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Charles Wild (1816) St James's Palace, Queen's Levee Room
Charles Wild (1816) St James's Palace, Queen's Levee Room
The second scene of William Hogarth's A Rake's Progress (1732-33) showing the wealthy Tom at his morning levée in London, attended by musicians and ot
The second scene of William Hogarth's A Rake's Progress (1732-33) showing the wealthy Tom at his morning levée in London, attended by musicians and other hangers-on all dressed in expensive costumes. Surrounding Tom from left to right: a music master at a harpsichord, who was supposed to represent George Frideric Handel; a fencing master; a quarterstaff instructor; a dancing master with a violin; a landscape gardener Charles Bridgeman; an ex-soldier offering to be a bodyguard; a bugler of a
Le Lever, engraving by Louis Romanet (1742–1810), after Sigmund Freudenberg (1745-1801)
Le Lever, engraving by Louis Romanet (1742–1810), after Sigmund Freudenberg (1745-1801)
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In Company Shocked at a Lady Getting up to Ring the Bell (1805) James Gillray caricatured "A widow and her suitors, who seem to have forgotten their m
In Company Shocked at a Lady Getting up to Ring the Bell (1805) James Gillray caricatured "A widow and her suitors, who seem to have forgotten their manners in the intensity of their admiration."
At the Palace of Versailles, King Louis XIV used complicated étiquette to manage and control his courtiers and their politicking.
At the Palace of Versailles, King Louis XIV used complicated étiquette to manage and control his courtiers and their politicking.
In the 18th century, Philip Stanhope, the 4th Earl of Chesterfield, first used the word etiquette to mean "the conventional rules of personal behaviou
In the 18th century, Philip Stanhope, the 4th Earl of Chesterfield, first used the word etiquette to mean "the conventional rules of personal behaviour in polite society." (William Hoare)
In High-Change in Bond Street, – ou – la Politesse du Grande Monde (1796), James Gillray caricatured the lack of etiquette in a group of men who are d
In High-Change in Bond Street, – ou – la Politesse du Grande Monde (1796), James Gillray caricatured the lack of etiquette in a group of men who are depicted leering at women and crowding them off the sidewalk.