Los Caprichos is a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797–1798 and published as an album in 1799. The prints were an artistic experiment: a mediu
Capricho No. 1, Francisco Goya y Lucientes, Pintor (Painter). As a prelude to his Caprichos, Goya included a portrait showing the author of this series of satires on the Spanish society of his time. He is represented in a satirical attitude and as an important personage.
Capricho No. 25, Si quebró el cántaro. (He broke the jug.)" (Detail). In this print, Goya criticized violence in the education of children. The enlightened believed that education could correct human defects and errors.
Capricho No. 13, Están calientes. (They are hot.) (Detail). In this engraving, whose preparatory drawing belongs to Album B, we can see the novelties Goya introduced in the album and used profusely throughout the Caprichos: chiaroscuro, expressionist and nonrealistic use of light to enhance relevant themes, ambiguous captions, and multiple visual messages.
His relationship with the Duchess of Alba inspired his satires on the inconstancy of women in love and their impiety towards lovers. Drawing from Album A of the Duchess combing her hair. Chinese ink wash.
Los disparates, also known as Proverbios or Sueños, is a series of prints in etching and aquatint, with retouching in drypoint and engraving, created by Spanish painter and printmaker Francisco Goya b
Νο. 13: Modo de volar (A way of flying), 24,4 x 35,3 cm. (Platemark)/ 33,7 x 50,2 cm. (Sheet). One of the most famous works of the series.
Νο. 10: El caballo raptor (Kidnapping horse), 24,4 x 35,3 cm.(Platemark)/ 33,7 x 50,2 cm. (Sheet). In this picture, a woman is carried in the grip of a horse's mouth. To Hughes, the woman's euphoria suggests, among other possible meanings, orgasm.
Preparatory drawing for Los Disparates no.6