1.
Album
–
Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Bee Gees
–
The Bee Gees were a pop music group formed in 1958. Their line-up consisted of brothers Barry, Robin and Maurice Gibb, the Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists. Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Manchester, England, the family then moved to Redcliffe, in Queensland, Australia, and then to Cribb Island. The Bee Gees have sold more than 220 million records worldwide, the Bee Gees Hall of Fame citation says Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees. Following Maurices sudden death in January 2003 at the age of 53, Barry, in 2009 Robin announced that he and Barry had agreed that the Bee Gees would re-form and perform again. Robin died in May 2012 at the age of 62, after a struggle with cancer and other health problems. In December 1957 the boys began to sing in harmony, the story is told that they were going to lip sync to a record in the local Gaumont cinema and as they were running to the theatre, the fragile shellac 78-RPM record broke. The brothers had to sing live and received such a response from the audience that they decided to pursue a singing career. In May 1958 the Rattlesnakes were disbanded when Frost and Horrocks left, with the Gibb brothers then forming Wee Johnny Hayes, in August 1958 the Gibb family, including older sister Lesley and infant brother Andy, emigrated to Redcliffe, just north-east of Brisbane in Queensland, Australia. The young brothers began performing to raise pocket money and they were introduced to leading Brisbane radio DJ Bill Gates by speedway promoter and driver Bill Goode, who had hired the brothers to entertain the crowd at the Redcliffe Speedway in 1960. Gates renamed them the BGs after his, Goodes, and Barry Gibbs initials—thus the name was not specifically a reference to Brothers Gibb, the family relocated to Cribb Island which was later demolished for Brisbane Airport. While there, the brothers went to Northgate State School, by 1960 the Bee Gees were featured on television shows, including their performance of Time Is Passing By. In the next few years they began working regularly at resorts on the Queensland coast, for his songwriting, Barry sparked the interest of Australian star Col Joye, who helped them get a record deal in 1963 with Festival Records subsidiary Leedon Records under the name Bee Gees. The three released two or three singles a year, while Barry supplied additional songs to other Australian artists, in 1962, the Bee Gees were chosen as the supporting act for Chubby Checkers concert at Sydney Stadium. From 1963 to 1966 the Gibb family lived at 171 Bunnerong Road, the house was demolished in 2016. A minor hit in 1965, Wine and Women, led to the groups first LP, The Bee Gees Sing, by 1966 Festival was, however, on the verge of dropping them from the Leedon roster because of their perceived lack of commercial success. It was at time that they met American-born songwriter, producer and entrepreneur, Nat Kipner. Kipner briefly took over as the manager and successfully negotiated their transfer to Spin in exchange for Festival being granted the Australian distribution rights to the groups recordings
3.
Record Plant
–
The Record Plant was a series of three famous recording studios which were founded by Gary Kellgren and Chris Stone, beginning in New York City in 1968. The next year, Kellgren and Stone opened a studio in Los Angeles. In 1972, the company expanded again with a location in Sausalito. Kellgren died in 1977, and in the 1980s, the New York and Sausalito studios ended up under different ownership, the New York studio closed in 1987 and the Sausalito studio closed in 2008. The Los Angeles studio continues in business as the Record Plant, the Record Plant in New York was the first studio to give the recording artist a comfortable, casual environment rather than the clinical setting that was the norm through the 1960s. Kellgren and Stone brought this same vision to their Los Angeles, Stone later said of Kellgren, He single-handedly was responsible for changing studios from what they were—fluorescent lights, white walls and hardwood floors—to the living rooms that they are today. In late 1967, Chris Stone was introduced to Kellgren because Kellgrens wife Marta was seven months pregnant, scared of the upcoming birth, mutual friends thought that the two couples could talk about being parents and ease Martas worry. Though they were opposed in nature, with Stone all business and Kellgren very creative. Seeing him at work, Stone determined that Kellgren was not making use of his genius for making recordings. Stone noticed that the studio was charging its clients $5,000 per week. Stone suggested Kellgren ask for a raise, and soon he was making $1,000 per week, Stone held an MBA from the UCLA Anderson School of Management and was at that time employed as the national sales representative of Revlon cosmetics. Stone convinced Kellgren that the two of them, with $100,000 borrowed from Johanna C. C, ancky Revson Johnson, could start a new recording studio, one with a better atmosphere for creativity. Johnson was a model who became the second wife of Revlon founder Charles Revson, then divorced and married Ben Johnson. In early 1968 Kellgren and Stone began building a 12-track studio at 321 West 44th Street and it opened on March 13,1968. When The Jimi Hendrix Experience arrived at the studio, Kellgren engineered the first few dates until Eddie Kramer, in 1969, Kellgren and Stone sold the New York operation to TeleVision Communications, a cable television company that was broadening its portfolio. The purpose of the sale was to gain cash for expansion into Los Angeles with a second studio, the next big mixing assignment that the studio accepted was to mix the tracks recorded at the Woodstock Festival. These took more than a month to sort out in the studio, as recording conditions had been primitive, in 1970, Studio A became the first recording studio designed for mixing quadraphonic sound. On August 1,1971, the studio made its first remote recordings at The Concert for Bangladesh, in January 1972, Warner Communications bought the facility from TVC
4.
Los Angeles
–
Los Angeles, officially the City of Los Angeles and often known by its initials L. A. is the cultural, financial, and commercial center of Southern California. With a census-estimated 2015 population of 3,971,883, it is the second-most populous city in the United States, Los Angeles is also the seat of Los Angeles County, the most populated county in the United States. The citys inhabitants are referred to as Angelenos, historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was founded on September 4,1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence, in 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4,1850, the discovery of oil in the 1890s brought rapid growth to the city. The completion of the Los Angeles Aqueduct in 1913, delivering water from Eastern California, nicknamed the City of Angels, Los Angeles is known for its Mediterranean climate, ethnic diversity, and sprawling metropolis. Los Angeles also has an economy in culture, media, fashion, science, sports, technology, education, medicine. A global city, it has been ranked 6th in the Global Cities Index, the city is home to renowned institutions covering a broad range of professional and cultural fields, and is one of the most substantial economic engines within the United States. The Los Angeles combined statistical area has a gross metropolitan product of $831 billion, making it the third-largest in the world, after the Greater Tokyo and New York metropolitan areas. The city has hosted the Summer Olympic Games in 1932 and 1984 and is bidding to host the 2024 Summer Olympics and thus become the second city after London to have hosted the Games three times. The Los Angeles area also hosted the 1994 FIFA mens World Cup final match as well as the 1999 FIFA womens World Cup final match, the mens event was watched on television by over 700 million people worldwide. The Los Angeles coastal area was first settled by the Tongva, a Gabrielino settlement in the area was called iyáangẚ, meaning poison oak place. Gaspar de Portolà and Franciscan missionary Juan Crespí, reached the present site of Los Angeles on August 2,1769, in 1771, Franciscan friar Junípero Serra directed the building of the Mission San Gabriel Arcángel, the first mission in the area. The Queen of the Angels is an honorific of the Virgin Mary, two-thirds of the settlers were mestizo or mulatto with a mixture of African, indigenous and European ancestry. The settlement remained a small town for decades, but by 1820. Today, the pueblo is commemorated in the district of Los Angeles Pueblo Plaza and Olvera Street. New Spain achieved its independence from the Spanish Empire in 1821, during Mexican rule, Governor Pío Pico made Los Angeles Alta Californias regional capital
5.
Acoustic music
–
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. The retronym acoustic music appeared after the advent of electric instruments, such as the guitar, electric violin, electric organ. It has its origins in the music of the 1960s. The trend has also dubbed as acoustic rock in some cases. Navigating the Music Industry, Current Issues & Business Models, Music and the Modern Condition, Investigating the Boundaries
6.
Folk rock
–
It has also been influential in those parts of the world with close cultural connections to Britain and gave rise to the genre of folk punk. By the 1980s the genre was in decline in popularity. When English bands of the late 1960s and early 1970s defined themselves as electric folk they were making a distinction with the existing folk rock. Folk rock was what they had already been producing, American or American style singer-songwriter material played on instruments, as undertaken by Bob Dylan. They drew the distinction because they were focusing on indigenous songs, the result of this hybridisation was an exchange of specific features drawn from Traditional music and Rock music. For example, electric folk groups, while using traditional material as their source for lyrics and tunes. In the same year, The Beatles began incorporating overt folk influences into their music, the Beatles and other British Invasion bands, in turn, influenced the Californian band The Byrds, who began playing folk-influenced material and Bob Dylan compositions with rock instrumentation. The Byrds recording of Dylans Mr Tambourine Man was released in April 1965 and reached #1 on the U. S. and UK singles charts, setting off the mid-1960s folk rock movement. The Beatles late 1965 album, Rubber Soul, contained a number of songs clearly influenced by the American folk rock boom, such as Nowhere Man and If I Needed Someone. Folk rock became an important genre among emerging English bands, particularly those in the London club scene towards the end of the 1960s. Like the American revival, it was often overtly left wing in its politics, most important among their responses were the foundation of folk clubs in major towns, starting with London where MacColl began the Ballads and Blues Club in 1953. These clubs were usually urban in location, but the songs sung in them often hearkened back to a rural pre-industrial past, in many ways this was the adoption of abandoned popular music by the middle classes. This meant that there were, by the later 1960s, a group of performers with musical skill and knowledge of a variety of traditional songs. The result was an interpretation of the song A Sailors Life. The rapid expansion of electric folk that followed in the wake of Liege, five Hand Reel a band formed out of the remnants of Spencers Feat proved to be one of the more successful and influential folk rock bands. Releasing 4 albums with Topic/RCA records they were popular in Europe. He then quit that and eventually formed the Albion Country Band, later the Albion Band, a much smaller group of English bands were formed in emulation of existing electric rock bands. Fiddlers Dram were often dismissed as one hit wonders for their single Day Trip to Bangor, most of their career, from that point until they disbanded in 1979, was one of declining profile and sales
7.
Country rock
–
Country rock is subgenre of popular music, formed from the fusion of rock and country. It was developed by musicians who began to record country-flavored records in the late-1960s and early-1970s. These musicians recorded rock records using country themes, vocal styles, country rock began with Bob Dylan and The Byrds, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, Michael Nesmith, Poco and Pure Prairie League. Country rock also influenced artists in genres, including The Band, Grateful Dead, Creedence Clearwater Revival, The Rolling Stones. It also played a part in the development of Southern rock, john Einarson states, From a variety of perspectives and motivations, these musicians either played rock & roll attitude, or added a country feel to rock, or folk, or bluegrass, there was no formula. Dylans lead was followed by The Byrds, who were joined by Gram Parsons in 1968. Parsons had mixed country with rock, blues and folk to create what he called Cosmic American Music. Earlier in the year Parsons had released Safe at Home with the International Submarine Band, the result of Parsons brief tenure in the Byrds was Sweetheart of the Rodeo, generally considered one of the finest and most influential recordings in the genre. Country rock was a popular style in the California music scene of the late 1960s. Some folk-rockers followed the Byrds into the genre, among them the Beau Brummels, one of the few acts to successfully move from the country side towards rock were the bluegrass band The Dillards. Former members of Ronstadts backing band went on to form the Eagles, however, the principal country influence in the Eagles came from Bernie Leadon of the Flying Burrito Brothers, and little country influence was left in the band after he left in late 1975. The genre declined in popularity in the late 1970s, but some established artists, List of country rock albums List of country rock musicians
8.
RSO Records
–
RSO Records was a record label formed by rock and roll and musical theatre impresario Robert Stigwood in 1973. The RSO stands for the Robert Stigwood Organisation, the companys main headquarters were at 67 Brook Street, in Londons Mayfair. The release of the two albums made RSO one of the most financially successful labels of the 1970s. As successful as the label was financially, the independent label produced successes on the pop charts never before seen by the recording industry. By one point in 1978, the label boasted an unprecedented sixth consecutive number-one single on the Billboard pop charts, holding the top spot for 21 consecutive weeks. With singles releases from the Grease album and another huge Andy Gibb smash, RSO would log a further 10 weeks at the number 1 position and this feat remains unduplicated by any record label to date. It also released a single that summer by Paul Jones. As well as the label was operating in 1978, the commercial and critical failure of RSOs movie version of Sgt. Peppers Lonely Hearts Club Band crippled the company, the woes of this failure were only somewhat offset by the middle of 1979, as the Bee Gees album Spirits Having Flown went on to eventually sell nearly 20 million copies. In 1980, the labels most famous act, the Bee Gees, the lawsuit was subsequently settled for an undisclosed amount, and after a public reconciliation, the band remained with the label until its dissolution. By 1981, Stigwood had ended his involvement with the label, all previous RSO releases were later re-released under Polydors label
9.
Record producer
–
A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
10.
To Whom It May Concern (Bee Gees album)
–
To Whom It May Concern is a 1972 album by the Bee Gees. Released in October 1972, it was the follow-up, and continued the melancholic, some of the songs were old ones finished up or rewritten for the occasion. To Whom It May Concern has sold approximately 350,000 copies worldwide, after touring in 1971 to promote their previous album, Trafalgar, the Bee Gees worked quickly to complete another album. They recorded the song Paper Mache, Cabbages and Kings on 3 January 1972 which was the last song recorded with the Australian drummer Geoff Bridgford and he left the group before their tour of East Asia and was replaced on tour by Chris Karan. Recording resumed in April 1972 with a Robin song called Never Been Alone, the drummer on the April sessions was a veteran session player, Clem Cattini. The first song recorded for album was You Know Its For You. Karan did not participate with the Bee Gees on studio as Clem Cattini recalls, the Bee Gees saved a non-album single, My World, from the sessions which was released in January 1972, becoming a UK/US Top 20 hit. Shepherds arrangements are relatively toned down and the background vocals sometimes seem to take the place of what could have been string sections, the album was released in November 1972. Bruce Eder in a review for AllMusic feels the album makes for pleasant and satisfying listening. To Whom It May Concern only reached No.35 in the US and it performed better in other European countries. 10, and peaked at No.6 in Spain, the subsequent single Alive was a modest sized hit in the US, reaching the Top 40, and a major hit in Australia, reaching No.4. In the 2010 documentary In Our Own Time, Maurice was shown explaining that by 1972 they didnt really know who their audience was, the original album cover was a gatefold with pictures of business associates and family members on a drawing of the Bee Gees and a band. The band shows Barry, Robin and Maurice Gibb Alan Kendall and tour-only drummer Chris Karan, Paper Mache, Cabbages and Kings entered the Danish charts in the first week of 1973 and stayed in the charts for 5 weeks, peaking at #8. All tracks written by Barry, Robin & Maurice Gibb, except where noted, some publicity material featured an alternate trackorder although no commercial release of it exists
11.
Mr. Natural (Bee Gees album)
–
Mr. Natural is the Bee Gees twelfth album, released in July 1974. It was the first Bee Gees release to be produced by Arif Mardin, the albums music incorporates more rhythm and blues, soul and funk and hard rock than their previous albums. The album reached No.178 on the Billboard 200, Mr. Natural was also the first album to feature drummer Dennis Bryon. Although the album contains R&B and soul numbers, Barry said that the album was whiter than their next album Main Course. The decision to work with Mardin came after the RSO label rejected the brothers post-Life in a Tin Can album, robert Stigwood was not ready to give up on the Bee Gees, but he did not believe in the musical direction they were taking. Mardin brought the attention to the dance scene unfolding at the time. Recording began in November 1973, and although they were self-conscious about doing a really black sound, the new sound was more electric than much of what they had done since regrouping in 1970. With Mardin at the helm, the Bee Gees returned to the IBC Studios, the first two songs recorded were harder rock, both written in Los Angeles. This was an attempt to record a new sound, compared to the acoustic sounds found on Life in a Tin Can. There were also two new backing musicians, Dennis Bryon on drums and Geoff Westley on keyboards, who were in the tour band, Bryon was a friend of Kendall, and would be the Bee Gees drummer until 1980. The big change here was having Westley, or in anyone, play most of the piano. Westley would soon be replaced as keyboardist by ex-Strawbs keyboardist Derek Blue Weaver, three songs were written by all three brothers, one, Lost in Your Love was a solo Barry composition while Give A Hand, Take A Hand was a Barry/Maurice composition. The songs Mr. Natural and Had a Lot of Love Last Night were recorded and completed at the Command Studios in London, the songs Give a Hand, Take a Hand and Lost in Your Love were recorded at Atlantic Studios in 1974. Maurice said in an interview with Lynn Redgrave that his alcoholism didnt affect his recording sessions, the sessions of Mr. Natural features Barry doing his impression for Maurice. When we did Mr. Natural we didnt have a direction, Maurice said. In an interview with the Bee Gees for Billboard on 24 March 2001, Maurice recalls about producer Arif Mardin, Arif was brilliant, thats why we did the Mr. Natural album with him, which was like a rehearsal. Mr. Natural generated no global hits, but represented an important step in The Bee Gees evolution, the album shows a strong Philadelphia soul influence in tracks like Throw a Penny. Other highlights include Mr. Natural, the hard rock tunes Down the Road and Heavy Breathing
12.
Single (music)
–
In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
13.
Saw a New Morning
–
Saw a New Morning is the 1973 single released by the Bee Gees. It was also the groups first single released on Robert Stigwoods newly created records label RSO Records. The Bee Gees moved to Los Angeles in 1972 to record the album Life in a Tin Can which was a new direction for the group, the B-side, My Life Has Been a Song features lead vocal by Robin Gibb as well as Barry Gibb. This song contains melodic ideas that the group would revisit on the later track Edge of the Universe, written in 1972 and recorded around September the same year. On the song, Maurice Gibb played the part through electric piano with Jim Keltners drums providing a thump. While backing guitarist Alan Kendall plays guitar with Barry and Maurice Gibb and this single was the first and only single from the album, the single did not fare well and stalled at #94 in the US, while it did not chart at all in the UK. Ironically, while the single flopped in most of the world, it reached #1 in Hong Kong, as did their next single Wouldnt I Be Someone, which also flopped in both the US and UK. Saw a New Morning was also the groups first single in the USA issued originally in stereo, but not have come across on AM radio. In April 1973, they performed the song on the The Midnight Special and The Tonight Show Starring Johnny Carson, in addition to a 1973 TV special called Love Sounds Special in Japan
14.
AllMusic
–
AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
15.
Rolling Stone
–
Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
16.
Edge of the Universe (song)
–
Edge of the Universe is a rock song by the Bee Gees, Written by Barry, Robin and Maurice Gibb from the album Main Course released in 1975, and also released as a B-side of Nights on Broadway. In 1975, the Bee Gees moved their operations to Miami Beach, the group recorded an album with famed R&B producer Arif Mardin called Mr. Natural in 1974 with little commercial success. The album did, however, turn the Gibbs towards a new sound compared to the kind of music the brothers were producing in the early-1970s and this new flavored sound carried over on to their next album, 1975s Main Course, also produced by Arif Mardin. The Bee Gees had formed the nucleus of their band in early 1975 with Blue Weaver on keyboards, Alan Kendall on lead guitar, also part of the Bee Gees to mid to late-1970s sound was The Boneroo Horns brought to Miami in 1973 by Dr. John. Recording for Edge of the Universe took place on a 30 January, the biggest differences between the studio and live versions are a slower tempo on the original and the use of synthesizer on live version
17.
Barry Gibb
–
With his brothers, Robin and Maurice Gibb, he formed a songwriting partnership beginning in 1966. They returned to England where they achieved worldwide fame and he is also known for his high-pitched falsetto singing voice. Gibb shares the record with John Lennon and Paul McCartney for consecutive Billboard Hot 100 number ones as a writer with six, guinness World Records lists Gibb as the second most successful songwriter in history behind Paul McCartney. Gibbs career has spanned fifty years. In 1994, he was inducted into the Songwriters Hall of Fame with his brothers, in 1997, as a member of the Bee Gees, he was inducted into the Rock and Roll Hall of Fame and received the Brit Award for Outstanding Contribution to Music. Barry is a fellow of the British Academy of Songwriters, Composers and Authors, for services to music, Gibb was appointed Commander in the Order of the British Empire at Buckingham Palace on 27 May 2004. In 2007, Q magazine ranked him number 38 on its list of the 100 Greatest Singers, Barry Alan Crompton Gibb was born in Jane Crookall Maternity Home at 8,45 AM in Douglas, Isle of Man, to Hugh Gibb, a drummer, and Barbara Gibb. He has English, Irish, and Scottish ancestry and he has an older sister, Lesley Evans. He was named Barry Alan Crompton Gibb after his fathers youngest brother Alan, when Gibb was born, his father was busy with his music working at various hotels in Douglas, while his mother stayed at home looking after the children. Later, the Gibbs moved to Chapel House on Strang Road, when he was almost two years old, he was badly burned. His mother had just made tea which she had put on the table, he climbed up and pulled the tea pot down and he was in Nobles Hospital for about two-and-a-half months. Gibb later commented on that incident, Then the gangrene set in, because in those days, the advancement of medicine simply didnt apply to people with bad scalds, so you didnt have skin grafts, you didnt have things like that. But this was a particularly bad scald, and I think I had 20 minutes to live at some point, the incredible thing for me is that whole two years is wiped from my memory, the whole period of being in hospital. The idea of being burnt is in somewhere, but I have no knowledge of it. Ive got the scars but I have no knowledge, in 1949, the Gibb family relocated to 50 St. Catherines Drive. Later that year, on 22 December, his two younger brothers Robin and Maurice were born, when the twins were young, they moved to Smedley Cottage, Spring Valley, also in Douglas. Gibb started school on 4 September 1951, three days after his birthday, attending Braddan school. In 1952, the Gibb family relocated to 43 Snaefell Road, Willaston, the same year, he went to Tynwald Street Infants School
18.
Robin Gibb
–
Robin Hugh Gibb CBE was a British singer, songwriter and record producer, who gained worldwide fame as a member of the pop group the Bee Gees. Their younger brother Andy was also a singer, Robin Gibb also had his own successful solo career. Gibb was born on the Isle of Man to English parents, Hugh and Barbara Gibb, the later moved to Manchester before settling in Redcliffe. Gibb began his career as part of the family trio, when the group found their first success, they returned to England where they achieved worldwide fame. In 2002, the Bee Gees were appointed as CBEs for their contribution to music, however, investiture at Buckingham Palace was delayed until 2004. With record sales estimated in excess of 200 million units, the Bee Gees became one of the most successful pop groups of all time. Music historian Paul Gambaccini described Gibb as one of the figures in the history of British music. From 2008 to 2011, Gibb was President of the Heritage Foundation, after a career spanning six decades, Gibb last performed on stage in February 2012 supporting injured British servicemen and women at a charity concert at the London Palladium. On 20 May 2012, Gibb died at the age of 62 from liver, Robin Hugh Gibb was born on 22 December 1949 in Jane Crookall Maternity Home in Douglas, Isle of Man, to Hugh and Barbara Gibb. He was the twin of Maurice Gibb and was the older of the two by 35 minutes. Apart from Maurice, he had one sister, Lesley Evans, as children in Manchester, Gibb and his brothers began committing petty crimes such as arson. In 1953, the Gibbs watched the coronation of Queen Elizabeth II on the television and their neighbour in Willaston, Isle of Man, Marie Beck was the friend of his mother and her sister Peggy. Little did I realise he meant it, in 1955, when the Gibbs moved back to their home town of Manchester, the Gibb brothers formed The Rattlesnakes. In May 1958, it was disbanded as Frost and Horrocks left, and the changed to Wee Johnny Hayes. In August 1958, the travelled to Australia on the same ship as Australian musician Red Symons. The name was changed to Bee Gees, when they lived in Queensland. The Bee Gees debut television appearance was in 1960 on Desmond Testers Strictly for Moderns when they performed Time Is Passing By, when they signed to Festival Records at the start of 1963 they released their debut single, The Battle of the Blue and the Grey. Their 1964 single Claustrophobia is notable for being the first song that features Gibb as an instrumentalist playing melodica, the first Bee Gees record on which he sang lead was I Dont Think Its Funny in 1965
19.
Sneaky Pete Kleinow
–
Peter E. Sneaky Pete Kleinow was an American country-rock musician, songwriter, and a motion picture special effects artist. Kleinow was born and raised in South Bend, Indiana, inspired by Jerry Byrd, following graduation, he worked for over a decade as a maintenance worker at the Michigan Department of Transportation. In 1963, he relocated to Los Angeles, where he began a career as an effects artist and stop motion animator in the film. After uncredited work on The Wonderful World of the Brothers Grimm, The Outer Limits, after signing to A&M Records and briefly considering Lloyd Green, Parsons and Hillman invited Kleinow to join their new project, the Flying Burrito Brothers. For Kleinow, the opportunity was the culmination of his desire to make a living with music. Never paragons of commercial success, the Flying Burrito Brothers would go on to generations of popular musicians. One of the first pedal steel players to work in a context, Kleinow favored the outmoded Fender 400. According to bandmate Bernie Leadon, Sneaky uniquely played an eight-string Fender cable pull steel tuned to B6 instead of the more common C6 and he played an usually more jazz or swing tuning in a style that most other players use an E9 tuning for. His rationale was B is the five chord, or dominant chord and this resulted in absolutely-to-Pete steel licks. And no one else thinks like him anyway, in addition to favoring atypical tunings, Kleinow liberally incorporated such electronic accoutrements as the fuzzbox, the Leslie speaker and the Echoplex into his style. Despite this setback, the imprimatur of the band allowed Kleinow to enjoy a career as a session musician throughout this period. In 1974, Kleinow was briefly part of a new band, Cold Steel and he remained with the band until 1981 before rejoining again from 1984 to 1997. The later iterations of the band enjoyed several minor hits on Curb Records. His first solo album, Sneaky Pete, was released in 1978 and The Legend and he was a co-recipient of the 1983 Primetime Emmy Award for Outstanding Special Visual Effects for his work on the highly successful ABC miniseries The Winds of War. The group recorded three albums, Georgia Peach, The Whole Enchilada and 2007s Disciples of the Truth, which feature his last studio recordings. Kleinows last performance was at a 2005 Gram Parsons tribute Gram Fest concert in Joshua Tree, California, on January 6,2007, Kleinow died at a convalescent home near the skilled nursing facility in Petaluma, California. Suffering from Alzheimers disease, he had been living at the facility since 2006, Kleinow was brought to tears and expressed his joy and gratitude for the special moment. Kleinow was married to Ernestine Kleinow for 54 years until his death and they had three sons and two daughters together
20.
Ric Grech
–
Richard Roman Ric Grech was a British rock musician and multi-instrumentalist. He was educated at Corpus Christi RC School, Leicester, after attending Sacred Heart Primary School and he played violin in the school orchestra. Grech originally gained notice in the United Kingdom as the guitar player for the progressive rock group Family. He joined the band when it was a largely blues-based live act in Leicester known as the Farinas and he became their bassist in 1965, replacing Tim Kirchin. Family released their first single, Scene Through The Eye of a Lens, in September 1967 on the Liberty label in the UK, released in February 1969, Family Entertainment, the groups second album, was a major turning point for Grech personally. However, Grech failed to give Chapman and Whitney adequate notice, returning to England, Grech recorded with the group the self-titled album, Blind Faith, with Clapton, Winwood, and drummer Ginger Baker, a former bandmate of Claptons in Cream. The quartet toured the U. S. to support it, Clapton was disappointed with the quality of the music and the performances, and Blind Faith called it quits. In October 1969, between Blind Faith and Traffic, Grech recorded two tracks for a solo project, Spending All My Days and Exchange And Mart. Among the participants in the session was George Harrison, in 1970, he appeared on Graham Bonds album Holy Magick. As in Family, Grech lasted two albums with Traffic — Welcome to the Canteen and The Low Spark of High Heeled Boys, along with drummer Jim Capaldi, Grech co-wrote the minor hit Rock N Roll Stew. Drugs, however, remained a problem, and Winwood and his bandmates eventually decided they had no alternative, Grech remained active in session work, playing with Rod Stewart, Ronnie Lane, Vivian Stanshall and Muddy Waters. He also worked with Rosetta Hightower, the Crickets, Bee Gees, in January 1973, he performed in Eric Claptons Rainbow Concert, and he reunited with Roger Chapman and Charlie Whitney when the duo recorded an album in 1974 after Familys breakup. Grech was one of special guests on that record, which led Chapman. Grech, however, was not in that band, Grech made at least two reported attempts to start a new rock group in the seventies but both failed. During 1973-74, he played in one of numerous versions of the late Buddy Holly backing band The Crickets, in 1973 RSO Records released the only album under his own name, credited to Rick Grech. The album was titled The Last Five Years and it contained songs that Grech wrote and recorded with Family, Blind Faith, Traffic, Ginger Bakers Airforce and others between 1968 and 1973. Consisting of Grech on bass, Mike Bloomfield on guitar, Carmine Appice on drums, Barry Goldberg on keyboards, and Ray Kennedy on vocals, Grech and Bloomfield immediately quit after its release, stating they never had faith in the project. The album was not critically well received, Grech retired from music in 1977 and moved back to Leicester
21.
Maurice Gibb
–
Maurice Ernest Gibb, CBE was a British singer, songwriter, multi-instrumentalist, and record producer, who achieved fame as a member of the British pop group the Bee Gees. The Bee Gees were one of the most successful rock-pop groups ever, Gibbs role in the group focused on melody and arrangements, providing backing vocal harmony and playing a variety of instruments. They returned to England, where they achieved worldwide fame, in 2002, the Bee Gees were appointed as CBEs for their contribution to music. Following his death in 2003, Gibbs son collected his award at Buckingham Palace in 2004, Gibbs earliest musical influences included The Everly Brothers, Cliff Richard and Paul Anka, The Mills Brothers and The Beatles were significant later influences. By 1964 he began his career as an instrumentalist, playing guitar on Claustrophobia, after the groups break-up in 1969, Gibb released his first solo single, Railroad, but his first solo album, The Loner, has never been released. Maurice Ernest Gibb was born in Douglas, Isle of Man, on 22 December 1949, the son of Hugh Gibb, a drummer and he was the fraternal twin of Robin Gibb, and was the younger of the two by 35 minutes. At that time, he had one sister, Lesley, and one brother, in January 1955, the Gibbs moved back to Manchester, England. Around 1955, Gibb and his brothers were heard harmonising by their parents, also in 1955, he started his music career when he joined the skiffle/rock and roll group the Rattlesnakes with his brothers and two friends, Paul Frost and Kenny Horrocks, who were their neighbours. The groups first major appearance was on 28 December 1957 when they performed at a local Gaumont cinema where children were invited to sing between films. They had planned to sing along to a 78 rpm record which Lesley had just been given as a Christmas present, the audience were pleased by their singing, which may have been the song Wake Up Little Susie by the Everly Brothers. When he was 8 years old, Gibb emigrated to Redcliffe, in Queensland, Australia, shortly after, he and his brothers formed the Bee Gees. By January 1963 the Gibbs moved to Sydney, the groups first single was The Battle of the Blue and the Grey but it failed to chart. Around 1963, the Gibb brothers worked with Judy Stone, Johnny Devlin, by 1964, Gibb made his first appearance as an instrumentalist on the beat-influenced Claustrophobia. Also in 1964, the Gibb brothers worked with Johnny Devlin, around 1965, the Gibb brothers worked with Trevor Gordon, Michelle Rae and Noeleen Batley. In 1966 the three Gibb brothers wrote their first song, The Storm. Also in 1966, Gibb began his career as the lead guitarist and bassist for the band, around the time, he recorded his first solo composition, All by Myself. Their second album, Spicks and Specks, included Where Are You, in March 1967 the Gibb brothers worked with Billy J. Kramer recording Town of Tuxley Toymaker, Part 1. Around the same time, Colin Petersen and Vince Melouney joined the Bee Gees, in the middle of 1967 Bee Gees 1st was released
22.
Kent Music Report
–
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to 1988. After 1988, the Australian Recording Industry Association, who had been using the report under licence for a number of years, prior to the Kent Report, Go-Set magazine published weekly Top-40 Singles from 1966 and Album charts from 1970 until the magazines demise in August 1974. David Kent later publicised the Australian charts from 1940–1973 in a retrospective fashion using state by state chart data obtained from various Australian radio stations. Kent had spent a number of years working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first released on a basis in July 1974 and was offered for subscription. The report data was based solely on radio station charts from around the country. These radio station charts were compiled using data collected from local record stores and. In 1976, as funding from subscriptions grew, Kent himself started collecting data from retail stores to supplement the radio station charts. His operation grew and staff were employed to assist with research, within a year or so, the major record companies started using the Report for their own marketing programs and it had established itself as the leading national chart publication. From 1982, retail sales data collected by Kent and his staff were used exclusively, some radio station chart data was used as supplementary information, however. At about the time, the Australian Recording Industry Association was established by the major record companies, being EMI, Festival Records, CBS, RCA, WEA. From 1983 until 1988 ARIA had an arrangement with Kent to use the Report under their own banner. The Kent Report continued however and in 1987 was rebadged as the Australian Music Report, in 1988 the arrangement with ARIA ended and the ARIA Charts were produced in-house by the Association. In April 1998, the AMR charts ceased publishing, leaving the ARIA charts as the nationally recognised chart publication. In 1993, David Kent published his Australian Chart Book 1970 -1992 and this was based on his chart data already published as the Kent Music Report from May 1974 onwards. He specially retro-calculated charts based on state-based Australian radio station available to him dated prior to May 1974. On this basis, he put together Australian national charts from 1940 -1969. Prior to 1949, radio music charts in Australia were only available on a monthly basis
23.
Billboard 200
–
The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists, often, a recording act will be remembered by its number ones, those of their albums that outperformed all others during at least one week. The chart is based mostly on sales of albums in the United States, the weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of the following week, the charts streaming schedule is also tracked from Friday to Thursday. Example, Friday January 1 – sales tracking week begins Thursday January 7 – sales tracking week ends Tuesday January 12 – new chart published, New product is released to the American market on Fridays. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for sale in the United States are not eligible to chart. As of the issue dated April 15,2017, the album on the Billboard 200 is More Life by Drake. Billboard began an album chart in 1945, initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly, 15-position Best-Selling Popular Albums chart appeared in 1955, the position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte, the chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957. Beginning on May 25,1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums and Best-Selling Monophonic LPs for mono albums and these were renamed to Stereo Action Charts and Mono Action Charts in 1960. In January 1961, they became Action Albums—Stereophonic and Action Albums—Monophonic, three months later, they became Top LPs—Stereo and Top LPs—Monaural. On August 17,1963 the stereo and mono charts were combined into a 150-position chart called Top LPs, on April 1,1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13,1967. In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles and these Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. In January 1961, the Action Charts became Action Albums—Monophonic, Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963, in 1982, Billboard began publishing a Midline Albums chart which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly basis, on May 25,1991, Billboard premiered the Top Pop Catalog Albums chart
24.
Singing
–
Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
25.
Backing vocalist
–
Backing vocalists are singers who provide vocal harmony with the lead vocalist or other backing vocalists. In some cases, a singer may sing alone as a lead-in to the main vocalists entry or to sing a counter-melody. Backing vocalists are used in a range of popular music, traditional music. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts, in many rock and metal bands, the musicians doing backup vocals also play instruments, such as guitar, electric bass, drums, or keyboards. In Latin or Afro-Cuban groups, backup singers may play percussion instruments or shakers while singing, in some pop and hip-hop groups and in musical theater, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones. The style of singing used by backup singers varies according to the type of song, in pop and country songs, backup vocalists may perform vocal harmony parts to support the lead vocalist. In hardcore punk or rockabilly, other members who play instruments may sing or shout backup vocals during the chorus section of the songs. While some bands use performers whose sole on-stage role is performing backing vocals, two notable examples of band members who sang back-up are The Beach Boys and The Beatles. The Beach Boys were well known for their vocal harmonies, occasionally with all five members singing at once such as In My Room. All five members would sing lead, although most often Brian Wilson or Mike Love would sing lead with guitarists Carl Wilson and Al Jardine, examples of three-part harmonies by Lennon, McCartney and Harrison include Nowhere Man, Because, Day Tripper, and This Boy. Former guitarist John Frusciante of the Red Hot Chili Peppers sang nearly all backing vocals often singing some parts without accompaniment from lead vocalist Anthony Kiedis, the bands bassist Flea occasionally filled in for additional vocals. Frusciante usually sang one song by himself during concerts, another example is No Frontiers by The Corrs, which is sung by Sharon and Caroline. In the recording studio, some lead singers record their own backing vocals by overdubbing, one famous example is Freddie Mercury of Queen singing the first part of Bohemian Rhapsody himself by overdubbing. With the exception of a few songs on album, Dan Fogelberg, Eddie Rabbitt, David Bowie. Some bands, such as Hawthorne Heights and Finch have the backup singers do harsh vocals to highlight specific lyrics. Pop and R&B vocalists such as Diana Ross, Ariana Grande, Mariah Carey, Michael Jackson, Janet Jackson, Beyoncé Knowles, Brandy, Faith Evans, DAngelo, when they perform live, they may have backing vocalists that impersonate their voices. Some bands use backing vocals in order to contrast with the singer who may be performing an unusual vocal technique. In rap music, a rapper who chants and rhymes to support the main artist is often referred to as hype man
26.
Rhythm guitar
–
Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, in big band music, the guitarist is considered part of the rhythm section, alongside bass and drums. In some musical situations, such as a solo singer-guitarist, the guitar accompaniment provides all the rhythmic drive, in the most commercially available and consumed genres, electric guitars tend to dominate their acoustic cousins in both the recording studio and the live venue. However the acoustic guitar remains a popular choice in country, western and especially bluegrass music, most rhythms in rock and blues are based on 4/4 time with a backbeat, however, many variations are possible. A backbeat is a syncopated accentuation on the off beat, in a simple 4/4 rhythm these are beats 2 and 4. This requires rhythm guitarists to have a knowledge of how to use chord voicings, riffs. Three-chord progressions are common in pop and rock, using various combinations of the I, IV and V chords. Minor and modal chord progressions feature in popular music. One departure from the basic strummed chord technique is to play arpeggios, if this is done rapidly enough, listeners will still hear the sequence as harmony rather than melody. Arpeggiation is often used in folk, country, and heavy metal and it is also prominent in 1960s pop, such as The Animals House of the Rising Sun, and jangle pop from the 1980s onwards. Rhythm guitarists who use arpeggio often favor semi-acoustic guitars and twelve string guitars to get bright, the Soukous band TPOK Jazz additionally featured the unique role of mi-solo, guitarist, playing arpeggio patterns and filling a role between the lead and rhythm guitars. In some cases, the progression is implied with a simplified sequence of two or three notes, sometimes called a riff, that is repeated throughout the composition. In heavy metal music, this is expanded to more complex sequences comprising a combination of chords, single notes. The rhythm guitar part in compositions performed by more technically oriented bands often include riffs employing complex lead guitar techniques, in bands with two or more guitarists, the guitarists may exchange or even duplicate roles for different songs or different sections within a song. In those with a single guitarist, the guitarist may play lead and rhythm at different times or simultaneously, some rhythm techniques cross over into lead guitar playing. In guitar-bass-and-drums power trios guitarists must double up between rhythm and lead, for instance Jimi Hendrix combined full chords with solo licks, double stops and arpeggios. A recent innovation is the use of a pedal to record a chord sequence or riff over which the lead line can then be played. As a result, rhythm and lead players may use different guitars and amplifiers, Rhythm guitarists may employ an electric acoustic guitar or a humbucker-equipped electric guitar for a richer and fatter output
27.
Bass guitar
–
The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
28.
Piano
–
The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches
29.
Lap steel guitar
–
The lap steel guitar is a type of steel guitar, an instrument derived from and similar to the guitar. The player changes pitch by pressing a metal or glass bar against the strings instead of by pressing strings against the fretboard, there are three main types of lap steel guitar, Lap steel guitars, the first developed, which use a similar sound box to a Spanish guitar. Resonator guitars, particularly those with square necks, but also round neck versions with a raised nut, Electric lap steel guitars, which include the first commercially successful solid body instruments. These were originally marketed as electric Hawaiian guitars, in addition to the lap-played model, a closely related version called a console steel guitar is supported on legs. Electric lap steels typically have six or 8 and up to ten strings, Lap steel and resonator guitars may also be fitted with pickups, but do not depend on electrical amplification to produce sound. A lap steel guitars strings are raised at both the nut and bridge ends of the fingerboard, typically to about half an inch. The strings are too high to contact the surface of the neck, so frets, some lap steel guitars can be converted between lap and fretted playing, or are modified versions of conventional guitars—the only difference is usually string height. Round-necked resonator guitars set up for steel playing fall into this category, instruments designed exclusively as lap steel guitars typically have modified necks that make fretted playing impossible. The hollow neck acoustic lap steel, developed by Chris Knutsen and popularized by Weissenborn, the square-necked resonator guitar has a strengthened square profile neck, allowing heavier string gauges and/or higher tunings that would normally be considered impossible on a conventional guitar. The electric lap steel guitar typically incorporates the entire neck into the body of the guitar, again providing extra strength to allow a greater variety of string gauges. The lap steel guitar is typically placed on the players lap and this method of playing greatly restricts the number of chords available, so lap steel music often features melodies, a restricted set of harmonies, or another single part. This allows the player greater control when picking sets of notes on non-adjacent strings, on the other hand, a minority of Blues players, and many Rock players, use a conventional flatpick. Tut Taylor is one of the few Dobro players that use a flatpick and it is widely reported that the lap steel guitar was invented by a man named Joseph Kekuku in 1885. It is said that, at the age of 7, Kekuku was walking along a track and picked up a metal bolt. He taught himself to using this method with the back of a knife blade. Various other people have also credited with the innovation. The instrument became a fad in the United States during the 1920s and 1930s. The instrument became popular in Hawaii, as musicians played in tent-rep shows
30.
Harmonica
–
There are many types of harmonica, including diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one or more holes along a mouthpiece, behind each hole is a chamber containing at least one reed. A harmonica reed is a flat elongated spring typically made of brass, stainless steel, or bronze, when the free end is made to vibrate by the players air, it alternately blocks and unblocks the airway to produce sound. Reeds are pre-tuned to individual pitches, tuning may involve changing a reeds length, the weight near its free end, or the stiffness near its fixed end. Longer, heavier and springier reeds produce deeper, lower sounds, an important technique in performance is bending, causing a drop in pitch by making embouchure adjustments. Such two-reed pitch changes actually involve sound production by the normally silent reed, the basic parts of the harmonica are the comb, reed plates and cover plates. The comb is the body of the instrument, which. The term comb may originate from the similarity between this part of a harmonica and a hair comb, Harmonica combs were traditionally made from wood but now are also made from plastic or metal. Some modern and experimental designs are complex in the way that they direct the air. There is dispute among players about whether comb material affects the tone of a harmonica, among those saying yes are those who are convinced by their ears. Few dispute, however, that comb surface smoothness and air-tightness when mated with the reedplates can greatly affect tone, the main advantage of a particular comb material over another one is its durability. In particular, a comb can absorb moisture from the players breath. This can cause the comb to expand slightly, making the instrument uncomfortable to play, various types of wood and treatments have been devised to reduce the degree of this problem. Much effort is devoted by serious players to restoring wood combs, some players used to soak wooden-combed harmonicas in water to cause a slight expansion, which they intended to make the seal between the comb, reed plates and covers more airtight. Modern wooden-combed harmonicas are less prone to swelling and contracting, players still dip harmonicas in water for the way it affects tone and ease of bending notes. The reed plate is a grouping of several reeds in a single housing, the reeds are usually made of brass, but steel, aluminium and plastic are occasionally used. Individual reeds are usually riveted to the plate, but they may also be welded or screwed in place. Reeds fixed on the side of the reed plate respond to blowing
31.
Western concert flute
–
The Western concert flute is a transverse woodwind instrument made of metal or wood. It is the most common variant of the flute, a musician who plays the flute is called a flautist, flutist, flute player, or fluter. This type of flute is used in ensembles including concert bands, military bands, marching bands, orchestras, flute ensembles. Other flutes in this include the piccolo, alto flute. A large repertory of works has been composed for flute, the flute is one of the oldest and most widely used wind instruments. The precursors of the concert flute were keyless wooden transverse flutes. These were later modified to include one and eight keys for chromatic notes. The most common pitch for keyless wooden traverse flutes is six-finger D, keyless traverse flutes continue to be used in folk music and in historically informed performances of Baroque music. Throughout the 11th, 12th and 13th centuries, transverse flutes were very uncommon in Europe, the transverse flute arrived in Europe from Asia, via the Byzantine Empire, where it migrated to Germany and France. These flutes became known as German flutes, to them from others. The flute became used in music, along with the viol. It would not spread to the rest of Europe for nearly a century, the first literary appearance of the transverse flute was made in 1285, by Adenet le Roi in a list of instruments he played. After this, a period of 70 years ensues, where there are few references to the flute, beginning in the 1470s, a military revival in Europe led to a revival in the flute. The Swiss army used flutes for signaling, and this helped the spread to all of Europe. In the late 16th century, flutes began to appear in court and theatre music, following the 16th century court music, flutes began appearing in chamber ensembles. These flutes were used as the tenor voice. However, flutes varied greatly in size and range and this made transposition necessary, which led flutists to use Guidonian hexachords to transpose music more easily. At this stage, the flute was usually made in one section and had a cylindrical bore
32.
Violin
–
The violin is a wooden string instrument in the violin family. It is the smallest and highest-pitched instrument in the family in regular use, smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused in the 2010s. The violin typically has four strings tuned in fifths, and is most commonly played by drawing a bow across its strings. Violins are important instruments in a variety of musical genres. They are most prominent in the Western classical tradition and in varieties of folk music. They are also used in genres of folk including country music and bluegrass music. Electric violins are used in forms of rock music, further. The violin is sometimes called a fiddle, particularly in Irish traditional music and bluegrass. The violin was first known in 16th-century Italy, with further modifications occurring in the 18th and 19th centuries. In Europe it served as the basis for stringed instruments used in classical music, the viola. According to their reputation, the quality of their sound has defied attempts to explain or equal it, many of these trade instruments were formerly sold by Sears, Roebuck and Co. and other mass merchandisers. A person who makes or repairs violins is called a luthier or violinmaker, the parts of a violin are usually made from different types of wood and on the use of a pickup and an amplifier and speaker). Violins can be strung with gut, Perlon or other synthetic, the earliest stringed instruments were mostly plucked. Similar and variant types were probably disseminated along East-West trading routes from Asia into the Middle East, the first makers of violins probably borrowed from various developments of the Byzantine lira. These included the rebec, the Arabic rebab, the vielle, the earliest pictures of violins, albeit with three strings, are seen in northern Italy around 1530, at around the same time as the words violino and vyollon are seen in Italian and French documents. One of the earliest explicit descriptions of the instrument, including its tuning, is from the Epitome musical by Jambe de Fer, by this time, the violin had already begun to spread throughout Europe. The violin proved very popular, both among street musicians and the nobility, the French king Charles IX ordered Andrea Amati to construct 24 violins for him in 1560, one of these noble instruments, the Charles IX, is the oldest surviving violin. The Messiah or Le Messie made by Antonio Stradivari in 1716 remains pristine and it is now located in the Ashmolean Museum of Oxford
33.
Drum kit
–
A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
34.
Orchestra
–
The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus. A full-size orchestra may sometimes be called an orchestra or philharmonic orchestra. The actual number of employed in a given performance may vary from seventy to over one hundred musicians, depending on the work being played. The term chamber orchestra usually refers to smaller-sized ensembles of about fifty musicians or fewer, the typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras called for in the works of Richard Wagner, and later, Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, the conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble. The first violin, commonly called the concertmaster, also plays an important role in leading the musicians, the typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings. The orchestra, depending on the size, contains almost all of the instruments in each group. Chamber orchestra usually refers to smaller-sized ensembles, a chamber orchestra might employ as many as fifty musicians. The term concert orchestra may also be used, as in the BBC Concert Orchestra, the so-called standard complement of doubled winds and brass in the orchestra from the first half of the 19th century is generally attributed to the forces called for by Beethoven. The composers instrumentation almost always included paired flutes, oboes, clarinets, bassoons, horns, the exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No,4, which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral palette in Symphonies 3,5,6, the third horn in the Eroica Symphony arrives to provide not only some harmonic flexibility, but also the effect of choral brass in the Trio movement. Piccolo, contrabassoon, and trombones add to the finale of his Symphony No.5. A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth, for several decades after his death, symphonic instrumentation was faithful to Beethovens well-established model, with few exceptions. Apart from the core orchestral complement, various instruments are called for occasionally. These include the guitar, heckelphone, flugelhorn, cornet, harpsichord. Saxophones, for example, appear in some 19th- through 21st-century scores.6 and 9 and William Waltons Belshazzars Feast, and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked tenor tuba, including Gustav Holsts The Planets, cornets appear in Pyotr Ilyich Tchaikovskys ballet Swan Lake, Claude Debussys La Mer, and several orchestral works by Hector Berlioz
