his sons Carloman and Pepin the Short, the father of Charlemagne. In 743, the brothers placed Childeric III on the throne to curb separatism in the periphery and he was the last Merovingian king. Carloman resigned office in 746, preferring to enter the church as a monk, Pepin brought the question of the kingship before Pope Zachary, asking whether it was logical for a king to have no royal power
18.
Philip I of France
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Philip I, called the Amorous, was King of the Franks from 1060 to his death. His reign, like that of most of the early Capetians, was long for the time. The monarchy began a modest recovery from the low it reached in the reign of his father and he added to the royal demesne the Vexin, Philip was born 23 May 1052 at Champagne-et-Fontaine, the son of Henry I and his wife Anne of Kiev. Unusual at the time for Western Europe, his name was of Greek origin, although he was crowned king at the age of seven, until age fourteen his mother acted as regent, the first queen of France ever to do so. Baldwin V of Flanders also acted as co-regent, following the death of Baldwin VI of Flanders, Robert the Frisian seized Flanders. Baldwins wife, Richilda requested aid from Philip, who defeated Robert at the battle of Cassel in 1071, Philip first married Bertha in 1072. Although the marriage produced the heir, Philip fell in love with Bertrade de Montfort. He repudiated Bertha and married Bertrade on 15 May 1092, in 1094, he was excommunicated by Hugh of Die, for the first time, after a long silence, Pope Urban II repeated the excommunication at the Council of Clermont in November 1095. In France, the king was opposed by Bishop Ivo of Chartres, Philip appointed Alberic first Constable of France in 1060. A great part of his reign, like his fathers, was spent putting down revolts by his power-hungry vassals, in 1077, he made peace with William the Conqueror, who gave up attempting the conquest of Brittany. In 1082, Philip I expanded his demesne with the annexation of the Vexin, then in 1100, he took control of Bourges. It was at the aforementioned Council of Clermont that the First Crusade was launched, Philip at first did not personally support it because of his conflict with Urban II. Philips brother Hugh of Vermandois, however, was a major participant, Philip died in the castle of Melun and was buried per request at the monastery of Saint-Benoît-sur-Loire – and not in St Denis among his forefathers. He was succeeded by his son, Louis VI, whose succession was, however, according to Abbot Suger, Philip‘s children with Bertha were, Constance, married Hugh I of Champagne before 1097 and then, after her divorce, to Bohemund I of Antioch in 1106
19.
Choir (architecture)
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A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, in modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir or retro-choir is a space behind the altar in the choir of a church. In the Early Church, the sanctuary was connected directly to the nave, the choir was simply the east part of the nave, and was fenced off by a screen or low railing, called cancelli, which is where the English word chancel comes from. The word choir is first used by members of the Latin Church, isidore of Seville and Honorius of Autun write that the term is derived from the corona, the circle of clergy or singers who surrounded the altar. When first introduced, the choir was attached to the bema, the platform in the center of the nave on which were placed seats for the higher clergy. This arrangement can still be observed at the Basilica of St. Mary Major in Rome, over time, the bema and choir moved eastward to their current position. In some churches the choir is arranged in the apse behind the altar, the architectural details of the choir developed in response to its function as the place where the Divine Office was chanted by the monastic brotherhood or the chapter of canons. The chancel was regarded as the part of the church. The pulpit and lectern are also found at the front of the choir. The organ may be located here, or in a loft elsewhere in the church, some cathedrals have a retro-choir behind the High Altar, opening eastward towards the chapels in the eastern extremity. After the Reformation Protestant churches generally moved the forward, typically to the front of the chancel. The choir and rear of deep chancels became little used in churches surviving from the Middle Ages, with the emphasis on sermons, and their audibility, some churches simply converted their chancels to seat part of the congregation. The choir area is occupied by sometimes finely carved and decorated wooden seats known as choir stalls, the choir may be furnished either with long benches or individual choir stalls. There may be several rows of seating running parallel to the walls of the church, the use of choir stalls is more traditional in monasteries and collegiate churches. Monastic choir stalls are often fitted with seats that fold up when the monastics stand, often the hinged seat will have a misericord on the underside on which he can lean while standing during the long services. The upper part of the stall is so shaped as to provide a headrest while sitting
20.
Transept
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A transept is a transverse part of any building, which lies across the main body of the edifice. In churches, a transept is an area set crosswise to the nave in a building within the Romanesque. Each half of a transept is known as a semitransept, the transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis, upon its four piers, the crossing may support a spire, a central tower or a crossing dome. Since the altar is located at the east end of a church. The north and south end walls often hold decorated windows of stained glass, such as rose windows, occasionally, the basilicas and the church and cathedral planning that descended from them were built without transepts, sometimes the transepts were reduced to matched chapels. More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross and this design is called a Latin cross ground plan, and these extensions are known as the arms of the transept. A Greek cross ground plan, with all four extensions the same length, when churches have only one transept, as at Pershore Abbey, there is generally a historical disaster, fire, war or funding problem, to explain the anomaly. At Beauvais only the chevet and transepts stand, the nave of the cathedral was never completed after a collapse of the daring high vaulting in 1284. At St. Vitus Cathedral, Prague, only the choir, in a metro station or similar construction, a transept is a space over the platforms and tracks of a station with side platforms, containing the bridge between the platforms. Placing the bridge in a rather than an enclosed tunnel allows passengers to see the platforms. Aisle Apse Cathedral architecture Cathedral diagram Glossary of the Catholic Church Transom
21.
Cruciform
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Cruciform means having the shape of a cross or Christian cross. Christian churches are described as having a cruciform architecture. In the Western churches, a cruciform architecture usually, though not exclusively and this layout comprises the following, An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. A west end, which contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed. North and south transepts, being arms of the cross and often containing rooms for gathering, small chapels, or in many cases other necessities such as an organ. The crossing, which in later designs often was under a tower or dome, in churches that are not oriented with the altar at the geographical east end, it is usual to refer to the altar end as liturgical east and so forth. Another example of ancient cruciform architecture can be found in Herods temple, DNA can undergo transitions to form a cruciform shape, otherwise known as a Holliday junction. This structure is important for the biological processes of DNA recombination. A cruciform joint is a joint in which 4 spaces are created by the welding of 3 plates of metal at right angles. A cruciform manuscript was a form of Anglo-Saxon / Insular manuscript written with the words in a block shaped like a cross. In music, a melody of four pitches where a line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the melody is a changing tone. Often representative of the Christian cross, such melodies are cruciform in their retrogrades or inversions, johann Sebastian Bach, whose last name may be represented in tones through a musical cryptogram known as the BACH motif that is a cruciform melody, employed the device extensively. The subject of the fugue in c-sharp minor from The Well-Tempered Clavier Book I is cruciform, the plain sword used by knights, distinctive due to the flat bar used as a guard. The overall shape of the sword when held point down is that of a cross and it is believed this shape was encouraged by the church to remind Knights of their religion. It was however very popular due to the protection it offered to the hand, some airplanes use a cruciform tail design, wherein the horizontal stabilizer is positioned midway up the vertical stabilizer, forming a cruciform shape when viewed from the front or rear. Some examples are the F-9 Cougar, the F-10 Skyknight and the Sud Aviation Caravelle, cruciform web designs use a cross-shaped web page that expands to fill the width and height of the web browser window. There are a number of different approaches to implementing them, in addition to common cross-shaped products, such as key chains and magnets, certain designers have gone so far as to create cruciform devices and accessories
22.
Apse
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In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
23.
Tower
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A tower is a tall structure, taller than it is wide, often by a significant margin. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, Towers are specifically distinguished from buildings in that they are not built to be habitable but to serve other functions. Towers can be stand alone structures or be supported by adjacent buildings or can be a feature on top of a structure or building. Old English torr is from Latin turris via Old French tor, the Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean language, connected with the Illyrian toponym Βου-δοργίς. The oldest known may be the stone tower in walls of Neolithic Jericho. Some of the earliest towers were ziggurats, which existed in Sumerian architecture since the 4th millennium BC, the most famous ziggurats include the Sumerian Ziggurat of Ur, built the 3rd millennium BC, and the Etemenanki, one of the most famous examples of Babylonian architecture. The latter was built in Babylon during the 2nd millennium BC and was considered the tallest tower of the ancient world, some of the earliest surviving examples are the broch structures in northern Scotland, which are conical towerhouses. These and other examples from Phoenician and Roman cultures emphasised the use of a tower in fortification, for example, the name of the Moroccan city of Mogador, founded in the first millennium BC, is derived from the Phoenician word for watchtower. The Romans utilised octagonal towers as elements of Diocletians Palace in Croatia, which monument dates to approximately 300 AD, while the Servian Walls, the Chinese used towers as integrated elements of the Great Wall of China in 210 BC during the Qin Dynasty. Towers were also an important element of castles, other well known towers include the Leaning Tower of Pisa in Pisa, Italy built from 1173 until 1372 and the Two Towers in Bologna, Italy built from 1109 until 1119. The Himalayan Towers are stone towers located chiefly in Tibet built approximately 14th to 15th century, up to a certain height, a tower can be made with the supporting structure with parallel sides. However, above a height, the compressive load of the material is exceeded. This can be avoided if the support structure tapers up the building. A second limit is that of buckling—the structure requires sufficient stiffness to avoid breaking under the loads it faces, many very tall towers have their support structures at the periphery of the building, which greatly increases the overall stiffness. A third limit is dynamic, a tower is subject to varying winds, vortex shedding and these are often dealt with through a combination of simple strength and stiffness, as well as in some cases tuned mass dampers to damp out movements. Varying or tapering the outer aspect of the tower with height avoids vibrations due to vortex shedding occurring along the building simultaneously. Although not correctly called towers many modern skyscraper are often called towers, in the United Kingdom, tall domestic buildings are referred to as tower blocks. In the United States, the original World Trade Center had the nickname the Twin Towers, the tower throughout history has provided its users with an advantage in surveying defensive positions and obtaining a better view of the surrounding areas, including battlefields
24.
Facade
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A façade is generally one exterior side of a building, usually, but not always, the front. It is a loan word from the French façade, which means frontage or face. In architecture, the façade of a building is often the most important aspect from a design standpoint, from the engineering perspective of a building, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws restrict or even forbid their alteration. The word comes from the French foreign loan word façade, which in turn comes from the Italian facciata, from faccia meaning face, the earliest usage recorded by the Oxford English Dictionary is 1656. It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade, in modern highrise building, the exterior walls are often suspended from the concrete floor slabs. Examples include curtain walls and precast concrete walls, the façade can at times be required to have a fire-resistance rating, for instance, if two buildings are very close together, to lower the likelihood of fire spreading from one building to another. In general, the systems that are suspended or attached to the precast concrete slabs will be made from aluminium or stainless steel. In recent years more lavish materials such as titanium have sometimes been used, whether rated or not, fire protection is always a design consideration. The melting point of aluminium,660 °C, is reached within minutes of the start of a fire. Firestops for such building joints can be qualified, too, putting fire sprinkler systems on each floor has a profoundly positive effect on the fire safety of buildings with curtain walls. Some building codes also limit the percentage of area in exterior walls. When the exterior wall is not rated, the slab edge becomes a junction where rated slabs are abutting an unrated wall. For rated walls, one may also choose rated windows and fire doors, on a film set and within most themed attractions, many of the buildings are only façades, which are far cheaper than actual buildings, and not subject to building codes. In film sets, they are held up with supports from behind. Within theme parks, they are usually decoration for the interior ride/attraction/restaurant, by Ulrich Knaack, Tillmann Klein, Marcel Bilow and Thomas Auer. ISBN 978-3-7643-7961-2 ISBN 978-3-7643-7962-9 Giving buildings an illusion of grandeur Poole, the article outlines the development of the façade in ecclesiastical architecture from the early Christian period to the Renaissance
25.
Lantern
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Lanterns were usually made from a metal frame, commonly with a hook or hoop of metal on top. Though primarily used to prevent the light from being extinguished, their equally important function was to reduce the risk of fire should a spark leap from the flame or the light be dropped. Note that the term used was lanthorn, which perhaps has its etymology in the above mentioned use of thinned animal horn as the material in the lantern. Lanterns may also be used for signaling, as torches, or as light sources outdoors. Low light level varieties are used for decoration, the term lantern is also used more generically to mean a light source, or the enclosure for a light source. Examples are glass pane enclosed street lights, or the housing for the top lamp, the term is commonly associated with Chinese paper lanterns. Decorative lanterns exist in a range of designs. Some hang from buildings, while others are placed on or just above the ground, paper lanterns occur in societies around the world. Modern varieties often place a light in a decorative glass case. The ancient Chinese sometimes captured fireflies in transparent or semi-transparent containers, raise the Red Lantern, a Chinese film, prominently features lanterns as a motif. Lanterns are used in many Asian festivals, during the Ghost Festival, lotus shaped lanterns are set afloat in rivers and seas to symbolic guide the lost souls of forgotten ancestors to the afterlife. During the Lantern Festival, the displaying of lanterns is still a common sight on the 15th day of the first lunar month throughout China. In other Chinese festivities, the kongming lanterns can be floating high into the sky during Chinese festivities. Lanterns are the theme of the Seoul Lantern Festival, too. Use of fireflies in transparent containers was also a practice in ancient India. But since these were short term solutions, the use of fire torches was more prevalent, in the Eastern Orthodox Church, lanterns are used in religious processions and liturgical entrances, usually coming before the processional cross. Lanterns are also used to transport the Holy Fire from the Church of the Holy Sepulchre on Great Saturday during Holy Week and they are cheap and durable, but provide little light and are unsuitable for reading. They require periodic trimming of the wick and regular cleaning of soot from the inside of the glass chimney, mantle lanterns use a woven ceramic impregnated gas mantle to accept and re-radiate heat as visible light from a flame
26.
Crossing (architecture)
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A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform church. In a typically oriented church, the crossing gives access to the nave on the west, the arms on the north and south. The crossing is surmounted by a tower or dome. A large crossing tower is common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular, because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners, a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse, sacrist Alan of Walsinghams octagon, built between 1322 and 1328 after the collapse of Elys nave crossing on 22 February 1322, is the. Greatest individual achievement of architectural genius at Ely Cathedral according to architectural historian Nikolaus Pevsner, a tower over the crossing may be called a lantern tower if it has openings through which light from outside can shine down to the crossing. In Early Medieval churches, the square was often used as a module. The nave and transept would have lengths that were a multiple of the length of the crossing square. This was to ensure that the church was properly proportioned
27.
Clerestory
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In architecture, a clerestory is a high section of wall that contains windows above eye level. The purpose is to light, fresh air, or both. Similar structures have been used in vehicles to provide additional lighting, ventilation. The technology of the clerestory appears to originate in the temples of ancient Egypt, Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, according to Biblical accounts, the Hebrew temple built by King Solomon featured clerestory windows made possible by the use of a tall, angled roof and a central ridgepole. The clerestory was used in the Hellenistic architecture of the periods of ancient Greek civilization. The Romans applied clerestories to basilicas of justice and to the basilica-like bath-houses and palaces, early Christian churches and some Byzantine churches, particularly in Italy, are based closely on the Roman basilica, and maintained the form of a central nave flanked by lower aisles on each side. The nave and aisles are separated by columns or piers, above which rises a wall pierced by clerestory windows, during the Romanesque period, many churches of the basilica form were constructed all over Europe. Many of these churches have wooden roofs with clerestories below them, some Romanesque churches have barrel vaulted ceilings with no clerestory. The development of the vault and ribbed vault made possible the insertion of clerestory windows. Initially the nave of an aisled and clerestoried church was of two levels, arcade and clerestory. During the Romanesque period a third level was inserted between them, a called the triforium. The triforium generally opens into space beneath the roof of the aisle. This became a feature of later Romanesque and Gothic large abbey. Sometimes another gallery set into the space above the triforium. This feature is found in some late Romanesque and early Gothic buildings in France, in smaller churches, clerestory windows may be trefoils or quatrefoils. In some Italian churches they are ocular, in most large churches, they are an important feature, both for beauty and for utility. The ribbed vaulting and flying buttresses of Gothic architecture concentrated the weight and thrust of the roof, in Gothic masterpieces, the clerestory is generally divided into bays by the vaulting shafts that continue the same tall columns that form the arcade separating the aisles from the nave
28.
Triforium
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A triforium is a shallow arched gallery within the thickness of an inner wall, above the nave of a church or cathedral. It may occur at the level of the windows, or it may be located as a separate level below the clerestory. It may itself have a wall of glass rather than stone. Triforia are sometimes referred to, erroneously, as tribunes, also called a blind-storey, the triforium looks like a row of window frames without window openings. The triangle shape comes from the roof, as can be seen in the picture on the right between the two arrows. Even when reduced to a simple passage it was always a highly enriched feature, in the 15th-century churches in England, when the roof over the aisles was comparatively flat, more height being required for the clerestory windows, the triforium was dispensed with altogether. The triforium sometimes served structural functions, as under its roof are arches, cathedral architecture of the Western World This article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
29.
Tribune (architecture)
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Tribune is an ambiguous — and often misused — architectural term which can have several meanings. Today it most often refers to a dais or stage-like platform, the English word tribune was derived as early as 1762 from French and Italian words. These in turn stemmed from Medieval Latin tribuna and from Classical Latin tribunal, in ancient Rome, the term was used of a semicircular apse in a Roman basilica, with a raised platform, where a presiding magistrate sat in an official chair. In Medieval, and later, ecclesiastical architecture, the term applies to an area within a vaulted or semi-domed apse in a room or church, in this sense a tribune may contain a high altar or bishops seat. These features were common in Roman and Byzantine church architecture. A secular example is its use for the octagon room of the Uffizi Palace at Florence. The sense of the term is extended to any gallery, balcony. In a church, it may refer to an open arcade overlooking the nave of a church — or indeed any large hall — often situated below a clerestory. This is the origin of the metaphorical use of tribune in the names of newspapers, magazines. This article incorporates text from a now in the public domain, Chisholm, Hugh
30.
Rose window
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The name “rose window” was not used before the 17th century and according to the Oxford English Dictionary, among other authorities, comes from the English flower name rose. Rose windows are also called Natalie windows after Saint Natalie of Lu who was sentenced to be executed on a spiked wheel, a circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cathedrals of Northern France and their origins are much earlier and rose windows may be seen in various forms throughout the Medieval period. Their popularity was revived, with other features, during the Gothic revival of the 19th century so that they are seen in Christian churches all over the world. The origin of the window may be found in the Roman oculus. These large circular openings let in light and air, the best known being that at the top of the dome of the Pantheon. Windows with stone tracery make their emergence in Antiquity, but they arrived to us. Geometrical patterns of roses are very developed and common in Roman mosaic, in Early Christian and Byzantine architecture, there are examples of the use of circular oculi. A window of the 8th century, now located in Venice, many semicircular windows with pierced tracery exist from the 6th to the 8th century, and later in Greece. This theory suggests that crusaders brought the design of this window to Europe. But also of the halves editing roses are known, as with the church of San Juan Bautista in Baños de Cerrato, the scarcity and the brittleness of the vestiges of this time does not make it possible to say that complet rose window in tracery did not exist before. In another of these churches, San Miguel de Lillo, is the earliest known example of an axially placed oculus with tracery, several such windows of different sizes exist, and decoration of both Greek Cross and scalloped petal-like form occur, prefiguring both wheel and rose windows. In Germany, Worms Cathedral, has windows in the pedimental ends of its nave and gables. The apsidal western end has a wheel window with smaller oculi in each face. The Church of the Apostles, Cologne has an array of both ocular and lobed windows forming decorative features in the gables and beneath the Rhenish helm spire, the octagonal dome has a ring of oculi with two in each of the curved faces. Oculi were also used in the drums supporting domes and as upper lights in octagonal baptisteries such as that at Cremona. Romanesque facades with oculi include San Miniato al Monte, Florence, 11th century, San Michele, Pavia, c. As the windows increased in size in the later Romanesque period, wheel windows became a feature of which there are fine examples at San Zeno Maggiore, Verona
31.
Stained glass
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The term stained glass can refer to coloured glass as a material or to works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches, mosques, although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has extended the term stained glass to include domestic leadlight. As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. The coloured glass is crafted into stained glass windows in which pieces of glass are arranged to form patterns or pictures, held together by strips of lead. Painted details and yellow stain are used to enhance the design. The term stained glass is applied to windows in which the colours have been painted onto the glass. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the space for which it is made, must resist wind and rain, Many large windows have withstood the test of time and remained substantially intact since the late Middle Ages. In Western Europe they constitute the form of pictorial art to have survived. In this context, the purpose of a glass window is not to allow those within a building to see the world outside or even primarily to admit light. For this reason stained glass windows have been described as illuminated wall decorations, Stained glass is still popular today, but often referred to as art glass. It is prevalent in luxury homes, commercial buildings, and places of worship, artists and companies are contracted to create beautiful art glass ranging from domes, windows, backsplashes, etc. During the late Medieval period, glass factories were set up there was a ready supply of silica. Silica requires very high heat to become molten, something not all glass factories were able to achieve, such materials as potash, soda, and lead can be added to lower the melting temperature. Other substances, such as lime, are added to rebuild the weakened network, Glass is coloured by adding metallic oxide powders or finely divided metals while it is in a molten state. Copper oxides produce green or bluish green, cobalt makes deep blue, much modern red glass is produced using copper, which is less expensive than gold and gives a brighter, more vermilion shade of red. Glass coloured while in the pot in the furnace is known as pot metal glass
32.
Rood screen
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The rood screen is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, the rood screen would originally have been surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in parts of Europe, the German word for one is Lettner, the French jubé, the Italian tramezzo. Accordingly, rood screens now survive in greater numbers in Anglican and Lutheran churches, with the greatest number of survivals complete with screen. The iconostasis in Eastern Christian churches is a similar barrier. The word rood is derived from the Saxon word rood or rode, the rood screen is so called because it was surmounted by the Rood itself, a large figure of the crucified Christ. The panels and uprights of the screen did not support the loft, access was via a narrow rood stair set into the piers supporting the chancel arch. The carving or construction of the screen often included latticework. The passage through the screen was fitted with doors, which were kept locked except during services. However, rood stairs in English parish churches are rarely, if ever, the specific functions of the late medieval parish rood loft, over and above supporting the rood and its lights, remain an issue of conjecture and debate. In this respect it may be significant that, although there are terms for a screen in the vernacular languages of Europe. Nor does the 13th century liturgical commentator Durandus refer directly to rood screens or rood lofts and this is consistent with the ritual uses of rood lofts being substantially a late medieval development. Until the 6th century the altar of Christian churches would have been in full view of the congregation, large churches had a ciborium, or canopy on four columns, over the altar, from which hung altar curtains which were closed at certain points in the liturgy. In Rome the ritual choir tended to be located west of the screen. These arrangements still survive in the Roman basilicas of San Clemente and Santa Maria in Cosmedin, in the Eastern Church, the templon and its associated curtains and decorations evolved into the modern iconostasis. Many churches in Ireland and Scotland in the early Middle Ages were often very small. Equivalent arcaded colonnades also survive in 10th-century monastic churches in Spain, numerous near life-size crucifixes survive from the Romanesque period or earlier, with the Gero Cross in Cologne Cathedral and the Volto Santo of Lucca the best known
33.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
34.
Franco-Prussian War
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The conflict was caused by Prussian ambitions to extend German unification and French fears of the shift in the European balance of power that would result if the Prussians succeeded. On 16 July 1870, the French parliament voted to declare war on the German Kingdom of Prussia, the German coalition mobilised its troops much more quickly than the French and rapidly invaded northeastern France. The German forces were superior in numbers, had training and leadership and made more effective use of modern technology, particularly railroads. The German states proclaimed their union as the German Empire under the Prussian king Wilhelm I, the Treaty of Frankfurt of 10 May 1871 gave Germany most of Alsace and some parts of Lorraine, which became the Imperial territory of Alsace-Lorraine. French determination to regain Alsace-Lorraine and fear of another Franco-German war, along with British apprehension about the balance of power, the causes of the Franco-Prussian War are deeply rooted in the events surrounding the unification of Germany. In the aftermath of the Austro-Prussian War of 1866, Prussia had annexed numerous territories and this new power destabilized the European balance of power established by the Congress of Vienna in 1815 after the Napoleonic Wars. France was strongly opposed to any further alliance of German states, in Prussia, some officials considered a war against France both inevitable and necessary to arouse German nationalism in those states that would allow the unification of a great German empire. Bismarck also knew that France should be the aggressor in the conflict to bring the southern German states to side with Prussia, many Germans also viewed the French as the traditional destabilizer of Europe, and sought to weaken France to prevent further breaches of the peace. The immediate cause of the war resided in the candidacy of Leopold of Hohenzollern-Sigmaringen, France feared encirclement by an alliance between Prussia and Spain. The Hohenzollern princes candidacy was withdrawn under French diplomatic pressure, releasing the Ems Dispatch to the public, Bismarck made it sound as if the king had treated the French envoy in a demeaning fashion, which inflamed public opinion in France. They also argue that he wanted a war to resolve growing domestic political problems, other historians, notably French historian Pierre Milza, dispute this. According to Milza, the Emperor had no need for a war to increase his popularity, the Ems telegram had exactly the effect on French public opinion that Bismarck had intended. This text produced the effect of a red flag on the Gallic bull, gramont, the French foreign minister, declared that he felt he had just received a slap. Napoleons new prime minister, Emile Ollivier, declared that France had done all that it could humanly and honorably do to prevent the war, a crowd of 15–20,000 people, carrying flags and patriotic banners, marched through the streets of Paris, demanding war. On 19 July 1870 a declaration of war was sent to the Prussian government, the southern German states immediately sided with Prussia. The French Army consisted in peacetime of approximately 400,000 soldiers, some of them were veterans of previous French campaigns in the Crimean War, Algeria, the Franco-Austrian War in Italy, and in the Mexican campaign. Under Marshal Adolphe Niel, urgent reforms were made, universal conscription and a shorter period of service gave increased numbers of reservists, who would swell the army to a planned strength of 800,000 on mobilisation. Those who for any reason were not conscripted were to be enrolled in the Garde Mobile, however, the Franco-Prussian War broke out before these reforms could be completely implemented
35.
Adolf Hitler
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Adolf Hitler was a German politician who was the leader of the Nazi Party, Chancellor of Germany from 1933 to 1945, and Führer of Nazi Germany from 1934 to 1945. As dictator of the German Reich, he initiated World War II in Europe with the invasion of Poland in September 1939 and was central to the Holocaust, Hitler was born in Austria, then part of Austria-Hungary, and raised near Linz. He moved to Germany in 1913 and was decorated during his service in the German Army in World War I and he joined the German Workers Party, the precursor of the NSDAP, in 1919 and became leader of the NSDAP in 1921. In 1923 he attempted a coup in Munich to seize power, the failed coup resulted in Hitlers imprisonment, during which he dictated the first volume of his autobiography and political manifesto Mein Kampf. Hitler frequently denounced international capitalism and communism as being part of a Jewish conspiracy, by 1933, the Nazi Party was the largest elected party in the German Reichstag, which led to Hitlers appointment as Chancellor on 30 January 1933. Hitler aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain, Hitler sought Lebensraum for the German people in Eastern Europe. His aggressive foreign policy is considered to be the cause of the outbreak of World War II in Europe. He directed large-scale rearmament and on 1 September 1939 invaded Poland, resulting in British, in June 1941, Hitler ordered an invasion of the Soviet Union. By the end of 1941 German forces and the European Axis powers occupied most of Europe, failure to defeat the Soviets and the entry of the United States into the war forced Germany onto the defensive and it suffered a series of escalating defeats. In the final days of the war, during the Battle of Berlin in 1945, Hitler married his long-time lover, on 30 April 1945, less than two days later, the two killed themselves to avoid capture by the Red Army, and their corpses were burned. Hitler and the Nazi regime were also responsible for the killing of an estimated 19.3 million civilians, in addition,29 million soldiers and civilians died as a result of military action in the European Theatre of World War II. The number of civilians killed during the Second World War was unprecedented in warfare, Hitlers father Alois Hitler Sr. was the illegitimate child of Maria Anna Schicklgruber. The baptismal register did not show the name of his father, in 1842, Johann Georg Hiedler married Aloiss mother Maria Anna. Alois was brought up in the family of Hiedlers brother, Johann Nepomuk Hiedler, in 1876, Alois was legitimated and the baptismal register changed by a priest to register Johann Georg Hiedler as Aloiss father. Alois then assumed the surname Hitler, also spelled Hiedler, Hüttler, the Hitler surname is probably based on one who lives in a hut. Nazi official Hans Frank suggested that Aloiss mother had been employed as a housekeeper by a Jewish family in Graz, and that the familys 19-year-old son Leopold Frankenberger had fathered Alois. No Frankenberger was registered in Graz during that period, and no record has been produced of Leopold Frankenbergers existence, Adolf Hitler was born on 20 April 1889 in Braunau am Inn, a town in Austria-Hungary, close to the border with the German Empire. He was one of six born to Alois Hitler and Klara Pölzl
36.
Villard de Honnecourt
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Villard de Honnecourt was a 13th-century artist from Picardy in northern France. He is known to only through a surviving portfolio or sketchbook containing about 250 drawings. Nothing is known of Villard apart from what can be gleaned from his surviving sketchbook, based on the large number of architectural designs in the portfolio, it was traditionally thought that Villard was a successful, professional, itinerant architect and engineer. He was possibly trained as a metalworker and his drawing of one of the west facade towers of Laon Cathedral and those of radiating chapels and a main vessel bay, interior and exterior, of Rheims Cathedral are of particular interest. Villard tells us, with pride, that he had been in many lands and that he made a trip to Hungary where he remained many days, but he does not say why he went there or who sent him. He also claimed to have many of his drawings from life. The so-called sketchbook of Villard de Honnecourt dates to about c. 1225-1235 and it was discovered in the mid-19th century and is presently housed in the Bibliothèque nationale de France, Paris, under the shelfmark MS Fr 19093. It consists of 33 parchment sheets measuring on average 235x155 mm, the manuscript is not complete, and its original extent cannot be determined. It is unclear whether it was Villard himself or a party who assembled. The album contains about 250 drawings, many drawings are accompanied by annotations and labels. The original purpose of the album is the subject of controversy, originally it was thought to have served as a kind of training manual for practicing architects. Nevertheless, most scholars believe it more likely served as a pattern or model book. Several printed facsimiles of the album have appeared, parker, J. H. and J. Facsimile of the Sketch-book of Wilars de Honnecourt, an Architect of the Thirteenth Century. The Sketchbook of Villard de Honnecourt, bloomington, IN, Indiana University Press,1959. Hahnloser, Hans R. Villard de Honnecourt, kritische Gesamtausgabe des Bauhüttenbuches ms. fr.19093 der Pariser Nationalbibliothek. The Medieval Sketchbook of Villard de Honnecourt, the portfolio of Villard de Honnecourt, a new critical edition and color facsimile. In Les batisseurs des cathedrales gothiques, ed. Roland Recht, “contrefais al vif, nature, ideas and the lion drawings of Villard de Honnecourt. ”Villard de Honnecourt, Architect and Engineer. In The Medieval Machine, The Industrial Revolution of the Middle Ages, “Portraits and counterfeits, Villard de Honnecourt and thirteenth-century theories of representation. ”In Excavating the Medieval Image, Manuscripts, Artists, Audiences, Essays in Honor of Sandra Hindman, eds
37.
Pierre Dumage
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Pierre Dumage was a French Baroque organist and composer. His first music teacher was most likely his father, organist of the Beauvais Cathedral, at some point during his youth Dumage moved to Paris and studied under Louis Marchand. He also befriended Nicolas Lebègue, who in 1703 procured for Dumage a position of organist of the Saint-Quentin collegiate church, in 1710 Dumage was appointed titular organist of the Laon Cathedral. Due to strained relations with his superiors in the chapter, Dumage left on 30 March 1719, at the age of 45. He apparently neither played nor composed music professionally until his death, Dumages only surviving work is Premier livre dorgue, published in 1708. This collection is dedicated to the chapter of Saint Quentin and it contains a single Suite du premier ton, eight pieces in the traditional French forms, Plein jeu, Fugue, Trio, Tierce en taille, Basse de Trompette, Récit, Duo and Grand jeu. In the brief preface Dumage explains that these are his first works, Dumages music is, however, of very high quality, and entirely representative of French organ music of the period. Musicologists Félix Raugel and Willi Apel both singled out Dumages Récit for its delicate and gentle lyricism, and Apel also praised the Tierce en taille, Dumages second livre dorgue was presented in 1712 to the chapter of Laon Cathedral, but has never been found. The History of Keyboard Music to 1700, originally published as Geschichte der Orgel- und Klaviermusik bis 1700 by Bärenreiter-Verlag, Kassel. Free scores by Pierre Dumage at the International Music Score Library Project Media, Plein jeu, Récit sur le nasard avec tremblant, Grand jeu
38.
Robert Delaunay
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Robert Delaunay was a French artist who, with his wife Sonia Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were abstract, reminiscent of Paul Klee. His key influence related to use of colour and a clear love of experimentation with both depth and tone. Robert Delaunay was born in Paris, the son of George Delaunay, while he was a child, Delaunays parents divorced, and he was raised by his mothers sister Marie and her husband Charles Damour, in La Ronchère near Bourges. When he failed his exam and said he wanted to become a painter. At age 19, he left Ronsin to focus entirely on painting and contributed six works to the Salon des Indépendants in 1904. He traveled to Brittany, where he was influenced by the group of Pont-Aven, and, in 1906, he contributed works he painted in Brittany to the 22nd Salon des Indépendants, where he met Henri Rousseau. Delaunay formed a friendship at this time with Jean Metzinger. The two of them were singled out by the art critic Louis Vauxcelles in 1907 as Divisionists who used large, mosaic-like cubes to construct small, Robert Herbert writes, Metzingers Neo-Impressionist period was somewhat longer than that of his close friend Delaunay. The height of his Neo-Impressionist work was in 1906 and 1907, piet Mondrian developed a similar mosaic-like Divisionist technique circa 1909. The Futurists later would incorporate the style, under the influence of Gino Severinis Parisian works, into their dynamic paintings, Delaunay is most closely identified with Orphism. From 1912 to 1914, he painted nonfigurative paintings based on the characteristics of brilliant colors that were so dynamic they would function as the form. Apollinaire was strongly influenced by Delaunay’s theories of color and often quoted from them to explain Orphism, Delaunay’s fixations with color as the expressive and structural means were sustained with his study of color. He believes painting is a visual art that depends on intellectual elements. The contrasts and harmonies of color produce in the eye simultaneous movements, vision becomes the subject of painting. His early paintings are deeply rooted in Neoimpressionism, night Scene for example has vigorous activity with the use of lively brushstrokes in bright colors against a dark background. It doesn’t define solid object but the areas that surround them, spectral colors of Neoimpressionism were later abandoned, the Eiffel Tower series, were fragmentation of solid objects and their merging with space was learned. Influences in this series were Cézanne, Analytical Cubism, and Futurism, in the Eiffel Tower the interpenetration of tangible objects and surrounding space is accompanies by intense movement of geometric plans that are more dynamic than static equilibrium of Cubist forms
39.
Orphism (art)
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The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. The Orphists were rooted in Cubism but moved toward a pure lyrical abstraction, more concerned with the expression and significance of sensation, this movement began with recognizable subjects but was rapidly absorbed by increasingly abstract structures. Orphism aimed to dispense with recognizable subject matter and to rely on form, the movement also aimed to express the ideals of Simultanism, the existence of an infinitude of interrelated states of being. The decomposition of spectral light expressed in Neo-Impressionist color theory of Paul Signac, Robert Delaunay, Albert Gleizes, and Gino Severini, all knew Henry personally. Henry would take the step in bringing emotional associational theory into the world of artistic sensation. The underlying theory behind Neo-Impressionsim would have an effect on the works produced in the coming years by the likes of Robert Delaunay. Indeed, the Neo-Impressionists had succeeded in establishing a scientific basis for their painting in the domain of color. The Cubists were to do so in both the domain of form and dynamics, and the Orphists would do so with color too, the Symbolists had used the word orphique in relation to the Greek myth of Orpheus, who they perceived as the ideal artist. Apollinaire had written a collection of quatrains in 1907 entitled Bestiaire ou cortège d’Orphée, within which Orpheus was symbolized as a poet, for both Apollinaire and the Symbolists who preceded him, Orpheus was associated with mysticism, something that would inspire artistic endeavors. The voice of light that Apollinaire mentioned in his poems was a metaphor for inner experiences, though not fully articulated in his poems, the voice of light is identified as a line that could be colored and become a painting. The Orphic metaphor thus represented the power to create new structures and color harmonies. The term Orphism was coined by poet and art critic Guillaume Apollinaire at the Salon de la Section dOr in 1912, during his lecture at the Section dOr exhibit Apollinaire presented three of Kupkas abstract works as perfect examples of pure painting, as anti-figurative as music. An Orphic painters works should convey an aesthetic pleasure, but at the same time a meaningful structure. According to Apollinaire Orphism represented a move towards a completely new art-form, kandinskys detailed theoretical essays described the correlations between color and sound. Fernand Léger and Marcel Duchamp, as they tended towards abstraction, were included as Orphists in the writings of Apollinaire. Apollinaire stayed with the Delaunays during the winter of 1912, becoming close friends, Apollinaire wrote several texts discussing their work to promote the concept of Orphism. In March 1913 Orphism was exhibited to the public at the Salon des Indépendants, and in Montjoie Apollinaire argued for the abolition of Cubism in favour of Orphism, ‘If Cubism is dead, long live Cubism. The kingdom of Orpheus is at hand and this exhibition marked a turning-point in Apollinaire’s relation with R. Delaunay, following some remarks in an argument with Umberto Boccioni about the ambiguity of the term ‘simultaneity’
40.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
France
