Lotte Brand Philip was a German art historian, professor and expert on Netherlandish art, one of the most notable and incisive experts on 14th- and 15th-century art to have studied under Erwin Panofsky. Born a Christian of Jewish descent, she resisted state intimidation to leave Germany, only moving to the United States in 1941. She began her new life as a jewelry designer, before establishing a career as an art historian and writer, and taking professorship at a number of universities, including New York University and Queens College, Flushing. During her long career, Brand wrote highly regarded books and monographs on artists such as Jan van Eyck, Albrecht Dürer and Hieronymus Bosch, and in 1980 became emeritus at Queens. Brand Philip died on May 2, 1986, in New York City.
The reliquary of Mary at Aachen Cathedral. Its shape and lines inspired Brand Philip to imagine the Ghent Altarpiece panels as the centerpiece of a soaring, house-shaped structure.
Jan van Eyck was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, though most now regard that claim as an oversimplification.
Portrait of a Man (Self Portrait?) by Jan van Eyck, 1433. National Gallery, London
The Arnolfini Portrait, oil on oak, 1434. National Gallery, London
Hubert and Jan van Eyck, Ghent Altarpiece, completed 1432. Saint Bavo Cathedral, Ghent
Portrait of Margaret van Eyck, Groeningemuseum, Bruges, 1439