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A lithograph of Charles Marion Russell's The Custer Fight (1903), with the range of tones fading toward the edges
A lithograph of Charles Marion Russell's The Custer Fight (1903), with the range of tones fading toward the edges
This very early colour lithograph from 1835 uses large washes of orange and cyan with black ink providing the details.
This very early colour lithograph from 1835 uses large washes of orange and cyan with black ink providing the details.
A lithographer at work, 1880
A lithographer at work, 1880
Lithography machine in Bibliotheca Alexandrina
Lithography machine in Bibliotheca Alexandrina
Saint Agnes, mezzotint by John Smith after Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss, by his mistress
Ludwig von Siegen, Countess Amalie Elisabeth of Hanau-Münzenberg, 1642, is the first known mezzotint, using the light to dark method.
Ludwig von Siegen, Countess Amalie Elisabeth of Hanau-Münzenberg, 1642, is the first known mezzotint, using the light to dark method.
Shirley Jones, 'Eternity', Terra Contigua (2009)
Shirley Jones, 'Eternity', Terra Contigua (2009)
Early mezzotint by Wallerant Vaillant, Siegen's assistant or tutor. Young man reading, with statue of Cupid. Probably made using light to dark techniq
Early mezzotint by Wallerant Vaillant, Siegen's assistant or tutor. Young man reading, with statue of Cupid. Probably made using light to dark technique. 27.5 cm × 21.3 cm (10+13⁄16 in × 8+3⁄8 in)