Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results.
Detail of an engraving by Marcantonio
An example of stipple engraving, using tiny dots to create soft tonal effects, by Francesco Bartolozzi
An engraved portrait of Daniel Webster by Duyckinick, 1873
Steel engraving is a technique for printing illustrations based on steel instead of copper. It has been rarely used in artistic printmaking, although it was much used for reproductions in the 19th century. Steel engraving was introduced in 1792 by Jacob Perkins (1766–1849), an American inventor, for banknote printing. When Perkins moved to London in 1818, the technique was adapted in 1820 by Charles Warren and especially by Charles Heath (1785–1848) for Thomas Campbell's Pleasures of Hope, which contained the first published plates engraved on steel. The new technique only partially replaced the other commercial techniques of that time such as wood engraving, copper engraving and later lithography.
Detail of the image below; click to enlarge further
Landing of Columbus, engraved by the BEP based on Vanderlyn's 1847 painting. This vignette was used as the back of the Series 1875 $5 National Bank Note.
Baptism of Pocahontas, engraved by Charles Burt for the BEP based on Chapman's 1840 painting. This vignette was used as the back of the Series 1875 $20 National Bank Note.
Trinity College, Cambridge; View from St John's College Old Bridge, c. 1840. steel engraving was much used for decorative topographical prints such as this, by John Le Keux.