1.
Delos
–
The island of Delos, near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical and archaeological sites in Greece. Delos had a position as a sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo. Established as a center, Delos had an importance that its natural resources could never have offered. Investigation of ancient stone huts found on the island indicate that it has been inhabited since the 3rd millennium BCE, thucydides identifies the original inhabitants as piratical Carians who were eventually expelled by King Minos of Crete. By the time of the Odyssey the island was famous as the birthplace of the twin gods Apollo. Indeed, between 900 BCE and 100 CE, sacred Delos was a cult centre, where Dionysus is also in evidence as well as the Titaness Leto. Eventually acquiring Panhellenic religious significance, Delos was initially a religious pilgrimage for the Ionians, a number of purifications were executed by the city-state of Athens in an attempt to render the island fit for the proper worship of the gods. The first took place in the 6th century BC, directed by the tyrant Pisistratus who ordered that all graves within sight of the temple be dug up and the bodies moved to another nearby island. In the 5th century, during the 6th year of the Peloponnesian war and under instruction from the Delphic Oracle, immediately after this purification, the first quinquennial festival of the Delian games were celebrated there. The island had no capacity for food, fiber, or timber. Limited water was exploited with a cistern and aqueduct system, wells. Strabo states that in 166 BCE the Romans converted Delos into a free port, Roman traders came to purchase tens of thousands of slaves captured by the Cilician pirates or captured in the wars following the disintegration of the Seleucid Empire. It became the center of the trade, with the largest slave market in the larger region being maintained here. The island was attacked in 88 BCE by the troops of Mithridates VI of Pontus, an enemy of Rome. Another devastating attack was by pirates in 69 BCE, before the end of the 1st century BCE, trade routes had changed, Delos was replaced by Puteoli as the chief focus of Italian trade with the East, and as a cult-centre too it entered a sharp decline. Due to the history, Delos - unlike other Greek islands - did not have an indigenous. As a result, in times it became uninhabited. Since 1872 the École française dAthènes has been excavating the island, in 1990, UNESCO inscribed Delos on the World Heritage List, citing it as the exceptionally extensive and rich archaeological site which conveys the image of a great cosmopolitan Mediterranean port
Delos
–
General view of Delos
Delos
–
The island of Delos,
Carl Anton Joseph Rottmann,1847.
Delos
–
The theatre.
Delos
–
Column with phallus at the
Stoivadeion
2.
Griffin
–
The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion, the head and wings of an eagle, and an eagles talons as its front feet. Because the lion was considered the king of the beasts and the eagle the king of birds. The griffin was thought of as king of all creatures. Griffins are known for guarding treasure and priceless possessions, in Greek and Roman texts, griffins and Arimaspeans were associated with gold. Indeed, in later accounts, griffins were said to lay eggs in burrows on the grounds, in antiquity it was a symbol of divine power and a guardian of the divine. The derivation of this remains uncertain. It could be related to the Greek word γρυπός, meaning curved, also, this could have been an Anatolian loan word, compare Akkadian karūbu, and similar to Cherub. A related Hebrew word is כרוב, Most statuary representations of griffins depict them with bird-like talons, although in some older illustrations griffins have a lions forelimbs, they generally have a lions hindquarters. Its eagles head is given prominent ears, these are sometimes described as the lions ears, but are often elongated. Infrequently, a griffin is portrayed without wings, or a wingless eagle-headed lion is identified as a griffin, in 15th-century and later heraldry, such a beast may be called an alce or a keythong. In heraldry, a griffin always has forelegs like an eagles hind-legs, there is evidence of representations of griffins in Ancient Iranian and Ancient Egyptian art dating back to before 3000 BC. In Egypt, a griffin can be seen in a cosmetic palette from Hierakonpolis, known as the Two Dog Palette, which is dated to ca. In Iran, griffins appeared on seals from Susa as early as 3000 BC. Griffin depictions appear in the Levant, Syria. Early depictions of griffins in Ancient Greek art are found in the 15th century BC frescoes in the Throne Room of the Bronze Age Palace of Knossos and it continued being a favored decorative theme in Archaic and Classical Greek art. In Central Asia, the griffin appears about a years after Bronze Age Crete, in the 5th–4th centuries BC. The Achaemenids considered the griffin a protector from evil, witchcraft, the modern generalist calls it the lion-griffin, as for example, Robin Lane Fox, in Alexander the Great,1973,31 and notes p. The Pisa Griffin is a bronze sculpture that has been in Pisa in Italy since the Middle Ages. It is the largest bronze medieval Islamic sculpture known, at three feet tall, and was probably created in the 11th century in Al-Andaluz
Griffin
–
Griffin fresco in the "Throne Room", Palace of
Knossos,
Crete,
Bronze Age
Griffin
–
Achaemenid griffin at
Persepolis.
Griffin
–
The Islamic
Pisa Griffin, in the
Pisa Cathedral Museum
Griffin
–
Bronze griffin head from
Olympia, Greece. 7th century BC.
Olympia museum
3.
Zeus
–
Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
Zeus
–
The Jupiter de Smyrne, discovered in
Smyrna in 1680
Zeus
–
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church.
Zeus
–
Zeus, at the Getty Villa, A.D. 1 - 100 by unknown.
Zeus
–
"
Cave of Zeus ",
Mount Ida (Crete).
4.
Apollo
–
Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
Apollo
–
Apollo Belvedere, ca. 120–140 CE
Apollo
–
Partial view of the temple of Apollo Epikurios (healer) at
Bassae in southern Greece
Apollo
–
Temple of the Delians at
Delos, dedicated to Apollo (478 BC). 19th-century pen-and-wash restoration.
Apollo
–
Temple of Apollo Smintheus at
Çanakkale, Turkey
5.
Artemis
–
Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
Artemis
–
The
Diana of Versailles, a
Roman copy of a
Greek sculpture by
Leochares (
Louvre Museum)
Artemis
–
Didrachm from
Ephesus,
Ionia, representing the goddess Artemis
Artemis
–
Silver tetradrachm of the
Indo-Greek king
Artemidoros (whose name means "gift of Artemis"), c. 85 BCE, featuring Artemis with a drawn bow and a quiver on her back on the reverse of the coin
Artemis
–
Artemis (on the left, with a deer) and Apollo (on the right, holding a lyre) from
Myrina, dating to approximately 25 BC
6.
Asteria (mythology)
–
Each of these is detailed below. Asteria was the daughter of the Titans Coeus and Phoebe and sister of Leto, according to Hesiod, by Perses she had a daughter Hecate. This then became identified with the island of Delos, which was the piece on earth to give refuge to the fugitive Leto when, pregnant with Zeuss children. Asteria was the ninth Amazon killed by Heracles when he came for Hippolytes girdle, Asteria or Astris was a daughter of Helios and Clymene or Ceto, one of the Heliades. She married the river god Hydaspes and became mother of Deriades, Asteria was one of the Danaids, daughters of Danaus who, with one exception, murdered their husbands on their wedding nights. She was, briefly, the bride of Chaetus, Asteria was one of the Alkyonides. Along with her sisters, she flung herself into the sea and was transformed into a kingfisher, Asteria or Asterodia was the mother of Crisus and Panopeus by Phocus. Asteria, daughter of Hydeus, was the mother of Hydissos by Bellerophon and her son is known for having founded a city in Caria which was named after him. Asteria, daughter of Coronus, and Apollo were possible parents of the seer Idmon, the daughter of Teucer and Eune of Cyprus also bore the name Asteria. Asteria was one of the sacrificial victims of Minotaur, portrayed in a vase painting. Christoph Willibald Gluck gave the name Asteria to one of the characters in his 1765 opera Telemaco, though the name did not appear in Homers Odyssey on which the opera was based
Asteria (mythology)
–
Asteria and Phoebe on the
Pergamon Altar.
7.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
8.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
Greek language
–
Idealized portrayal of
Homer
Greek language
–
regions where Greek is the official language
Greek language
–
Greek language road sign, A27 Motorway, Greece
9.
Ancient Greek dialects
–
Ancient Greek in classical antiquity, before the development of the κοινή common language of Hellenism, was divided into several dialects. Most of them are only from inscriptions, but a few of them, principally Aeolic, Doric. Likewise, Modern Greek is divided into dialects, most of them having been derived from Koine Greek. The earliest known dialect is Mycenaean Greek, the language reconstructed from the Linear B tablets produced by the Mycenaean civilization of the Late Bronze Age in the late 2nd millennium BC. The classical distribution of dialects was brought about by the migrations of the early Iron Age after the collapse of the Mycenaean civilization, some speakers of Mycenaean were displaced to Cyprus while others remained inland in Arcadia, giving rise to the Arcadocypriot dialect. This is the dialect with a known Bronze-age precedent. The other dialects must have preceded their attested forms but the relationship of the precedents to Mycenaean remains to be discovered, Aeolic was spoken in three subdialects, one, Lesbian, on the island of Lesbos and the west coast of Asia Minor north of Smyrna. The other two, Boeotian and Thessalian, were spoken in the northeast of the Greek mainland, north Western Greek is sometimes classified as a separate dialect, and is sometimes subsumed under Doric. Macedonian is regarded by scholars as another Greek dialect, possibly related to Doric or NW Greek. Ionic was mostly spoken along the west coast of Asia Minor, including Smyrna and the area to the south of it, homers Iliad and Odyssey were written in Homeric Greek, an early East Greek blending Ionic and Aeolic features. Attic Greek, a sub- or sister-dialect of Ionic, was for centuries the language of Athens, because Attic was adopted in Macedon before the conquests of Alexander the Great and the subsequent rise of Hellenism, it became the standard dialect that evolved into the Koiné. Ancient Greek literature is written in dialects that developed from particular regional or archaic dialects. Ancient Greek authors did not necessarily write in their native dialect, all dialects have poetry written in them, but only Attic and Ionic have full works of prose attested. Homeric Greek is used in the first epic poems, the Iliad and the Odyssey, Homeric is a literary dialect with elements of Ionic, Aeolic and Arcadocypriot. Hesiod uses a dialect, and later writers imitate Homer in their epics, such as Apollonius Rhodius in Argonautica. Homer influenced other types of poetry as well, Ionic proper is first used in Archilochus of Paros. This dialect includes also the earliest Greek prose, that of Heraclitus and Ionic philosophers, Hecataeus and logographers, Herodotus, Democritus, elegiac poetry originated in Ionia and always continued to be written in Ionic. Doric is the dialect of choral lyric poetry, which includes the Laconian Alcman, the Theban Pindar
Ancient Greek dialects
–
Doric proper
10.
Titan (mythology)
–
In Greek mythology, the Titans and Titanesses were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympian deities. Based on Mount Othrys, the Titans most famously included the first twelve children of the primordial Gaia and they were giant deities of incredible strength, who ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities. The first twelve Titans comprised the females Mnemosyne, Tethys, Theia, Phoebe, Rhea, and Themis and the males Oceanus, Hyperion, Coeus, Cronus, Crius, like Cronus overthrowing his father Uranus, the Titans were overthrown by Cronus children, in the Titanomachy. The Greeks may have borrowed this mytheme from the Ancient Near East, Greeks of the classical age knew of several poems about the war between the Olympians and Titans. The dominant one, and the one that has survived, was in the Theogony attributed to Hesiod. A lost epic, Titanomachia was mentioned in passing in an essay On Music that was attributed to Plutarch. The Titans also played a prominent role in the poems attributed to Orpheus, although only scraps of the Orphic narratives survive, they show interesting differences with the Hesiodic tradition. Sometimes the elders are supplanted, and sometimes the rebels lose and are either cast out of power entirely or incorporated into the pantheon, the Titanomachy lasted for ten years. The Titans were imprisoned in Tartarus after the war had ended, Tartarus is the deepest spot known in the Underworld, where the most evil beings would be cast into to be tortured for all eternity. Hesiod does not have the last word on the Titans, surviving fragments of poetry ascribed to Orpheus preserve some variations on the myth. In such text, Zeus does not simply set upon his father violently, instead, Rhea spreads out a banquet for Cronus so that he becomes drunk upon fermented honey. Rather than being consigned to Tartarus, Cronus is dragged—still drunk—to the cave of Nyx, another myth concerning the Titans that is not in Hesiod revolves around Dionysus. At some point in his reign, Zeus decides to give up the throne in favor of the infant Dionysus, who like the infant Zeus, is guarded by the Kouretes. The Titans decide to slay the child and claim the throne for themselves, they paint their faces white with gypsum, distract Dionysus with toys, then him and boil. Zeus, enraged, slays the Titans with his thunderbolt, Athena preserves the heart in a gypsum doll and this story is told by the poets Callimachus and Nonnus, who call this Dionysus Zagreus, and in a number of Orphic texts, which do not. Pindar, Plato, and Oppian refer offhandedly to the Titanic nature of humans, according to them, the body is the titanic part, while soul is the divine part of humans. Other early writers imply that humanity was born out of the malevolent blood shed by the Titans in their war against Zeus, Martin Litchfield West also asserts this in relation to shamanistic initiatory rites of early Greek religious practices. Beekes connects the word with τιτώ, burket, Walter, The Orientalizing Revolution, Near Eastern Influence on Greek Culture in the Early Archaic Age, Harvard University Press,1995
Titan (mythology)
–
Rhea, a Titan daughter of the earth goddess
Gaia, was both sister and wife to
Cronus.
11.
Hera
–
Hera is the goddess of women and marriage in Greek mythology and religion. She is the daughter of the Titans Cronus and Rhea, Hera is married to her brother Zeus and is titled as the Queen of Heaven. One of her characteristics is her jealous and vengeful nature against Zeuss other lovers and offspring, Hera is commonly seen with the animals she considers sacred including the cow, lion and the peacock. Scholar of Greek mythology Walter Burkert writes in Greek Religion, Nevertheless, there are memories of an aniconic representation, as a pillar in Argos. Her counterpart in the religion of ancient Rome was Juno, According to Plutarch, Hera was an allegorical name and an anagram of aēr. So begins the section on Hera in Walter Burkerts Greek Religion, in a note, he records other scholars arguments for the meaning Mistress as a feminine to Heros, Master. John Chadwick, a decipherer of Linear B, remarks her name may be connected with hērōs, ἥρως, hero, a. J. van Windekens, offers young cow, heifer, which is consonant with Heras common epithet βοῶπις. R. S. P. Beekes has suggested a Pre-Greek origin and her name is attested in Mycenaean Greek written in the Linear B syllabic script as
Hera
–
The
Campana Hera, a
Roman copy of a
Hellenistic original, from the
Louvre
Hera
–
Jupiter and
Juno by
Annibale Carracci.
Hera
–
The Temple of Hera at
Agrigento,
Magna Graecia.
Hera
–
Roman copy of a Greek 5th century Hera of the "
Barberini Hera " type, from the
Museo Chiaramonti
12.
Roman mythology
–
Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
Roman mythology
–
Romulus and Remus, the
Lupercal,
Father Tiber, and the
Palatine on a
relief from a pedestal dating to the reign of
Trajan (AD 98–117)
Roman mythology
–
In this wall painting from
Pompeii,
Venus looks on while the physician
Iapyx tends to the wound of her son,
Aeneas; the tearful boy is her grandson
Ascanius, also known as Iulus, legendary ancestor [
citation needed] of
Julius Caesar and the
Julio-Claudian dynasty
Roman mythology
–
Mucius Scaevola in the Presence of Lars Porsenna (early 1640s) by
Matthias Stom
Roman mythology
–
Capitoline Triad
13.
Etruscan language
–
The Etruscan language was the spoken and written language of the Etruscan civilization, in Italy, in the ancient region of Etruria and in parts of Campania, Lombardy, Veneto, and Emilia-Romagna. Etruscan influenced Latin, but was eventually superseded by it. Grammatically, the language is agglutinating, with nouns and verbs showing suffixed inflectional endings, nouns show four cases, singular and plural numbers, and masculine and feminine genders. Phonologically, Etruscan appears uncomplicated, with a system and an apparent contrast between aspirated and unaspirated stops. The language shows phonetic change over time, with the loss, Etruscan religion influenced that of the Romans and many of the few surviving Etruscan language artifacts are of votive or religious significance. Etruscan was written in a derived from the Greek alphabet. The Etruscan language is believed to be the source of certain important cultural words of Western Europe such as military and people. Etruscan literacy was widespread over the Mediterranean shores, as evidenced by about 13,000 inscriptions, most fairly short and they date from about 700 BC. The Etruscans had a rich literature, as noted by Latin authors, however, only one book, the Liber Linteus has survived. By AD100, Etruscan had been replaced by Latin, around 180, the Latin author Aulus Gellius mentions Etruscan alongside the Gaulish language in an anecdote. Only a few educated Romans with antiquarian interests, such as Marcus Terentius Varro, plautia Urgulanilla, the emperors first wife, was Etruscan. Livy and Cicero were both aware that highly specialized Etruscan religious rites were codified in several sets of written in Etruscan under the generic Latin title Etrusca Disciplina. The Libri Haruspicini dealt with divination from the entrails of the sacrificed animal, a third set, the Libri Rituales, might have provided a key to Etruscan civilization, its wider scope embraced Etruscan standards of social and political life, as well as ritual practices. The single extant Etruscan book, Liber Linteus, which was written on linen and this range may indicate a maximum Italian homeland where the language was at one time spoken. Outside of mainland Italy inscriptions have been found in North Africa, Corsica, Elba, Gallia Narbonensis, Greece, the Balkans, by far the greatest concentration is in Italy. An inscription found on Lemnos in 1886 is in a similar to that used to write the Etruscan language. A few concepts of word formation have been formulated, modern knowledge of the language is incomplete. Etruscan was traditionally considered to be a language isolate, in the first century BC, the Greek historian Dionysius of Halicarnassus stated that the Etruscan language was unlike any other
Etruscan language
–
The Pyrgi Tablets laminated sheets of gold with a treatise both in Etruscan and
Phoenician languages in the Etruscan Museum in Rome
Etruscan language
–
Etruscan
Etruscan language
–
Tumulus on a street at Banditaccia, the main necropolis of
Caere
Etruscan language
–
History
14.
Crete
–
Crete is the largest and most populous of the Greek islands, 88th-largest island in the world and the fifth-largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete and a number of surrounding islands and islets constitute the region of Crete, the capital and the largest city is Heraklion. As of 2011, the region had a population of 623,065, Crete forms a significant part of the economy and cultural heritage of Greece, while retaining its own local cultural traits. It was once the centre of the Minoan civilization, which is regarded as the earliest recorded civilization in Europe. The island is first referred to as Kaptara in texts from the Syrian city of Mari dating from the 18th century BC, repeated later in Neo-Assyrian records and it was also known in ancient Egyptian as Keftiu, strongly suggesting a similar Minoan name for the island. The current name of Crete is thought to be first attested in Mycenaean Greek texts written in Linear B, through the words
Crete
–
NASA photograph of Crete
Crete
–
Lefka Ori
Crete
–
Port of Heraklion
Crete
–
Lefka Ori (White mountains).
15.
Spyridon Marinatos
–
Spyridon Nikolaou Marinatos was a Greek archaeologist. Marinatos began his career in Crete as director of the Heraklion Museum along with Georgia Andrea in 1929 where he met Sir Arthur Evans and he conducted several excavations on Crete at Dreros, Arkalochori, Vathypetro and Gazi, all of which resulted in spectacular finds. In 1937, he director of the Antiquities service in Greece for the first time. Shortly afterwards, he became professor at the University of Athens and he turned his attention to the Mycenaeans next, regarding them as the first Greeks. He excavated many Mycenaean sites in the Peloponnese, including a royal tomb at Routsi. He also dug at Thermopylae and Marathon uncovering the sites where the battles had occurred. His most notable discovery was the site of Akrotiri, a Minoan port city on the island of Thera, the city was destroyed by a massive eruption which buried it under ashes and pumice. The tsunamis created by the eruption destroyed coastal settlements on Crete as well, guided by the local Nikos Pelekis, Marinatos began excavations in 1967 and died at the site in 1974, after suffering a massive stroke. According to another version, he died during the excavation as he was hit by a collapsing wall and he was director-general of antiquities for the Greek Ministry of Culture during the Greek military junta of 1967–74. The acquaintance he cultivated with the colonels who were in power in Greece, especially the leader of the military junta, professor Marinatos was a nationalist in many regards whose ideals, some of his political opponents allege, influenced his archaeological work. Eventually, Marinatos was fired too, by the dictator Ioannides and his Crete and Mycenae was originally published in German in 1960. His most important article was about the destruction of Minoan Crete. His excavations at Thera have been published in six slender volumes, life and Art in Prehistoric Thera was one of his last publications in 1972. His name is mentioned in the video game Indiana Jones and the Fate of Atlantis, which features a plot involving Thera. The book Voyage to Atlantis, written by James W Mavor, Jr. details the 1967 excavation of Thera, the book mentions how Dr. Marinatos was, at the same time, aiming to become the Director of Antiquities at the National Archaeological Museum of Athens. The book also makes note of the atmosphere in Greece at the time
Spyridon Marinatos
–
The grave of Spyridon Marinatos at the excavation site of
Akrotiri on Santorini
16.
Minoan civilization
–
The Minoan civilization was an Aegean Bronze Age civilization on the island of Crete and other Aegean islands which flourished from about 2600 to 1100 BC. It preceded the Mycenaean civilization of Ancient Greece, the civilization was rediscovered at the beginning of the 20th century through the work of British archaeologist Arthur Evans. It has been described as the earliest of its kind in Europe, the term Minoan, which refers to the mythical King Minos, originally described the pottery of the period. Minos was associated in Greek mythology with the labyrinth and the Minotaur, according to Homer, Crete once had 90 cities. The Minoan period saw trade between Crete and Aegean and Mediterranean settlements, particularly the Near East, traders and artists, the Minoan cultural influence reached beyond Crete to the Cyclades, Egypts Old Kingdom, copper-bearing Cyprus, Canaan and the Levantine coast, and Anatolia. Some of its best art is preserved in the city of Akrotiri on the island of Santorini, although the Minoan language and writing systems remain undecipherable and are subjects of academic dispute, they apparently conveyed a language entirely different from the later Greek. The reason for the end of the Minoan period is unclear, theories include Mycenaean invasions from mainland Greece, the term Minoan refers to the mythical King Minos of Knossos. Its origin is debated, but it is attributed to archeologist Arthur Evans. Minos was associated in Greek mythology with the labyrinth, which Evans identified with the site at Knossos. However, Karl Hoeck had already used the title Das Minoische Kreta in 1825 for volume two of his Kreta, this appears to be the first known use of the word Minoan to mean ancient Cretan, Evans said that applied it, not invented it. Hoeck, with no idea that the archaeological Crete had existed, had in mind the Crete of mythology, although Evans 1931 claim that the term was unminted before he used it was called a brazen suggestion by Karadimas and Momigliano, he coined its archaeological meaning. Instead of dating the Minoan period, archaeologists use two systems of relative chronology, the first, created by Evans and modified by later archaeologists, is based on pottery styles and imported Egyptian artifacts. Evans system divides the Minoan period into three eras, early, middle and late. These eras are subdivided—for example, Early Minoan I, II and III, another dating system, proposed by Greek archaeologist Nicolas Platon, is based on the development of architectural complexes known as palaces at Knossos, Phaistos, Malia and Kato Zakros. Platon divides the Minoan period into pre-, proto-, neo-, the relationship between the systems in the table includes approximate calendar dates from Warren and Hankey. The Thera eruption occurred during a phase of the LM IA period. Efforts to establish the volcanic eruptions date have been controversial, the eruption is identified as a natural event catastrophic for the culture, leading to its rapid collapse. Although stone-tool evidence exists that hominins may have reached Crete as early as 130,000 years ago, evidence for the first anatomically-modern human presence dates to 10, the oldest evidence of modern human habitation on Crete are pre-ceramic Neolithic farming-community remains which date to about 7000 BC
Minoan civilization
–
Minoan civilization
Minoan civilization
–
Minoan
copper ingot.
Minoan civilization
–
Fresco showing three women who were possibly
queens. [
citation needed]
17.
Phaistos
–
Phaistos, also transliterated as Phaestos, Festos and Latin Phaestus, currently refers to a Bronze Age archaeological site at modern Phaistos, a municipality in south central Crete. Ancient Phaistos was located about 5.6 km east of the Mediterranean Sea and 62 km south of Heraklio, the second largest city of Minoan Crete. The name, Phaistos, survives from ancient Greek references to a city in Crete of that name, shown to be, in fact, the name is substantiated by the coins of the classical city. They display motifs such as Europa sitting on a bull, Talos with wings, Heracles without beard and being crowned, or Zeus in a form of a naked youth sitting on a tree. On either the obverse or the reverse the name of the city, or its abbreviation, is inscribed, such as ΦΑΙΣ or ΦΑΙΣΤΙ and these few dozen coins were acquired by collectors from uncontrolled contexts. They give no information on the location of Phaistos, the simple geometric problem posed by these distances from known points was solved with no difficulty by the survey. The location pinpointed was the end of a hill, or ridge. A village of 16 houses remained on the ridge, but the vestiges of fortification walls indicated a city had existed there. A half-century later, on removing the houses, Federico Halbherr, excavation ended in 1904, to begin again after another half-century, in 1950. By this time it was understood that the palace had been constructed at the beginning of the Proto-Palace Period, after 1955 the place name,
Phaistos
–
View of Phaistos
Phaistos
–
Entryway to the palace
Phaistos
–
Detail of the archaeological site of Phaistos
Phaistos
–
Bird clasping a fish. Decoration of a clay alabastron from Kalyvia, Phaistos, Crete. Early postpalatial period (1350-1300 B.C.)
18.
Lycia
–
Lycia was a geopolitical region in Anatolia in what are now the provinces of Antalya and Muğla on the southern coast of Turkey, and Burdur Province inland. Known to history since the records of ancient Egypt and the Hittite Empire in the Late Bronze Age, written records began to be inscribed in stone in the Lycian language after Lycias involuntary incorporation into the Achaemenid Empire in the Iron Age. At that time the Luwian speakers were decimated, and Lycia received an influx of Persian speakers, Lycia fought for the Persians in the Persian Wars, but on the defeat of the Achaemenid Empire by the Greeks, it became intermittently a free agent. Due to the influx of Greek speakers and the sparsity of the remaining Lycian speakers, the Lycian language disappeared from inscriptions and coinage. On defeating Antiochus III in 188 BC the Romans gave Lycia to Rhodes for 20 years, in these latter stages of the Roman republic Lycia came to enjoy freedom as part of the Roman protectorate. The Romans validated home rule officially under the Lycian League in 168 BC and this native government was an early federation with republican principles, these later came to the attention of the framers of the United States Constitution, influencing their thoughts. Despite home rule under republican principles Lycia was not a state and had not been since its defeat by the Carians. In 43 AD the Roman emperor Claudius dissolved the league, Lycia was incorporated into the Roman Empire with a provincial status. It became an eparchy of the Eastern, or Byzantine Empire, after the fall of the Byzantine Empire in the 15th century, Lycia was under the Ottoman Empire, and was inherited by the Turkish Republic on the fall of that empire. The Greeks were withdrawn when the border between Greece and Turkey was negotiated in 1923, Lycia comprised what is now the westernmost portion of Antalya Province, the easternmost portion of Muğla Province, and the southernmost portion of Burdur Province. In ancient times the surrounding districts were, from west to east, Caria, Pisidia, and Pamphylia, all equally as ancient, and each speaking its own Anatolian language. The name of the Teke Peninsula comes from the name of Antalya Province. Four ridges extend from northeast to southwest, roughly, forming the western extremity of the Taurus Mountains, furthest west of the four are Boncuk Dağlari, or the Boncuk Mountains, extending from about Altinyayla, Burdur, southwest to about Oren north of Fethiye. This is a low range peaking at about 2,340 m. To the west of it the steep gorges of Dalaman Çayi, the stream,229 km long, enters the Mediterranean to the west of modern-day Dalaman. Upstream it is dammed in four places, after an origin in the vicinity of Sarikavak in Denizli Province. The next ridge to the east is Akdağlari, the White Mountains, about 150 km long, with a point at Uyluktepe, Uyluk Peak. This massif may have been ancient Mount Cragus, along its western side flows Eşen Çayi, the Esen River, anciently the Xanthus, Lycian Arñna, originating in the Boncuk Mountains, flowing south, and transecting the several-mile-long beach at Patara
Lycia
19.
Letoon
–
The Letoon, sometimes Latinized as Letoum, was a sanctuary of Leto near the ancient city Xanthos in Lycia. It was one of the most important religious centres in the region, the site is located south of the village Kumluova in the Fethiye district of Antalya Province, Turkey. It lies approximately four kilometres south of Xanthos along the Xanthos River, in Greek mythology, a claim for an early cult of Apollo in the valley of the Xanthus, unsupported by history or archeology, was provided by two myths, each connected to an eponymous Lycus. The foundations of the Hellenistic temple dedicated to Leto, and her children, Artemis, the site remained active through the Roman period. The site was Christianised by the construction of a church, which reused cut stone from the sanctuary
Letoon
–
The foundations of the three temples at the Letoon are clearly visible.
20.
Xanthos
–
Xanthos was the name of a city in ancient Lycia, the site of present-day Kınık, Antalya Province, Turkey, and of the river on which the city is situated. The ruins of Xanthus are on the slopes of a hill, the ancient acropolis, located on the northern outskirts of the modern city, on the left bank of the Xanthus. A single road, Xantos yolu, encircles the hill and runs through the ruins, Xanthos is the Greek appellation of Arñna, a city originally speaking the Lycian language. The Hittite and Luwian name of the city is given in inscriptions as Arinna, Xanthos is a Greek name, acquired during its Hellenization. The Romans called the city Xanthus, as all the Greek -os suffixes were changed to -us in Latin. Xanthos was a center of culture and commerce for the Lycians, after the fall of the Byzantine Empire in the 15th century, the region became Turkish. The ancient city had long since been abandoned, as the center of ancient Lycia and the site of its most extensive antiquities, Xanthos has been a mecca for students of Anatolian civilization since the early 19th century. Many important artefacts were found at the city, two tombs, the Nereid Monument and the Tomb of Payava, are now exhibited in the British Museum. The Harpy Tomb is still located in the ruins of the city, a sanctuary of Leto called the Letoon is located on the outskirts of the city to the southwest. The Xanthian Obelisk and the Letoon trilingual are two stelae which were found in the city and the Letoon. The site has been designated as a UNESCO World Heritage Site since 1988, the archeological excavations and surface investigations at Xanthos have yielded many texts in Lycian and Greek, including bilingual texts that are useful in the understanding of Lycian. One monument, the Xanthian Obelisk, is a trilingual recording an older Anatolian language conventionally called Milyan language, trojan War heroes and Lycian leaders Glaucus and Sarpedon are described in the Iliad as coming from the land of the Xanthos River. In the same text, Achilles immortal, talking horse is named Xanthos, Xanthus is mentioned by numerous ancient Greek and Roman writers. Strabo notes Xanthos as the largest city in Lycia, both Herodotus and Appian describe the conquest of the city by Harpagus on behalf of the Persian Empire, in approximately 540 BC. According to Herodotus, the Persians met and defeated a small Lycian army in the flatlands to the north of the city, after the encounter, the Lycians retreated into the city which was besieged by Harpagus. The Lycians destroyed their own Xanthian acropolis, killed their wives, children, thus, the entire population of Xanthos perished but for 80 families who were absent during the fighting. During the Persian occupation, a local leadership was installed at Xanthos, by 516 BC, Xanthos was included in the first nomos of Darius I in the tribute list. As we have no reference to this destruction in either Persian or Greek sources, Xanthos was rebuilt after the destruction and in the final decades of the 5th century BC, Xanthos conquered nearby Telmessos and incorporated it into Lycia
Xanthos
–
A partial reconstruction of the
Nereid Monument from Xanthos in the
British Museum.
Xanthos
–
Xanthos city ruins
Xanthos
–
Xanthos River (Eşen Çayı)
Xanthos
21.
Oenoanda
–
Oenoanda or Oinoanda was an ancient Greek city in Lycia, in the upper valley of the River Xanthus. It is noted for the inscription by the Epicurean, Diogenes of Oenoanda. The ruins of the city lie west of the modern village İncealiler in the Fethiye district of Muğla Province, Turkey, which partly overlies the ancient site. The early history of the settlement is obscure, in spite of a survey carried out, with permission of the Turkish authorities. It seems that Oinoanda became a colony of Termessos about 200-190 BC and was also called Termessos Minor, Diogenes carved a summary of the philosophy of Epicurus onto a portico wall, which originally extended about 80 meters. The inscription sets out Epicurus teachings on physics, epistemology, and it was originally about 25,000 words long and filled 260 square meters of wall space. The inscription has been assigned on epigraphic grounds to the Hadrianic period, the stoa was dismantled in the second half of the third century CE to make room for a defensive wall, previously the site had been undefended. The site was first noted by Hoskyns and Forbes, in 1841, the extensive philosophical inscriptions of Diogenes of Oenoanda were identified later from scattered fragments, apparently from the stoa. It cannot be assumed that Diogenes erected himself, evidence for an ancient Roman Bridge at Oinoanda has surfaced in the 1990s. By 2012 over 300 fragments of Diogenes stoa had been identified, new archaeological work is being conducted at the site by the Deutsches Archäologisches Institut. Oenoanda is a see of the Roman Catholic Church
Oenoanda
–
The Greco-Roman theatre in Oenoanda
22.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
23.
Lotus-eaters
–
In Greek mythology the lotus-eaters, also referred to as the lotophagi or lotophaguses or lotophages, were a race of people living on an island dominated by lotus plants. The lotus fruits and flowers were the food of the island and were narcotic. Here we landed to take in water, and our crews got their mid-day meal on the shore near the ships. When they had eaten and drunk I sent two of my company to see what manner of men the people of the place might be, and they had a third man under them. Then I told the rest to go on board at once, lest any of them should taste of the lotus and leave off wanting to get home, so they took their places and smote the grey sea with their oars. The lotus fruit is about the size of the lentisk berry, the lotus-eaters even succeed in obtaining from it a sort of wine. Polybius identifies the land of the lotus-eaters as the island of Djerba, later this identification is supported by Strabo. Because the Greek word lôtos can refer to different plants. Recent studies have shown that the blue water-lily of the Nile, Nymphaea caerulea and it can be processed to be used as a soporific and, in some formulations, has psychotropic properties. It is common in Egyptian iconography which suggests its use in a religious context, land of the Lotus Eaters leveled book
Lotus-eaters
–
Fenugreek seeds.
Lotus-eaters
–
Odysseus removing his men from the company of the lotus-eaters
Lotus-eaters
–
Nymphaea lotus.
Lotus-eaters
–
Lotus corniculatus.
24.
Lycian language
–
The Lycian language was the language of the ancient Lycians of the region known as Lycia in Anatolia, during the Iron Age. Lycia covered the region lying between the cities of Antalya and Fethiye in southern Turkey, especially the mountainous headland between Fethiye Bay and the Gulf of Antalya. Lycian was an Indo-European language, one in the Luwian subgroup of Anatolian languages, the Luwian subgroup also includes cuneiform and hieroglyphic Luwian, Carian, Sidetic, and Pisidic. The pre-alphabetic forms of Luwian extended back into the Late Bronze Age and these vanished at about the time of the Neo-Hittite states in southern Anatolia, thus, the Iron Age members of the subgroup are localized daughter languages of Luwian. Of the Luwic languages, only the Luwian parent language is attested prior to 1000 BCE, whether the Lukka people always resided in southern Anatolia or whether they always spoke Luwian are different topics. Lycian is known from a few fairly extensive inscriptions, from them, scholars have identified at least two dialects. One is considered standard Lycian, also termed Lycian A, the other, Lycian had its own alphabet, which was closely related to the Greek alphabet but included at least one character borrowed from Carian as well as characters proper to the language. The words were separated by two points. Lycian became extinct around the beginning of the first century BC, a few etymological studies of the Lycian language endonym are present. These are, Language of the mountain people, Luwian tarmi- pointed object becomes a hypothetical *tarmašši- mountainous used in Trm̃mis- Lycia. Lycia and Pisidia each had a hill-town named Termessos, a previously unknown Late Bronze Age place name among the Lukka. A people displaced from Crete about 1600 BC, Termera A Lelege people displaced by the Trojan War, first settling in Caria and assigning such names as Telmessos, Termera, Termerion, Termeros, Termilae, then displaced to Lycia by the Ionians. Lycian is known from sources, Personal and place names in Greek. 172 inscriptions on stone in the Lycian script dating from the late 5th century BC to the late 4th century BC and they are categorized as,150 burial instructions carved on rock tombs. About 100 inscriptions on coins minted at Xanthus from the reign of Kuprili, 485-440 BC, to the reign of Pericle, the Letoon trilingual, in Lycian A, Greek and Aramaic. The inscribed upper part of a tomb at Xanthos, called the Xanthus Stele or the Xanthus Obelisk, a Lycian A inscription covers the south, east and part of the north faces. The north side contains a 12-line poem in Greek and additional text, found mainly on the west side. The dialect appears only there and on a tomb in Antiphellos, the total number of lines on the stele is 255, including 243 in Lycian and 12 in Greek
Lycian language
–
Xanthos stele with Lycian inscriptions
Lycian language
–
An inscription in Lycian in example
25.
Antoninus Liberalis
–
Antoninus Liberalis was an Ancient Greek grammarian who probably flourished between AD100 and 300. This work has more polished parallels in the better-known Metamorphoses of Ovid, like them, its sources, where they can be traced, are Hellenistic works, such as Nicanders Heteroeumena and Ornithogonia ascribed to Boios. The work survives in a manuscript, of the later 9th century, now in the Palatine Library in Heidelberg. John Stojkovič brought it to the Dominican convent at Basel about 1437, in 1553, Hieronymus Froeben gave it to Otto Henry, Elector Palatine, who gave it to the Library. Guilielmus Xylander printed the text in 1568, since some leaves have since disappeared, many of the transformations in this compilation are found nowhere else, and some may simply be inventions of Antoninus
Antoninus Liberalis
–
Antoninus Liberalis Transformationum congeries, 1676 edition
26.
Hyperborea
–
In Greek mythology the Hyperboreans were mythical race of giants who lived beyond the North Wind. The Greeks thought that Boreas, the god of the North Wind lived in Thrace and this land was supposed to be perfect, with the sun shining twenty-four hours a day, which to modern ears suggests a possible location within the Arctic Circle. Pindar also described the perfection of the Hyperboreans, Never the Muse is absent from their ways, lyres clash and flutes cry. Neither disease nor bitter old age is mixed in their blood, far from labor. The earliest extant source that mentions Hyperborea in detail, Herodotuss Histories, dates from circa 450 BC. Herodotus also wrote that the 7th-century BC poet Aristeas wrote of the Hyperboreans in a poem called Arimaspea about a journey to the Issedones, beyond these lived the one-eyed Arimaspians, further on the gold-guarding griffins, and beyond these the Hyperboreans. Herodotus assumed that Hyperborea lay somewhere in Northeast Asia, Pindar, Simonides of Ceos and Hellanicus of Lesbos, contemporaries of Herodotus in the 5th century BC, each briefly described or referenced the Hyperboreans in their works. The Hyperboreans were believed to live beyond the snowy Riphean Mountains, according to Pausanias, The land of the Hyperboreans, men living beyond the home of Boreas. Homer placed Boreas in Thrace, and therefore Hyperborea was in his opinion north of Thrace, sophocles, Aeschylus, Simonides of Ceos and Callimachus also placed Boreas in Thrace. Other ancient writers however believed the home of Boreas or the Riphean Mountains were in a different location, for example, Hecataeus of Miletus believed that the Riphean Mountains were adjacent to the Black Sea. Alternatively Pindar placed the home of Boreas, the Riphean Mountains, heraclides Ponticus and Antimachus in contrast identified the Riphean Mountains with the Alps, and the Hyperboreans as a Celtic tribe who lived just beyond them. Aristotle placed the Riphean mountains on the borders of Scythia, Hecataeus of Abdera and others believed Hyperborea was Britain. Later Roman and Greek sources continued to change the location of the Riphean mountains, however all these sources agreed these were all in the far north of Greece or southern Europe. Other descriptions put it in the area of the Ural Mountains. Plutarch, writing in the 1st century AD, connected the Hyperboreans with the Gauls who had sacked Rome in the 4th century BC, Aelian, Diodorus Siculus and Stephen of Byzantium all recorded important ancient Greek sources on Hyperborea, but added no new descriptions. The 2nd century AD Stoic philosopher Hierocles equated the Hyperboreans with the Scythians, clement of Alexandria and other early Christian writers also made this same Scythian equation. Some scholars have identified this temple with Stonehenge, Diodorus, however, does not identify Hyperborea with Britain, and his description of Britain makes no mention of the Hyperboreans or their spherical temple. Pseudo-Scymnus, around 90 BC, wrote that Boreas dwelled at the extremity of Gaulish territory, some have claimed this is a geographical reference to northern France, and Hyperborea as the British Isles which lay just beyond the English Channel
Hyperborea
–
Arctic continent on the
Gerardus Mercator map of 1595.
Hyperborea
–
Map by
Abraham Ortelius, Amsterdam 1572: at the top left Oceanvs Hyperborevs separates
Iceland from
Greenland
27.
Claudius Aelianus
–
Claudius Aelianus, commonly Aelian, born at Praeneste, was a Roman author and teacher of rhetoric who flourished under Septimius Severus and probably outlived Elagabalus, who died in 222. He spoke Greek so perfectly that he was called honey-tongued, Roman-born, he preferred Greek authors and he is more attentive to marine life than might be expected, though, and this seems to reflect first-hand personal interest, he often quotes fishermen. At times he strikes the modern reader as thoroughly credulous, but at others he states that he is merely reporting what is told by others. Aelians work is one of the sources of natural history. The portions of the text that are extant are badly mangled and garbled. Conrad Gessner, the Swiss scientist and natural historian of the Renaissance, made a Latin translation of Aelians work, an English translation by A. F. Scholfield has been published in the Loeb Classical Library,3 vols. The first printing was in 1545, the standard modern text is Mervin R. Diltss, of 1974. Considerable fragments of two works, On Providence and Divine Manifestations, are preserved in the early medieval encyclopedia. Twenty letters from a farmer after the manner of Alciphron are also attributed to him, thus conclusions about actual agriculture in the Letters are as likely to evoke Latium as Attica. The fragments have been edited in 1998 by D. Domingo-Foraste, the Letters are available in the Loeb Classical Library, translated by Allen Rogers Benner and Francis H. Fobes. Historiae animalium by Gessner Aelian, On Animals, ISBN 978-0-674-99491-1, ISBN 978-0-674-99493-5, and ISBN 978-0-674-99494-2 Aelian, Historical Miscellany. ISBN 978-0-674-99535-2 Alciphron, Aelian, and Philostratus, The Letters, translated by A. R. Benner, F. H. Fobes. ISBN 978-0-674-99421-8 Aelian, On the Nature of Animals
Claudius Aelianus
–
Title page of Varia Historia, from the 1668 edition by
Tanaquil Faber
28.
Callimachus
–
Callimachus was a native of the Greek colony of Cyrene, Libya. He was a poet, critic and scholar at the Library of Alexandria and enjoyed the patronage of the Egyptian–Greek Pharaohs Ptolemy II Philadelphus. Although he was never made chief librarian, he was responsible for producing a survey based upon the contents of the Library. This, his Pinakes,120 volumes long, provided the foundation for work on the history of Greek literature. As one of the earliest critic-poets, he typifies Hellenistic scholarship, Callimachus was of Libyan Greek origin. He was named after his grandfather, an elder Callimachus, who was regarded by the Cyrenaean citizens and had served as a general. Callimachus married the daughter of a Greek man called Euphrates who came from Syracuse, however, it is unknown if they had children. In later years, he was educated in Athens, when he returned to North Africa, he moved to Alexandria. Elitist and erudite, claiming to abhor all common things, Callimachus is best known for his poems and epigrams. During the Hellenistic period, a trend in Greek-language poetry was to reject epics modelled after Homer. Big book, big evil is another saying attributed to him, often thought to be attacking long, Callimachus also wrote poems in praise of his royal patrons, and a wide variety of other poetic styles, as well as prose and criticism. Some classicists, including Peter Green, speculate that this contributed to the long feud. Though Callimachus was an opponent of big books, the Suda puts his number of works at 800, suggesting that he found large quantities of small works more acceptable. In the first three books at least, the formula appears to ask a question of the Muse, of the form, Why, on Paros, why, at Argos is a month named for lambs. Why, at Leucas, does the image of Artemis have a mortar on its head, a series of questions can be reconstituted from the fragments. One passage of the Aetia, the so-called Coma Berenices, has been reconstructed from papyrus remains, the extant hymns are extremely learned, and written in a style that some have criticised as labored and artificial. The epigrams are more widely respected, and several have been incorporated into the Greek Anthology, according to Quintilian he was the chief of the elegiac poets, his elegies were highly esteemed by the Romans, and imitated by Ovid, Catullus, and especially Sextus Propertius. Many modern classicists hold Callimachus in high regard for his influence on Latin poetry
Callimachus
–
A papyrus of Callimachus' Aetia (Pfeiffer fr. 178 =
P.Oxy. XI 1362 fr. 1 col. i, 1st century AD)
29.
Rhea (mythology)
–
Rhea is the Titaness daughter of the earth goddess Gaia and the sky god Uranus, in Greek mythology and sister and wife to Cronus. In early traditions, she is known as the mother of gods and therefore is associated with Gaia and Cybele. The classical Greeks saw her as the mother of the Olympian gods and goddesses, the Romans identified her with Magna Mater, and the Goddess Ops. Alternatively, the name Rhea may be connected with words for the pomegranate, ῥόα, the name Rhea may ultimately derive from a pre-Greek or Minoan source. Cronus sired six children by Rhea, Hestia, Hades, Demeter, Poseidon, Hera, and Zeus in that order. Apart from Zeus, he swallowed all as soon as they were born, because he had learned from Gaia and Uranus that, as he had overthrown his own father, he was destined to be overcome by his own child. When Zeus was about to be born, however, Rhea sought Uranus and Gaia to devise a plan to him, so that Cronus would get his retribution for his acts against Uranus. Rhea gave birth to Zeus in Crete, and saved him by handing Cronus a stone wrapped in swaddling clothes, Rhea hid Zeus in a cave on Mount Ida in Crete. Her attendants, the warrior-like Curetes and Dactyls, acted as a bodyguard for the infant Zeus, Rhea had no strong local cult or identifiable activity under her control. She was originally worshiped in the island of Crete, identified in mythology as the site of Zeuss infancy and her cults employed rhythmic, raucous chants and dances, accompanied by the tympanon, to provoke a religious ecstasy. Her priests impersonated her mythical attendants, the Curetes and Dactyls, with a clashing of bronze shields, in Roman religion, her counterpart Cybele was Magna Mater deorum Idaea, who was brought to Rome and was identified in Roman mythology as an ancestral Trojan deity. On a functional level, Rhea was thought equivalent to Roman Ops or Opis, the one at Mycenae is most characteristic, with a lioness placed on either side of a pillar that symbolizes the goddess. In Homer, Rhea is the mother of the gods, although not a mother like Cybele. In the Argonautica by Apollonius of Rhodes, the fusion of Rhea, for her temenos they wrought an image of the goddess, a xoanon, from a vine-stump. They leapt and danced in their armour, For this reason the Phrygians still worship Rhea with tambourines, the name of the bird species rhea is derived from the goddess name Rhea. The second largest moon of the planet Saturn is named after her, gantz, Timothy, Early Greek Myth, A Guide to Literary and Artistic Sources, Johns Hopkins University Press,1996, Two volumes, ISBN 978-0-8018-5360-9, ISBN 978-0-8018-5362-3. Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, Homer, The Iliad with an English Translation by A. T
Rhea (mythology)
–
Rhea presenting Cronus the stone wrapped in cloth.
Rhea (mythology)
–
Rhea rides on a lion, Pergamon Altar,
Pergamon Museum,
Berlin
Rhea (mythology)
–
In the dry stone
Cyclopean masonry of the
Lion Gate of the
Mycenae acropolis, the pillar flanked by lionesses represents the deity
30.
Themis
–
Themis /ˈθiːmᵻs/ is an ancient Greek Titaness. She is described as of counsel, and is the personification of divine order, fairness, law, natural law. Her symbols are the Scales of Justice, tools used to remain balanced, Themis means divine law rather than human ordinance, literally that which is put in place, from the Greek verb títhēmi, meaning to put. To the ancient Greeks she was originally the organizer of the affairs of humans. Moses Finley remarked of themis, as the word was used by Homer in the 8th century BCE, to evoke the social order of the 10th- and 9th-century Greek Dark Ages, Themis is untranslatable. A gift of the gods and a mark of civilized existence, sometimes it means right custom, proper procedure, social order, Finley adds, There was themis—custom, tradition, folk-ways, mores, whatever we may call it, the enormous power of it is done. The world of Odysseus had a developed sense of what was fitting. The only consort for Themis mentioned in the sources below is Zeus, one of her few children was called Natura, the Greek goddess of the forest. With Zeus she more certainly bore the Horae, those embodiments of the right moment – the rightness of order unfolding in time – and Astraea. First generation, Auxo Carpo Thallo Second generation, Dike Eirene Eunomia Followers of Zeus claimed that it was him that Themis produced the Moirai. Clotho Lachesis Atropos The personification of abstract concepts is characteristic of the Greeks, the ability of the goddess Themis to foresee the future enabled her to become one of the Oracles of Delphi, which in turn led to her establishment as the goddess of divine justice. Some classical representations of Themis showed her holding a sword, believed to represent her ability to cut fact from fiction, Themis built the Oracle at Delphi and was herself oracular. According to another legend, Themis received the Oracle at Delphi from Gaia, when Themis is disregarded, Nemesis brings just and wrathful retribution, thus Themis shared the Nemesion temple at Rhamnous. Themis is not wrathful, she, of the cheeks, was the first to offer Hera a cup when she returned to Olympus distraught over threats from Zeus. Themis presided over the relation between man and woman, the basis of the rightly ordered family, and judges were often referred to as themistopóloi. Such was also the basis for order upon Olympus, even Hera addressed her as Lady Themis. The name of Themis might be substituted for Adrasteia in telling of the birth of Zeus on Crete, Themis was present at Delos to witness the birth of Apollo. According to Ovid, it was Themis rather than Zeus who told Deucalion to throw the bones of his Mother over his shoulder to create a new race of humankind after the deluge
Themis
–
Themis from the Temple of
Nemesis,
Rhamnous, Attica, signed by the sculptor Chairestratos, c. 300 BCE
Themis
–
Statue of Themis,
Chuo University,
Japan.
Themis
–
Statue of Themis, outside the former
Law Courts,
George Street,
Brisbane,
Queensland,
Australia.
31.
Amphitrite
–
In ancient Greek mythology, Amphitrite was a sea goddess and wife of Poseidon. Under the influence of the Olympian pantheon, she merely the consort of Poseidon and was further diminished by poets to a symbolic representation of the sea. In Roman mythology, the consort of Neptune, a minor figure, was Salacia. Others called her the personification of the sea itself, Amphitrites offspring included seals and dolphins. Poseidon and Amphitrite had a son, Triton who was a merman, bibliotheca also mentions a daughter of Poseidon and Amphitrite named Benthesikyme. Amphitrite is not fully personified in the Homeric epics, out on the sea, in Amphitrites breakers. She shares her Homeric epithet Halosydne with Thetis in some sense the sea-nymphs are doublets, jane Ellen Harrison recognized in the poetic treatment an authentic echo of Amphitrites early importance, It would have been much simpler for Poseidon to recognize his own son. Even so late as the Iliad Amphitrite is not yet Neptuni uxor, an exception may be the cult image of Amphitrite that Pausanias saw in the temple of Poseidon at the Isthmus of Corinth. Pindar, in his sixth Olympian Ode, recognized Poseidons role as god of the sea, husband of Amphitrite. For later poets, Amphitrite became simply a metaphor for the sea, Euripides, in Cyclops and Ovid, eustathius said that Poseidon first saw her dancing at Naxos among the other Nereids, and carried her off. In the arts of vase-painting and mosaic, Amphitrite was distinguishable from the other Nereids only by her queenly attributes and she is dressed in queenly robes and has nets in her hair. The pincers of a crab are sometimes attached to her temples. Amphitrite is the name of a genus of the worm family Terebellidae, in poetry, Amphitrites name is often used for the sea, as a synonym of Thalassa. Seven ships of the Royal Navy were named HMS Amphitrite, including Amphitrite, at least one ship of the Royal Netherlands Navy was named HM Amphitrite. Three ships of the United States Navy were named USS Amphitrite, an asteroid,29 Amphitrite, is named for her. The figure of Amphitrite plays a role in the 1918 Spanish novel Mare Nostrum by Vicente Blasco Ibáñez and its 1926 film adaptation. In 1936 Australia used an image of Amphitrite on a stamp as a classical allusion for the submarine communications cable across Bass Strait from Apollo Bay, Victoria to Stanley. The name of the former Greek Royal Yacht, Amphitrite Pool, a shallow ceremonial pool on the grounds of the United States Merchant Marine Academy at Kings Point, New York contains a statue of Amphitrite
Amphitrite
–
Triumph of Poseidon and Amphitrite showing the couple
in procession, detail of a vast
mosaic from
Cirta,
Roman Africa (ca. 315–325 AD, now at the
Louvre)
Amphitrite
–
Amphitrite bearing a
trident on a
pinax from
Corinth (575–550 BC)
Amphitrite
–
Theseus and Amphitrite clasp hands, with Athena looking on (
red-figure cup by
Euphronios and
Onesimos, 500-490 BC)
Amphitrite
–
Neptune and Amphitrite by
Jacob de Gheyn II (latter 16th-century)
32.
Eileithyia
–
Eileithyia or Ilithyia was the Greek goddess of childbirth and midwifery. According to some authors, her name does not have an Indo-European etymology, the links between Eileithyia, an earlier Minoan goddess, and a still earlier Neolithic prototype are, relatively, firm, he wrote. The continuity of her cult depends upon the concept of her function. Eileithyia was the goddess of childbirth, and the helper of women in labour has an obvious origin in the human midwife. Additionally, for Willets, Cretan dialect Eleuthia would connect Eileithyia to Eleusis, 19th-century scholars suggested that the name is Greek, from the verb eleutho, to bring, the goddess thus being The Bringer. The variants Eleuthia and Eleuthō suggest a connection with Eleutheria. The earliest form of the name is the Mycenaean Greek
Eileithyia
–
The birth of
Athena from the head of
Zeus, with Eileithyia on the right.
33.
Ortygia
–
Ortygia is a small island which is the historical centre of the city of Syracuse, Sicily. The island, also known as Città Vecchia, contains historical landmarks. The name originates from the Ancient Greek ortyx, which means Quail, the Homeric Hymn to Delian Apollo has it that the goddess Leto stopped at Ortygia to give birth to Artemis, the firstborn of her twins. Artemis then helped Leto across the sea to the island of Delos, other ancient sources state that the twins were born in the same place—which was either Delos or Ortygia— but Ortygia was an old name of Delos. Further, there were perhaps a half-dozen other places called Ortygia and it was also said that Asteria, the sister of Leto metamorphosed into a quail, threw herself into the sea, and was metamorphosed into the island Ortygia. Another myth suggested that it was Delos instead of Ortygia, Ortygia is located at the eastern end of Syracuse and is separated from it by a narrow channel. Two bridges connect the island to mainland Sicily, the island is an extremely popular place for tourism, shopping, entertainment and also a residential area
Ortygia
–
Panoramic view
34.
Twelve Olympians
–
Hades and Persephone were sometimes included as part of the twelve Olympians, although in general Hades was excluded, because he resided permanently in the underworld and never visited Olympus. The Twelve Olympians, also known as the Dodekatheon, were the deities of the Greek pantheon. The Olympians gained their supremacy in a war of gods in which Zeus led his siblings to victory over their predecessor gods. The concept of the Twelve Gods is older than any extant Greek or Roman source, the gods meet in council in the Homeric epics, but the first ancient reference to religious ceremonies for the Olympians collectively is found in the Homeric Hymn to Hermes. The Greek cult of the Twelve Olympians can be traced to 6th-century BC Athens, the Altar of the Twelve Gods at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. In ancient Greek religion, the Olympian Gods and the Cults of Twelve Gods were often relatively distinct concepts, while the number was fixed at twelve, there was considerable variation as to which deities were included. However, the twelve as most commonly portrayed in art and poetry were Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes and either Hestia, or Dionysus. Hades, known in the Eleusinian tradition as Pluto, was not usually included among the Olympians because his realm was the underworld. Plato connected the Twelve Olympians with the months, and implies that he considered Pluto one of the twelve in proposing that the final month be devoted to him. In Phaedrus, Plato seems to exclude Hestia from the rank of the great gods. At Olympia there were six altars dedicated to six pairs of gods, Zeus and Poseidon, Hera and Athena, Hermes and Apollo, the Charites and Dionysus, Artemis and Alpheus, the historian Herodotus states that Heracles was included as one of the Twelve by some. At Kos, Heracles and Dionysus are added to the Twelve, for Pindar, the Bibliotheca, and Herodorus of Heraclea, Heracles is not one of the Twelve Gods, but the one who established their cult. Lucian includes Heracles and Asclepius as members of the Twelve, without explaining which two had to give way for them, hebe, Helios, Selene, Eos, Eros and Persephone are other important gods and goddesses who are sometimes included in a group of twelve. Eros is often depicted alongside the twelve, especially his mother Aphrodite. Notes ^ Romans also associated Phoebus with Helios and the sun itself, however, ^ According to an alternate version of her birth, Aphrodite was born of Uranus, Zeus grandfather, after Cronus threw his castrated genitals into the sea. This supports the etymology of her name, foam-born, as such, Aphrodite would belong to the same generation as Cronus, Zeus father, and would be Zeus aunt. See the birth of Aphrodite The following gods and goddess are sometimes included as one of the twelve Olympians, the following gods and goddesses were not usually counted as Olympians, although they had close ties to them. Aeolus – King of the winds, keeper of the Anemoi, Alpheus – God of the River Alpheus
Twelve Olympians
Twelve Olympians
–
Zeus
Twelve Olympians
–
Hera
Twelve Olympians
–
Poseidon
35.
Demeter
–
In ancient Greek religion and Greek mythology, Demeter is the goddess of the harvest and agriculture, who presided over grains and the fertility of the earth. Her cult titles include Sito, she of the Grain, as the giver of food or grain, though Demeter is often described simply as the goddess of the harvest, she presided also over the sacred law, and the cycle of life and death. She and her daughter Persephone were the figures of the Eleusinian Mysteries that predated the Olympian pantheon. In the Linear B Mycenean Greek tablets of c, 1400–1200 BC found at Pylos, the two mistresses and the king may be related with Demeter, Persephone and Poseidon. It is possible that Demeter appears in Linear A as da-ma-te on three documents, all three dedicated in religious situations and all three bearing just the name. It is unlikely that Demeter appears as da-ma-te in a Linear B inscription, on the other hand,
Demeter
–
Demeter, enthroned and extending her hand in a benediction toward the kneeling
Metaneira, who offers the triune wheat (c. 340 BC)
Demeter
–
Didrachme from Paros island, struck at the
Cyclades and representing Demeter
Demeter
–
Demeter drives her horse-drawn chariot containing her daughter
Persephone-Kore at Selinunte, Sicily 6th century BC.
Demeter
–
Demeter rejoiced, for her daughter was by her side
36.
Aphrodite
–
Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
Aphrodite
–
Aphrodite Pudica (Roman copy of 2nd century AD),
National Archaeological Museum, Athens
Aphrodite
–
Petra tou Romiou ("The rock of the
Greek "), Aphrodite's legendary birthplace in
Paphos, Cyprus.
Aphrodite
–
The Birth of Venus by
Sandro Botticelli, circa 1485.
Aphrodite
–
Venus and Adonis by
Titian, circa 1554.
37.
Dodona
–
Dodona in Epirus in northwestern Greece was the oldest Hellenic oracle, possibly dating to the second millennium BCE according to Herodotus. The earliest accounts in Homer describe Dodona as an oracle of Zeus, situated in a remote region away from the main Greek poleis, it was considered second only to the oracle of Delphi in prestige. Aristotle considered the region around Dodona to have part of Hellas. The oracle was first under the control of the Thesprotians before it passed into the hands of the Molossians and it remained an important religious sanctuary until the rise of Christianity during the Late Roman era. During classical antiquity, according to accounts, priestesses and priests in the sacred grove interpreted the rustling of the oak leaves to determine the correct actions to be taken. According to a new interpretation, the sound originated from bronze objects hanging from oak branches and sounded with the wind blowing. According to Nicholas Hammond, Dodona was an devoted to a Mother Goddess who was joined. Although the earliest inscriptions at the date to c. Cult activity at Dodona was already established in some form during the Late Bronze Age, archaeologists also have found Illyrian dedications and objects that were received by the oracle during the 7th century BCE. Until 650 BCE, Dodona was a religious and oracular centre mainly for northern tribes, Zeus was worshipped at Dodona as Zeus Naios or Naos and as Zeus Bouleus. According to Plutarch, the worship of Jupiter at Dodona was set up by Deucalion and Pyrrha, the earliest mention of Dodona is in Homer, and only Zeus is mentioned in this account. In the Iliad, Achilles prays to High Zeus, Lord of Dodona, Pelasgian, living afar off, no buildings are mentioned, and the priests slept on the ground with unwashed feet. No priestesses are mentioned in Homer, the oracle also features in another passage involving Odysseus, giving a story of his visit to Dodona. Odysseuss words bespeak a familiarity with Dodona, a realization of its importance, the details of this story are as follows. Odysseus says to the swineherd Eumaeus that he was seen among the Thesprotians, Odysseus later repeats the same tale to Penelope, who may not yet have seen through his disguise. According to some scholars, Dodona was originally an oracle of the Mother Goddess attended by priestesses and she was identified at other sites as Rhea or Gaia. The oracle also was shared by Dione, by classical times, Dione was relegated to a minor role elsewhere in classical Greece, being made into an aspect of Zeuss more usual consort, Hera — but never at Dodona. Many dedicatory inscriptions recovered from the site mention both Dione and Zeus Naios, according to some archaeologists, not until the 4th century BCE, was a small stone temple to Dione added to the site
Dodona
–
View of the
bouleuterion in Dodona
Dodona
–
Panorama of the theatre of Dodona, the modern village
Dodoni and the snow-capped Mount
Tomaros are visible in the background
38.
Tityos
–
Tityos or Tityus was a giant from Greek mythology. Tityos was the son of Elara, his father was Zeus, Zeus hid Elara from his wife, Hera, by placing her deep beneath the earth. Tityos grew so large that he split his mothers womb, and he was carried to term by Gaia, once grown, Tityos attempted to rape Leto at the behest of Hera. He was slain by Letos protective children Artemis and Apollo, as punishment, he was stretched out in Tartarus and tortured by two vultures who fed on his liver, which grew back every night. This punishment is comparable to that of the Titan Prometheus and it is clear that the local hero-cult had been superseded by the cult of the Olympian gods, an Olympian father provided, and the hero demonized. A comparable giant chthonic pre-Olympian of a Titan-like order is Orion. J, Virgil responds to Lucretius with a retrospective simile of Tityos in the Aeneid, which compares his torment of desire with the unrest of Dido, whose flame of love is eating her marrow. Tityos is referenced in Dante Alighieris Inferno and he is mentioned to be among the biblical and mythological giants that are frozen onto the rings outside of Hells Circle of Treachery. Dante and Virgil threatened to go to Tityos and Typhon if Antaeus doesnt lower them into the Circle of Treachery, in Marvel Comics, Tityos is shown in Thor Annual #19 as an inmate of Tartarus where two vultures peck out his liver. Tityos is featured in Percy Jacksons Greek Gods, harrison, Jane Ellen, Prolegomena to the Study of Greek Religion 1922, p. 336f. Smith, William, Dictionary of Greek and Roman Biography and Mythology, Tityus Tityos engraved by N. Beatrizet from the De Verda collection
Tityos
–
Tityos
Tityos
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Michelangelo, Punishment of Tityus, c. 1532
39.
Chthonic
–
The translation of meaning discusses deities or spirits of the underworld, especially in Greek religion. The Greek word khthon is one of several for earth, it refers to the interior of the soil, rather than the living surface of the land. These include, but are not strictly limited to, Demeter. Nocturnal ritual sacrifice was a practice in many chthonic cults. When the sacrifice was a creature, the animal was placed in a bothros or megaron. In some Greek chthonic cults, the animal was sacrificed on a raised bomos, offerings were usually burned whole or buried rather than being cooked and shared among the worshippers. C. He does, however, note that this may be somewhat of an overgeneralization, the myths associating the underworld chthonic deities and fertility were not exclusive. Myths about the later Olympian deities also described an association with the fertility, thus Demeter and Persephone both watched over aspects of the fertility of land, yet Demeter had a typically Olympian cult while Persephone had a chthonic one. Also, Demeter was worshiped alongside Persephone with identical rites, and yet occasionally was classified as an Olympian in late poetry, the absorption of some earlier cults into the newer pantheon versus those that resisted being absorbed is suggested as providing the later myths. The categories Olympian and chthonic were not, however, completely separate, some Olympian deities, such as Hermes and Zeus, also received chthonic sacrifices and tithes in certain locations. The deified heroes Heracles and Asclepius might be worshipped as gods or chthonic heroes, depending on the site, moreover, a few deities are not easily classifiable under these terms. Hecate, for instance, was typically offered puppies at crossroads—a practice neither typical of an Olympian sacrifice nor of a sacrifice to Persephone or the heroes. Because of her roles, Hecate is generally classed as chthonic. As well, the chthonic has connotations with regard to gender, in cultural anthropology, men associated with the above, the sky, and women associated with the below, with the earth, water of the underground, and the chthonic deities. This was by no means universal, in Ancient Egypt the main deity of the earth was the male god Geb, his consort was Nut. The term allochthon in structural geology is used to describe a large block of rock which has moved from its original site of formation. From the Greek allo meaning other and chthon designating the process of the mass being moved under the earth. Chthonic law Earth mother Geomancy Life-death-rebirth deities Sky father The dictionary definition of chthonic at Wiktionary
Chthonic
–
Greek Mythology
40.
Gaia (mythology)
–
In Greek mythology, Gaia, also spelled Gaea, is the personification of the Earth and one of the Greek primordial deities. Gaia is the mother of all life, the primal Mother Earth goddess. She is the parent of Uranus, from whose sexual union she bore the Titans and the Giants. Her equivalent in the Roman pantheon was Terra, the Greek word γαῖα is a collateral form of γῆ meaning Earth, a word of uncertain origin. R. S. P. Beekes has suggested a Pre-Greek origin, in Mycenean Greek Ma-ka also contains the root ga-. Gaia is the personification of the Earth and these are her offspring as related in various myths, some are related consistently, some are mentioned only in minor variants of myths, and others are related in variants that are considered to reflect a confusion of the subject or association. *Some said that those marked with a * were born from Uranus blood when Cronus castrated him, hesiods Theogony tells how, after Chaos, wide-bosomed Gaia arose to be the everlasting seat of the immortals who possess Olympus above, and the depths of Tartarus below. He then tells that Gaia brought forth her equal Uranus to cover her on every side, Gaia also bore the hills, and Pontus, without sweet union of love. After them was born Cronos the wily, youngest and most terrible of her children, as each of the Cyclopes and Hecatonchires were born, Uranus hid them in a secret place within Gaia, causing her great pain. She created a grey flint sickle, and Cronus used the sickle to castrate his father Uranus as he approached Gaia to have sex with her. From Uranus spilled blood, Gaia produced the Erinyes, the Giants, from the testicles of Uranus in the sea came forth Aphrodite. By her son Pontus, Gaia bore the sea-deities Nereus, Thaumas, Phorcys, Ceto, and Eurybia. Because Cronus had learned from Gaia and Uranus that he was destined to be overthrown by one of his children, but when Rhea was pregnant with her youngest child, Zeus, she sought help from Gaia and Uranus. When Zeus was born, Rhea gave Cronus a stone wrapped in swaddling-clothes in his place, which Cronus swallowed, with the help of Gaias advice, Zeus defeated the Titans. But afterwards, Gaia, in union with Tartarus, bore the youngest of her sons Typhon, according to Hyginus, Earth, along with Heaven and Sea were the children of Aether and Day. According to Apollodorus, Gaia and Tartarus were the parents of Echidna, Zeus hid Elara, one of his lovers, from Hera by stowing her under the earth. His son by Elara, the giant Tityos, is sometimes said to be a son of Gaia. Gaia is believed by some sources to be the deity behind the Oracle at Delphi
Gaia (mythology)
–
Gaia, by
Anselm Feuerbach (1875)
Gaia (mythology)
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Gaia hands her newborn, Erichthonius, to
Athena as Hephaestus watches - an Attic
red-figure stamnos, 470–460 BC
Gaia (mythology)
–
Aion and Gaia with four children, perhaps the personified seasons, mosaic from a Roman villa in
Sentinum, first half of the third century BC, (
Munich Glyptothek, Inv. W504)
41.
Delphi
–
Delphi is famous as the ancient sanctuary that grew rich as the seat of the oracle that was consulted on important decisions throughout the ancient classical world. Moreover, it was considered as the navel of the world by the Greeks as represented by the Omphalos and it occupies an impressive site on the south-western slope of Mount Parnassus overlooking the coastal plain to the south and the valley of Phocis. It is now an archaeological site and the modern town is nearby. The site of Delphi is located in upper central Greece, on multiple plateaux/terraces along the slope of Mount Parnassus, and includes the Sanctuary of Apollo and this semicircular spur is known as Phaedriades, and overlooks the Pleistos Valley. In myths dating to the period of Ancient Greece, the site of Delphi was believed to be determined by Zeus when he sought to find the centre of his Grandmother Earth. He sent two eagles flying from the eastern and western extremities, and the path of the eagles crossed over Delphi where the omphalos, Apollo was said to have slain Python, a drako a serpent or a dragon who lived there and protected the navel of the Earth. Python is claimed by some to be the name of the site in recognition of Python which Apollo defeated. The Homeric Hymn to Delphic Apollo recalled that the ancient name of this site had been Krisa, others relate that it was named Pytho and that Pythia, the priestess serving as the oracle, was chosen from their ranks by a group of priestesses who officiated at the temple. At the settlement site in Delphi, which was a settlement of the late 9th century. Pottery and bronze work as well as tripod dedications continue in a steady stream, the victors at Delphi were presented with a laurel crown which was ceremonially cut from a tree by a boy who re-enacted the slaying of the Python. Delphi was set apart from the other sites because it hosted the mousikos agon. These Pythian Games rank second among the four stephanitic games chronologically and these games, though, were different from the games at Olympia in that they were not of such vast importance to the city of Delphi as the games at Olympia were to the area surrounding Olympia. Delphi would have been a renowned city whether or not it hosted these games, it had other attractions that led to it being labeled the omphalos of the earth, in other words, in the inner hestia of the Temple of Apollo, an eternal flame burned. The name Delphoi comes from the root as δελφύς delphys, womb. Apollo is connected with the site by his epithet Δελφίνιος Delphinios, the epithet is connected with dolphins in the Homeric Hymn to Apollo, recounting the legend of how Apollo first came to Delphi in the shape of a dolphin, carrying Cretan priests on his back. The Homeric name of the oracle is Pytho, another legend held that Apollo walked to Delphi from the north and stopped at Tempe, a city in Thessaly, to pick laurel which he considered to be a sacred plant. In commemoration of this legend, the winners at the Pythian Games received a wreath of laurel picked in the Temple, Delphi became the site of a major temple to Phoebus Apollo, as well as the Pythian Games and the famous prehistoric oracle. Even in Roman times, hundreds of votive statues remained, described by Pliny the Younger, additionally, according to Plutarchs essay on the meaning of the E at Delphi—the only literary source for the inscription—there was also inscribed at the temple a large letter E
Delphi
–
The theatre, seen from above
Delphi
–
Delphi.
Delphi
–
Delphi valley.
Delphi
–
The remaining columns of the Temple of Apollo
42.
Pindar
–
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved and his poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they are reduced to silence by the disinclination of the multitude for elegant learning. His poetry, while admired by critics, still challenges the casual reader, Pindar was the first Greek poet to reflect on the nature of poetry and on the poets role. A dream of a shadow Is our mortal being, but when there comes to men A gleam of splendour given of heaven, Then rests on them a light of glory And blessed are their days. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the classical period, five ancient sources contain all the recorded details of Pindars life. One of them is a short biography discovered in 1961 on an Egyptian papyrus dating from at least 200 AD and it has been claimed that biographical interpretations of the poems are due to a fatal conjunction of historicism and Romanticism. In other words, we know almost nothing about Pindars life based on traditional sources or his own poems. However, the pendulum of fashion has begun to change direction again. He was probably born in 522 BC or 518 BC in Cynoscephalae and his fathers name is variously given as Daiphantus, Pagondas or Scopelinus, and his mothers name was Cleodice. It is reported that he was stung on the mouth by a bee in his youth, Pindar was about twenty years old in 498 BC when he was commissioned by the ruling family in Thessaly to compose his first victory ode. He studied the art of poetry in Athens, where his tutor was Lasos of Hermione. The early-to-middle years of Pindars career coincided with the Persian invasions of Greece in the reigns of Darius and it is possible that Pindar spent much of this time at Aegina. Thrasybulus had driven the winning chariot and he and Pindar were to form a lasting friendship, Pindar seems to have used his odes to advance his, and his friends, personal interests. In 462 BC he composed two odes in honour of Arcesilas, king of Cyrene, pleading for the return from exile of a friend, Demophilus. In the latter ode Pindar proudly mentions his own ancestry, which he shared with the king, as an Aegeid or descendent of Aegeus, the historian Herodotus considered the clan important enough to deserve mention. Pindar might not actually claim to be an Aegeid since his I statements do not necessarily refer to himself. He was possibly the Theban proxenos or consul for Aegina and/or Molossia, as indicated in another of his odes, Nemean 7, in which he glorifies Neoptolemus, a national hero of Aegina and Molossia
Pindar
–
Pindar, Roman copy of Greek 5th century BC bust (
Museo Archeologica Nazionale, Naples)
Pindar
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A short Heracles: Pindar once ignored the traditional image of Heracles, the supreme example of the heroic physique, and described him as short in order to compare him with a short patron.
Pindar
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The so-called 'Farnese Diadumenos' is a Roman copy of a Greek original attributed to
Polykleitos c.440 BC, depicting an athlete tying a victory ribbon round his head
43.
Python (mythology)
–
In Greek mythology, Python was the serpent, sometimes represented as a dragon, living at the centre of the earth, believed by the ancient Greeks to be at Delphi. Python, sometimes written Phython, presided at the Delphic oracle, Greeks considered the site to be the centre of the earth, represented by a stone, the omphalos or navel, which Python guarded. Python became the enemy of the later Olympian deity Apollo. These were the most famous and revered in the ancient Greek, there are various versions of Pythons birth and death at the hands of Apollo. Robert Graves, who habitually read into primitive myths a retelling of archaic political and social turmoil, saw in this the capturing by Hellenes of a pre-Hellenic shrine. To placate local opinion at Delphi, he wrote in The Greek Myths, regular games were instituted in honour of the dead hero Python. Erwin Rohde wrote that the Python was a spirit, who was conquered by Apollo, and buried under the Omphalos. Actually became an Apollonian serpent, and Pythia, the priestess who gave oracles at Delphi, was named after him. Many pictures show the serpent Python living in amity with Apollo and guarding the Omphalos, the sacred navel-stone and mid-point of the earth, which stood in Apollos temple. This myth has been described as an allegory for the dispersal of the fogs and clouds of vapor which arise from ponds, Apollo Belvedere Delphi Dragons in Greek mythology Pythia Serpent Saint George and the Dragon Metaphor of the sun Burkert, Walter, Greek Religion 1985. Deane, John Bathurst, The Worship of the Serpent,1833, farnell, Lewis Richard, The Cults of the Greek States,1896. Fontenrose, Joseph Eddy, Python, a study of Delphic myth, guthrie, William Keith Chambers, The Greeks and their Gods,1955. Hall, Manly Palmer, The Secret Teachings of All Ages,1928, ch.14 cf. Greek Oracles, www, PRS Harrison, Jane Ellen, Themis, A Study of the Social Origins of Greek Religion,1912. Cf. Chapter IX, p.329 especially, on the slaying of the Python, the Gods of the Greeks especially pp 135–6. Homeric Hymn to Pythian Apollo Rohde, Erwin, Psyche,1925, smith, William, Dictionary of Greek and Roman Biography and Mythology, London
Python (mythology)
–
Apollo killing Python. A 1581 engraving by
Virgil Solis for
Ovid 's
Metamorphoses, Book I.
Python (mythology)
–
Sculpture by Pietro Francavilla of Apollo's first triumph, when he slew with his bow and arrows the serpent Python, which lies dead at his feet. The Walters Art Museum.
44.
Castalian Spring
–
Finally Roman poets regarded it as a source of poetic inspiration. According to some versions it was here that Apollo killed the monster, Python, who was guarding the spring. Two fountains, which were fed by the spring, still survive. The archaic 6th century BCE fountain house has a basin surrounded by benches. Water was brought here by means of a short and small aqueduct and was distributed by a system of water ending in lion-headed spouts. The Roman fountain dates to the 1st century B. C. and is situated about 50 meters higher from the Archaic one, niches carved on the rock were intended for the ex votos of the pilgrims. One of them was later transformed into a church of St. John the Baptist, the water of the spring reached the fountain with a closed aqueduct. On the facade of the fountain there were seven bronze spouts, in front of it there was a paved courtyard with stone benches on its three sides. Nowadays a modern fountain stands close to the leading to the archaeological site of Delphi to offer respite to the travelers. The Castalian Spring fuelled poetic inspiration, albeit often confused with the Spring of Pieris, the Castalian Band, a group of poets or makars associated with the Court of James VI of Scotland drew their name from this source. There is a town named Castalian Springs in Tennessee, a natural spring in this location was a gathering place for animals. Isaac Bledsoe discovered the spring in 1772, having built a fort in 1783, Bledsoe, his brother, and their families settled near the spring in 1787. Indians killed the two brothers, who are now buried 500 yards northwest of the spring, consequently, this area was known locally as Bledsoes Lick. In 1828, a log inn was built, providing guests with healthy drinking water, almost ten years later when the post office was built, the community changed its name from Bledsoes Lick to Castalian Springs. During this period of time in history, there was a reawakening of interest in classical Greece, in Castalia, Ohio, named after the famed site, the Blue Hole limestone configurations were tourist attractions for many years and are now fish hatcheries. Waters in the holes are of a constant temperature and never freeze over despite northern Ohios cold temperatures. The water which averages 30,000 gallons an hour was first used to supply a local mill, Castalian Springs was the name of a now-abandoned spa near Durant, Mississippi
Castalian Spring
–
Castalian Spring.
Castalian Spring
45.
Pythia
–
The Pythia, was the name of the High Priestess of the Temple of Apollo at Delphi who also served as the oracle, commonly known as the Oracle of Delphi. The name Pythia is derived from Pytho, which in myth was the name of Delphi. Pythia was the House of Snakes, the Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god, in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC, during this period the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks, and she was without doubt the most powerful woman of the classical world. The oracle is one of the religious institutions of the classical Greeks. Nevertheless, details of how the Pythia operated are missing as authors from the classical period treat the process as common knowledge with no need to explain and those who discussed the oracle in any detail are from 1st century BC to 4th century AD and give conflicting stories. Herodotus, writing in the fifth century BC describes the Pythia speaking in dactylic hexameters, the 8th-century reformulation of the Oracle at Delphi as a shrine to Apollo seems associated with the rise in importance of the city of Corinth and the importance of sites in the Corinthian Gulf. The earliest account of the origin of the Delphic oracle is provided in the Homeric Hymn to Delphic Apollo, which recent scholarship dates within a narrow range, c. It describes in detail how Apollo chose his first priests, whom he selected in their swift ship, but Apollo, who had Delphinios as one of his cult epithets, leapt into the ship in the form of a dolphin. Dolphin-Apollo revealed himself to the terrified Cretans, and bade them follow him up to the place where you will have rich offerings. The Cretans danced in time and followed, singing Iē Paiēon, paean seems to have been the name by which Apollo was known in Mycenaean times. G. L. Huxley observes, If the hymn to Apollo conveys a historical message, an early visitor to these dells of Parnassus, at the end of the eighth century, was Hesiod, who was shown the omphalos. There are also many stories of the origins of the Delphic Oracle. On entering the chasm, he found himself filled with a presence and could see outside of the present into the past. Excited by his discovery he shared it with nearby villagers, many started visiting the site to experience the convulsions and inspirational trances, though some were said to disappear into the cleft due to their frenzied state. A shrine was erected at the site, where people began worshiping in the late Bronze Age, after the deaths of a number of men, the villagers chose a single young woman as the liaison for the divine inspirations. Eventually she spoke on behalf of gods, according to earlier myths, the office of the oracle was initially possessed by the goddesses Themis and Phoebe, and the site was initially sacred to Gaia. Subsequently, it was believed to be sacred to Poseidon, the Earth-shaker god of earthquakes, apparently Poseidon was mollified by the gift of a new site in Troizen
Pythia
–
Lycurgus Consulting the Pythia (1835/1845), as imagined by
Eugène Delacroix.
46.
Anatolia
–
Anatolia, in geography known as Asia Minor, Asian Turkey, Anatolian peninsula, or Anatolian plateau, is the westernmost protrusion of Asia, which makes up the majority of modern-day Turkey. The region is bounded by the Black Sea to the north, the Mediterranean Sea to the south, the Sea of Marmara forms a connection between the Black and Aegean Seas through the Bosphorus and Dardanelles straits and separates Anatolia from Thrace on the European mainland. Traditionally, Anatolia is considered to extend in the east to a line between the Gulf of Alexandretta and the Black Sea to the Armenian Highlands, thus, traditionally Anatolia is the territory that comprises approximately the western two-thirds of the Asian part of Turkey. The Turkification of Anatolia began under the Seljuk Empire in the late 11th century, however, various non-Turkic languages continue to be spoken by minorities in Anatolia today, including Kurdish, Assyrian, Armenian, Arabic, Laz, Georgian, and Greek. Traditionally, Anatolia is considered to extend in the east to a line running from the Gulf of Alexandretta to the Black Sea. This traditional geographical definition is used, for example, in the latest edition of Merriam-Websters Geographical Dictionary, under this definition, Anatolia is bounded to the east by the Armenian Highlands, and the Euphrates before that river bends to the southeast to enter Mesopotamia. To the southeast, it is bounded by the ranges that separate it from the Orontes valley in Syria, the first name the Greeks used for the Anatolian peninsula was Ἀσία, presumably after the name of the Assuwa league in western Anatolia. As the name of Asia came to be extended to areas east of the Mediterranean. The name Anatolia derives from the Greek ἀνατολή meaning “the East” or more literally “sunrise”, the precise reference of this term has varied over time, perhaps originally referring to the Aeolian, Ionian and Dorian colonies on the west coast of Asia Minor. In the Byzantine Empire, the Anatolic Theme was a theme covering the western, the modern Turkish form of Anatolia is Anadolu, which again derives from the Greek name Aνατολή. The Russian male name Anatoly and the French Anatole share the same linguistic origin, in English the name of Turkey for ancient Anatolia first appeared c. It is derived from the Medieval Latin Turchia, which was used by the Europeans to define the Seljuk controlled parts of Anatolia after the Battle of Manzikert. Human habitation in Anatolia dates back to the Paleolithic, neolithic Anatolia has been proposed as the homeland of the Indo-European language family, although linguists tend to favour a later origin in the steppes north of the Black Sea. However, it is clear that the Anatolian languages, the oldest branch of Indo-European, have spoken in Anatolia since at least the 19th century BC. The earliest historical records of Anatolia stem from the southeast of the region and are from the Mesopotamian-based Akkadian Empire during the reign of Sargon of Akkad in the 24th century BC, scholars generally believe the earliest indigenous populations of Anatolia were the Hattians and Hurrians. The region was famous for exporting raw materials, and areas of Hattian-, one of the numerous cuneiform records dated circa 20th century BC, found in Anatolia at the Assyrian colony of Kanesh, uses an advanced system of trading computations and credit lines. They were speakers of an Indo-European language, the Hittite language, originating from Nesa, they conquered Hattusa in the 18th century BC, imposing themselves over Hattian- and Hurrian-speaking populations. According to the most widely accepted Kurgan theory on the Proto-Indo-European homeland, however, the Hittites adopted the cuneiform script, invented in Mesopotamia
Anatolia
–
The traditional definition of Anatolia within modern Turkey
Anatolia
–
The location of
Turkey (within the rectangle) in reference to the
European continent. Anatolia roughly corresponds to the
Asian part of Turkey, except the eastern parts historically known as the
Armenian Highlands
Anatolia
–
1907 map of Asia Minor, showing the local ancient kingdoms
Anatolia
–
Mural of
aurochs, a
deer, and humans in
Çatalhöyük, which is the largest and best-preserved Neolithic site found to date. It was registered as a
UNESCO World Heritage Site in 2012.
47.
Athens
–
Athens is the capital and largest city of Greece. In modern times, Athens is a cosmopolitan metropolis and central to economic, financial, industrial, maritime. In 2015, Athens was ranked the worlds 29th richest city by purchasing power, Athens is recognised as a global city because of its location and its importance in shipping, finance, commerce, media, entertainment, arts, international trade, culture, education and tourism. It is one of the biggest economic centres in southeastern Europe, with a financial sector. The municipality of Athens had a population of 664,046 within its limits. The urban area of Athens extends beyond its administrative city limits. According to Eurostat in 2011, the Functional urban areas of Athens was the 9th most populous FUA in the European Union, Athens is also the southernmost capital on the European mainland. The city also retains Roman and Byzantine monuments, as well as a number of Ottoman monuments. Athens is home to two UNESCO World Heritage Sites, the Acropolis of Athens and the medieval Daphni Monastery, Athens was the host city of the first modern-day Olympic Games in 1896, and 108 years later it welcomed home the 2004 Summer Olympics. In Ancient Greek, the name of the city was Ἀθῆναι a plural, in earlier Greek, such as Homeric Greek, the name had been current in the singular form though, as Ἀθήνη. It was possibly rendered in the later on, like those of Θῆβαι and Μυκῆναι. During the medieval period the name of the city was rendered once again in the singular as Ἀθήνα, an etiological myth explaining how Athens has acquired its name was well known among ancient Athenians and even became the theme of the sculpture on the West pediment of the Parthenon. The goddess of wisdom, Athena, and the god of the seas, Poseidon had many disagreements, in an attempt to compel the people, Poseidon created a salt water spring by striking the ground with his trident, symbolizing naval power. However, when Athena created the tree, symbolizing peace and prosperity. Different etymologies, now rejected, were proposed during the 19th century. Christian Lobeck proposed as the root of the name the word ἄθος or ἄνθος meaning flower, ludwig von Döderlein proposed the stem of the verb θάω, stem θη- to denote Athens as having fertile soil. In classical literature, the city was referred to as the City of the Violet Crown, first documented in Pindars ἰοστέφανοι Ἀθᾶναι. In medieval texts, variant names include Setines, Satine, and Astines, today the caption η πρωτεύουσα, the capital, has become somewhat common
Athens
–
From upper left: the
Acropolis, the
Hellenic Parliament, the
Zappeion, the
Acropolis Museum,
Monastiraki Square, Athens view towards the sea
Athens
–
Athena, patron goddess of Athens;
National Archaeological Museum
Athens
–
Acropolis of Athens, with
Odeon of Herodes Atticus seen on bottom left
48.
Herodotus
–
Herodotus was a Greek historian who was born in Halicarnassus in the Persian Empire and lived in the fifth century BC, a contemporary of Socrates. The Histories is the work which he is known to have produced. Despite Herodotus historical significance, little is known of his personal life and his place in history and his significance may be understood according to the traditions within which he worked. His work is the earliest Greek prose to have survived intact, of these only fragments of Hecataeuss work survive yet they allow us glimpses into the kind of tradition within which Herodotus wrote his own Histories. In his introduction to Hecataeus’s work, Genealogies, This points forward to the ‘folksy’ yet ‘international’ outlook typical of Herodotus. Yet, one scholar has described the work of Hecataeus as “a curious false start to history” since despite his critical spirit. It is possible that Herodotus borrowed much material from Hecataeus, as stated by Porphyry in a recorded by Eusebius. But Hecataeus did not record events that had occurred in living memory, unlike Herodotus, Herodotus claims to be better informed than his predecessors by relying on empirical observation to correct their excessive schematism. For example, He argues for continental asymmetry as opposed to the theory of a perfectly circular earth with Europe. Yet, he retains idealizing tendencies, as in his notions of the Danube. His debt to previous authors of prose ‘histories’ might be questionable, however, this point is one of the most contentious issues in modern scholarship. It is on account of the strange stories and the folk-tales he reported that his critics in early modern times branded him “The Father of Lies”. Even his own contemporaries found reason to scoff at his achievement, similarly, the Athenian historian Thucydides dismissed Herodotus as a “logos-writer”. Moreover, Thucydides developed a historical topic more in keeping with the Greek world-view, the interplay of civilizations was more relevant to Greeks living in Anatolia, such as Herodotus himself, for whom life within a foreign civilization was a recent memory. Modern scholars generally turn to Herodotus’s own writing for reliable information about his life, supplemented with ancient yet much later sources, modern accounts of his life typically go something like this, Herodotus was born at Halicarnassus around 484 BC. His name is not mentioned later in the tribute list of the Athenian Delian League, the epic poet Panyassis – a relative of Herodotus – is reported to have taken part in a failed uprising. Herodotus expresses affection for the island of Samos, and this is an indication that he might have lived there in his youth. So it is possible that his family was involved in an uprising against Lygdamis, leading to a period of exile on Samos, Herodotus wrote his Histories in the Ionian dialect, yet he was born in Halicarnassus, which was a Dorian settlement
Herodotus
–
A Roman copy (2nd century AD) of a Greek
bust of Herodotus from the first half of the 4th century BC
Herodotus
–
Fragment from the Histories VIII on
Papyrus Oxyrhynchus 2099, early 2nd century AD
Herodotus
–
Relief of Herodotus by
Jean-Guillaume Moitte (1806),
Louvre, Paris
Herodotus
–
The statue of Herodotus in his hometown of
Halicarnassus, modern
Bodrum, Turkey.
49.
Egypt
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Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
Egypt
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The
Giza Necropolis is the oldest of the
ancient Wonders and the only one still in existence.
Egypt
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Flag
Egypt
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The Greek Ptolemaic queen
Cleopatra VII and her son by Julius Caesar,
Caesarion at the
Temple of Dendera.
Egypt
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The 1803
Cedid Atlas, showing
Ottoman Egypt.
